和歷代最高掌權者一樣，清代晚期在內廷長期掌政的 #慈禧太后，都會製造專屬器皿供其使用，因此，統治者的品味也深深影響了當代的藝術風格（例如宋代官窯）。清宮中以「#大雅齋」為記的艷麗瓷器，就是為了慈禧太后專用所造。這些「大雅齋」款的作品，雖然承繼了盛清時期琺瑯彩的用色，但在色彩的配置上，卻更為創新。
例如這件 紫地粉彩花鳥盒，過去紫色通常用來描繪圖案，並不會真的作為底色，可是，這件大膽地以紫色為背景，搭配紅花綠葉的琺瑯彩瓷，色彩如此鮮明搶眼，和慈禧太后喜好奢華的風尚相當契合。
※「大雅齋」是是慈禧太后作畫的書房。
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【粉彩紫地花鳥文蓋盒】
清 同治 西元1862-1873
【Purple-ground Box with Bird-and-Flower Motif in Fencai Enamels】
Qing dynasty, Tongzhi reign, AD1862-1873
高Height: 19.5 cm，口徑rim diameter: 29.5 cm
In the late Qing dynasty, the Empress Dowager Cixi controlled the court for a long period of time. Many people have heard stories of her sumptuous lifestyle and how she admired jadeite. Many do not realize, however, that the opulent porcelains with the mark "Ta-ya Studio" were made for her imperial use. These works with the "Ta-ya Studio" mark, though they follow the use of enamel colors from the High Qing, have an arrangement of colors that is even more striking. For example, violet was previously often used to paint patterns but not as a background color. However, this violet famille rose floral case boldly does so. Combined with the red flowers and green leaves, the colors are indeed quite striking and would indeed appear to echo the opulent lifestyle of the Empress Dowager Cixi.
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更多訊息：https://theme.npm.edu.tw/selection/Article.aspx?sNo=04001117
English: https://theme.npm.edu.tw/selection/Article.aspx?sNo=04001117&lang=2
