「地獄空」攝影集即將在八月中元節前出版,由知名設計師與攝影家黃子欽設計,內附在下二位高徒精美繪製符咒、心經版畫書籤、愣嚴咒牌、尊勝咒語...等,感恩十方大德助印,希望疫情退散,平安喜樂,後記如下:
野放台灣五十餘年,貪狼獨坐,三方四正殺破狼格局,少年多舛,白手起家,隨展覽雲遊四海,如閒雲野鶴常持各類底片機流連廢墟、山川、宮廟忘返,遂設幻影堂自詡堂主,一日三省「凡所有相皆是虛妄」,常宅於暗房沖片放大通宵、鍾情黑白世界之單純,彩色照片俗世繽紛花俏做作甜美甚至比現實更現實故少拍也。知天命之年有餘,了悟人生一瞬、眨眼即逝,雖非仙人,亦無道骨,初聞離垢地生清淨心,但離華嚴「不動地」尚遠,待修持也。
2017年盛暑拍畢《巨神連線》,心律不整差點心肌梗塞向閻羅王報到,意識死神隨伺在側,人生苦短,如何了生脫死、盡斷煩惱、無所罣礙、遠離顛倒……總不得解,蒙釋迦摩尼佛開示飆淚三晝夜,聞佛法數載始知自我渺如塵埃,甚感慚愧。閒暇乃參訪名寺古剎,禮敬焚香佛陀菩薩羅漢諸神天仙王爺媽娘,台灣宮廟千奇百怪、宗派錯綜複雜(佛教、道教、一貫道、天主教、基督教、齋教、回教&大同教、儒教鑾堂、天帝教&天德教、慈惠堂&勝安宮、軒轅教、道院、理教、萬國道德會、會靈山……)、神棍橫行(依人不依法、偶像崇拜、斂財、邪淫),因歷史變遷、社會動盪、政治鬥爭、意識形態等因素導致佛道混雜,但地獄造景稀少,後專注拍攝各殿閻王、判官、陰司、獄卒、七爺、八爺乃至一切罪人,各寺造景巧妙、耐人尋味,意境乖張溢於言表,造型扭曲非常人所能塑也,然匠心獨運、自成一格,專研西方藝術數十載方知真誠樸拙最美,絲毫不輸喬托(Giotto di Bondone,1267~1337)乃至米開朗基羅(Michelangelo Di lodovico Buonarroti Simoni 1475 ~ 1564)矣。
創立於1986年的石門金剛宮風景優美可眺望北濱,雖主祀四面佛,儒釋道眾神尊也不含糊,可過七星橋解厄、繞行五百黝黑羅漢敲鑼印心、跪拜亞洲最大臥佛涅槃像,安太歲自不在話下,甲子太歲爺雙眼長出手掌印象甚深,1994年經閻羅王指示廟公建造一條肚內設極樂世界及陰曹地府之神龍,行走暗黑通道觸動感應機關,只見面容猙獰受刑者呼天搶地喊冤、身邊盡是血肉糢糊殘肢敗屍腦漿塗地,十殿閻羅各司其職、威儀攝人。新北市林口區青嶺湖北文紫祥宮包公廟則以壁面彩塑地獄浮雕獨步全台,粉嫩色彩搭配卡漫風格,尤為造型簡直恐怖到可愛透頂,該廟主祀森羅殿閻羅天子包拯(包青天),陽世冤屈者可至此參拜祭解,求破懸案者眾,逢中元普渡皆以紙紮船渡亡魂至彼岸,全台唯一閻羅天子巨像籌備中,四周環繞墓地,適合修不淨觀也。台灣首尊彰化八卦山大佛旁南天宮(1971)地府則是首座電動地府,規模精小但驚嚇度破表,略顯破敗但五光十色仍蠻凶悍,出自已故台南大道長金登富之作,而電動神明起始可追溯至1960年代北港朝天宮。倒是嘉義水上鄉白人牙膏觀光工廠「戴相府」、「將軍府」設置十殿地府出乎意料之外,乾淨亮麗、ㄧ殿ㄧ間、簡單樸實。由高雄蓮潭龍虎塔龍口入內可見全臺唯一交趾陶地獄牆面,尊尊栩栩如生,續入龍身乃進聞聲救苦白衣觀音大士三十三化身浮雕隧道,造型設色甚為古錐。高雄大岡山超峰寺入口處「西方三聖蓮池海會」(阿彌陀佛、觀世音菩薩、大勢至菩薩巨像)旁設靜態十殿閻羅(1970年代初),雖略為陳舊然韻味猶存,續往上行可抵「證菩提道-釋迦如來應化事迹」雕塑園區,一攬世尊畢生精華。如來年邁時,琉璃國王為報長期被釋迦族輕蔑之傲慢心,世尊雖三次單獨伽跌坐 阻擋大軍進攻之路,但因緣果報無法逆轉,昔日婢女所生王子瞋恨無以復加,還是滅了祖國。自持神通第一目犍連不忍無辜百姓慘遭屠殺,遂以缽盛救度五百族人,最終卻化為血水,佛言神通廣大仍不敵千百劫業力,因緣果報屢試不爽。其母死後墜入餓鬼道飢餓難耐,目犍連遂展神通救渡,但所食尚未入口皆化為赤火,佛陀囑咐農曆七月十五日僧眾解安居自恣日,於盆中設甘露美食供養十方僧眾,因此超度亡母。後世「盂蘭盆法會」乃至「水懺法會」、「瑜珈焰口法會 」皆為消業障、斷塵垢之超渡儀軌,既渡亡魂也自懺悔。
台南麻豆代天府規模宏大、造型豔麗,不但可遊十八層地獄尚可逛天堂(1979年興建,1983年開放),燈光絢爛、聲響駭人,獨自漫步宛如觀落陰、地獄走一回。先過「心頭山」、入「清心池」、進「陰陽界」、抵「交簿廳」、達「鬼門關」、遊「補經所」、探「枉死城」、行「奈何橋」,至ㄧ殿泰廣王照「孽鏡台」現造惡原形,睹抱柱、火床等小地獄。二殿楚江王開「陰查簿 」判案定奪,觀糞尿泥、餓鬼、舞池、寒冰、膿血、鞭韃、舌犁、劍葉、戟腹拋接、砧截……等小地獄。三殿宋帝王刑罰為倒吊、銅鐵刮臉、挖眼、搗樁、倒烤、吸血、穿肋、抽筋、蛆蛀等小地獄……兼遊「四生(胎、卵、濕、化)回魂府」。四殿五官王掌管腰斬、拔舌、沸湯、刺嘴、剝皮、箭樹、車崩、射眼……等十六小地獄。隨五殿森羅王豋「望鄉臺」回眸親人最終眼後觀擊膝、誅心、刀山、飛刀火石……小地獄。六殿卞城王別稱「大叫喚大地獄」,轄火牛、虎啖、噬腎、鉗嘴含鍼、釘喉、磨摧、砍頭……等小地獄。七殿泰山王為「熱惱大地獄」,窺烙手指、抽腸、頂石蹲身、油釜滾烹、割舌穿腮……等十六小地獄。八殿都市王掌管「大熱惱大地獄」兼火狗、鐵汁、鐵蛇、鋸劈斷肢、釘板、灸脊、鐵丸、磅秤……等小地獄。九殿平等王直轄十八層「阿鼻大地獄」,直透地心、內中陰森、不見五指、滿溢地漿,皆為極犯,另轄紫赤毒蛇鑽孔、夾頂、鐵鴉、針雨、蜂蠍……等小地獄。至十殿輪轉王上「觀生臺」、「轉劫所八司」(查驗司 、稽善司 、考過司 、恩怨司 、壽命司 、支配司、掌劫司 、授生司)後至「孟婆亭」飲「醧忘湯」忘盡前塵往事,依前世功德過金、銀、玉、石、木、竹六種橋樑至「轉輪臺(紫河車)」入六道輪迴轉生投胎。據《十八泥犁經》記載,人過世後七七四十九天為「中陰生」,經閻羅王審判善惡業力判定去留或懲罰百千萬劫,犯五逆重罪則墮入「無間地獄(阿鼻地獄)」永劫不復。地藏王乃幽冥教主,統轄十殿閻羅,逢三曹普渡便在各殿設「講道所」超度尚存善根之鬼魂。
人類居於五趣(阿修羅、人、傍生、餓鬼、地獄)雜居地五濁惡世之堪忍世界,犯十惡業(殺生、偷盜、邪淫、妄語、兩舌、惡口、綺語、貪慾、嗔恚、愚痴)者必墮三趣惡道。如何出「三界」(欲界、色界、無色界)二十八天?凡人無此意識,別說能破「十二因緣」(無明、行、識、名色、六入、觸、受、愛、取、有、生、老死)還滅門,更別想斷除「四聖諦」(苦、集、滅、道)集地八十一品見惑與八十八使思惑(五利使-身見、邊見、邪見、見取見、戒禁取見、五鈍使-貪、瞋、癡、慢、疑),了悟「五蘊」(色、受、想、行、識)本空、「十二入」(眼、耳、鼻、舌、意、色、聲、香、味、觸、法)空、「十八界」空,破俱生我執與分別我執、法執甚至空執,生十一處「善心所」(信、精進、慚、愧、無貪、無瞋、無痴、輕安、不放逸、行捨、不害),降二十六處「惡心所」(貪、瞋、癡、慢、疑、惡見、忿、恨、覆、惱、嫉、慳、誑、諂、害、憍、無慚、無愧、掉舉、惛沉、不信、懈怠、放逸、失念、散亂、不正知),須知善根斷盡則陷永劫輪迴、無垠轉世之苦。
地獄可能空滅嗎?若地獄空乏人間多鬼怪,地獄淨空世間何嘗非淨土?若能證空性何處現地獄?
地獄曠古來便廣泛流傳各部族間,老死生滅為自然運行之基礎、宇宙意識之核心,然今文明昌盛如咱城邦並非慾望消弭之所,惡性所及實無可根除,礙於憲法國家法律社會軍隊企業公司學校家庭團體之層層束縛不亞於十八層,乃遁於壓抑、束己情懷,暗埋心底、日久貪嗔痴慢疑怨噌會疊穢。而六塵未熄,心多妄念,妖魔鬼怪魑魅魍魎孤魂閃靈出沒於荒郊乃至人間,會靈於曠野密林以增性靈乃出世高人修煉之舉,我等凡人擅闖宛如迪士尼般之人造地獄,三魂七魄尚不足以出竅,驚邪恐怖淒厲猙獰倒滿足了自以為是的慚愧,豈不謬哉?
病毒肆虐年半有餘,全球確診者逼近一億八千萬,枉死者近四百萬,堪比戰爭規模,望眾生發慈悲心、令往生者安息、善待其他物種、平等有情眾生。地獄本空,唯妄念生起一切羨慕嫉妒恨而地獄現前。盡以此書作為世界新冷戰獨裁者、超限戰者、暗網駭客、陰險狡猾冷嘲熱諷落井下石者之良知備忘錄矣。
姚瑞中寫於2021年端午節
Postscript
I have been living recklessly in Taiwan for more than fifty years. According to Zi Wei Dou Shu (Purple Star Astrology), Tan Lang is the sole star in my house of Self. This star, which represents xxx, forms an equilateral triangle with that star Qi Sha and Po Jun on the square chart and constitutes a Sha Po Lang pattern. The pattern indicates a kind of turbulence and change, a life of wandering with ups and downs and it tells a lot about my life. After my ill-fated youth, I started from scratch and traveled around the world with exhibitions that I participated. Like a flaneur, I wandered around ruins, nature, and temples with every type of film camera obliviously. Thus, I founded the Hall of Illusion and claimed to be the master of the hall. Several times a day, I pondered a quote from the Diamond Sutra, “Everything with form is unreal.” In addition, I usually stayed in the darkroom developing film and enlarging those negatives overnight. However, I treasured the simplicity of the black and white world. The earthly, gaudy, garish, phony and pleasing qualities within colored photos make the images even more realistic than the real world. It is not my cup of tea, so I seldom took colored photos. In Confucian thought, the age of fifty marks the stage knowing the mandate of Heaven. I am now at my fifties and realize how ephemeral human life is. However, I am not an immortal, nor having sagelike characteristics. I just learned that the stage of stainless (the second bhūmi) and develop a pure mind that is free from doubt and defilement. However, I’m still far from the immovable state and need to practice.
In the summer of 2017, after filming the work Incarnation, I experienced a severe heart rhythm problem which almost triggered myocardial infarction and could have killed me. Consequently, I realized that death was waiting for me and the life is too short to figure out how I can liberate myself from the cycle of Birth and Death. I couldn’t comprehend how to be free from all afflictions and worries and how to avoid delusive ideas. I wept for three days and nights after being enlightened by Shakyamuni Buddha. Up to the moment, I felt ashamed that I failed to realize that the self is as insignificant as dust after these years learning and practicing Buddhism. Since then, I have visited famous temples and monasteries in my spare time, worshiping Buddha, Bodhisattvas, arhats, and all the deities and immortals. Taiwan’s temples are myriad with a enormous number of sects, including Buddhism, Taoism, Yiguandao, Catholicism, Christianity, Chinese religions of fasting, Islam& Baháʼí Faith, Confucianism, Tiandiism& Tian-De Teachings, Xiwangmu cult, Yellow Emperor Sect, Precosmic Salvationism, Liism, World Wide Ethical Society, séance cult, etc. Some people even claim that they can mediate communication between the deities or spirits of the dead with human beings, having their believer rely on themselves instead of the orthodox dharma or dogma and pay excessive respect and admiration for the mediums or objects, accumulating wealth through such an unfair means or even harassing their believer sexually. Due to Taiwan’s historical changes, social turbulence, political struggles, and ideological issues, Buddhism and Taoism are somehow mixed. However, there are few emphases on the concept of the hell. As I took photographs of Yama of each court, judges, wardens of the underworld, jailers, General Fan and Hsieh (the ghost escorts) and all sinners, I found few temples cleverly created hellish scenes that are intriguing, exaggerating, and extraordinary. However, the creations are unparalleled unique. I have been studying Western arts for decades and then I came to realize that simplicity makes the most beautiful works of art. These hellish scenes can even compete with works of Giotto di Bondone (1267-1337) and Michelangelo Di lodovico Buonarroti Simoni (1475-1564).
Jingang Temple Shimen District, founded in 1986, overlooks the beautiful North shore. Although the temple is mainly dedicated to Phra Phrom (the Thai representation of Mahabrahma), spirits of Confucianism, Buddhism, and Taoism can also be founded in the temple. The worshipper can go cross the Seven Star bridge to relieve bad luck, walk along the five hundred arhat statues and knock on the gong to affirm one’s Buddha nature. Furthermore, the worshipper can also prostrate themself before Asia’s largest statue of Buddha in Nirvana (the Reclining Buddha statue) and pacify the Taoist Tai Sui deity of the year. I was impressed by the Jia-Zi Tai Sui General that a pair of palms grow out of his eyes. In 1994, the biō-kong (the person taking charge of the temporal affairs of a temple) received a divine inspiration from Yama (the King of Hell) that he had to build a sacred hall in the shape of a divine dragon, with the interior designed according to the World of Ultimate Bliss and the Underworld. When the visitor walks in the dark hallway, they will see the tortured people (dioramas, of course) scrunching their faces and crying bitterly and loudly in excessive grief as the visitor triggers the mechanism. One will even find them in the midst of flesh, body liquid and blood, mutilated limbs, and rotten corpses. While each of the ten Yamas are focusing on their own duties, showing their sacred dignity that collect visitors’ attention. The Baogong Temple in Linkou District, New Taipei City exclusively features colorful depiction of hellish scenes in relief in Taiwan. With its pastel shades and cartoon-like style, the relief is both grotesque and adorable at the same time. This temple is dedicated to Bao Zhen (also known as Justice Bao) representing the incarnation of Yama. Living people who have been treated unjustly can come worshipping Bao Gong and receive exorcism. Therefore, many people come here for seeking to solve unsolved cases. In Zhongyuan Festival (the ghost festival), the temple will burn the Zhizha (paper craft) boat to ferry the ghosts to the other shore, which is the shore of enlightenment. The only giant statue of Yama in Taiwan is still in the making. The temple is surrounded by a cemetery, suitable for meditating on the loathsomeness and impurity. Nantian Temple (1971), located next to the Eight Trigram Mountains Buddha in Changhua, features the first animatronic underworld. Despite the small size, the animatronic underworld is intensely shocking. Though it’s slightly worn, the colorful dioramas are still brutally ferocious. The creator was the late venerable Dao Zhang (Taoist priest) Jing Deng-fu while the origin of animatronic deities can be traced back to the 1960s Beigang Chaotian Temple. On the contrary, the Whiteman Toothpaste Tourism Factory in Shuishang Township, Chiayi, features ten Yamas with individual booth. The place is unexpectedly clean and polished yet keeps a simple and modest tone. Then, the Dragon Pagoda of the Dragon and Tiger Pagodas at Lotus Lake in Zuoying, Kaohsiung, holds the only relief of hellish scenes made of Kochin ceramic. All the figures are vivid and life-like. If one goes further into the pagoda, they will see a relief tunnel of the thirty-three incarnations of the white-robed form of Guanyin (Avalokiteśvara) on a white lotus, with a lovely and interesting design. Another Hall of Yama is built in the 1970s next to the entrance of Dagangshan Chaofeng Temple, located in the Alian District of Kaohsiung. Visitors will also see three statues of the Three Holy Ones of the Western Pureland (Amitābha, Avalokiteśvara, Mahāsthāmaprāpta) which assemble at a lotus pond. Although the hellish scene looks somewhat antiquated, you may still find its previous charm. If one goes further, they will reach the sculptural garden of “Attaining the Bodhi Way: the Incarnation of Sakyamuni Buddha,” where the visitor can see the essence of Bhagavato’s (meaning the Blessed one, one of the common epithets for Buddha) life. When Tathāgata (another epithet for Buddha) was old, the king of Kosala wanted to avenge the arrogance of the tribe of Shakyas who had long despised him, regarding him as a son of a maiden. Although Buddha has sat in lotus position alone three times to stop the army from attacking his tribe. However, one can never reverse the cause and following karma. The prince born of a maiden was so furious that he eventually destroyed his homeland. Maudgalyāyana (one of the Buddha’s closest disciples), who is said to have had supernatural abilities that surpassed the other disciples, could not bear to see the slaughter of innocent people. Thus, he saved five hundred people of his tribe with a pātra (an eating utensil of Buddhist monks). Unfortunately, everything he did was in vain, those who were saved eventually turned into a puddle of blood. The Buddha said that the supernatural abilities cannot surpass the power of karma. The cause and effect work all the time. When Maudgalyāyana’s mother fell into the path of hungry ghost, he used his supernatural abilities to save his mother from hunger. However, all the food turned into fire before being fed to his mother. Later, the Buddha commanded the monks to put nectar and dishes in a basin on the 15th day of the seventh month in the lunar calendar for the monks from all directions to free his mother from reincarnation. In later times, the Ullambana Dharma Service, the Compassionate Samadhi Water Repentance, and the Yoga Collection for Feeding the Searing Mouths Dharma Service are rituals to eliminate karmic hindrance and to cease to worldly delusions. Through such practices, one can free the dead as well as confess their repentance.
Madou Daitian Temple is a magnificent and colorful temple in Tainan. Not only can the worshippers visit the eighteen levels of Hell but also the Heaven (it was built in 1979 and inaugurated in 1983) here. The lighting and sound effects are stunning and frightening. When walking alone in the space, one may feel like taking a Guan Luo Yin trip (a Taoist necromancy which leads people’s spirits to hell and communicate with the dead ones) to visit the underworld prison. Before arriving the first court of the underworld, the visitor will walk through the Mountain of Heart Summit, the Pure Heart Pond, the Frontier between the Living and the Dead Realms, the Soul Registry Hall, the Portico of Demons, the Center for Complementary Teaching of Canonical Books, the Citadel of Premature Death, and the Bridge of Vanity. When one arrives at the first court, they will see King Chin-guang, who is in charge of the court, using the Mirror of Retribution to show the earthly form of evil creatures and also witness the sub-hell of Pillar-Holding and Fire Bed, etc. At the second court, King Chu-jiang collates the register of sins the souls of the dead have committed to impose the punishments. Here, you will see the sub-hell of Excrement and Urine, Hungry Ghost, Burning Dance Floor, Ice, Pus and Blood, Whipping, Tongue-Raking, Sword Blade, Stomach-Piercing, Chopping, etc. Next, the dead at the third court, ruled by King Song-di, will receive the punishments including inversion tortures, face-skinning with steel and copper knife, eye-wrenching, pounding, blood-sucking, rib-piercing, roasting, tendon-taking, being eaten by maggots. The visitor can pay a visit to the Palace of Soul-Resuscitation for the Four Forms of Creatures (birth from an egg, birth from a womb, birth from moisture, and birth by transformation). King Wu-guan is in charge of the fourth court. There are sixteen sub-hells at the fourth court including Waist Chop, Tongue Removal, Boiling Pond, Mouth-stabbing, Skin-peeling, Sword Tree, Burning Wheels and Cart, Eye-shooting, etc. Next, at the fifth court, sinful souls are allowed to ascend the Tower of Hometown-Viewing to take a final look of their family. The visitor will witness sub-hells of Knee-striking, Heart-slicing, Blade Mountain, Flying Swords and Burning Stones, etc. The King of Bian City takes charge of the sixth court, which is also known as the “Great Hell of Screaming,” with sub-hells including Fire Cattle, Tiger-Biting, Kidney-Eating, Mouth-Poking, Throat-Nailing, Iron Mill, Decapitation, etc. The King of Tai-shan is in charge of the seventh court, the “Great Hell of Heat and Fire.” The sixteen sub-hells at this court include Finger-Searing, Bowel-Hauling, Stone-Bearing, Boiling Oil, Tongue-Removal and Cheek-Piercing, etc. Next, the King Du-shi is in charge of the eighth court, the “Great Hell of Intense Fire and Heat,” and the sub-hells including Fire Dogs, Molten Iron, Iron Snakes, Dismemberment, Steel Spikes, Burning-Marrow, Iron Ball, Scale, etc. The ninth court is ruled by the King Ping-deng. It is known as the biggest court, Avici Hell (the Hell of Incessant Suffering), which if the lowest level of the hell realm and the interior is gloomily and terrifyingly dark. Those who committed the most serious evil deed will be sent to the Avici Hell. Sub-hells such as Poisonous Snake, Brain-Removal, Crow-Gnawing, Raining Needles, Wasps and Scorpions are included at this court. After arriving the tenth court, ruled by the Great King of the Reincarnation Palace, one can visit the “Observatory of Life on earth” and the “eight bureaus of the Reincarnation Palace” (including the Bureau of Judicial Control, the Bureau of Good-Actions, the Bureau of Bad-Actions, the Bureau of Debts, Gratitude, and Vengeance, the Bureau of Longevity and Destiny, the Bureau of Familial Ties, the Bureau of the Reincarnated, and the Bureau of Birth). The sinful one will be sent to the Pavilion of Mengpo and made to drink the Soup of Forgetfulness to forget all past affairs. According to the sinful one’s merits of previous life, they will go across one of the six bridges (gold, silver, jade, stone, wood, bamboo) to the “Reincarnation-Wheel (Wheel on the Crimson River).” Finally, one is able to reborn in the six realms. According to the Aṣṭadaśa nāraka sutra ( the Eighteen Hells Sutra), after one passes away, they will enter an intermediate and transitional state between death and rebirth, known as antarābhava in Sanskrit, for forty-nine days. The being will be evaluated by Yama, who will decide if one should get reborn or get punished at the hell. Those who committed the Five Grave Offenses (killing one’s father, killing one’s mother, killing an Arhat, shedding the blood of a Buddha, and creating a schism within the community of Buddhist monks and nun who practice for attaining enlightenment.) will be sent to the Avici Hell and stay there eternally. Kṣitigarbha is the Lord of the Nether World, ruling the ten court of Hell. The lord will set up the “Hall of Teaching” at each court to salvage those sinful ones who still obtain few merits at the offering rituals.
Human beings live the Sahā world (sahāloka in Sanskrit, meaning “endurance of suffering,” a concept of mundane world in Mahāyāna Buddhism) where they share with other reincarnations (including beings of the hells, of the preta, and of malevolent nature spirits) with five turbidities (the Kalpa turbidity, the view turbidity, the affliction turbidity, the living beings turbidity, and the life turbidity). Those who commit the ten evil deeds (killing, stealing, adultery, lying, using immoral language, slandering, equivocating, coveting, anger, and false views) must fall into the three evil paths (animals, preta, and hell). However, how can one escape from the three realms/ twenty-eight heavens (including the six heavens of the desire realm, the eighteen heavens of the form realm, and the four heavens of the formless realm)? Worldly people who don’t have such an awareness cannot leave the cycle of the twelve nidanas (meaning causes or motivations), let alone eliminate the eighty-one afflictions (that have been produced due to misunderstanding regarding reality) and the eighty-eight illusions (including five afflictions of advanced practitioners, also known as five views: view of self, extreme view, evil view, view of attachment to views, and view of morality; and five unintelligent temptations: desire, anger, stupidity, arrogance, and doubt) of thought within the three realms and four Arya satyas (noble truths, including suffering, arising, ending, and path). They cannot realize that the essence of the five skandhas (referring to aggregates of clinging, including the matter of form, sensation, recognition, mental formation, and consciousness) , the twelve ayatana (meaning sense base, including six internal bases: eye, ear, nose, tongue, body, and mind and six external bases: visible objects, sound, odor, taste, touch, and mental objects), and the eighteen dhātavah (meaning compositional elements of human existence, including six consciousness, six faculties, and their objects) are the emptiness and the void. Furthermore, they cannot dispel the two reasons for clinging to the idea of the self and the attachment to elemental constructs and even believe in the two (false) tenets that that karma and nirvana are not real and that the ego and phenomena are real. As a consequence, they fail to develop the eleven wholesome mental factors (faith, energy, conscience, being ashamed, non-attachment, non-aggression, non-delusion, calmness, equanimity, conscientiousness, and non-injuriousness) and cease the sixteen unwholesome mental factors (desire, greed, anger, delusion, arrogance, doubt, wrong view, wrath, enmity, hypocrisy, vexation, jealousy, parsimony, deceit, flattery, harming, ambitiousness, stupidity, lacking of faith, idleness, being unrestrained, forgetting, distraction, non-discernment, ). One must bear in mind that once all our virtuous roots are discontinued, they will be trapped in the never-ending reincarnation and the suffering of infinite continuity.
Is it possible that the hell will be empty one day? If the beings in hell will become extinct while evil spirits inhabit the mundane world, the world could be considered as a pure land. If we could witness the nature of the void, then hell will exist no more.
Since ancient times, the concept of hell has been widely spread among all tribes. Aging, death, beginning, and end are the basis of nature and the core of cosmic consciousness. However, the prosperous civilization as our island is not a place where desire can be eliminated. It’s impossible to eradicate evil nature. Since fetters brought by the constitution, the state, the law, society, the military, corporations, schools, families, and groups are not less than the eighteen levels of hell, the mortals repress themselves, bury their feelings. Day after day, greed, anger, stupidity, arrogance, doubt, and resentment are stacking. However, since the six dust (visible objects, sound, odor, taste, touch, and mental objects) has not yet been extinguished, people in the mundane world are still full of delusions. The demons, devils, evil spirits, and the wondering dead exist in the wilderness, while only advanced practitioners with transcendent would attempt to make contact with the dead in the wasteland and forest. Worldly people like us trespass in Disneyland-like man-made hell. It is absurd and ridiculous that the hellish scenes cannot stop us from perpetrating evil deeds, but the horrific and cruel scenes yet satisfy our self-righteous shame.
The pandemic has been boiling over for more than a year and a half. The number of infected patients worldwide is nearly a hundred and eighty million, and the death toll has risen to four million, which is equivalent to a war crisis. I hope that we can all be compassionate, give peace to the dead, treat all sentient beings well and equally. The hell is innately empty; however, deluded and misleading thoughts would give rise to all jealousy and hatred and then manifest the hell before us. This book merely serves as a memorandum of conscience for dictators of the world’s new cold war, supporters of unrestrained warfare, dark web hackers, and those who are cunning and contemptuous and maltreat others when knowing they have problems.
June 2021,
Yao Jui-chung
同時也有9部Youtube影片,追蹤數超過94的網紅Cindy Huang,也在其Youtube影片中提到,I made this choreography 3 years ago on a famous traditional Taiwanese song. The song is about wives in the Taiwanese culture. Supporting and taking ...
i can see 團體 在 盧斯達 Facebook 的最佳貼文
【暴力的教誨——衰仔樂園中的伊斯蘭教及猶太教 | 盧斯達 on Patreon】
法國接連發生兩波斬頭割喉事件,起因是一個歷史老師展示嘲笑伊斯蘭教的《查理周刊》封面。《查理》總部在2015年因為那個封面而遭受攻擊,攻擊者使用了AK47和火箭炮,殺害了編輯人員、警察和記者12人;並傷及約20人。這就是真正的「雖遠必誅」。
歐美自制而包容,前現代社會及其意識形態卻是要求異己包容自己但自己並不包容。前者應對伊斯蘭恐怖主義的「標準程序」是「伊斯蘭恐怖主義與真正伊斯蘭無關」(Islamic terrorism has nothing to do with real Islam)。歷史老師被視為共和國烈士,馬克龍說共和制正遭受攻擊,然而他的發言卻又「冒犯」了土耳其。土耳其召回了駐法國大使,據報多個穆斯林國家竟然發起抵制法貨。
早前因為嘲笑美國人接受中國審查的《衰仔樂園》廣為中文世界傳播,但其實那一兩集並沒有真的很好笑和高質,真正厲害的集數通常是圍繞美國文化。因為 Trey Parker 和 Matt Stone的觸覺主要是在西方特別是美國。《衰仔樂園》多年來嘲笑的東西星羅棋佈,從保守派基督教、天主教童戀、政治正確、槍械、環保、喜歡興訟告人的科學教、明星文化乃至中西部白人 (那些不斷說 “they take our job” 的工人) 乃至特朗普,可以看到他們並不想成為某一種意識形態的信徒,而是在任何一個定見後面皆預留嘲笑和反思的空間。然而在官網上面串流的全影集,有兩三集是消失了的,被審查到無法播出。表面上百無禁忌的《衰仔樂園》其實都有不能跨越的禁忌,那就是伊斯蘭 (及猶太教)。
其中一個被禁播的故事,是《衰仔樂園》第 14 季第 5 和第 6 集,由於是第 200 和 201 集,就叫做《200》和《201》。故事講 Tom Cruise 因為又被嘲笑是基佬,所以集合了有史以來所有被《衰仔》嘲笑過的名人,組成一個團體進行訴訟復仇,但他們真正的目標是想搶奪伊斯蘭先知穆罕默德的「能量」,因為他們認為穆罕默德擁有「不被嘲笑」的異能,並且同樣想擁有這種異能。
這個設定既是創作者對《衰仔》自身的後設玩笑,他們認知到這個影集多年來嘲笑過大半個娛樂圈,仇家很多,更將言論自由的戰火推到極限,於是他們點明了言論自由並不是沒有極限。言論自由只是西方社會自己的主張,普世價值並不普世,當你將事情推向極限,就會發現防火牆的另一邊有著不認同這種價值的異文明體系,而言論自由在這個現實下充滿了局限,躲在防火牆之後歲月靜好的「文明人」以為自己的仁義已經征服了世界,但真相可能是自己對世界有過份樂觀的無知。
南方公園的民眾因為不想被消滅,請出了先知穆罕默德,但在影集中出現的穆罕默德是整個被黑色長方條覆蓋,看不到眼耳口鼻,因為伊斯蘭教徒嚴禁任何人繪畫穆罕默德的畫像。南方公園的民眾害怕一旦展示先知,就會被恐怖份子轟炸,這也是隔空表達創作人發自內心的恐懼和嘲笑。最後 Kyle 和「聖誕老人」在《201》片末的幾分鐘發言,甚至被 Comedy Central 整個「Bee 掉」。這段對話在劇本裡據說如下:
KYLE:因為世界上其實沒有 (穆罕默德的) 異能,湯告魯斯先生,今日我學到了一件事。在這場神明裁判,我們都想展示別人不准我們展示的東西,但這不是因為有甚麼魔法在作用,而是因為以暴力威脅別人滅聲,有神奇果效。很明顯暴力就是世上唯一真正的權力,如果我們有甚麼學到的,那就是威嚇別人最後總是行得通。
耶穌:沒錯,你們看,如果你不想再被嘲笑,你只需要槍械和炸彈,就可以令別人閉嘴。
聖誕老人:沒錯,老友們,你只需要置入恐懼、敢於傷害別人,你就可以得到一切。真正的權力就是暴力。
//KYLE: That’s because there is no goo, Mr. Cruise. You see, I learned something today. Throughout this whole ordeal, we’ve all wanted to show things that we weren’t allowed to show, but it wasn’t because of some magic goo. It was because of the magical power of threatening people with violence. That’s obviously the only true power. If there’s anything we’ve all learned, it’s that terrorizing people works.
JESUS: That’s right. Don’t you see, gingers, if you don’t want to be made fun of anymore, all you need are guns and bombs to get people to stop.
SANTA: That’s right, friends. All you need to do is instill fear and be willing to hurt people and you can get whatever you want. The only true power is violence. //
《衰仔樂園》聰明的地方,就是完全符合了伊斯蘭的規則,將其推向極致來展示荒謬,並且直白地「承認」伊斯蘭那一套才是正確,承認自己被打敗了,被暴力威脅滅了聲。這既是玩笑,也不是玩笑。這已經不是引起爭議的問題,而是在真正的暴力面前,言論自由、公民社會,全都不堪一擊。
另外我所知覺到的另一個被禁止串流的集數,是第 16 季第四集的《Jewpacabra》。在官網上可以看到,但裡面有一段涉及猶太教的精華被剪掉 (後來在沒有張聲的情況下恢復)。這個故事是講臨近逾越節, 一向有極深反猶情結的 Cartman 向朋友老吹最近有一種叫做 Jewpacabra 、會吸血的怪物出沒。他認為 Jewpacabra 是一種不相信「耶穌是神」的怪物,但在散播謠言的過程,他自己也開始相信了 Jewpacabra 的存在,但有一班戇鳩人也當了真,他們一方面自稱並不是反猶,並將 Cartman 綁在公園裡獻祭給 Jewpacabra;另一班相信大腳怪是真的戇鳩人用打獵針藥將 Cartman 迷暈,在昏迷中 Cartman 「穿越」到古埃及,成了法老的王子,當時古埃及正在「十災」之中。
在希伯來傳統裡面是奸角的法老,在這裡卻是一個仁君,他說不能讓猶太人離開純粹只是經濟和人力問題,而法老也相信「神」,他相信神應該是慈愛的,不會因為政治問題就大開殺戒,將所有埃及的長子和頭生動物殺害;但最後他們發現,希伯來人的神是真的,祂也真的不問情由大開殺戒;身為猶太人的 Kyle 也在裡面登場,他在裡面說,「神現在很生氣,神就是這樣的」,最後 Cartman 自己也在夢境中爆頭死亡。這個極為黑暗的段落,極具學術意味地將西方人的反猶情結展示開來,因為沒有「外邦人」會願意相信「希伯來版本」的神,沒人願意相信神是不講道理和「偏心」的。於是他們模仿並創造了基督教,並且永恆地、歷史地嫉妒發明了等差性版本上帝的猶太人。
從這個夢甦醒的 Cartman 認為 Jewpacabra 放過了自己,就像上帝放過了猶太人的長子一樣,他「悔改」了,棄了基督教,自稱信了猶太教。這個片集也是致敬克蘇魯文學和《怪形》,所謂 Jewpacabra 從來沒有出現,但非常恐怖,也是借代了《舊約》聖經中的喜怒無常、經常搞種族屠殺、不講道理的耶和華形象。而人在這絕對的暴力和力量面前,只有俯伏和求撓的悔改的份。
也許有一天我們都會求饒,經過信心一躍,在暴力面前全盤推翻我們自己的世界觀。在這裡,搗毀自己和搗毀他人,都是信心一躍。在沙漠宗教裡面總是有一兩個講法:向神投降吧 (surrender to God),這是對自己說的,也是對別人說的。基督教有一千幾百年都是繼承這一套,只是後來在市民階級、商人、國族國家、民主化等等長期累積下,被分了權,於是現在西方人才可以不信、才可以嘲笑,而不需要害怕被宗教裁判所燒死,也不會被 AK47 和火箭炮打死。弔詭的是,現在耶教大致政教分立了,但伊斯蘭卻不那麼認真。兩者對決,誰佔上風也是很明顯。所以當對方有 AK47 和火箭炮的時候,人只能下跪悔改。悔改吧。
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i can see 團體 在 無待堂 Facebook 的最佳貼文
【暴力的教誨——衰仔樂園中的伊斯蘭教及猶太教 | 盧斯達 on Patreon】
法國接連發生兩波斬頭割喉事件,起因是一個歷史老師展示嘲笑伊斯蘭教的《查理周刊》封面。《查理》總部在2015年因為那個封面而遭受攻擊,攻擊者使用了AK47和火箭炮,殺害了編輯人員、警察和記者12人;並傷及約20人。這就是真正的「雖遠必誅」。
歐美自制而包容,前現代社會及其意識形態卻是要求異己包容自己但自己並不包容。前者應對伊斯蘭恐怖主義的「標準程序」是「伊斯蘭恐怖主義與真正伊斯蘭無關」(Islamic terrorism has nothing to do with real Islam)。歷史老師被視為共和國烈士,馬克龍說共和制正遭受攻擊,然而他的發言卻又「冒犯」了土耳其。土耳其召回了駐法國大使,據報多個穆斯林國家竟然發起抵制法貨。
早前因為嘲笑美國人接受中國審查的《衰仔樂園》廣為中文世界傳播,但其實那一兩集並沒有真的很好笑和高質,真正厲害的集數通常是圍繞美國文化。因為 Trey Parker 和 Matt Stone的觸覺主要是在西方特別是美國。《衰仔樂園》多年來嘲笑的東西星羅棋佈,從保守派基督教、天主教童戀、政治正確、槍械、環保、喜歡興訟告人的科學教、明星文化乃至中西部白人 (那些不斷說 “they take our job” 的工人) 乃至特朗普,可以看到他們並不想成為某一種意識形態的信徒,而是在任何一個定見後面皆預留嘲笑和反思的空間。然而在官網上面串流的全影集,有兩三集是消失了的,被審查到無法播出。表面上百無禁忌的《衰仔樂園》其實都有不能跨越的禁忌,那就是伊斯蘭 (及猶太教)。
其中一個被禁播的故事,是《衰仔樂園》第 14 季第 5 和第 6 集,由於是第 200 和 201 集,就叫做《200》和《201》。故事講 Tom Cruise 因為又被嘲笑是基佬,所以集合了有史以來所有被《衰仔》嘲笑過的名人,組成一個團體進行訴訟復仇,但他們真正的目標是想搶奪伊斯蘭先知穆罕默德的「能量」,因為他們認為穆罕默德擁有「不被嘲笑」的異能,並且同樣想擁有這種異能。
這個設定既是創作者對《衰仔》自身的後設玩笑,他們認知到這個影集多年來嘲笑過大半個娛樂圈,仇家很多,更將言論自由的戰火推到極限,於是他們點明了言論自由並不是沒有極限。言論自由只是西方社會自己的主張,普世價值並不普世,當你將事情推向極限,就會發現防火牆的另一邊有著不認同這種價值的異文明體系,而言論自由在這個現實下充滿了局限,躲在防火牆之後歲月靜好的「文明人」以為自己的仁義已經征服了世界,但真相可能是自己對世界有過份樂觀的無知。
南方公園的民眾因為不想被消滅,請出了先知穆罕默德,但在影集中出現的穆罕默德是整個被黑色長方條覆蓋,看不到眼耳口鼻,因為伊斯蘭教徒嚴禁任何人繪畫穆罕默德的畫像。南方公園的民眾害怕一旦展示先知,就會被恐怖份子轟炸,這也是隔空表達創作人發自內心的恐懼和嘲笑。最後 Kyle 和「聖誕老人」在《201》片末的幾分鐘發言,甚至被 Comedy Central 整個「Bee 掉」。這段對話在劇本裡據說如下:
KYLE:因為世界上其實沒有 (穆罕默德的) 異能,湯告魯斯先生,今日我學到了一件事。在這場神明裁判,我們都想展示別人不准我們展示的東西,但這不是因為有甚麼魔法在作用,而是因為以暴力威脅別人滅聲,有神奇果效。很明顯暴力就是世上唯一真正的權力,如果我們有甚麼學到的,那就是威嚇別人最後總是行得通。
耶穌:沒錯,你們看,如果你不想再被嘲笑,你只需要槍械和炸彈,就可以令別人閉嘴。
聖誕老人:沒錯,老友們,你只需要置入恐懼、敢於傷害別人,你就可以得到一切。真正的權力就是暴力。
//KYLE: That’s because there is no goo, Mr. Cruise. You see, I learned something today. Throughout this whole ordeal, we’ve all wanted to show things that we weren’t allowed to show, but it wasn’t because of some magic goo. It was because of the magical power of threatening people with violence. That’s obviously the only true power. If there’s anything we’ve all learned, it’s that terrorizing people works.
JESUS: That’s right. Don’t you see, gingers, if you don’t want to be made fun of anymore, all you need are guns and bombs to get people to stop.
SANTA: That’s right, friends. All you need to do is instill fear and be willing to hurt people and you can get whatever you want. The only true power is violence. //
《衰仔樂園》聰明的地方,就是完全符合了伊斯蘭的規則,將其推向極致來展示荒謬,並且直白地「承認」伊斯蘭那一套才是正確,承認自己被打敗了,被暴力威脅滅了聲。這既是玩笑,也不是玩笑。這已經不是引起爭議的問題,而是在真正的暴力面前,言論自由、公民社會,全都不堪一擊。
另外我所知覺到的另一個被禁止串流的集數,是第 16 季第四集的《Jewpacabra》。在官網上可以看到,但裡面有一段涉及猶太教的精華被剪掉 (後來在沒有張聲的情況下恢復)。這個故事是講臨近逾越節, 一向有極深反猶情結的 Cartman 向朋友老吹最近有一種叫做 Jewpacabra 、會吸血的怪物出沒。他認為 Jewpacabra 是一種不相信「耶穌是神」的怪物,但在散播謠言的過程,他自己也開始相信了 Jewpacabra 的存在,但有一班戇鳩人也當了真,他們一方面自稱並不是反猶,並將 Cartman 綁在公園裡獻祭給 Jewpacabra;另一班相信大腳怪是真的戇鳩人用打獵針藥將 Cartman 迷暈,在昏迷中 Cartman 「穿越」到古埃及,成了法老的王子,當時古埃及正在「十災」之中。
在希伯來傳統裡面是奸角的法老,在這裡卻是一個仁君,他說不能讓猶太人離開純粹只是經濟和人力問題,而法老也相信「神」,他相信神應該是慈愛的,不會因為政治問題就大開殺戒,將所有埃及的長子和頭生動物殺害;但最後他們發現,希伯來人的神是真的,祂也真的不問情由大開殺戒;身為猶太人的 Kyle 也在裡面登場,他在裡面說,「神現在很生氣,神就是這樣的」,最後 Cartman 自己也在夢境中爆頭死亡。這個極為黑暗的段落,極具學術意味地將西方人的反猶情結展示開來,因為沒有「外邦人」會願意相信「希伯來版本」的神,沒人願意相信神是不講道理和「偏心」的。於是他們模仿並創造了基督教,並且永恆地、歷史地嫉妒發明了等差性版本上帝的猶太人。
從這個夢甦醒的 Cartman 認為 Jewpacabra 放過了自己,就像上帝放過了猶太人的長子一樣,他「悔改」了,棄了基督教,自稱信了猶太教。這個片集也是致敬克蘇魯文學和《怪形》,所謂 Jewpacabra 從來沒有出現,但非常恐怖,也是借代了《舊約》聖經中的喜怒無常、經常搞種族屠殺、不講道理的耶和華形象。而人在這絕對的暴力和力量面前,只有俯伏和求撓的悔改的份。
也許有一天我們都會求饒,經過信心一躍,在暴力面前全盤推翻我們自己的世界觀。在這裡,搗毀自己和搗毀他人,都是信心一躍。在沙漠宗教裡面總是有一兩個講法:向神投降吧 (surrender to God),這是對自己說的,也是對別人說的。基督教有一千幾百年都是繼承這一套,只是後來在市民階級、商人、國族國家、民主化等等長期累積下,被分了權,於是現在西方人才可以不信、才可以嘲笑,而不需要害怕被宗教裁判所燒死,也不會被 AK47 和火箭炮打死。弔詭的是,現在耶教大致政教分立了,但伊斯蘭卻不那麼認真。兩者對決,誰佔上風也是很明顯。所以當對方有 AK47 和火箭炮的時候,人只能下跪悔改。悔改吧。
patreon https://www.patreon.com/lewisdada
i can see 團體 在 Cindy Huang Youtube 的最讚貼文
I made this choreography 3 years ago on a famous traditional Taiwanese song.
The song is about wives in the Taiwanese culture. Supporting and taking care of their family is the most important thing for them. What makes them happy is to be with their husband and no matter how hard life can be, they will still hold each other hands.
It may sound old fashioned. Today, women are independent but the core idea is the same. We are strong for the ones we love, having mutual respect and supporting each other definitely bring happiness. In that way, the lyrics are still touching.
I wanted to get a deeper connection with this subject so I used a dress that my grandmother used to wear in the 60's/70's! 👗🥰
Hope you'll enjoy it 🧡
🎶 :#家後
🎤 :#江蕙
#tapdance #踢踏舞
如果你喜歡今天的影片的話請幫我按讚訂閱加分享喔!!! 對我們的演出或踢踏舞或是對我有興趣(?!🤣)的話也歡迎追蹤我的IG,會有更多演出資訊唷!!
我們下支影片見囉!謝謝~~~🧡
Thank you for watching my video and hope you enjoy it :)
Plz thumb up, share to your friends and subscribe to my channel if you like and wanna support me! Thanks!!
Oh! And follow me on instagram :)
See you in next video! xoxo
Also check my other videos! Thank you!!
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About Me 🙋🏻♀️: :
Cindy Huang
踢踏/街舞舞者
曾隨舞工廠舞團赴LA.紐約.香港演出,並參與舞工廠舞團年度製作以及各年台北踢踏節的編舞及演出,並於2015年赴L.A、紐約半年,進修街舞及踢踏舞。
所屬街舞團體TSC曾獲得 Adidas 大專盃街舞大賽冠軍、亞洲捷運盃街舞大賽冠軍、Adidas 女子創意街舞大賽冠軍⋯等。並擔任SHE、MP魔幻力量、丁噹、周湯豪、王心凌、蕭秉治⋯等藝人舞者,參與巡迴演唱會、電視錄影、跨年、頒獎典禮等各大演出。
SUBSCRIBE: https://www.youtube.com/channel/UCaSTA427diQdA4JvEdaJ0ww/
INSTAGRAM: https://www.instagram.com/cindy_huang15/
📧: cindy1152002@gmail.com
i can see 團體 在 Cindy Huang Youtube 的最佳貼文
這次很開心可以跟Pong 彭彭老師一起創作
雖然我們好像認識很久,但這好像是我們第一次一起跳舞!!
平常我們的風格不大一樣,但合作起來好像蠻不錯的對吧~~~~
這次只是一個開頭,之後希望會有更多有趣的合作(彭彭老師有答應我吧?!😆 )
如果喜歡這支影片的話歡迎按讚 留言 分享,還有訂閱唷!
還有彭彭老師的IG & YT:
IG : tap_lance_pong
YT : https://www.youtube.com/user/dancepong
Cindy 我本人的IG:
IG:cindy_huang15
記得要去追蹤 👆🏽👆🏽👆🏽👆🏽👆🏽👆🏽👆🏽
對 #踢踏舞 有興趣的話也歡迎來找我們唷 :)
🎵🎶 #獨上C樓
🎤 #Yellow黃宣 #范曉萱
Choreography: Cindy Huang & Pong
Studio: #舞工廠踢踏舞團
Thank you for watching my video and hope you enjoy it :)
This time I have a special guest dance with me,
he is my old friend Pong, but this is our first time to dance together!
We were different style on tap, but is really fun to work with him this time,
I think we have nice teamwork, so hope we will have more opportunity can work together!!
Plz thumb up, share to your friends and subscribe to my channel if you like and wanna support me! Thanks!!
Oh! And follow me and Pong on instagram and also his YT :)
See you in next video! xoxo
Also check my other videos! Thank you!!
-------------------------------------------------------------------
About Me 🙋🏻♀️: :
Cindy Huang
踢踏/街舞舞者
曾隨舞工廠舞團赴LA.紐約.香港演出,並參與舞工廠舞團年度製作以及各年台北踢踏節的編舞及演出,並於2015年赴L.A、紐約半年,進修街舞及踢踏舞。
所屬街舞團體TSC曾獲得 Adidas 大專盃街舞大賽冠軍、亞洲捷運盃街舞大賽冠軍、Adidas 女子創意街舞大賽冠軍⋯等。並擔任SHE、MP魔幻力量、丁噹、周湯豪、王心凌、蕭秉治⋯等藝人舞者,參與巡迴演唱會、電視錄影、跨年、頒獎典禮等各大演出。
SUBSCRIBE: https://www.youtube.com/channel/UCaSTA427diQdA4JvEdaJ0ww/
INSTAGRAM: https://www.instagram.com/cindy_huang15/
📧: cindy1152002@gmail.com
i can see 團體 在 ROOFTOPMOB Youtube 的最讚貼文
ROOFTOPMOB -【Salmon Freestyle】(Official Audio)
-
ROOFTOPMOB首張團體完整專輯【REEF】Officially Out Now !!
Available on iTunes, Apple Music : https://music.apple.com/tw/album/reef/1544228717?l=en
Listen on Spotify : https://open.spotify.com/track/3t78WOWobxEUoDl4rcRnAH
KKBOX : https://kkbox.fm/dshF2t?utm_source=share&utm_medium=song&utm_campaign=RooftopMob+-+SALMON+FREESTYLE
|
Presented by | ROOFTOPMOB
Artist | Zashō / LICKONE / Aminato / Saxer / Zac Rao
Beat Arranger | Zac Rao
Composer & Lyricist | Zashō / LICKONE / Aminato / Saxer / Zac Rao
Producer | Zashō / LICKONE / Aminato / Saxer / Zac Rao
Recording x Mixing | Zac Rao
Mastering | Zac Rao
Mastering Studio | 金剛門大樹林工作室
Photographer | Kenalwayscan
Album Art Designer | LICKONE
;
[ROOFTOPMOB]
Instagram : https://www.instagram.com/rooftopmob_official/
Soundcloud : https://soundcloud.com/rooftopmob
StreetVoice : https://streetvoice.com/Rooftopmob/
[Follow Members]
Zashō : https://www.instagram.com/rooftopmob_zasho/
LICKONE : https://www.instagram.com/rooftopmob_lickone/
Aminato : https://www.instagram.com/rooftopmob_aka_aminato/
Saxer : https://www.instagram.com/rooftopmob_saxer/
Zac Rao : https://www.instagram.com/rooftopmob_zac_rao/
Ken : https://www.instagram.com/kenalwayscan/
-
Copyrights 2020 ⓒ ROOFTOPMOB. All Rights Reserved
/
Lyrics :
[Verse 1: Zashō]
他們是自私的掠食者 端了就走
歌詞鑲金 堵盲從的口
沒根據畫一塊意象的餅
哪裡管吃相多貪婪的醜
“Never go back! We have to step forward!”
Yeah I’ve heard you said, before
想像的生活 全權他人琢磨
套公式當然能輕鬆的過
只管放縱
Woah 沒興趣談以後
那種多美的夢
拿來塞誰牙縫 nah
(Yeah i go)
滿街都是 遊蕩的鬼魂 可不是每個鬼都寫作
於是呢有些鬼發明了『我們』 有些鬼能以此對號入座
羊群走進 早被人鯨吞的空
要你舉起 潔白的旗 抖的手
到頭來你那所謂的公
還是給不公的他們虛構
抱歉了朋友
親愛的朋友
血統不純正的連門都沒有
懂了嗎
你要當誰的朋友?
[Verse 2: LICKONE]
I can imagine how much I left
Waiting good timing for the city collapse
I bet your life just a joke that’s a fact
Matter fact I gonna put a middle finger on your face
Say
Fuck off, god damn
Work hard, get paid
Blue pill, red pill
I’m afraid of taking both pills
No deals
You better sit tie with your seat belts
No kills
Needles got me into sedative
Blood line working on relatives
Speaking thru my vines you see me I don’t even lie
While you’ve wonder all the night, I’m just over qualify.
Working for the dead president,
Check on my face
I just try to wait for great candidate,
We made some clams
Someday I might shine brighter than the betelgeuse, untouchable
You can’t even leave your comfort zone, unbreachable uh
[Verse 3: Aminato]
Yeah, look at my eyes’ Red like a Man
腦袋裝著Method 創了規則 from zero to the Tang(ten)
看看我們一群煞星帶著鬼臉wow
弱者被我們的口水淹沒 illumanati們全都訝異
看Makaveli仍在視線中
我不同於那些愛亂插隊的crap滿嘴婊子and hoe
聽聽我feel the Tammy still loyal to Ri girl 脫離weed的病與痛
誰管你動作多黑呀手勢多飛皮膚還是Asian boy, make some noises
支持你幻想may be a GOAT 抱歉我在地下平衡輕與重
Born again 戴上皇冠 fit on triple X
名字冠上Dot K, Fuck Kanye
想上位 Like Terry Guo
假的領導讓土地被血洗過
這裡No Man only for TK
為了鈔票再多飛幾遍
繼續簽約能多活幾年
無知的weak ass別想玩音樂
[Verse 4: Saxer]
形象是湊合拼成
稱產量驚人但內容月經文
拿膚色自欺欺人
自立新精門高唱龍的傳人
大喊愛嘻哈精神 卻因話題敏感
全都被噤聲
擅長製造娛樂新聞
圈子士氣低沈
氣到他媽想揍人
詞句虛偽不中肯
你想當另一個姚忠仁
祈禱話題咬中了
終於能上綜藝大熱門
結果進公司 老闆說要重審
請了打手幫你寫副歌
在地下拿AK47 出道怎就變AKB了
如果是個普通人只能怪自己沒天份
唱rap不打破度量衡那你乾脆去扒糞
曾經你的歌我也唱著 字字噴出銷魂的彈殼
如今像個大背叛者爛到植物人都起來哭了
[Verse 5: Zac]
妳看我 WOW WOW 錢包變成 泡泡 (WOW)
非常 糟糕 看著帳單 哇靠 (WOW)
看我 WOW WOW 錢包變成 泡泡 (WOW)
非常 糟糕 看著帳單 哇靠 (WOW)
我的寶貝 每天搞得我好累
誰在搞鬼 穿得一點都不高貴
不能買便宜的包包要你變得騷包都超貴
受不了妳的嘮叨 我搞到自己都不能消費
當我小鬼 沒錯 妳很嬌貴 我默默把收據銷毀 我的寶貝 過來幫妳量腰圍
不要擔心 回去坐好妳的寶位
妳看我 WOW WOW 錢包變成 泡泡 (WOW)
非常 糟糕 看著帳單 哇靠 (WOW)
看我 WOW WOW 錢包變成 泡泡 (WOW)
非常 糟糕 看著帳單 哇靠 (WOW)