關於 lady in red lyrics ，我們在網路上蒐集到這些相關的討論、資訊與評價

【天青色等煙雨，而我在等你】(English writing below)

我看著客人眼淚
滴滴答答的打在桌面上
筆記本
濕了
本子上的字
糊了

她的心酸
猶如洪泉遇到崩裂的堤壩
一波一浪的破牆而出

一個被愛情辜負的女子
看了真是心疼

我不由自覺的
想到了自己

你懂我的
像我這樣剛烈的女子
爲了愛情
我絕不退縮
祇是一個勇字
又豈能成事呢

童年
過得心驚膽顫
家裡常吵得
雞犬不寧

爸爸沒想要
把我生下
媽媽常說
要把我趕出去

我很努力讀書
我很努力做個乖孩子
我覺得我做得很好
人小小本事很大
但這些終究無法
讓我在美滿的家庭長大

多少個夜晚裡
我被媽媽打得
想奪門而出
永不再見
可是想到誰來照顧她
我又忍下來

我很恨
為何我命運不如人

第一次談戀愛時
我是多麼多麼的雀躍
內心裡的煙花
不斷地爆開
我終於等到了
不再是
沒人要的孩子了

我終於
值得有人愛了

初戀的絢麗
卻也如七彩美麗的煙花
一聲巨響後
就消失在漆黑的夜裡

他常常在我面前
提到他如何深愛著
他中學時的校花
她是如此的美好

有一次
這校花來我們的學校
他得知後
破課室的門而出
沒見到她
他哭了一整個星期

心中的不安
讓我常常與他吵架
三年零八個月裡
我不是一個好女友
服滿兵役後
他喜歡上大學迎新會
的一位混血兒

後來
我和一位校友打了幾次桌球
某夜
他在ICQ向我索吻
對他的印象
就一落千丈了
（你以為老娘在賤賣嗎？）
不久一位朋友告訴我
他約會的對象
不只我一個

我有一位
很好很好的朋友
我在新加坡時
他常陪我
深夜打桌球到清晨
聊佛法聊人生
一起上佛學班
一起學國標舞
從未有一個人
如此瞭解我的心
如此照顧著我

但無所不談的當兒
他也不斷告訴
這麼多年來
他如何愛念著
一個女孩
對她始終無法忘懷

我又輸給
活在記憶中的人了

我這一份單戀
長達兩年
很磨人很磨人很磨人
差一點走不出來

第二次談戀愛
他常在我面前提起
一個他追了半年追不到的女孩
他說
有一天一定要去問她
為什麼不選擇他

在家裡的毒打
並沒有隨著我成人
而停止

後來拜師學藝
卻因爲品德不良
被師父一句
「你不是我要找的人。」
斷然吃了閉門羹

那天我哭得痛徹心扉
覺得自己
好像是
個沒人要的孩子

方文山因爲
八百年前
宋徽宗皇帝御批的這句
「雨過天青雲破處」
而在周傑倫《青花瓷》裡
寫了『天青色等煙雨，而我在等你』

他說
愛情里最無力的無奈
就是「等待」
天青色得等待
不知何時會降的雨
雨停
積雲散去
朗朗晴空中
天青色才能顯現
如同我
只能被动而安静的
等待着
不知何时才会出现的妳。

慢慢的
我開始認為
我這輩子等不到了
月老應該沒幫我
綁上紅線

學佛多年後
忽然恍然大悟
一個道理
没有东西是必须拥有的
沒有它
也不代表自己的不足

愛情
是一個填不滿的慾望
所以愛情劇長紅

在2015年2月21日年初三，根本上師蓮生活佛在台灣中天綜合電視台的訪談中說：https://youtu.be/EPDxwSt6a5I （時間12:08）

「師尊本身的愛是這樣的。我既然愛她，就是要她幸福，不是要佔有她，這種愛不是佔有，其實愛不是佔有。如果愛是佔有的話，那就是屬於慾望。如果愛不是佔有，我是祝福她，雖然我愛她，她不愛我，她愛別人，我就祝福她。如果愛別人會比較幸福，我就祝福她。這種愛就不是佔有的愛。如果是佔有的愛，一定會產生痛苦。」

原來我真正在等的
是自己
自己的智慧開了
心變闊達時
才不會讓他人決定
自己幾時可以幸福
可以幸福多久
命運在我手中
怎麼走本來就是我說了算

我輕輕的拿起桌上的紙巾，遞給女客人。她一把鼻涕，一把眼淚的向我道謝。

借了師父慣用的笑話，我柔聲細語的說：「別哭，新加坡缺水，要哭要到蓄水池哭，這樣我們可以少看馬來西亞的臉色做人。」

她破涕而笑。

我再說：「我看了妳的八字，現在又看到妳真人，勸你跟我講話老實一點，要不然我幫不到妳。妳明明一直做人家的小三，還敢跟我哭沒有男人要和妳結婚？妳不也偷偷拿了他不少錢嗎？我看妳明明就是一張愛錢的臉。」

奉勸各位大俠，在我面前，若要用眼淚爲武器，請三思，因爲虛偽的，我必定拆你面具。

..........................

I looked at the teardrops of my client, pitter patter onto the table top. My client's notebook got wet. The words got muddled.

All the pains in her heart were like the angry river crushing through a broken dam, tearing down the walls as the tears flowed.

To see a lady being let down by love was indeed heart-breaking.

I couldn't help but thought of myself.

You know me. An unyielding character like mine will not shrink like a coward in the name of love. Alas, there are things in life that can't be accomplished solely with courage.

My childhood was filled with a lot of fear. There were often quarrels at home.

My dad didn't want me to be born. My mum often said she wanted to chase me out of the house.

I studied very hard. I did my utmost to be an obedient kid, and I thought I did very well as young child but I was already very capable. However, all these were not enough for me to grow up in a complete family.

So many nights, I got beaten up so badly by my mum that I wanted to just break out of the door and never to see her again. But the mere thought of nobody looking after her pulled me back.

I hated so much. Why wasn't my destiny comparable to other people?

When I first fell in love, I was so elated. The fireworks in my heart exploded non-stop. I finally found someone. I was no longer that child which nobody wanted. I was finally worthy of someone's love.

The splendour of first love, however, was as temporal as the rainbow-coloured fireworks. After a loud explosion, it vanished into the darkness of night.

He would often tell me in my face, how much he pined for and loved his secondary school crush, apparently the prettiest and most perfect girl in school.

Once, this campus belle came to our school. When he got wind of the news, he dashed out of the classroom. Failing to see her, he cried for one whole week.

My insecurity caused me to quarrel with him often. In those 3 years and 8 months, I wasn't a great girlfriend. After his NS, he got together with a girl of mixed blood at his university's Orientation camp.

I played pool with a uni mate a few times. One night over ICQ, he teased me for a kiss. My impression of him dropped like hot cakes. Did I look like I was lelong-ing myself? Later, a girl pal told me that he was dating several girls at the same time.

I had a very good friend. Whenever I was in Singapore, he would accompany me to play pool till wee hours. We talked about Dharma, life, and we attended Buddhism and ballroom dancing classes together. I had never met a person who understood me and took care of me so well.

But among our endless conversations of everything and anything, he always told me how he still loved a girl from his school. He couldn't forget her.

Again, I lost to someone who lived in the memory of the guy I liked.

This one-sided love of mine burned for two years. It was very, very, very excruciating. I almost didn't make it out alive.

In my second relationship, the boyfriend would always tell me about a pretty girl whom he pursued for half a year, but failed to win her heart. He told me firmly that if he had the chance, he wanted to ask her why she did not choose him.

The abusive beating at home did not stop even after I grew up.

Later on, when I wanted to become Shifu's disciple, he turned me down flat because he didn't think I had good morals and values. He was blunt, "You are not the person I am looking for."

That night, I cried painfully hard. Suddenly, I felt like I was the kid from my childhood whom nobody wanted.

800 years ago, Emperor Huizong of Song Dynasty wrote in an imperial decree "雨過天青雲破處". It was this that inspired Vincent Fang (方文山) to write the lyrics 『天青色等煙雨，而我在等你』in Jay Chou's song 青花瓷 (Blue and white porcelain).

Vincent Fang said, the most powerless kind of helplessness in love was waiting.

The sky green colour had to wait for the rain, which it had no idea when it would arrive. After the rain stopped, the thick clouds dissipated, in the clear skies, the sky green colour would then be able to appear. This was just like how he could only passively and quietly wait, for his lady whom he had no idea when she would appear.

Gradually, I started thinking that in this lifetime, I would not be able to wait for that person to appear. Perhaps Yue Lao (the elderly celestial under the moon) did not tie the red string on me.

After many years of learning the Dharma, one day, I suddenly came to the realisation that nothing is a must to own.

Secular love is a black hole of desires. That is why romantic shows are evergreen.

On 21 February 2015, the 3rd day of the Lunar New Year, my Root Guru Living Buddha Lian-Sheng spoke in an interview with the Taiwan CTI Television Inc.: https://youtu.be/EPDxwSt6a5I （timestamp 12:08）

"My personal take on love is this. Since I love her, I will want her to be blissful, and not to possess her. Such love isn't possession. Actually love isn't possession. If love is possession, that belongs to desire. If love isn't desire, I will wish her well. Although I love her, she doesn't love me, but loves another person, so I will give her my best wishes. If loving another person brings her more happiness, I will wish her well. Such love isn't possessive love. If it is possessive love, there will surely be pain."

Then I realised, the one that I had been waiting all along for is myself. Waiting for my wisdom to develop, waiting for my heart to be more open, so that I would not place my happiness in the hands of another person, and let the person decide for me when I should be happy, for how long I can stay happy...

My destiny is in my hands. How it pans out is up to me to say.

I gently picked up a serviette from the table and passed it to my lady client. In a mush of mucus and tears, she thanked me.

Borrowing an old joke from Shifu, I gently told her, "Don't cry. Singapore lacks water. If you want to cry, you should cry at a nearby reservoir. This way, we don't have to see the colours of Malaysia in order to get more water."

She broke into a smile among her tears.

I continued, "After looking at your Bazi, and now that I have seen you in person, I advise you to be more honest with me, or else I will not be able to help you. You have all along been a mistress to other men, and you dare to come crying to me that no man wanted to marry you? Didn't you also stole some money from them? The way I see you, you obviously have a money grubber face."

My advice to all swordsmen: If you wish to use your tears as a weapon in front of me, think thrice. Because if you are a hypocrite, I will definitely rip your mask apart.

【天青色等煙雨，而我在等你】(English writing below)

我看著客人眼淚
滴滴答答的打在桌面上
筆記本
濕了
本子上的字
糊了

她的心酸
猶如洪泉遇到崩裂的堤壩
一波一浪的破牆而出

一個被愛情辜負的女子
看了真是心疼

我不由自覺的
想到了自己

你懂我的
像我這樣剛烈的女子
爲了愛情
我絕不退縮
祇是一個勇字
豈能成事

童年
過得心驚膽顫
家裡常吵得
雞犬不寧

爸爸沒想要
把我生下
媽媽常說
要把我趕出去

我很努力讀書
我很努力做個乖孩子
我覺得我做得很好
人小小本事很大
但這些終究無法
讓我在美滿的家庭長大

多少個夜晚裡
我被媽媽打得
想奪門而出
永不再見
可是想到誰來照顧她
我又忍下來

我很恨
為何我命運不如人

第一次談戀愛時
我是多麼多麼的雀躍
內心裡的煙花
不斷地爆開
我終於等到了
不再是
沒人要的孩子了

我終於
值得有人愛了

初戀的絢麗
卻也如七彩美麗的煙花
一聲巨響後
就消失在漆黑的夜裡

他常常在我面前
提到他如何深愛著
他中學時的校花
她是如此的美好

有一次
這校花來我們的學校
他得知後
破課室的門而出
沒見到她
他哭了一整個星期

心中的不安
讓我常常與他吵架
三年零八個月裡
我不是一個好女友
服滿兵役後
他喜歡上大學迎新會
的一位混血兒

後來
我和一位校友打了幾次桌球
某夜
他在ICQ向我索吻
對他的印象
就一落千丈了
（你以為老娘在賤賣嗎？）
不久一位朋友告訴我
他約會的對象
不只我一個

我有一位
很好很好的朋友
我在新加坡時
他常陪我
深夜打桌球到清晨
聊佛法聊人生
一起上佛學班
一起學國標舞
從未有一個人
如此瞭解我的心
如此照顧著我

但無所不談的當兒
他也不斷告訴
這麼多年來
他如何愛念著
一個女孩
對她無法始終忘懷

我又輸給
活在記憶中的人了

我這一份單戀
長達兩年
很磨人很磨人很磨人
差一點走不出來

第二次談戀愛
他常在我面前提起
一個他追了半年追不到的女孩
他說
有一天一定要去問她
為什麼不選擇他

在家裡的毒打
並沒有隨著我成人
而停止

後來拜師學藝
卻因爲品德不良
被師父一句
「你不是我要找的人。」
斷然吃了閉門羹

那天我哭得痛徹心扉
覺得自己
好像是
個沒人要的孩子

方文山因爲
八百年前
宋徽宗皇帝御批的這句
「雨過天青雲破處」
而在周傑倫《青花瓷》裡
寫了『天青色等煙雨，而我在等你』

他說
爱情里最无力的无奈
就是「等待」
天青色得等待
不知何時會降的雨
雨停
积云散去
朗朗晴空中
天青色才能顯現
如同我
只能被动而安静的
等待着
不知何时才会出现的妳。

慢慢的
我開始認為
我這輩子等不到了
月老應該沒幫我
綁上紅線

學佛多年後
忽然恍然大悟
一個道理
没有东西是必须拥有的。
沒有它
也不代表自己的不足

愛情
是一個填不滿的慾望
所以愛情劇長紅

在2015年2月21日年初三，根本上師蓮生活佛在台灣中天綜合電視台的訪談中說：
「師尊本身的愛是這樣的。我既然愛她，就是要她幸福，不是要佔有她，這種愛不是佔有，其實愛不是佔有。如果愛是佔有的話，那就是屬於慾望。如果愛不是佔有，我是祝福她，雖然我愛她，她不愛我，她愛別人，我就祝福她。如果愛別人會比較幸福，我就祝福她。這種愛就不是佔有的愛。如果是佔有的愛，一定會產生痛苦。」

原來我真正在等的
是自己
自己的智慧開了
心變闊達時
才不會讓他人決定
自己幾時可以幸福
可以幸福多久
命運在我手中
怎麼走本來就是我說了算

我輕輕的拿起桌上的紙巾，遞給女客人。她一把鼻涕，一把眼淚的向我道謝。

借了師父慣用的笑話，我柔聲細語的說：『別哭，新加坡缺水，要哭要到蓄水池哭，這樣我們可以少看馬來西亞的臉色做人。』

她破涕而笑。

我再說：「我看了妳的八字，現在又看到妳真人，勸你跟我講話老實一點，要不然我幫不到妳。妳明明一直做人家的小三，還敢跟我哭沒有男人要和妳結婚？妳不也偷偷拿了他不少錢嗎？我看妳明明就是一張愛錢的臉。」

奉勸各位大俠，在我面前，若要用眼淚爲武器，請三思，因爲虛偽的，我必定拆你面具。

..........................

I looked at the teardrops of my client, pitter patter onto the table top. My client's notebook got wet. The words got muddled.

All the pains in her heart were like the angry river crushing through a broken dam, tearing down the walls as the tears flowed.

To see a lady being let down by love was indeed heart-breaking.

I couldn't help but thought of myself.

You know me. An unyielding character like mine will not shrink like a coward in the name of love. Alas, there are things in life that can't be accomplished solely with courage.

My childhood was filled with a lot of fear. There were often quarrels at home.

My dad didn't want me to be born. My mum often said she wanted to chase me out of the house.

I studied very hard. I did my utmost to be an obedient kid, and I thought I did very well as young child but I was already very capable. However, all these were not enough for me to grow up in a complete family.

So many nights, I got beaten up so badly by my mum that I wanted to just break out of the door and never to see her again. But the mere thought of nobody looking after her pulled me back.

I hated so much. Why wasn't my destiny comparable to other people?

When I first fell in love, I was so elated. The fireworks in my heart exploded non-stop. I finally found someone. I was no longer that child which nobody wanted. I was finally worthy of someone's love.

The splendour of first love, however, was as temporal as the rainbow-coloured fireworks. After a loud explosion, it vanished into the darkness of night.

He would often tell me in my face, how much he pined for and loved his secondary school crush, apparently the prettiest and most perfect girl in school.

Once, this campus belle came to our school. When he got wind of the news, he dashed out of the classroom. Failing to see her, he cried for one whole week.

My insecurity caused me to quarrel with him often. In those 3 years and 8 months, I wasn't a great girlfriend. After his NS, he got together with a girl of mixed blood at his university's Orientation camp.

I played pool with a uni mate a few times. One night over ICQ, he teased me for a kiss. My impression of him dropped like hot cakes. Did I look like I was lelong-ing myself? Later, a girl pal told me that he was dating several girls at the same time.

I had a very good friend. Whenever I was in Singapore, he would accompany me to play pool till wee hours. We talked about Dharma, life, and we attended Buddhism and ballroom dancing classes together. I had never met a person who understood me and took care of me so well.

But among our endless conversations of everything and anything, he always told me how he still loved a girl from his school. He couldn't forget her.

Again, I lost to someone who lived in the memory of the guy I liked.

This one-sided love of mine burned for two years. It was very, very, very excruciating. I almost didn't make it out alive.

In my second relationship, the boyfriend would always tell me about a pretty girl who he pursued for half a year, but failed to win her heart. He told me firmly that if he had the chance, he wanted to ask her why she did not choose him.

The abusive beating at home did not stop even after I grew up.

Later on, when I wanted to become Shifu's disciple, he turned me down flat because he didn't think I had good morals and values. He was blunt, "You are not the person I am looking for."

That night, I cried painfully hard. Suddenly, I felt like I was the kid from my childhood whom nobody wanted.

800 years ago, Emperor Huizong of Song Dynasty wrote in an imperial decree "雨過天青雲破處". It was this that inspired Vincent Fang (方文山) to write the lyrics 『天青色等煙雨，而我在等你』in Jay Chou's song 青花瓷 (Blue and white porcelain).

Vincent Fang said, the most powerless form of helplessness in love is waiting.

The sky green colour had to wait for the rain, which it had no idea when it would arrive. After the rain stopped, the thick clouds dissipated, in the clear skies, the sky green colour would then be able to appear. This was just like how he could only passively and quietly wait, for his lady whom he had no idea when she would appear.

Gradually, I started thinking that in this lifetime, I would not be able to wait for that person to appear. Perhaps Yue Lao (the elderly celestial under the moon) did not tie the red string on me.

After many years of learning the Dharma, one day, I suddenly came to the realisation that nothing is a must to own.

Secular love is a black hole of desires. That is why romantic shows are evergreen.

On 21 February 2015, the 3rd day of the Lunar New Year, my Root Guru Living Buddha Lian-Sheng spoke in an interview with the Taiwan CTI Television Inc.:

"My personal take on love is this. Since I love her, I will want her to be blissful, and not to possess her. Such love isn't possession. Actually love isn't possession. If love is possession, that belongs to desire. If love isn't desire, I will wish her well. Although I love her, she doesn't love me, but loves another person, so I will give her my best wishes. If loving another person brings her more happiness, I will wish her well. Such love isn't possessive love. If it is possessive love, there will surely be pain."

Then I realised, the one that I had been waiting all along for is myself. Waiting for my wisdom to develop, waiting for my heart to be more open, so that I would not place my happiness in the hands of another person, and let the person decide for me when I should be happy, for how long I can stay happy...

My destiny is in my hands. How it pans out is up to me to say.

I gently picked up a serviette from the table and passed it to my lady client. In a mush of mucus and tears, she thanked me.

Borrowing an old joke from Shifu, I gently told her, "Don't cry. Singapore lacks water. If you want to cry, you should cry at a nearby reservoir. This way, we don't have to see the colours of Malaysia in order to get more water."

She broke into a smile among her tears.

I continued, "After looking at your Bazi, and now that I have seen you in person, I advise you to be more honest with me, or else I will not be able to help you. You have all along been a mistress to other men, and you dare to come crying to me that no man wanted to marry you? Didn't you also stole some money from them? The way I see you, you obviously have a money grubber face."

My advice to all swordsmen: If you wish to use your tears as a weapon in front me, think thrice. Because if you are a hypocrite, I will definitely rip your mask apart.

人心惶惶，無頭命案兇手究竟是誰？
📌 English/Japanese/Korean/Pinyin subtitles available. Please turn on YouTube CC to view.
📢 數位收聽 : https://jolin.lnk.to/UglyBeauty
🔔 訂閱蔡依林頻道 : https://sonymusic.pse.is/jolin

開創華語樂壇血腥懸疑驚悚風格，《紅衣小女孩》、《紅衣小女孩2》、《目擊者》億萬導演程偉豪最新力作，Jolin蔡依林、小S徐熙娣、王柏傑同台飆演技！
潔白雪地中，一具穿著鮮紅婚紗的無頭女屍，一場如同喪禮的婚禮，一樁泯滅人性的殺頭血案，揭露一段複雜的三角情仇。人心惶惶，無頭命案兇手究竟是誰？

・Video Credit・

導演/編劇：程偉豪

領銜主演：
新娘：蔡依林
閨蜜：徐熙娣 小S
新郎：王柏傑

專輯製作 &藝人經紀公司：
凌時差音樂製作有限公司
經紀人：王永良
執行經紀/藝人視覺形象企劃：許嘉倩
經紀助理：林庭蓉
藝人助理：楊馨煒

創意&企劃統籌：周啟民
造型：許嘉倩
服裝管理：徐于筑
化妝：邱亞歷 （Jolin) / 貽亭 (小S) / 張瑋廷(王柏傑)
髮型：Ethan Yao @flux (Jolin) / Sydni Q @ZOOM Hairstyling (小S) / 張瑋廷(王柏傑)
平面側拍：張芮
影像紀錄：梅澤

製作公司：戲子多媒體廣告創意工作室

副導：張凱筑

製片：李德威、董鼎安
製片組：湯雅庭、余品賢

攝影師：傅士英
攝影大助：二毛
攝影助理：阿修、舜鴻
攝影器材：宏達數位影業有限公司

燈光師：大嘴
燈光器材：阿榮影業股份有限公司

美術指導：方聖翔、黃尹姿
美術執行：宥晞
美術場務：阿哲、吉叔、阿諾、阿民

造型：Joanna Wedding經典婚紗
造型師：Sabrina
造型助理：黃琳娟
化妝/髮型師：
張芮榛、陳紘紳、洪芬妮

後期製作：
戲子多媒體廣告創意工作室
剪接：程偉豪、張凱筑
歐兔數位映像有限公司
3D Animator ：陳煜騰 方靖嘉 劉惟熠
Compositing：劉惟熠

調光：時間軸影像製作有限公司
調光師：洪文凱
調光專案管理：陳映芳
調光助理：劉慧玲

標準字設計：洪奕平
歌詞設計：劉柏廷

演員
小女孩：
李婕瑀、蔡亞妍

舞者：
劉育睿、許家榛、黃宏軒、莊凱喻、陳昀翊、陳韻安、張莉豔、林怡安、羅尹彤、黃文謙

協力廠商：
Momentanee手工婚紗禮鞋/伴娘鞋/晚宴鞋

特別感謝：信義威秀影城

・Song Lyrics・

作詞：嚴云農
作曲：倪子岡 NESE／王美蓮／Karencici／Jeff Bova

為什麼蒙娜莉莎不是一頭紅髮
為什麼你的咖啡不是一杯紅茶
I like it red… I like it red…

為什麼所有誓約披上的是白紗
為什麼你的領結不是一朵紅花
I like it red… I like it red…

藍蘋果 怎麼畫 怎麼畫
綠舞鞋 怎麼搭 怎麼搭
黑屏幕 怎麼滑 怎麼滑
欸 聽不懂 就去 玩沙

紅玫瑰 開了嗎 開了嗎
紅燭光 點了吧 點了吧
紅衣裳 髒了嗎 髒了嗎
欸 你害的 看我 幹嘛
I like it red… I like it red…

誰恨我 我加倍
誰愛我 我反饋
Love or hate 我奉陪
My red you won’t forget.

我是鮮血 我是火焰 我代表危險
我是眼淚 炮紅雙眼 the lady in red.
若思念留下遺言
我會聽見 你對紅色 偏執的偏見

為什麼鋼琴琴鍵只能黑白交雜？
為什麼投降丟的不是紅色手帕？

I like it red….

藍蘋果 怎麼畫 怎麼畫
綠舞鞋 怎麼搭 怎麼搭
黑屏幕 怎麼滑 怎麼滑
欸 聽不懂 就去 玩沙

紅玫瑰 開了嗎 開了嗎
紅燭光 點了吧 點了吧
紅衣裳 髒了嗎 髒了嗎
欸 你害的 看我 幹嘛
I like it red… I like it red…

為什麼PRINCE CHARMING總是身騎白馬？
為什麼你的啤酒不是紅莓沙瓦？

I like it red…
U fucking dead

・Song Credit・

製作人 Producer：Starr Chen 陳星翰 （跳蛋工廠EGGO Music Production）
執行製作 Executive Producer：潘信維 Lil Pan （跳蛋工廠EGGO Music Production）
編曲 Arranger：Starr Chen 陳星翰 / 剃刀蔣 RAZOR.Chiang （跳蛋工廠EGGO Music Production）
鋼琴 Piano：潘信維 Lil Pan（跳蛋工廠EGGO Music Production）
和聲編寫 Backing Vocal Arranger：Morrison馬仕釗（跳蛋工廠EGGO Music Production）
和聲 Backing Vocal：蔡依林 Jolin Tsai
錄音工程師 Recording Engineer：陳振發 Jansen Chen / 陳文駿 AJ Chen
錄音工作室 Recording Studio：白金錄音室 Platinum Studio / 強力錄音室 Mega Force Studio
混音工程師 Mixing Engineer：Luca Pretolesi
混音助理工程師 Mixing Assistant Engineer ：Andy Lin
混音工作室 Mixing Studio：Studio DMI

・Subtitle Credit・

英文 : Bingo Bilingual
日文 : 長安靜美
韓文 : 貝爾達日韓范特西

・更多蔡依林消息 ・
蔡依林官方臉書:https://www.facebook.com/hoo.jcai
蔡依林官方Instagram: https://www.instagram.com/jolin_cai/

Sony Music Taiwan CPOP - 華語粉絲團
https://www.facebook.com/SonymusicTaiwanCPOP/

Sony Music Taiwan CPOP - Instagram
https://www.instagram.com/sonymusic_taiwan/

#蔡依林
#紅衣女孩
#訂閱頻道開啟鈴鐺接收影片通知

功名利祿多少人在排隊;
多少人就等這一個機會。
夠不夠亮眼 夠不夠完美；由觀眾判決。。。
How many people are waiting for this one chance to shine?
Are you dazzling enough?
The audience will decide…

專輯盛大的開場曲，也是與電影同名的「明日之星」是由Lara和韋禮安隔空合寫完成的一首歌。神秘又帶有諷刺的旋律正好符合歌詞畫面，「站上殘酷舞台，你的面具在等待」訴說著演藝圈光彩背後的艱難。透過高科技冰冷的環境，MV 的現代舞蹈訴說著藝人往上爬的殘酷事件。自媒體的時代，人人想紅，為了得到多一秒的關注，成為明日之星的代價，你付得起嗎？

新電影「明日之星」19號已在台灣指定戲院限量放映，想體驗更多，快去購票前往電影院享受這獨一無二的創新！

The album’s exhilarating opening track “Tomorrow’s Star” (which is also the name of Meimeiwawa’s latest movie) is a song written by William “Weibird” Wei and Lara. Mysterious yet with a hint of irony, the lyrics state: ‘Step on to this cruel stage; your mask awaits’, telling of the many hoops artists have to jump through to attain fame and recognition. Set in an icy, alienating setting, the music video uses modern dance influences to tell the story of an artist’s climb to fame. In this era of user-generated content, everyone wants to make it big just for a moment of attention. Are you willing to pay the price to become “Tomorrow’s Star”?

Limited screenings of movie “Tomorrow’s Star” until end of October, get your tickets now!

【明日之星】預告片 Teaser： http://bit.ly/TomorrowsStarTrailer

【明日之星】上映時間 Showing Times：http://bit.ly/TomorrowsStarShowingTimes

電影票預購 Pre-Order Tickets：http://bit.ly/TomorrowsStarTicketPreorder

11/11 【千面獸】演唱會資訊 Concert Info：http://bit.ly/ThousandFacedBeastConcert

10/23 【千面獸 Thousand-Faced Beast】專輯數位上架

明日之星
詞：Lara梁心頤
曲： WeiBird韋禮安, Lara梁心頤

歡迎
明日之星
先簽個名

忘記
你的本性
你的聲音

變成啞巴
這是代價
學起來吧
想要發光就必須要

站上這個殘酷的舞台
讓我看你多精彩
靈魂值不值得買

穿上我所設計的安排
你的面具在等待
不要就快讓開

功名利祿多少人在排隊
多少人就等這一個機會
夠不夠亮眼 夠不夠完美
由觀眾判決
(觀眾會判決)

放心
剝削殆盡
即將來臨

放棄
你的秘密
你的身體

變成蠟像
這是代價
學起來吧
想要發光就必須要

站上這個殘酷的舞台
讓我看你多精彩
靈魂值不值得買

穿上我所設計的安排
你說你想被崇拜
那就記得要乖

站上這個殘酷的舞台
讓我看你多精彩
靈魂值不值得買

穿上我所設計的安排
你的面具在等待
不要就快讓開

功名利祿多少人在排隊
多少人就等這一個機會
夠不夠亮眼 夠不夠完美
由觀眾判決

「明日之星」MV製作

編導 梁妍熙
攝影 曾崴榆
攝影助理 陳宥豪
製片 蘇婉甄執行製片 梁為揚、劉世豪
場景經理 吳冠廷
製片助理 馮喬琦、江哲嘉、王簡靖文、李宜珊、張心渝、蔡佳恩、梁凱倫、白瑋、張允
場務 陳東陽
場務助理 洪齊鋒
副導 陳俞任
場記 李宛儒
燈光師 游凱翔
燈光助理 王彥傑、孫大鈞
化妝師 巫沐槿
髮型 田雨璇
妝髮助理 徐敏涵
假髮顧問 崔裕
妝髮支援 陳姿婷、韓相儒、謝妍甄、許嘉琦、李淑君、莊季沄、陳奕存
造型頭 Jenna Robinette
服管 呂月文
特別服裝 Alexandre Cailleaux、蕭茹方、林昀萱、徐佳琳
美術組 邵鈺娟、張瑜勤
現場美術 彭晧益
特技指導 蔡家元
編舞者 白樵、吳汶憶
剪輯 梁妍熙
調光 時間軸 Penny Chou
特效 劉珍輝
劇照師 李孟庭
舞者 陳宇蓮、陳慎平、韋永浩、簡廷育、楊逸湉、詹馥伶、吳健豪、歐陽玉庭、曾蓮棻、張育綺
手術室女助手 徐敏涵 、許雅蓁

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http://www.dailymotion.com/meiwamedia

C.H.I.G.G.A. available now from Terracotta 兵马俑 EP
►http://www.alrocco.com/music
►https://itunes.apple.com/us/album/terracotta-ep/id1231196147
►https://open.spotify.com/album/69zbv9GI4Rx712T9zmwSjT
►http://soundcloud.com/alrocco/sets/synthwerks-terracotta-ep
►http://music.163.com/#/artist/album?id=12079186
►https://www.youtube.com/watch?v=khoLsI_qCBg

From Flushing Queens to Shanghai China, Al Rocco teamed up with local New York producers Alexie Gratia X Touch (Synthwerks). Bridging the East and West, they are about to break stereotypes and change cultures with their brand new 5 track EP "Terracotta 兵马俑”.

从纽约皇后区的法拉盛到中国上海，Al Rocco携手纽约当地制作人 Alexie Gratia X Touch (Synthwerks) 共同打造新专辑。结合东西方文化，他们将通过收入全新5首单曲的EP《Terracotta 兵马俑》来打破陈规并且改变文化。

C.H.I.G.G.A. [LYRICS]

C.H.I.G.G.A
C.H.I.G.G.A
C.H.I.G.G.A
And they know we don’t play
C.H.I.. AND G.G.A..
C.H.I.. AND G.G.A..
C.H.I.. AND G.G.A..
And they know that we don’t play

AL ROCCO

Ya Ya
Chinaman geting that Gwaup
Got a bad bitch she a thot
They know Red 8 we Squad
Ya Ya
China Chigga on the rise
China Chigga on the line
Getting money all the time
Stacking it up, and we packing it up
And we trapping in the kitchen, and we cooking it up
And we don’t give a fuck about nothing mane
Terracotta they know we the clan
Terracotta I do this for the fam
All these groupies wanna fuck the band
And I put this on my life
Getting paid now eating rice
100K now thats the price
Balling now shooting dice
And I do this on daily
Got a bad bitch she a lady
Alexia she a Haitian
And i bring her back to Asia

C.H.I.G.G.A
C.H.I.G.G.A
C.H.I.G.G.A
And they know we don’t play
C.H.I.. AND G.G.A..
C.H.I.. AND G.G.A..
C.H.I.. AND G.G.A..
And they know that we don’t play

BLOW FEVER

Hold down
Shanghai city hold down
VIP的通道
没有陌生拥抱
绝不相信微笑
对玩家的忠告
What the hell u drink boi
喝起来像中药
这种风格非常ez
上下歌词没有关系
只有不能说的关系
空的空的空的身体
这样flow如果你喜欢我可以不间断因为都太简单
Rapper 们真的弱又胆小做不了太困难真遗憾
故意 用力 制造 动力
上天 入地 you don't push me
我想要这个内个
时刻都保持饥饿
每一次看着mirror
Chigga the China killa

C.H.I.G.G.A
C.H.I.G.G.A
C.H.I.G.G.A
And they know we don’t play
C.H.I.. AND G.G.A..
C.H.I.. AND G.G.A..
C.H.I.. AND G.G.A..
And they know that we don’t play

Featuring Blow Fever
►http://instagram.com/blowfever
►http://weibo.com/blowfever
►http://soundcloud.com/blowfever

Produced by Synthwerks
►http://instagram.com/synthwerksmusic
►http://instagram.com/alexiegratia
►http://soundcloud.com/alexiegratia

Al Rocco
►http://www.alrocco.com
►http://instagram.com/alrocco
►http://soundcloud.com/alrocco
►http://facebook.com/alrocco
►http://weibo.com/alrocco
►http://music.163.com/#/artist/album?id=12079186

Red 8 Records X SHFT
►http://instagram.com/red8records
►http://instagram.com/shftasia

Terracotta 兵马俑 EP
Al Rocco X Synthwerks