🚩 New Media Artist Hsin-Chien Huang Leads "Garden Taipei/Formosa: Taiwan Grand Tour" with 22 Taiwan's VR and New Media Artworks to 2021 Ars Electronica Linz in Austria🇦🇹
2021 ARS ELECTRONICA FESTIVAL Ars Electronica has chosen “A New Digital Deal” as its annual theme, centering around the social and cultural transformations under the influence of technology from different countries. Also, it pays attention to changes of “the New Normal” due to the pandemic.
Hsin-Chien Huang, this year’s curator of the “Garden Taipei/Formosa”, resonates the theme with the “Taiwan Grand Tour”, hoping to waken our desire and ability to move freely during the journey via different kinds of media, also make more people see the marvelous results and how hard Taiwan has devoted to technology, culture, tradition, and tradition via international digital platforms. The tour will have become a window between the world and Taiwan.
The scale of this year’s exhibitions has been brought up a notch. Not only did it carry on displaying the VR and AR productions from last year, but the curator Hsin-Chien Huang has collaborated with three other, Hsiao-Yue Tsao, Billy Chang, and Chung-Hsien Chen, to call out many VR directors, new media artists, start-up companies and government institutions to join the project. There are 22 magnificent programs in total, which will be shown in categories such as “Immersive Tour”, “Animated Tour”, “New Media Tour”, “Earth Tour” and “Action Tour” respectively.
“Immersive Tour”, as the first part of the “Taiwan Grand Tour”, viewers can wander among the mountains, oceans, and rivers in the digital world, even outer space! Six scenes inspired by unique Taiwanese landscapes with cultural and biological features will be shared with the audiences, such as “The Starry Sand Beach” (Directed by Hsin-Chien Huang and Nina Barbier), “Moondream Reality-Rebirth”(Directed by Chi-Yen Chiang, Ami Wu), the shuttle VR 360 stereo video of “TAIPOWER D/S ONE.” (Directed by Ghung-I Hung and Shih-Chou Wen), “Floating Childhoods” (Directed by Hakka Public Communication Foundation and Wen-Chieh Chang), “Blue Tears EP1” (Directed by Hsiao-Yue Tsao), and “Samsara” (Directed by Hsin-Chien Huang).
In the “Animated Tour”, viewers can devote themselves to the characters via different programs. Whether it is the abstract or figurative visual style, audiences can experience anxiety and frustration all the way to happiness and growth. Getting rid of this disappointing reality, viewers shall continue the “Taiwan Grand Tour” through their imagination. This program consists of four animations: "Go Go Giwas: Sowing Dream Seeds"(Directed by Vick Wang, Yi-Feng Kao), "My grandmother is an Egg"(Directed by Wu-Ching Chang),"Inside"(Directed by Yu-Ting Hsueh), and "The Wayward Kite"(Directed by Yu-Ting Hsueh).
In the “New Media Tour” program, nine brilliant pieces created by Taiwanese artists will be shared as the relay points for the “Taiwan Grand Tour.” They use video, sound, electronic music, installation, and various new media to explore different topics, such as family, memory, city, society, landscape, and environment. We firmly believe that digital tools can also capture the warmth and emotions in reality. This program consists of nine artworks: "Surrounding Spectrum"(Directed by Hsiu-Ming Wu), "Nanyang Express II : Eternal Wandering and Tropical Pursuing"(Directed by Yi-Chi Lin), "Wave Waves"(Directed by Sio-Pang Hong), "That ・ This"(Directed by Ching-Chuan Hu), "Signal"(Directed by Chin-Hsiang Hu), "Tower of Babel by the sea"(Directed by Wei-Chung Feng), "How to explain love to an iPhone"(Directed by Jie-Huai Yang), "U+617E_v2.∞"(Directed by Jia-Hua Zhan), and "Absence in Presence"(Directed by Ning Tsai).
In the program “Earth Tour”, viewers will participate in a performance art called “Taste Soil”, which intends to rethink the relationship between humans and land by means of “eating.” The program brings together international eminent chefs Andre Chiang, dancer Billy Chang, new media artist Hsin-Chien Huang and Wen-Chieh Chang, fusing Taiwan’s unique traditions and customs with cuisines and dance performances via VR experience. A feast to the eyes and tastebuds awaits.
Looking back at the present time, humans need to take more efficient scientific actions in the digital world to reduce the consumption and pressure of resources and the environment and cope with the impact in the post-pandemic times. Two important technology units in Taiwan make their debut in the “Action Tour”: Miniwiz Co., Ltd. and the Taipei Urban Intelligence Center. The former is devoted to the sustainable development of materials science with digital technology and design, while the latter is the integration of big data and streaming technology to create a new technical model of urban governance. Combing these two, an answer to developing a sustainable society with digital energy is born. During the tour, a new performance art project is inspired by the digital cross-field cooperation for the first time. The Taipei Urban Intelligence Center will join hands with new media artist Chin-Hsiang Hu and the founder of Inwheel Ghung-I Hung, to create a new media artwork “The Weight of Data” by integrating both virtual and physical materials from different domains and sharing data resources.
The brilliant curatorial concept and lineup of the Taiwan Grand Tour have attracted the interest of the officials of the festival and been in the limelight. Therefore, the festival has invited three creators behind the “Earth Tour”: Andre Chiang, Billy Chang, and Hsin-Chien Huang, to an online interview called “Highlight Channel” at 18:00 on September 1 (Taiwan Time). The link will be provided by the official later on. Moreover, Miniwiz Co., Ltd. and the Taipei Urban Intelligence Center are also invited to share their ideas and experiences in an online show called “Home Delivery.”
The theme of the Garden Taipei/ Formosa is presented in a diverse form of performances by combining different fields multiply. The audience can easily follow the step of the “Taiwan Grand Tour” to explore Taiwan’s magnificent local digital creativity and illustrate a new digital landscape unitedly that only belongs to Taiwan. The 2021 Ars Electronica online exhibition will be held from September 8 to 12, 2021. Click the link below to take a sneak peek of this year’s shows.
📍ARS ELECTRONICA FESTIVAL 🔗 https://ars.electronica.art/newdigitaldeal/de/formosa-grand-tour/
📍ARS ELECTRONICA FESTIVAL “Home Delivery” 🔗 https://www.youtube.com/c/arselectronica/playlists?view=50&sort=dd&shelf_id=5
📍 Garden Taipei/Formosa: Taiwan Grand Tour 🔗 http://garden2021.metarealitylab.com/
#奧地利林茲電子藝術節
#arselectronica21 #gardentaipeiformosa
同時也有34部Youtube影片,追蹤數超過92萬的網紅ochikeron,也在其Youtube影片中提到,This summer, we've been to Amagi Kogen 🗻 It is an Onsen (hot spring) resort located at an altitude of 1000m. The view of “Mt. Fuji, Suruga Bay / Sagam...
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make a field music 在 Facebook 的最佳貼文
EDITED: I had to fix my grammar because Malaysians were getting angry I accidentally wrote “I told people I was southeast asian, I was Malaysian” and focused on ‘I WAS’ instead of the whole message. Ofcourse I AM Malaysian but anyways here’s the new and improved caption.
2021 - My first Vogue cover ever, and what better way to have this moment with @voguesingapore!
I recently spoke up about representation in Hollywood.. or anywhere actually. If you want to play the Southeast Asian game, you gotta have Southeast Asian players. In my 15 years working in the international music industry I have been ‘trying’ to prove my worth to the world that yes- I’m a southeast Asian woman and I too can be great at what I do. Southeast Asian women sometimes get little or no respect for our efforts because of where we come from (this is where third world country, sexualization of SEA women comes to mind) or the colour of our skin. We needed to go above and beyond to have a seat at the table. Now that the entertainment world is starting to recognize SEA talents and the richness of our culture- it’s important that we are involved in carefully telling our story and not let anyone else write our narrative for us. You can’t pick and choose what Southeast Asian narrative you want to tell your audience, you need to embrace us for who we are. We need to be in on the conversation. Hire us. We are here.
Our girls and boys need to see us out there so they know that - with whatever they have in them, no matter how small a village they come from, they can achieve what sometimes seems impossible. But it’s not. They can be world class too.
When I’m out there and I tell people I’m southeast Asian, and Malaysian, I’d get different reactions. “Wait how are you Asian but dark skin? Wait how are you Asian but you’re Muslim? Wait how is your English so good?” People still have no idea (or a skewed idea) of who we are so let’s find every opportunity to make our mark in whatever field we want to excel in. Demand a spot to tell our story.
Thank you #VogueSingapore for having me on your April 2021 cover. @musingmutley you’re a real one for this💥 Keep on telling beautiful SEA stories through SEA creatives.🙏🏽 man! I’m gonna get 20 copies of these and give em to my aunties OMG!!
Photo @chee__wei
Outfit : @khoonhooi_official
Stylist : @jonathanliang_
Hijab stylist @nazlivingastyle
Makeup: @chufan
Story: @louboutins
make a field music 在 Sandra Li 李婉菁 Facebook 的最讚貼文
一堂融入k-pop 與 puredata 的《基礎電腦音樂》
耗盡畢生修為寫教案。
在輔大音樂系任教的這幾年,是很幸運的。
學生與同事的討論都是深切地為教育更好而出發。
我所接觸過的輔大音樂系老師,永遠都是在關心學生,關心教學內容,真的!耳濡目染,我也常常有機會將教學訴諸文字。寫完這篇,感慨萬千。教育應當神聖,我也應當戰戰兢兢。反言之,若因此需要打其他工而繼續成就教育,不也是應當的嗎?算我天真小仙,當下如此,未來不可測也擔心不了。
這堂課看似基本,卻是我們許多任教者擺上歲月推敲,幾經開課,才孕育出的一堂課。我們親身體會,給音樂系同學真的需要的,你們真的要好好學,不要混。
我跟主任說,我也猜想有些東西大ㄧ可能有點難,但我相信我們音樂系的風氣,我們可以試試看!
----------------------------------
輔仁大學音樂系為台灣極早開創電腦數位音樂、應用音樂的相關課程的音樂系。在眾所音樂系中已具數位音樂教學上的知名與專業度。而科技發展日新月異,與時俱進的課程設計必須持續研究與實地應用反覆操演而調整。數位音樂發展至今,有許多線上的軟體開放大眾運用,其中有不少已可提供專業學習所需。《基礎電腦音樂》這一堂課,就是為了輔仁大學音樂系剛進大學的音樂新鮮人所設計,目標是以電腦音樂工具的應用,引導音樂系一年級新生,開始以數位方式的脈絡思考音樂創作與演奏的可能性。進而為準備好進入更進階的數位音樂課程,或是相關的學習與專業的發展。
本課程將應用實務的電腦音樂、古典音樂、流行音樂(k-pop\c-pop) 為基礎學習與作業案例,帶領學習者建立電腦音樂的基本觀念,應用工具的邏輯思考,與音樂結構本體的融合。建立音樂系的同學具備專業的電腦數位音樂基礎能力。
課程的進行,除了實際在電腦上的音樂製作,也設計提問的主題,從原因與目的來思考這門課的學習與將產出的成果。(例:進入應用電腦做音樂的世界,其實是一場數位音樂的策展。音樂系同學如何有完整的思考來完成創作,是不是“策展”這個概念可以幫助完成的?那又,何為策展?)
而因為是大一的課程,做學的方法方式傳達也更重要,通常,大一時若真心將心定好,之後大多不會太需要操心的了。
WHY DO YOU NEED TO UNDERSTAND MUSIC TECHNOLOGY? For most of you, technology has surrounded you all of your life: YouTube, Craigslist, Facebook, Wikipedia, emailing, IM’ing, texting, Googling, Skyping . . . it’s all second nature. Technology is neither your friend nor your enemy: it just is. In one writer’s term, you are “digital natives” (Prensky, 2001)—using technology is not going to be a problem for you. For some technologies, it’s OK to just use them. You don’t have to know how Facebook or Google work; there are buttons to click and places to type and everything just works. However, for technologies that you are going to use professionally, you must go beneath the surface to find the underlying concepts in order to use them effectively. To take an example from another field, you don’t have to know how a movie camera works or how CGI effects are done in order to watch a movie. But if you wanted to make movies, you would. Many DVD commentaries and extras featuring movie directors are full of technical details about camera lenses and green screen techniques. The same principle holds true for music technology: if you want to create, perform, or educate using music technology, you have to understand how it works in order to use it effectively. If using music technology effectively were just a matter of learning a piece of gear or a piece of software, the video tutorials that you can probably find on YouTube would do the job. However, to really use technology to its fullest, to grasp the software and hardware concepts when they appear in different contexts, to evaluate the impact and value of new technologies, it is necessary to discover the ideas and concepts that connect different music technologies together. When you are in command of the underlying ideas in music technology, you are in command of the technology itself. This book is dedicated to the proposition that a greater understanding of music technology can enrich your professional life and give you the tools to expand beyond your current experiences. Whether you find it intimidating, exhilarating, or just an ordinary part of the fabric of everyday life, music technology provides critical tools for the modern musician. (Dan Hosken:An Introduction to Music Technology"
https://ithelp.ithome.com.tw/articles/10243576
make a field music 在 ochikeron Youtube 的精選貼文
This summer, we've been to Amagi Kogen 🗻 It is an Onsen (hot spring) resort located at an altitude of 1000m. The view of “Mt. Fuji, Suruga Bay / Sagami Bay” from here is spectacular! There is no obstruction around 360 degrees and it is a great place to see the “starry sky". Many activities for the whole family, from children to the elderly!
- Star Field
- Kids Playground
- Adventure Playground
- Dog Park
- Tennis
- Table Tennis
- Golf
- Bouldering
etc...
IT is AN AMAZING PLACE TO AVOID CROWDS AND RELAX!
https://www.harvestclub.com/Un/Hotel/Am/index.html#gsc.tab=0
Other kids' favorite vacation videos:
https://www.youtube.com/playlist?list=PLJdVRCODQ4NkJ96UbTJVa5Lsp_UZzEtUo
Music by
YouTube Audio Library
Follow me on social media. If you have recreated any of my food, you can share some pictures #ochikeron. I am always happy to see them.
♥FOLLOW ME HERE♥
http://instagram.com/ochikeron/
https://www.facebook.com/ochikeron
https://plus.google.com/+ochikeron
http://twitter.com/ochikeron
♥My COOKBOOK available on Amazon Kindle♥
http://amzn.to/2EwR3ah
NO MORE hard copies... those who got one are lucky!
♥More Written Recipes are on my BLOG♥
http://createeathappy.blogspot.com/
♥My Recipe Posts in Japanese♥
http://cooklabo.blogspot.jp/
http://cookpad.com/ami
http://twitter.com/alohaforever
♥and of course PLEASE SUBSCRIBE♥
http://www.youtube.com/user/ochikeron?sub_confirmation=1
make a field music 在 婁峻碩SHOU Youtube 的最讚貼文
【可點選CC字幕歌詞】
*Free Fire 夏日生存派對主題曲
Shou Facebook : https://www.facebook.com/shoumethemoneyxx
Shou Instagram : https://www.instagram.com/shoumethemoneyxx
《Booyah》已上架各大數位平台:https://www.soundscape.net/a/18064
🌴 Free Fire 雙平台下載:https://bit.ly/3jn5nYF
🌴 Free Fire 夏日生存派對資訊:https://ffcampaignshare.ff.garena.tw/
🌴 Free Fire 臉書粉絲團:https://www.facebook.com/freefireTW
#FreeFireXSHOU #夏日生存派對 #Booyah"
- MUSIC CREDIT
Lyrics by : 婁峻碩SHOU
Composed by:婁峻碩SHOU, Piers Gopsill
Producer: Piers Gopsill
Arrangement: Piers Gopsill
Vocal Editing: Piers Gopsill
Mixing: Piers Gopsill
Mastering: 陸崇樂 (Sentient Sound Labs 覺知音樂工作室)
- VIDEO CREDIT
影像製作公司 Video Production Company | 沙西米 RawNFresh
導演 Director | 一盞 EthanYIJAN
導演助理 Assistant to Director | 范振寗 J.FAN、林鈺瑄 EML
製片 Producer | 許雅淳 Sheyalips
現場製片 On-set Producer | 朱芸廷 Chu Yun Ting
執行製片 Line Producer | 杜婉寧 Winn Du、蔡孟潔 Jessie Tsai
製片助理 Production Assistant | 蔡長廷 Pingu Tsai、謝孟妘 Monique Hsieh
製片場務 Set Production Assistant | 林國民 Lin Guo Min
攝影師 DoP | 林眾甫 Saint Lin
跟焦師 Focus Puller | 黃西 Huang See
攝影助理 AssistantCamera | 王思翰 Wang Szu Han、 張家瑜 Chang Chia Yu、 李世全 Lee Shin Chuan
燈光師 Gaffer | 馬銘財 Ma Min Tsai
燈光大助 Best Boy | 高煜盛 Kao Yu Sheng
燈光二助 Best Boy | 黃偉傑 Huang Wei Jie、 田峻榮 Tian Jyun Rong、 吳思賢 Wu Sih Sian
美術指導 Art Designer | 王宥睎 Wang You Si
執行美術 Production Executive | 陳琬琇 Chen wan shiou、 王琇筠 Moldy Wang
美術場務 Art Production Assistant | 阿翔 A-xiang、 陳阿信 A-xin Chen、 陳育民 Chen Yu Ming、 李恒頤 Li Heng yi
道具卡車 Props Truck Driver | 全聯搬家起重行 張簡義忠 Quanlian moving company
搖臂器材公司 Crane Company | 異能影業器材有限公司 ELAN VISUAL EQUIPMENT ENTERPRISE COMPANY LTD.
搖臂操作技師 Crane Operator | 李少川 Lee Shao Chuan
搖臂操作助理 Crane Technician | 葛振蟄 Ke Cheng Chih、 吳承諭 Wu Cheng Yu、 張智發 Chang Chih Fa
威亞指導 Wire Instructor | 吳俊希 Jun Xi
威亞人員 Wire Operator | 鄒明杰 Gama、 柚木崎 義隆 Yuki
剪接 Editor | 一盞 EthanYIJAN
調光 Colorist | 邱程勇 CY Chiu、陳語謙Chen Yu Chien
合成製作 VFX | 陳奕宏 Zello、曾浚瑞 Reh、張佑任 Yoren 、范家齊 Charles 、巧橋設計有限公司 Bridge Studio
合成製作現場助理 Field VFX assistant | 彭琪芳 Chesire
合成場景設計Scene Design|廖建翔 Seon、曾浚瑞 Reh、李共Halo、李明學 Bochu
後期製片 Post-Production Supervisor|林鈺瑄 EML
婁峻碩 造型 Shou Stylist | 王禎旎 Aura Wang
婁峻碩 造型助理 Shou Stylist Assistant | 強尼 Jonny
婁峻碩 妝髮 Shou Make up & Hair | 許育珊 Mii
婁峻碩 妝髮助理 Shou Make up & Hair Assistant | Diana
藝人經紀 Artist Agent | 劉思妤 Ellen Liu
平面側拍師 Still Photographer | 神童 Yasashi man
演員造型 Actor Stylist | 冠儀 yee1yee (天使製造)
演員造型助理 Actor Stylist Assistant | 子船 eden、 徐飽 Chiao Ling Hsu
演員梳化 Actor Make up & Hair | 魚花 Yu Hua Liu 、 彭虹禎 Pon
演員梳化助理 Actor Make up & Hair Assistant | 黃彥慈 Joyce Huang
演員 Actor | Piers Gopsill、 林鈺瑄 EML、 Isabel、 Sophie
特別感謝 Special Thanks | 瞬時真 Jamie MacGregor
看著秒針走到終點
離開這空間
下班打卡拼速度
陽光照進這場夢魘
就放輕鬆點
Nobody can kill my mood
大聲的喊 BOOYAH
Oh man 快坐不住
成千上萬文件霸佔桌面 忍住不吐
下班走得像火箭 huh 勝之不武
擺脫無數的dead line 別談未來
Since Monday Blue
我們只談現在 看著窗外
準備狂歡當廢物
夏日的派對 i’m ready
高熱量食物塞嘴裡 huh
躺椅上偷喵bikini
Don’t ask me why so lazy girl
把妳套進同個游泳圈
像縮圈內的對手
一陣翻來覆去翻雲覆雨
變 配偶
看著秒針走到終點
離開這空間
下班打卡拼速度
陽光照進這場夢魘
就放輕鬆點
Nobody can kill my mood
大聲的喊 Booyah
(Boo yah yah boo boo yah yah)Booyah
(Boo yah yah boo boo yah yah)
大聲的喊 Booyah
(Boo yah yah boo boo yah yah)
Booyah
(Boo yah yah boo boo yah yah)
一天玩了四十八個小時
老是體力超支
超值得但結尾
怎麼有點jet lag
派對飛到國際接軌
我累了嗎 不可能吧
說never stop 的打呼聲很大 uh
音響該最大聲的炸了
帶上裝備帶上妹要發車
I feel so chill babe
I feel so chill babe
創造最優秀的回憶
我的隊友笑甲落下頦
So fine
快樂存在彈指之間
要多珍惜光陰似箭
下個星期同一時間
夏日派對
看著秒針走到終點
離開這空間
下班打卡拼速度
陽光照進這場夢魘
就放輕鬆點
nobody can kill my mood
大聲的喊 Booyah (Boo yah yah boo boo yah yah)Booyah
(Boo yah yah boo boo yah yah)
大聲的喊 Booyah
(Boo yah yah boo boo yah yah)
Booyah
(Boo yah yah boo boo yah yah)
make a field music 在 Rika Adrina Youtube 的最佳解答
here's an insight into what a line producer does which i'll summarise it to make it easier for people to understand: we're basically the event managers of the entire production. I was just a line producer when I was still working at this company so I didn't go into depth of every aspect of creating a tv commercial. Nevertheless it was a wonderful and eye opening experience working in such field and I can't wait to be back soon :)
p/s - if my ex colleagues or bosses watches this video i- sksksks im shy pls shh ANDDD that adult swim trend that has been going around lately has been so interesting, i just had to jump in the bandwagon hehe so fun!
Anywaaaays, the behind the scenes that you saw in this video was from the commercial for Petronas Gawai 2021 but I was not a line producer here. I was a DIT (Digital Imaging Technician): the person who transcodes video formats into suitable resolution for the television. You can watch the film here: https://youtu.be/L8BfaBjR8Lc
Here are the commercials that I line produced:
1. Cadbury Sharebag In-Home - https://youtu.be/Zzja3nH2QVA
2. Maxis Raya Si Sakan 2021 - https://youtu.be/3ZM0apf5GWk
Watch my previous youtube video, 4 simple trendy eye looks:
https://youtu.be/DWCdw2-eDjE
You can say hi to me here:
Instagram/Twitter - @rikaadrina
TikTok - notrikaplsdontlookforme
Thought I'd start including FAQs now haha:
1. how old are you? 23 (born in 1998)
2. how tall are you? 5ft (yes i am short shhhhh)
3. what’s your ethnicity? malay & japanese
4. what equipment do you use to film?
➭ main camera: fujifilm xa3
➭ mic: my iPhone 7 hahahaha
➭ editing: premiere pro & PicsArt
Music credits:
1. Hot Hop Rock - Steve Adams