The very fact it's called "Third World" says a lot, and then they publish an article on the "benefit" of colonialism using selective data. I guess that didn't take long...You can't make this stuff up. Occidental hegemony corrected?
19 September 2017
LETTER OF RESIGNATION FROM MEMBERS OF THE EDITORIAL BOARD OF THIRD WORLD QUARTERLY
Dear Shahid Qadir, Taylor & Francis, Colleagues and Interested Public,
We are deeply disappointed by the unacceptable process around the publication of Bruce Gilley’s Viewpoint essay, “The case for colonialism,” which was published in Third World Quarterly without any consultation with the Editorial Board. As International Editorial Board Members, we were told in an email on 15 September from Shahid Qadir that this piece was put through the required double-blind peer review process. We asked for these reviews to be sent to the Editorial Board, and they were not.
We have now been informed by our colleagues who reviewed the piece for a Special Issue that they rejected it as unfit to send to additional peer review, and they stated in an email to us:
“We would question the editorial process that has led to the publication of the piece. It was initially offered to guest editors Dr John Narayan and Dr Leon Sealey-Huggins as an article to consider for inclusion in the aforementioned special issue. The guest editors relayed their unease with the article and rejected considering the piece for peer review. It has subsequently come to light that the article was later reviewed as a standard article and rejected by at least one reviewer and then repackaged as an opinion piece.”—email from Dr John Narayan (Birmingham City University)
Dr Leon Sealey-Huggins (Warwick University)
Dr Kehinde Andrews (Birmingham City University)
Dr Eugene Nulman (Birmingham City University)
Dr Goldie Osuri (University of Warwick)
Dr Lucia Pradella (King’s College London)
Professor Vijay Prashad (Trinity College)
Dr Sahar Rad (SOAS, University of London)
Professor Satnam Virdee (University of Glasgow)
Dr Helen Yaffe (London School of Economics)
We have also been informed through correspondence between Prof Ilan Kapoor and our colleague who was the peer-reviewer, after the piece was rejected by the Special Issue editors, that her review also rejected the Viewpoint. Thus, the fact is established that this did not pass the peer-review when we have documentation that it was rejected by three peer reviewers.
As the Viewpoint did not pass the double-blind peer review as claimed by the editor in the statement he issued in the name of the journal, it must be retracted and a new statement issued.
The Viewpoint fails criterion #1 of the Committee on Publication Ethics COPE guidelines that state: “Journal editors should consider retracting a publication if: they have clear evidence that the findings are unreliable, either as a result of misconduct (e.g. data fabrication) or honest error (e.g. miscalculation or experimental error).” https://publicationethics.org/…/Retractions_COPE_gline_fina…
These COPE guidelines are Taylor & Francis’s reference documents for ethics of retracting a publication the editorial board was told in an email on 18 September by Shahid Qadir.
Thus, Bruce Gilley’s Viewpoint essay, “The case for colonialism” must be retracted, as it fails to provide reliable findings, as demonstrated by its failure in the double-blind peer review process.
We all subscribe to the principle of freedom of speech and the value of provocation in order to generate critical debate. However, this cannot be done by means of a piece that fails to meet academic standards of rigour and balance by ignoring all manner of violence, exploitation and harm perpetrated in the name of colonialism (and imperialism) and that causes offence and hurt and thereby clearly violates that very principle of free speech.
The Editor of TWQ has issued a public statement without any consultation with the Editorial Board that is not truthful about the process of this peer-review, and thus, as we fully disagree with both the academic content of the Viewpoint and the response issued in the name of the journal, we are forced to resign immediately from the Editorial Board of Third World Quarterly.
As scholars, we remain ever-committed to the ideals that this journal has stood for over the past 40 years, and we would consider serving on an Editorial Board under different editorial arrangements.
Sincerely,
Ilan Kapoor (York University, Canada)
Stefano Ponte (Copenhagen Business School, Denmark + Duke University, US)
Lisa Ann Richey(Roskilde University, Denmark + Duke University, US)
Mahmood Mamdani (Makerere Institute of Social Research, Uganda + Columbia University, US)
Asef Bayat (University of Illinois, Urbana-Champaign, US)
Naila Kabeer (London School of Economics and Political Science, UK)
Katie Willis (Royal Holloway University of London, UK)
David Simon (Chalmers Univ. of Technology, Sweden + Royal Holloway Univ. of London, UK)
Walden Bello (State University of New York at Binghamton, US)
Giles Mohan (The Open University, UK)
Ayesha Jalal (Tufts University, US)
Uma Kothari (University of Manchester, UK)
Vijay Prashad (Trinity College, US)
Klaus John Dodds (Royal Holloway University of London, UK)
Richard Falk (Princeton University, US)
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taylor international school 在 黃子瑜 (fish) Facebook 的精選貼文
今天下午在香港教育學院的 workshop w/ Teriver Cheung
繆思音樂會系列 MUSES Concert Series
「反」爵士 Teriver Cheung X Fish Huang
日期 Date: 29/4/2015
時間 Time: 12:30-14:30
地點 Venue: 香港教育學院大埔校園 C-LP-11, HKIEd Tai Po Campus
Programme 演奏曲目
Part 1: Teriver Cheung x Fish Huang
Luiza - John Jobim
Corcovado - John Jobim
Mr Clean - Freddie Hubbard
Golden - Jill Scott
Beseiged - Teriver Cheung
Part 2: Jamming with HKIEd Jazz Ensemble
Birdland
Coming home baby
Just the way you are
Feel like making love
Guest Performers 演出嘉賓:
Teriver Cheung
Teriver Cheung is an international touring guitarist. Currently based in New York City, the Hong Kong native had the opportunities to tour and perform with Latin Grammy Award winner bassist Eddie Gomez, and world renowned musicians such as Bernard Wright, George Garzone, Billy Drummond, Taylor Eigsti. Teriver had already brought his music internationally to the US, England, Poland, China, Hong Kong, Singapore, Malaysia, Indonesia, Japan, Taiwan and Mexico, and appeared on different music festivals and venues.
The Hong Kong native began his musical journey at age 5 playing the piano. His early exposure to classical music has contributed to his future style of composing as well as playing. At age 16, he switched to guitar and discovered his love in jazz music. After several years he has already found himself performing with some of the best local jazz musicians in the city.
In 2004, Teriver went on to receive his Bachelors of Jazz Studies at the University of North Texas with a scholarship. There he studied with Fred Hamilton, performed and recorded with the 2 O’clock lab band. Outside of the school he had established his name in the Dallas/ Fortworth Area and had performed at the Fort-worth Main Street Festival, Wild Flower Festival, Denton Art and Jazz Festival to name a few. He also had the exciting experience performing or recording with some of the world-renowned musicians such as Bernard Wright, Quamon Fowler and Shelly Carroll. In 2007, Teriver formed his first group Nobody’s Business and recorded the debut album “Forward Momentum”, followed by a busy year of national and international touring to Japan, Hong Kong, Mexico and different parts of the US.
In 2009, Teriver relocated to New York City. Since then he has been playing an active role in the jazz music scene both as a bandleader and sideman. He has been performing with incredible musicians such as George Garzone, Taylor Eigsti, Dana Hawkins, Davy Mooney, Toru Dodo, Linda Oh, Yasushi Nakamura, Ross Pederson to name a few. He had participated on several musical recordings including the Takako Yamada group, John Thomas group and Nuf Said.
Internationally, Teriver found himself constantly on tour with Eddie Gomez Group and his own group, appearing on some of the largest music festivals and stages such as Singapore International Jazz Festival, Jazz World Festival, Jazz W Ruinach Festival, Java Jazz Festival, the Esplanade Singapore to name a few. Recently he was invited to perform on Hong Kong national TV "The Works" program to perform with his organ trio (featuring Kerong Chok & Soh Wen Ming) followed by an interview.
His debut jazz album “My Nocturne” was released under Tippin’ Records in July 2012 and received positive feedback from the renowned Jazz Times Magazine: “Teriver Cheung reveals a gentle touch and a mature, composerly approach on his first recording as a leader. Accompanied by bassist Linda Oh, alto saxophonist Andrew Gould and his former North Texas schoolmate Ross Pederson on drums, guitarist Cheung (a onetime child prodigy on piano) demonstrates an impressive command of his instrument” -JAZZTIMES (August 2012), Bill Milkowski.
Fish Huang黃子瑜
一位不曾被定型的音樂表演者
曾是唱片公司簽約藝人,跟著八三夭巡迴;也與無數歌手合作,活躍於錄音室與演唱會;更醉心於爵士樂,與來自世界各地的樂手合作;足跡已踏遍台灣、美國、中國、香港、澳門、新加坡。目前正以爵士樂手身分,巡演於世界各地。
2002年因緣際會之下接觸到了爵士鼓,進而參加了高中社團 - 音樂創作社,而開始了音樂生涯。2004年參加 Yamaha 熱音大賽榮獲全國冠軍, 並以最年輕樂手之姿受日本國寶級鼓手 - 神保彰青睞, 選為該年度賽事亞洲區最佳樂手(鼓手), 而樂團則獲得亞洲區亞軍成績。2005年起開始以職業樂手活躍於台灣各大演出場地。
2008年接受八三夭樂團的邀請參與該團的巡迴演出,期間亦參與了台灣各大音樂節演出。2009年開始接觸爵士樂,並考取替代役反毒大使,開始進入當兵生涯。期間參與了金曲獎歌手 - 黃建為的三重奏巡迴演出。
2010前往美國波士頓百克里音樂學院進修(Berklee College of Music), 專攻爵士鼓演奏。
2010年底接受八三夭樂團的邀請成為正式團員,2012年簽約成為相信音樂藝人。三年期間完成超過150場大大小小演出,足跡踏遍台灣、美國、中國、香港,並舉辦多場3000人以上大型演唱會。2012年亦參與上海東方衛視歌唱選秀節目「聲動亞洲」取得全國第七的好成績。
2013年參與方文山指導「聽見下雨的聲音」電影演出,戲裡擔任「火柴頭」一角,電影於台灣、中國、香港、新加坡等地上映。同年策劃了首次的亞洲爵士巡演,於台灣、中國、香港、澳門等地演出。
目前黃子瑜正專心於爵士音樂的演奏與推廣上,並不時參與藝人專輯錄音/合作演出,活躍於國內外各大演出場合。現為「THE BEAT BROTHERS」、「HOPELAZZ」、「盧廣仲」樂團鼓手。
Presented by Department of Cultural and Creative Arts
節目由文化與創意藝術學系主辦