【好展推薦】李承道個展「西恩那的洽洽」
這回，就用這張照片告訴大家，我要開個展了。
請把時間空下來，請分享，感激！
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展覽︱李承道個展－西恩那的恰恰CHA-CHA-CHA OF SIENA
展期︱2017.05.20(Sat.)—06.18(Sun.)
開幕︱貴賓派對 2017.05.19 (Fri.) 5-8pm
︱公眾開幕 2017.05.20(Sat.)-3pm
地點︱也趣藝廊（台北市民族西路141號）
聯絡︱info@galleryaki.com ︱02-2599-1171
出道十年，也趣藝廊將在5/20(六)迎來李承道個展「西恩那的恰恰」。他以色彩中的赭色（西恩那）為關鍵字，領我們至赭色的礦物產地義大利古城-西恩那，一個被赭色屋瓦覆蓋的城鎮。而這樣的西恩那混合著台式歌謠和交際舞的恰恰(CHA-CHA-CHA)，荒唐的於此次個展上打造出一個充滿上流感、浪漫且幽默的情調。我們將從這兩個關鍵字入手，帶觀眾透過李承道古典的油畫技法、俗艷的風情、戲謔的劇情、玩世不恭的黑色幽默等，去看看專屬於李承道式的嚴肅與正義。
十年創作中，從國王遊戲、英雄本色、到妖精打架系列，他筆下的英雄各個戴著漫威英雄的面具，但卻是肥肉橫生、滿腦肥腸狀，李承道刻意薄情的去醜化這些超人，不，或許該說是真實化，好揭露面具下的虛偽和巧裝。他把矯情與無能赤裸的呈現出來，而這種猛爆式的真實，搭配李承道的調皮和故作輕鬆，顯得不那麼假道學，多了些人性在其中。而與肥胖超人對比的則是另一鮮明角色「妖精」，暴露的持槍武裝美女，他們時而相互打架，時而奮起抵抗統治者或是既得利益者的壓迫。在新作「妖精夜襲」中，眾妖精齊力向腐敗的英雄超人們展開反擊，低俗的趣味一貫的橫生，由衷地快感在觀眾內心的小宇宙中無限噴發。而對藝術家物化女性醜化英雄的指教批評也沒少過，儘管玩世不恭，但李承道以必要之惡作為回應。因為他興起的是一場革命，是一場戰爭，為達揭開腐臭髒亂之惡的一種不得不的犧牲。
Exhibition︱Solo Exhibition of LEE, Chen Dao –《CHA-CHA-CHA OF SIENA》
VIP PartyOpening︱2017.05.19 (Fri.) 5-8pm
Opening︱ 2017.05.20(Sat.)-3pm
Duration︱2017.05.20 - 2017.06.18
Venue︱AKI Gallery（ No 141, Minzu W. Road, Taipei ）
Contact︱ info@galleryaki.com︱02-2599-1171
AKI Gallery will be hosting Chen-Dao Lee’s solo exhibition—Cha Cha Cha Of Siena on 20th May (Saturday). The color he uses “ocher” bring us to the old mining town of Siena, Italy. A town filled with ocher colored bricks and tiles. Lee Chen Dao mixes Cha Cha Cha of Siena and Taiwanese folk together and these two totally different concepts lead us enter a fluid, romantic, humorous atmosphere. By Lee’s classical oil painting skills, his crudeness, dry humor and a certain morbid way of story-telling, we will discover his very own brand of justice and solemnness
In his decade of work, from King’s Game, Heroes and the Cat fight series, all his heroes wear masks similar to those of the ever popular Marvel characters. However, none of them have the iconic physique. Obese and gnarly looking, Lee intentionally smears these super heroes or more specially attempt to ground them in real-life in order to revealing their hypocrisy and vainness. This sort of explosive realization is how Lee humanizes his works without coming off as fake and aloof. The fat superhero’s counterpart are the fairies which are naked beauties packing firearms as they fight both each other and oppression from the ruling class and benefactors. In his latest work “The fairies’ midnight strike” the fairies band together to defeat the corrupted hero. At a glance it is a lowly sight which tingles the audience’s inner morality, making them feel good. While there had been many criticisms towards the artists’ materialization of women. Lee is now rebutting against those accusations in his own way—through a war, a struggle, a revolution on canvas. Like he says it’s a mean to purge the evil scum.
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