最近正能量、負能量一直正面交鋒,
實在需要好好釋放緊繃感,
所以抽空去看了電影 Listen Before You Sing 「聽見歌再唱」
孩子先因為看到預告中教練整身潑尿而感到好奇,
後來看完後,鼻子、眼睛紅通通😭
片中可以思考的點很多:
對教育的無私奉獻可以到什麼程度?
留守兒童、隔代教養的無奈,
原住民文化的尊重與保存,
原生家庭帶給下一代的深遠影響,
流浪教師的徬徨與無奈,
童年、求學時的創傷如何撫平,
怎麼樣才有勇氣和別人不一樣?
為人師、為人母、為人妻、為人女兒,
很多點觸到心深處,
大笑中帶著淚,
果然正能量、負能量交融在一起,
笑果、舒壓效果兼具!
——————————————————————-
🎥 俐媽英文電影—聽見歌再唱篇:
🎼 competition (n.) 競賽
🎼 scold (v.) 責罵
🎼 coach (n.) 教練
🎼 expire (v.) 過期
🎼 principal (n.) 校長
🎼 roar (v.) 吼叫
🎼 hive (n.) 蜂窩 🐝
🎼 urinate (v.) 撒尿
🎼 cafeteria (n.) 自助餐廳
🎼 birth rate (n.) 出生率📉
🎼 district (n.) 行政區
🎼 confirm (v.) 確認
🎼 indigenous (a.) 原住民的
🎼 athlete (n.) 運動員
🎼 choir (n.) 合唱團;唱詩班
🎼 substitute teacher (n.) 代課老師
🎼 conductor (n.) 指揮
🎼 accompaniment (n.) 伴奏
🎼 specialize in N 特別專精於⋯
🎼 rhythm (n.) 節奏
🎼 disband (v.) 解散;廢除
🎼 (musical) note (n.) 音符🎵
🎼 stave (n.) 五線譜
🎼 mountain range (n.) 山脈⛰
🎼 pitch (n.) 音準
—> off-pitch 走音
🎼 diaphragm (n.) 丹田;橫隔膜
🎼 applause (n.) 鼓掌;掌聲👏🏼
🎼 adjust (v.) 調整
🎼 fierce (a.) 兇猛的
🎼 postpone (v.) 延期
🎼 retrieve (v.) 重新取回
🎼 embrace (v.) 擁抱🫂
🎼 contentment (n.) 滿足
🎼 instructions (n.) 指示;說明
🎼 halt (v.) 中止
🎼 volume (n.) 音量
🎼 gust (n.) 強風💨
🎼 silhouette (n.) 剪影;輪廓👤
🎼 harvest (n.)(v.) 收穫
🎼 dismiss (v.) 解散
🎼 prey (n.) 獵物
🎼 asset (n.) 資產
🎼 tribe (n.) 部落
🎼 arrogant (a.) 驕傲的
🎼 audience (n.) 觀眾
🎼 alcohol (n.) 酒精🍺
🎼 intestine (n.) 腸子
🎼 protein (n.) 蛋白質
🎼 chord (n.) 和弦
🎼 vomit (v.) 嘔吐🤮
🎼 budget (n.) 預算
🎼 pastor (n.) 牧師
🎼 sensible (a.) 明智的
🎼 dim (v.) 變暗淡
🎼 biased (a.) 有偏見的
🎼 harmony (n.) 和諧
—————————————————————
這讓俐媽想起小學時我是合唱團女高音部(別懷疑~)、國中時是國樂班(拉南胡),各種團練的酸甜苦辣,回味無窮♾️
重點是:為什麼不一樣就是錯?
這句話,很有深意。
#俐媽英文電影 #俐媽英文電影聽見歌再唱
#俐媽英文電影listenbeforeyousing
#聽見歌再唱 #listenbeforeyousing
#馬彼得校長 #布農族八部合音 #台灣原聲童聲合唱團
#台大明明推薦好電影🎬
同時也有77部Youtube影片,追蹤數超過2萬的網紅Marc Yam,也在其Youtube影片中提到,Section III Wave Motion 3.3 Sound Musical Notes and Noise...
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musical note 在 Facebook 的最讚貼文
‘A Note to Harmonica Folks’
What’s next?
Since the day I was born, I have known the most prestigious harmonica competition in the world, The World Harmonica Festival (WHF). Every harmonicist around me see this as the olympics of harmonica, especially when they are both held once every four years.
My father’s ensemble King’s Harmonica Quintet was one of the very first few Asians harmonicist that appeared in the competition in Germany after the format of the competition turned from taped recording to live performance. In 1997, 3 years after I was born, they won their ‘World Championship’ in the WHF. I witnessed it.
It was a historical moment not only because was it a massive honour to be crowned in such reputable competition, it was the period when Asian harmonicists were approved by the Western.
Since then, the global harmonica community started to merge and interact. While harmonicists from the West continue to develop their artistry and career under a relatively strong cultural foundation for instrumental music, harmonica music to be exact, by virtue of the legends such as Tommy Reilly, Larry Adler, Toots Thielemans, Asians harmonicists struggle to further their artistry without the corresponding cultural foundation. A market for harmonica music in Asia simply do not exist.
Nevertheless, Asian culture values diligence and discipline. With the competition as the highest possible way to be rewarded as we develop our artistry, countless players began working day and night towards this very, if not only, visible goal.
Up till this day, you’d be surprised if there aren’t any Asian standing on the prizing podium in the international harmonica festivals. According to a Facebook post of the renowned Taiwanese Harmonicist in 2013, Lee Hsiao-ming, ‘If you show up at a harmonica festival, you can easily be surrounded by a group of ‘World Champion’s all queuing up for that plate at the buffet.’ Be him a chord harmonica player from an ensemble, a soloist at the open category or a 10 year old kid from the youth category… all claiming to be the ‘World Champion’.
Now the question is, Is the ‘World Champion’ in 1997 still the same ‘World Champion’ now? Or are we unconsciously abusing the only system we can count on to gain qualification to ourselves?
As Gerhard, the president of the World Harmonica Festival, has also repeatedly emphasized before, champion of any event of the WHF competition should NOT claim himself / herself as the World Champion. It should properly be addressed as Champion of the " XXX event" of the World Harmonica Festival.
While varies important figures in the global harmonica community started participating in this fierce debate, I was curious about the root of this controversy.
Would anyone accused Usian Bolt of abusing his Olympic gold medals to pursue further in his career? Would anyone question Danill Trifonov’s artistry if he claim himself the winner of Chopin Piano Competition? Could Michael Jordon ever obtain a ‘fake’ NBA championship?
Obviously, there is nothing wrong about winning and taking pride off an award. The real issue instead lies in the opposite side of the question. Is the existing harmonica competition rigorous enough to qualify the winner a ‘World Champion’? Or, should a ‘World Champion’ even exist in a musical setting?
In order to understand what a truly rigorous musical competition is, we began digging into the competitions of all instruments at the highest calibre. For instance, when studying the difference of the format of the International Tchaikovsky Competition with the World Harmonica Festival, we have realised how far behind the harmonica competition is constructed. I won the Solo Championship in the World Harmonica Festival 2013 only by playing a total of 10 minute of music. While a contestant at the qualifying round at the Tchaikovsky Competition would already have to prepare up to 30 minute of music. Meanwhile, not a single competition in the classical world would claim themselves the competition of the best. It seems like the title ‘World Champion’ could only be justified when it’s within sports, where the result can be calculated and compared. We can’t calculate art.
We have came a long way since the harmonica was invented 150 years ago. And I’m extremely excited to see new generation of player arising from all around the world. Nevertheless, while festivals are taking a pause during covid, we should make the best use of this period of time and rethink about how we could contribute to the culture and further bring our instrument to the next level.
So, what’s next? 🤔
musical note 在 許郁瑛 yuying hsu Facebook 的最佳解答
🙋🏻♀️瑛樂會🙋🏻♀️ info
尤樂 Jonas Ganzemüller (sax)
許郁瑛 YuYing Hsu (piano)
2.20 (Sat.) 7:30pm @Blue Note Taipei 台北藍調
大家晚安 🌙🌙🌙,又有好幾天沒 post 新文章了,在此趕緊和大家拜個晚年,祝福大家金牛年大吉大利,身體健康,心想事成,牛勢暢旺,平安喜樂,也祝福大家開工大吉,財源廣進,事業順利福高照,新年更有新氣象 ♥️♥️♥️
今年我利用春節假期好好的休息了一下,過完年同時也過了生日,閱讀了幾本書、練了幾首新曲、編曲有了些進度,持續思考新目標、思考人生,充電是為了走更常遠的路啊 ✌🏼✌🏼✌🏼
非常非常期待明晚金牛年的第一場演出,和 Jonas 一起玩二重奏實在是太開心了!好多東西真的是一面即興一面”玩”出來的,如果你喜歡薩克斯風與鋼琴的對話,明晚請千萬別錯過囉!See you tomorrow night at Blue Note Taipei 台北藍調!
Via Blue Note Taipei 台北藍調 -
詳情 Details 👉🏻https://reurl.cc/mqGXVG
兩位名家聯手探索鋼琴與薩克斯二重奏可能性的旅程,邀您同行
時而嬉戲、飽滿流暢的靈性對話、綿密悠揚一新耳目的現代爵士語彙~
The two musicians embark on a journey to uncover the possibilities of the piano - saxophone duo combination. The intimate setting inspires a musical dialogue between them which is at times playful and spontaneous, at others simply soulful. A modern and truly refreshing take on jazz standards and originals.
Time & Location 👉🏻
2月20日 7:30pm – 9:10 pm
Blue Note Taipei 台北藍調
10647台灣台北市大安區羅斯福路三段171號4F
About The Event 👉🏻
本特演晚間七點半開演
七點起開放入場
Starts: 7:30pm
Open: 7pm
2021.02.20 Sat
NT$550
入場費含一份選定飲料 Live Music Charge w/1 selected drink
[ 許郁瑛 YuYing Hsu | Piano ]
[ 尤樂 Jonas Ganzemüller | Sax ]
( Photo © 徐鏞 )
musical note 在 Marc Yam Youtube 的精選貼文
Section III Wave Motion
3.3 Sound
Musical Notes and Noise
musical note 在 AlexanderLamTakShun Youtube 的最佳解答
So what is a musical legend? Is it a someone with a perfect vocal? amazing pitch? Attractive looks? Maybe, maybe not. But when we had LAM at Fishtank it definitely felt like something important was happening. We admire his grace, focus, attention to everyone in the room and emotionality when singing. It seems so simple. he came he knew every word and note to all three songs. he interacted with the energy in the room and it was magical! Thank you for sharing your music with us! What a legend!
Keyboard: Damon Lau
Video: B wong, Hanson Fok, Henry Leung
musical note 在 AlexanderLamTakShun Youtube 的精選貼文
So what is a musical legend? Is it a someone with a perfect vocal? amazing pitch? Attractive looks? Maybe, maybe not. But when we had LAM at Fishtank it definitely felt like something important was happening. We admire his grace, focus, attention to everyone in the room and emotionality when singing. It seems so simple. he came he knew every word and note to all three songs. he interacted with the energy in the room and it was magical! Thank you for sharing your music with us! What a legend!
Keyboard: Damon Lau
Video: B wong, Hanson Fok, Henry Leung
musical note 在 Counting dotted notes - Music Education - Pinterest 的推薦與評價
Note Values & Rests. [ padding=”0 20px 0 20px”] As guitarists we interact with the musical pulse by playing notes. Some are long and ... ... <看更多>