Fireside Chat|What’s next for the #TaiwanModel
Meet the Speakers #part2 Taipei Professional’s Orchestra!
✹Pierre Goulange, Head of Political Affairs, Press and Communication Section, French Office in Taipei
Pierre Goulange is the Head of the Political Affairs, Press and Communication Section at the French office in Taipei. A career diplomat, Pierre has been posted in Seoul and Beijing before taking office in Taipei in August 2019.
✹Read more about Taipei Professional’s Orchestra:
https://bit.ly/33wFaAi
✹Date & Time: Dec. 9 (Wed.) 5 - 7:30 p.m.
✹Venue: Social Innovation Lab 社會創新實驗中心
✹Learn more: https://fb.me/e/1hpzvi96B
✹Sponsors: 同心圓水晶紅豆餅 啤酒頭 Taiwan Head Brewers Brewing Company
同時也有3部Youtube影片,追蹤數超過419的網紅張偉軒小提琴 woodyviolin,也在其Youtube影片中提到,這是張偉軒小提琴老師為學生所錄製的 小步舞曲G大調 貝多芬 ~ Minuet in G - Beethoven (ベートーヴェン/34 メヌエット ト長調。 篠崎 バイオリン教本 4/5冊) 小提琴演奏示範拉奏 Violin performing 貝多芬的G大調小步舞曲是一首能見度很高的...
「orchestra section」的推薦目錄:
- 關於orchestra section 在 CommonWealth Magazine Facebook 的最佳解答
- 關於orchestra section 在 CommonWealth Magazine Facebook 的最佳解答
- 關於orchestra section 在 Benjamin Kheng Facebook 的最佳貼文
- 關於orchestra section 在 張偉軒小提琴 woodyviolin Youtube 的最佳貼文
- 關於orchestra section 在 Jasonhins Youtube 的最讚貼文
- 關於orchestra section 在 Benjamin Man — iBenTV Youtube 的最佳貼文
- 關於orchestra section 在 'The symphony orchestra' Sections and instruments - YouTube 的評價
orchestra section 在 CommonWealth Magazine Facebook 的最佳解答
Event language: English
RSVP here: https://bit.ly/2Uwk3cb
How has your life been in Taiwan during the pandemic? What do you think of the #TaiwanModel and how can Taiwan expand on it? Join Digital Minister Audrey Tang and more for a fireside chat!
Come and enjoy Taiwanese red bean pastry, great jazz music and so much more!
Date & Time: Dec. 9 (Wed.) 5 - 7:30 p.m.
Venue: Social Innovation Lab 社會創新實驗中心
Sponsors: 同心圓水晶紅豆餅
RSVP here: https://bit.ly/2Uwk3cb
---
5:00 pm: Reception
5:30 pm: Sharing of op-eds, photos & videos from the open call (https://www.facebook.com/events/3424141931035483)
6:00 pm: Fireside chat with Audrey Tang and speakers
6:45 pm~ 7:30 pm: Mingle time!
---
Fireside chat speakers:
🔺 Audrey Tang, Taiwan Digital Minister
— 數位政委唐鳳
🔺 Susan Wu, serial entrepreneur and investor
— 創業家與早期投資人 吳怡家
🔺 Jim Geddes, woodwinds and leader of Taipei Professional's Orchestra, bassist Julian Wittich, guitarist Denis Chang
— 台北職人大樂團
🔺 Pierre Goulange, Head of Political Affairs, Press and Communication Section, Bureau Français de Taipei - 法國在台協會 政治暨新聞處長古哲星
🔺 Sarah Chung, founder of Like It Formosa 來去福爾摩沙
— 創辦人鍾炘儒
RSVP here: https://bit.ly/2Uwk3cb
orchestra section 在 Benjamin Kheng Facebook 的最佳貼文
As a kid i would sit in the top circle seats of a Singapore Symphony Orchestra concert, looking down in awe and longing to have a chair in their string section (i was such a horrible violinist). so don’t mind me k i’m just being a big kid living his dream BRB CRYING.
⠀⠀⠀⠀⠀⠀⠀⠀⠀
so grateful for the Singapore Symphony Orchestra for having me on this in the strangest of times. i’ll remember this 4eva.
happy birthday SG, keep telling your stories and be kinder to yourself ❤️
Directed by Eric Wong
Conducted by Darrell Ang
National Day Concert 2020 (Online).
orchestra section 在 張偉軒小提琴 woodyviolin Youtube 的最佳貼文
這是張偉軒小提琴老師為學生所錄製的 小步舞曲G大調 貝多芬 ~ Minuet in G - Beethoven (ベートーヴェン/34 メヌエット ト長調。 篠崎 バイオリン教本 4/5冊) 小提琴演奏示範拉奏 Violin performing
貝多芬的G大調小步舞曲是一首能見度很高的樂曲,你甚至會在很多影音資料中找到大師公開演奏這首曲子,原本貝多芬是寫給管弦樂團演奏但是樂譜已經遺失了,可是我們還是能找到許多改編給其他樂器演奏的版本。
整個樂曲可以分成三部份:ModeratoTrioModerato1.Moderato: 由兩個 8 小節的樂段組成,總共 16 小節。曲調的特點是重複但優雅的八分音符和十六分音符連奏模式。
2.Trio: 特點是流暢、不間斷的八分音符。
3.Moderato:樂曲返回開頭的旋律,但這次不會再反覆。
Ludwig van Beethoven's Minuet in G major, No. 2 is a composition originally written for orchestra, but was lost and only an arrangement for piano could be found. It has become very popular.The minuet is in incipient ternary form, A-A-B-A
the three parts are:
ModeratoTrioModerato
The Moderato section features a melody, marked legato (to play in a smooth, even style without noticeable breaks between the notes).
The trio section features non-stop eighth notes . It starts with an eight-measure modulating passage repeated once and moves on to another eight-measure passage that ends in the tonic, and is also repeated once.
The last section, which is Moderato also, is a repeat of the first section, but without the repeat. It is that which makes the piece an incipient ternary song form: A-A-B-A.
元々は管弦楽曲として1795年に作曲され、1796年にウィーンで出版された。しかし現存するのはピアノ編曲版のみである。これは《ピアノのための6つのメヌエット 第2部》というタイトルで出版されたが、「第2部」と書かれているのは同年に作曲された《2つのヴァイオリンとバスのためのメヌエット》WoO9(但しベートーヴェンの真作かどうかは確証されていない)を意識してのことではないかとされている。
➡️ If you like my video, please support me by making a donation. I really appreciate your generous support!
支持我的音樂影片,透過小額捐款讓我有更多資源去提升製作,謝謝!
➡️Paypal: https://paypal.me/ViolinChang
➡️歐付寶:https://bit.ly/3dqnbz4
小提琴相關的資訊與教學歡迎點選以下連結:
➡️教學網站(website):https://reurl.cc/4R6LWR
➡️粉絲專頁(FanPage):https://reurl.cc/Y144ro
➡️Line聯繫:https://reurl.cc/Qd55q2
楊欣展 台中 鋼琴老師/鋼琴伴奏老師
網站:https://reurl.cc/b53Wao
#篠崎#小提琴演奏 #小提琴示範 #小提琴教學
orchestra section 在 Jasonhins Youtube 的最讚貼文
《 Luka Yang Kurindu 》Jason 陳晉軒 Cover
The best memories are the ones that made together
When someone you love becomes a memory, the memory becomes a treasure!!
Keep spreading love xx
訂閱我的頻道!!! Subscribe to my channel !!!??????
https://www.youtube.com/jasonhins
Instagram : @Jasonhins
http://www.instagram.com/jasonhins
Facebook : https://www.facebook.com/Jasonhinschan
Webpage : http://www.jasonhins.com
Contact : jasonhins@outlook.com
《 Luka Yang Kurindu 》
Cover singer: @Jasonhins
Original singer: Mahen
Composer: Pika Iskandar
Music Arranger, Mixing and Mastering: Tito P Soenardi
String Section: Budapest Scoring Orchestra
Lebih baik diam
Dan menghapus dendam
Tak lagi bicara
Agar tak smakin terluka
Cinta punya batas
Tak harus saling keras
Tak bisa di paksa
Sgala yg kau ucap bohong
Kau lakukan omong kosong
Tak perlu lagi percaya
Kau hanya pura pura
Kita di ujung perpisahan
Namun selalu kurindukan
Kau luka yang ku rindu
Cinta punya batas
Tak harus saling keras
Tak bisa di paksa
Sgala yg kau ucap bohong
Kau lakukan omong kosong
Tak perlu lagi percaya
Kau hanya pura pura
Kita di ujung perpisahan
Namun selalu kurindukan
Kau luka yang ku rindu
Lelah ku menangis
Terluka karnamu
Ini kekalahanku
Pergi lupakanlah aku
Biar aku yang bertahan
Sgala yg kau ucap bohong
Kau lakukan omong kosong
Tak perlu lagi percaya
Kau hanya pura pura
Kita di ujung perpisahan
Namun selalu kurindukan
Kau luka yang ku rindu
Kau luka yang ku rindu
#Jason陳晉軒 #LukaYangKurindu #傷口 #Thewound
orchestra section 在 Benjamin Man — iBenTV Youtube 的最佳貼文
[3/3] This piece took around 10-11 months to compose, thANKFULLY I GOT FULL MARKS SO HARD WORK PAID OFF!!! I was lucky enough to be able to work with an actual orchestra on this piece, and even got feedback from composer Dani Howard as well as conductor Pablo Urbina!
Themes:
A: "Awakening in The Unknown" - 0:01
B: "Survival" - 0:58
C: "Defeat" - 1:21
D: "Mischief" - 1:54
E: "Confliction" - 2:17
F: "Reconciliation" - 3:37
G: "Finalé" - 4:14
(btw, my second composition was 'Ascending Heaven' so I'm not going to upload that lmao)
Reflective Statement:
My intention for this piece was to compose a programmatic orchestral work inspired by the anime “灰と幻想のグリムガル”. Each section corresponds to a key theme presented in the anime. A performers note was included in the score so that performers will have a better understanding of the context of each theme.
Composing this piece took 10 months from start to finish. I started this composition as a piano quartet with the cello carrying the main melody. Each section was composed individually to match a particular theme, and was then pieced together by composing a transition section between them. With my teachers guidance, I was advised to expand the piece into a full orchestral composition, which was an immense difficulty for me as I’ve never composed one before. I overcame this difficulty by studying each instrument; how it’s played (or can be played), what techniques can be performed, and listening to other orchestral pieces to identify its role in the orchestra. I further developed the piece by experimenting with contrasting dynamics to add excitement in certain sections of the piece. Lastly, I leant and applied engraving rules to my score to appear professional.
This piece allowed me to grow as a composer in different ways. For example, because I had the opportunity to work with an actual orchestra, I became aware of how certain notes and phrases are played (e.g. bowing for strings at fortissimo), and how each instrument compliments another. I also learnt to avoid composing melodic “fluff”, to make sure that every note has its own purpose and contribution to the aim of the piece.
Overall, I am extremely proud of this piece and am very excited to hear it performed at my school’s spring concert in March!
(298 Words)
(IF ANYONE WANTS TO PERFORM THIS (IDK WHY BUT IF LMAO) AND WANT THE SCORE, MESSAGE ME!)
orchestra section 在 'The symphony orchestra' Sections and instruments - YouTube 的推薦與評價
Spanish version: https://youtu.be/v-qNppthH-8'The symphony orchestra ' Sections and instruments.Examples of every section at the end. ... <看更多>