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《我的幸福5/2 週末》
*週日下午兩點誠品信義書店「廿世紀典範人物」新書分享會，我下午二時開始演講，離上次在台灣大學公開演説。快半年了！分享會報名一小時預告已額滿，但TVBS電視台慷慨的支持。派出SNG車，屆時TVBS文茜的世界周報YouTube 及世界周報Facebook 都將同步直播。
*新書分享會後我將直奔高雄衛武營，參加劉孟捷（李斯特巡禮之年）鋼琴獨奏會。這是劉孟捷回台，最重要的一場音樂會，我目睹他用盡了一切心力。過去即使21歲時在費城代打缺席大師的音樂會，劉孟捷都未曾如此緊張。他此次回台，手術前為了沒有遺憾，共舉行三場音樂會：其中4/17與5/30皆是與國家交響樂團NSO合作：530那一場指揮是呂紹嘉。但他告訴我，某些曲目對他而言，是Piece of Cake ：惟獨衞武營這一場，曲目由他自己決定，現場錄影，並且找了金曲獎錄音師同步錄音。
5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784
劉夢捷明白他即將面對一個大手術，手術風險之外，他的免疫系統疾病，將使他的康復之路更長。
沒有人可以預知未來，為了圓他的夢，醫院每天都要求他早上、晚上量血壓，報告直接傳給院長。振興醫院院長魏崢雖然是亞洲第一把心臟外科醫師，但也不敢大意。
畢竟這個人的生命那麼脆弱，他的心臟主動脈剝離，那是實質的「心碎」了：但他仍有詩，仍有音樂夢。在生命的交接處，在白日與黑夜的交义口，劉孟捷想為他的音樂生涯，留下最美好的紀錄。
他選擇了李斯特。
在這場音樂會前，他甚至以英文寫下了自己與音樂、疾病的半生回顧：如李斯特的巡禮，有仰望，有沉思，有失落，有幽微的疼痛。他以詩篇般的演奏模式，傾訴，詠嘆。他曾得到天賦，也走過死蔭的幽谷。命運是一層又一層的黑影逼近，老天爺隨時想帶走他。
而他已不再流淚，不再沉浸於悲愴告別：因為對他而言活著並不容易，他要讓自己更深刻的抓住每一分時光之美。
如果時間和空間，正如哲人們所形容的
都是不實際存在的東西：那從不感到衰敗的太陽，也不會比我們了不起多少！
他如艾略特的詩句中所形容的：我們為什麼要如此貪心總在祈禱，想活上整整一個世紀？
蝴蝶雖僅活了一天，已經歷了永恆。
當他的身軀如露水還在藤蔓顫抖時，他送給我們一場「完全浪漫又超技的李斯特」。
等音樂會結束了，至少有一張CD，一段YouTube 影像：不論孟捷代表生命的那朵鮮花是否枯萎，他彈奏如天使的音聲不會飛離，它會停留在那夜，繼續釋放芬芳。
這是盡生命之力、之情獨奏的音樂會。劉孟捷説：這樣當他走進手術室時，會少一點悲傷。
或許快樂的日子本來就不多，但讓這場「完全李斯特．完全劉孟捷」的獨奏會放出神聖的光彩吧！
我必將赴會，不會錯過！我知道此刻的獨奏會，很難複製，因為它綜合了太多的情感、愛念，釋放與生命的抒情。
*劉孟捷為此次獨奏會寫下的文字：This past year has seen some unprecedented changes in the world. Many lives have been lost and many have changed. The world has changed while many of us confront the uncertainty of the future.
For most musicians, life has changed. For months, we have been conducting our lessons online, and concerts have mostly stopped or become an online experience as well. More time has been spent learning how to improve the online teaching experience than one could have imagined. While I have felt the duty to continue teaching, the format the pandemic requires for teaching leaves me unwilling to spend more time than I have to.
And truly, I have had other things to deal with. When the pandemic started to worry the American public in March, I was in the middle of a tour with the String Quartet-in-Residence at Curtis, the Vera Quartet. However, our concerts were canceled, and everything came to a sudden halt.
I felt the universe had sent me an unexpected gift, as I had also just received some terrible news concerning my worsening aortic arches and a diagnosis of kidney cancer. The sudden halt in my professional schedule seemed perfect in its timing. I was able to settle into a monastic existence, to simply practice and attempt to heal.
I see many musicians itching to be concertizing again, and many stepped into new territory, performing on the internet. Many took time to develop new podcasts, and to write new materials for their art. Sadly, many have struggled as they have fallen into desperation without any concert incomes. Altogether the music industry seems to be in peril, and many worry about how music and musicians will survive.
However, I had my own survival to think about. Having been through many difficult experiences in my life, I knew this might be the most difficult I would encounter. My Doctors describe me as a walking time bomb. My condition could be lethal at any moment if my blood pressure gets out of control. So while others wrestle with the fate of the music industry, I’ve needed to face my own fate and mortality.
Playing concerts can mean many things to people. At different times throughout my life, I’ve felt the need to express different aspects of myself. When I was young, I wanted to embody the spirit of romanticism, playing lots of Chopin and Schumann. Then there was a period of time when I wanted to challenge myself by showing off pyrotechnics. I had a brooding period where I turned to the pathos of Rachmaninoff, and then felt the need to return to the purity of Schubert and nobility of Brahms. Throughout this pandemic, I wanted to play Bach. Through Bach’s music I found a kind of spiritual sanctuary.
In considering the program for this concert, I felt again the urge to play music that reflects my current feelings and state of mind. The title of today’s recital, “Years of Pilgrimage” seems to fit exactly what I am experiencing.
Liszt wrote several volumes of “Années de pèlerinage” throughout his life to reflect on thoughts he had during his travels. He links his philosophical thoughts to the scenery which inspired them. “Au Bord d’un Source” describes feelings of rejuvenation while standing next to a clear stream of water, a symbol and source of life and energy. It seems to say, when the stream is so pure, life can be so full of joy.
In the Les jeux d'eaux à la Villa d'Este (The Fountains of the Villa d'Este), the water has a magical and supernatural quality, as Liszt himself wrote in the inscription: "But the water that I shall give him shall become in him a well of water springing up into eternal life,"( from the Gospel of John.)
For me, I have never felt more connected to Liszt than when he looked upon the valley of Obermann and questioned the meaning of existence. At this moment in my life, I often find myself reflecting my experiences of what I see and read into philosophical musings. Perhaps many people come to a time when this is so.
In all this I have felt gratitude for the love stories and sonnets that one can romantically indulge in, and for storms so violent that they threaten to destroy one’s spirit, even the hell-bound journey which brings up questions about the purpose of life…
On this journey, I felt full and alive as a human being. Looking back on this journey, I am grateful for everything, whether happy or sad, to have made an impact, found and imparted meaning to this life.
The unusual time of this pandemic has marked a milestone for me. I have journeyed back home, and as it happened, this is the first time I have spent so much time in my hometown Kaohsiung in over 35 years. It’s particularly nostalgic to play these pieces as some of them were significant in my early musical career. Vallée d’Obermann was the piece I played in my first competition at the junior high school level, in which I won first prize on the national level, which allowed me to be qualified to apply for a special permission to study abroad. This meant my dream to be educated as a musician could be continued in an environment where I could develop fully. In the following year when I was 13, I won the first Asia-Pacific Youth PIano Competition with the Dante Sonata. The competition catapulted me into national attention as I was headlined in several newspapers, and especially since it was held in Kaohsiung, I became a local hero as well. During the same event, I had a fateful meeting with one of the important influences in my life, Mr. Gary Graffman, who then mentored me throughout not only the years when I was studying at Curtis, but throughout my illness and recovery as a pianist. Right before I departed to study in Philadelphia, I played my first solo recital throughout Taiwan, and along with the Dante Sonata, I also performed the three sonnets.
It’s perfect that now, back in Kaohsiung, all these memories have flooded back into my head. I feel so lucky to have been born here, and to have met my first teacher, Chin-Li Lee, who inspired me on the path to become a musician. Prof. Alexander Sung filled me with dreams of becoming an artist. I am grateful for his belief in my talent, when he chose to give a 12 year old such philosophical pieces to play.
Having once again spent some months in Kaohsiung, I can freshly appreciate the source of inspiration it once was for me. I have returned to the source to heal. Having already glimpsed hell’s gate several times, battered and weathered by the storms of life, I know there is a reason life is this way, and it all will be alright.
Meng-Chieh Liu
April, 2021
*劉孟捷衛武營《李斯特巡禮之年》演奏會中，包括李斯特以佩脫拉克三首情詩譜寫的鋼琴琴詩：這三首情詩是從大詩人佩脫拉克一百多首情詩挑出來的，詩本身就很優美，依此激發李斯特的浪漫主義創作靈感，成為琴藝上最困難演奏，但也特別細膩溫柔的琴詩。
這三首分別是：
〈佩脫拉克第47號十四行詩〉〈佩脫拉克第104號十四行詩〉及〈佩脫拉克第123號十四行詩〉。
Franz Liszt（1811-1886）: Sonetto 47 del Petrarca, Sonetto 104 del Petrarca, Sonetto 123 del Petrarca, from Années de pèlerinage, Deuxième année: Italie
李斯特於1846年先出版藝術歌曲《三首佩脫拉克十四行詩》（Tre sonetti del Petrarca），再改成鋼琴獨奏版。
三首佩脫拉克十四行詩
中譯：焦元溥（元溥也是友情贊助，特別準備音樂資料，周日南下，聆賞劉孟捷的樂曲，並且陪同他盯著錄音共三天）
〈第47〉
祝福每天、每月、每年，
所有片刻與鐘點、時間與季節，
在那美麗的原野，
我為一雙眼眸魂縈夢牽。
祝福初遇時的甜，
與愛同在、受苦不停歇，
如弓箭刺穿令我淌血，
傷口永留感動在我心間。
祝福一切我發出的聲音，
當呼喚著我深愛的女郎，
渴望、嘆息、淚濕滿襟。
祝福我寫下的文字遠揚，
歌頌她的芳名，萬古長新。
我心永屬於她，無人能闖。
〈第104〉
我找不到和平，也無意打仗，
我恐懼、我期望，燃燒又冰透。
我向天飛升，卻躺在地上，
我一無所有，卻又擁抱整個宇宙。
我身陷囹圄，監牢又開敞；
我不受囚禁，卻銬著鎖頭。
愛情不讓我死，也不讓我飛翔；
不要我活，也不准我逃離悲愁。
欲看卻無眼，啞口還在發言，
我甘心殞滅，卻仍高聲呼救，
我痛恨自己，但仍愛著他人。
憂傷滋潤我，淚水伴隨笑臉，
生命不足惜，死亡也不煩憂；
我淪落至此，都是妳啊，我的愛人！
〈第123〉
我在塵世見到仙子的美，
她天堂般優雅無與倫比。
想起她讓我悲傷又歡喜，
所見如幻夢迷霧與幽黑。
妳的可愛眼睛使我落淚，
多少次讓太陽也要妒忌。
我還聽到四周發出嘆息，
移動了山嶽停止了河水。
愛情智慧憐憫憂傷財富，
在淚水中形成甜美聲響，
奇妙和諧世上未曾目睹。
天堂追隨著音樂的流淌，
雖然枝上樹葉並未飛舞，
空氣與風息卻充滿芬芳。
5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784
第二季最後一集的時間長度，又破了我們錄音的記錄，有70分鐘那麼久。這一集主要靠傅慶良大哥的口述，帶領我們穿越到數十年前古典CD銷售相當興盛的時期，而我們都是錄音現場想到哪間店，就聊哪間店，所以即使聊了70分鐘，還是有許多店家沒有聊到。
節目裡提到的店家，依序如下。如果您有想到哪個店家是你以前經常光顧而我們沒有聊到的，也歡迎在底下留言～
▶️ 連鎖系統
玫瑰唱片、大眾唱片、誠品音樂館
▶️ 台北
佳佳唱片
松竹唱片、哥倫比亞唱片（唱片公司兼作唱片行）
方圓唱片
中環唱片
普洛唱片
經典唱片
淘兒Tower唱片（西淘、東淘）
上揚唱片、韻順唱片、鐘聲唱片、新天新地（唱片公司兼作唱片行）
福茂唱片
駱克唱片
派地唱片
宇宙城唱片
啟元唱片
小閔的古典音樂世界
弦音唱片
Joy Audio、38度C、老闆娘的店（音響發燒片為主題的店家）
合友唱片
▶️ 台中
晶華書店
張建隆古典爵士專門店
東海之音
▶️ 高雄
尚音唱片
樂聲唱片（這是一間很老很老的唱片行）
▶️ 東部
邁阿密音樂廣場
卡門唱片
萊茵河堤
▶️ 台南
惟因唱碟名店
▶️ 遺漏的
禮樂唱片
鐵道音響停看聽唱片行
▶️ 彰化
山海山音樂廣場
（照片是西門町的淘兒唱片行，現已改為服飾店）
--------
訂閱《大叔聊古典》Podcast，不漏接每一集：
🎧 Apple Podcast https://reurl.cc/mnpXy1
🎧 Spotify https://reurl.cc/vDKqQo
🎧 KKBOX https://reurl.cc/Ez8L3n
🎧 SoundOn https://reurl.cc/expVlM
MELOGAPPAの視聴者参加型PR部隊「ガッパ隊」第四弾作戦を発表します！！
目指すは全国制覇！！47都道府県のラジオでMELOGAPPAの曲を流したい！！
ラジオでMELOGAPPAの曲が聴けた！！という感動を皆さんと共有したい！！
この作戦に参加した時点であなたもガッパ隊の一員です！！ぜひご参加ください！！
【指令】
日本全国のラジオ局にMELOGAPPAの楽曲をリクエストしよう！！
【リクエスト可能楽曲】
・サンドウィッチマンのメンバーの名前だけでオリジナル曲つくってみた（https://youtu.be/G_eO4c_M78M）
・CMソングのフレーズだけでオリジナル曲つくってみた《Part3》（https://youtu.be/3nKgzyC_4C8）
・CMソングのフレーズだけでオリジナル曲つくってみた《Part4》（10月1日MV公開）
【作戦期間】
2021年9月1(水)〜2021年10月31日(日)
【補足】
ラジオでMELOGAPPAの曲が流れたらTwitterのDMでラジオ局と番組名の報告をお願いします。
１回でもOAされたらその都道府県は制覇!!とします。
東京都と大阪府については対象６局のうち３局でOAされたら制覇!!とします。
全国放送の場合はキー局のみを制覇!!とします。
他県のラジオ局にリクエストするのも可です。
【対象ラジオ局】
【北海道】
AIR-G' https://www.air-g.co.jp/message/
FMノースウェーブ https://www.fmnorth.co.jp/program/
北海道放送 https://www.hbc.co.jp/radio/
STVラジオ https://www.stv.jp/radio/index.html
【青森県】
FM青森 https://www.afb.co.jp/program/index.html
青森放送 https://www.rab.co.jp/radio_form/
【岩手県】
FM岩手 https://www.fmii.co.jp/
IBC岩手放送 https://www.ibc.co.jp/radio/
【宮城県】
Date fm https://771.fm/sys_rqtform/index.aspx
東北放送 http://www.tbc-sendai.co.jp/02radio/index.html
【秋田県】
FM秋田 https://www.fm-akita.co.jp/request-message/
秋田放送 https://www.akita-abs.co.jp/radio/
【山形県】
FM山形 http://www.rfm.co.jp/
山形放送 http://www.ybc.co.jp/radio/req/
【福島県】
ふくしまFM https://www.fmf.co.jp/
ラジオ福島 http://www.rfc.jp/index.php
【千葉県】
bayfm78 https://www.bayfm.co.jp/
【埼玉県】
NACK5 https://www.nack5.co.jp/
【東京都】
Tokyo FM https://www.tfm.co.jp/
J-WAVE https://www.j-wave.co.jp/
InterFM897 https://www.interfm.co.jp/
TBSラジオ https://www.tbsradio.jp/
文化放送 https://www.joqr.co.jp/
ニッポン放送 https://www.1242.com/
【神奈川県】
FMヨコハマ https://www1.fmyokohama.co.jp/sv/request/1
ラジオ日本 http://www.jorf.co.jp/
【山梨県】
FM FUJI https://www.fmfuji.jp/mail.php?cd=510
山梨放送 https://www.ybs.jp/timetable/radio/
【群馬県】
FMGUNMA https://www.fmgunma.com/fmg863/req_all/
【栃木県】
RADIO BERRY https://www.berry.co.jp/message/
栃木放送 http://www.crt-radio.co.jp/message/
【茨城県】
LuckyFM茨城放送 https://lucky-ibaraki.com/request/
【新潟県】
FM-NIIGATA https://www.fmniigata.com/
新潟放送 https://www.ohbsn.com/system/form/radio-request/
【長野県】
FM長野 http://www.fmnagano.co.jp/
信越放送 https://sbc21.co.jp/blogwp/radio/
【静岡県】
K-mix https://www.k-mix.co.jp/
静岡放送 https://www.at-s.com/apps/entryform/entry/form/148665
【富山県】
FMとやま http://www.fmtoyama.co.jp/program/request.html
北日本放送 https://www.knb.ne.jp/inquiry/
【石川県】
FM石川 https://hellofive.jp/message/
北陸放送 https://www.mro.co.jp/radio/
【福井県】
FM福井 https://www.fmfukui.jp/docs/
福井放送 https://www.fbc.jp/radio/
【愛知県】
FM AICHI https://fma.co.jp/f/request/
ZIP-FM https://zip-fm.co.jp/access/message/
東海ラジオ放送 https://www.tokairadio.co.jp/dragons/
CBCラジオ https://hicbc.com/radio/
【岐阜県】
FM GIFU https://www.fmgifu.com/request/
岐阜放送 https://www.zf-web.com/radio/contact.html
【三重県】
FM三重 https://fmmie.jp/
【滋賀県】
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ラジオ大阪 http://www.obc1314.co.jp/message_all.html
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ならどっとFM http://narafm.jp/
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Kiss FM KOBE https://www.kiss-fm.co.jp/requestmessage/
ラジオ関西 https://jocr.jp/
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FM FUKUOKA https://fmfukuoka.co.jp/message/?m=reform
cross fm https://www.crossfm.co.jp/request/w_index.php
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FM佐賀 http://www.fmsaga.co.jp/request/
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FM長崎 https://www.fmnagasaki.co.jp/request/
長崎放送 https://www.nbc-nagasaki.co.jp/radio/request/
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エフエム・クマモト https://fmk.fm/request/
熊本放送 https://rkk.jp/radio/
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FM大分 http://www.fmoita.co.jp/
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ミューエフエム https://www.myufm.jp/program_list/
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FM Okinawa https://www.fmokinawa.co.jp/
琉球放送 https://www.rbc.co.jp/radio_top/
ラジオ沖縄 https://www.rokinawa.co.jp/
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1:33~ 作戦内容!!
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7:19~ 出陣!!
#MELOGAPPA
A fresh preview clip of my 2017's second album [Cinnabar Rouge 辰胭]. Released on April 20, 2017. Thank you William Ang for helping me with this 2021, shorter, audio track.
Album songlist:
01. 兩條路上 The Crossroad
02. 如果沒有你 I Cannot Live Without You
03. 打噴嚏 The Sneezing Song
04. 月亮的回声Gema Rembulan
05. 最后的礼物 Parting Gift (original)
06. 天涯歌女 A Songstress' Life
07. 好春宵 Spring Evening
08. 飘落 Adrift (original)
09. 请模仿我Tiru Macam Saya
10. 臉兒紅心兒笑 Red Face, Happy Heart
11. 卡門 Carmen
12. 玫瑰玫瑰我爱你 Rose Rose I Love You / 玫瑰人生 La Vie En Rose
Cinnabar Rouge album teaser: https://www.youtube.com/watch?v=6RPHIB8qtVE
Cinnabar Rouge album photoshoot (Behind The Scene): https://www.youtube.com/watch?v=m2V8TlrO8Jc
Gema Rembulan video: https://www.youtube.com/watch?v=yPAILRFUNuY&t=158s
-------------------------------------------------------------------------------------------------------
CINNABAR ROUGE 辰胭
Poisonous addiction, to the maze of time.
辰砂有毒，胭脂是瘾，我们都迷醉在时间嫣红的迷宫里
Cinnabar Rouge, a second self-produced studio album, where Janet pays tribute to a genre that earned her title as Malaysia’s Shanghai Jazz Queen in this 12-track CD. Candidly claimed as a ‘Shanghai Jazz Fantasy Project’, the album carries ten covers and two original compositions by Tay Cher Siang with lyrics by Chiew Ruoh Peng – of three languages in the repertoire: Mandarin, Malay and French. The music director is Tay Cher Siang, jazz pianist, arranger, composer and band leader of WVC - Malaysia Jazz Ensemble. Janet worked with three renowned artistes and producers on vocal production, namely Winnie Ho, Isabell Jia Jia and Xie Songfan.
The music arrangements cover swing, ballad, retro and R&B – showing off Janet’s growing finesse in her musicality and vocals. This exquisitely designed album by Kongsi Design is both a visual and aural feast. The album includes a full color 80-page hardcover photo book that features images shot artfully by concept photographer Shah Azman, and features bilingual poems by poet Chiew Ruoh Peng.
《辰胭》是Janet Lee制作的第二张专辑。她有“大马上海爵士乐皇后”的美誉，戏称专辑是“上海爵士乐的奇幻旅程”，内有12首歌，除了10首华语、马来语、甚至法语老歌翻唱，还有两首由著名音乐人郑泽相作曲、周若鹏填词的原创作品。郑泽相也担任音乐制作，歌唱制作方面还有著名艺人、制作人何芸妮、潘沁珈及谢松汎联手打造。
编曲风格多样，有摇摆乐、民谣、复古及节奏蓝调，充分展现Janet愈趋成熟的歌艺。精致的专辑设计由"一亻一半"团队操刀，无论视觉、听觉都是一大享受。80页的全彩精装摄影集内不只有概念摄影师沙.阿兹曼的作品，还有诗人周若鹏撰写的双语新诗。
====================================================
She, the time traveler.
Songs are her spells, luring you to Old Shanghai, Nanyang and into the unknown future.
Let's wander in search of blossoming love
and wander on before it wilts.
Her stories are in the music, joy and sorrows weaved into the tune
.Be careful not to trip over a sad note, though.
This is her game,
Keep up, stay close.
她是时间旅人，歌是她的魔咒，
把听者牵引到旧上海、南洋，到未知的未来，
不断地穿梭、流浪，寻找一段开花不结果的爱情。
她的故事唱在乐章里，每次音符起伏都在诉说她的忧喜。
你要小心，莫要让迂回的旋律把你绊倒
这是她的游戏，
你可要跟紧了
----------------------------------------------------------------------------------------------------------
Janet Lee's pages:
www.facebook.com/JanetLeemusic
www.janetlee.my
www.instagram.com/souldoctorlee
=====================================================
Album on sale now at:
iTunes:
https://itunes.apple.com/us/album/cinnabar-rouge/id1257604774
Physical copies are now available for mail order + on site delivery, contact 6012-378 3730 or email to: [email protected]
=====================================================
Cinnabar Rouge album - The Team:
Executive Producer: Janet Lee
Music Producer & Music Director: Tay Cher Siang
Vocal Producers: Isabell 潘沁珈, Xie Songfan 謝松汎, WinnieHO 何芸妮
Composer: Tay Cher Siang
Lyricist: Chiew Ruoh Peng 周若鹏
Recording & Mixing Engineer: Alex Tan
Mixing Studio: StarMount Studio
Mastering: Westside Mastering
Album & Graphic Design: Kongsi Design
Copywriting: Chiew Ruoh Peng 周若鹏
Photography: Shah Azman
Model: Jonathan Wong
Hair & Makeup: Glam Virtuoso by Range Yau
Publicity: Chin Kwee Lin & Leo Yap
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Hamster March by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/)
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Artist: http://incompetech.com/
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『miki's 原創兒歌JOY CD 童樂會』 今年夏天 一張你不能不買的兒歌專輯 一網打盡小孩的日常原創兒歌 參加此活動包含 ＃JOY兒歌CD乙張 ... ... <看更多>
joy cd 在 Greatest Hits (Full Album) - Joy - YouTube 的推薦與評價
Joy - Greatest HitsSubscribe to eurobeat channel - https://www.youtube.com/c/EurobeatChannelStream / Download: ... ... <看更多>