「地獄空」攝影集即將在八月中元節前出版,由知名設計師與攝影家黃子欽設計,內附在下二位高徒精美繪製符咒、心經版畫書籤、愣嚴咒牌、尊勝咒語...等,感恩十方大德助印,希望疫情退散,平安喜樂,後記如下:
野放台灣五十餘年,貪狼獨坐,三方四正殺破狼格局,少年多舛,白手起家,隨展覽雲遊四海,如閒雲野鶴常持各類底片機流連廢墟、山川、宮廟忘返,遂設幻影堂自詡堂主,一日三省「凡所有相皆是虛妄」,常宅於暗房沖片放大通宵、鍾情黑白世界之單純,彩色照片俗世繽紛花俏做作甜美甚至比現實更現實故少拍也。知天命之年有餘,了悟人生一瞬、眨眼即逝,雖非仙人,亦無道骨,初聞離垢地生清淨心,但離華嚴「不動地」尚遠,待修持也。
2017年盛暑拍畢《巨神連線》,心律不整差點心肌梗塞向閻羅王報到,意識死神隨伺在側,人生苦短,如何了生脫死、盡斷煩惱、無所罣礙、遠離顛倒……總不得解,蒙釋迦摩尼佛開示飆淚三晝夜,聞佛法數載始知自我渺如塵埃,甚感慚愧。閒暇乃參訪名寺古剎,禮敬焚香佛陀菩薩羅漢諸神天仙王爺媽娘,台灣宮廟千奇百怪、宗派錯綜複雜(佛教、道教、一貫道、天主教、基督教、齋教、回教&大同教、儒教鑾堂、天帝教&天德教、慈惠堂&勝安宮、軒轅教、道院、理教、萬國道德會、會靈山……)、神棍橫行(依人不依法、偶像崇拜、斂財、邪淫),因歷史變遷、社會動盪、政治鬥爭、意識形態等因素導致佛道混雜,但地獄造景稀少,後專注拍攝各殿閻王、判官、陰司、獄卒、七爺、八爺乃至一切罪人,各寺造景巧妙、耐人尋味,意境乖張溢於言表,造型扭曲非常人所能塑也,然匠心獨運、自成一格,專研西方藝術數十載方知真誠樸拙最美,絲毫不輸喬托(Giotto di Bondone,1267~1337)乃至米開朗基羅(Michelangelo Di lodovico Buonarroti Simoni 1475 ~ 1564)矣。
創立於1986年的石門金剛宮風景優美可眺望北濱,雖主祀四面佛,儒釋道眾神尊也不含糊,可過七星橋解厄、繞行五百黝黑羅漢敲鑼印心、跪拜亞洲最大臥佛涅槃像,安太歲自不在話下,甲子太歲爺雙眼長出手掌印象甚深,1994年經閻羅王指示廟公建造一條肚內設極樂世界及陰曹地府之神龍,行走暗黑通道觸動感應機關,只見面容猙獰受刑者呼天搶地喊冤、身邊盡是血肉糢糊殘肢敗屍腦漿塗地,十殿閻羅各司其職、威儀攝人。新北市林口區青嶺湖北文紫祥宮包公廟則以壁面彩塑地獄浮雕獨步全台,粉嫩色彩搭配卡漫風格,尤為造型簡直恐怖到可愛透頂,該廟主祀森羅殿閻羅天子包拯(包青天),陽世冤屈者可至此參拜祭解,求破懸案者眾,逢中元普渡皆以紙紮船渡亡魂至彼岸,全台唯一閻羅天子巨像籌備中,四周環繞墓地,適合修不淨觀也。台灣首尊彰化八卦山大佛旁南天宮(1971)地府則是首座電動地府,規模精小但驚嚇度破表,略顯破敗但五光十色仍蠻凶悍,出自已故台南大道長金登富之作,而電動神明起始可追溯至1960年代北港朝天宮。倒是嘉義水上鄉白人牙膏觀光工廠「戴相府」、「將軍府」設置十殿地府出乎意料之外,乾淨亮麗、ㄧ殿ㄧ間、簡單樸實。由高雄蓮潭龍虎塔龍口入內可見全臺唯一交趾陶地獄牆面,尊尊栩栩如生,續入龍身乃進聞聲救苦白衣觀音大士三十三化身浮雕隧道,造型設色甚為古錐。高雄大岡山超峰寺入口處「西方三聖蓮池海會」(阿彌陀佛、觀世音菩薩、大勢至菩薩巨像)旁設靜態十殿閻羅(1970年代初),雖略為陳舊然韻味猶存,續往上行可抵「證菩提道-釋迦如來應化事迹」雕塑園區,一攬世尊畢生精華。如來年邁時,琉璃國王為報長期被釋迦族輕蔑之傲慢心,世尊雖三次單獨伽跌坐 阻擋大軍進攻之路,但因緣果報無法逆轉,昔日婢女所生王子瞋恨無以復加,還是滅了祖國。自持神通第一目犍連不忍無辜百姓慘遭屠殺,遂以缽盛救度五百族人,最終卻化為血水,佛言神通廣大仍不敵千百劫業力,因緣果報屢試不爽。其母死後墜入餓鬼道飢餓難耐,目犍連遂展神通救渡,但所食尚未入口皆化為赤火,佛陀囑咐農曆七月十五日僧眾解安居自恣日,於盆中設甘露美食供養十方僧眾,因此超度亡母。後世「盂蘭盆法會」乃至「水懺法會」、「瑜珈焰口法會 」皆為消業障、斷塵垢之超渡儀軌,既渡亡魂也自懺悔。
台南麻豆代天府規模宏大、造型豔麗,不但可遊十八層地獄尚可逛天堂(1979年興建,1983年開放),燈光絢爛、聲響駭人,獨自漫步宛如觀落陰、地獄走一回。先過「心頭山」、入「清心池」、進「陰陽界」、抵「交簿廳」、達「鬼門關」、遊「補經所」、探「枉死城」、行「奈何橋」,至ㄧ殿泰廣王照「孽鏡台」現造惡原形,睹抱柱、火床等小地獄。二殿楚江王開「陰查簿 」判案定奪,觀糞尿泥、餓鬼、舞池、寒冰、膿血、鞭韃、舌犁、劍葉、戟腹拋接、砧截……等小地獄。三殿宋帝王刑罰為倒吊、銅鐵刮臉、挖眼、搗樁、倒烤、吸血、穿肋、抽筋、蛆蛀等小地獄……兼遊「四生(胎、卵、濕、化)回魂府」。四殿五官王掌管腰斬、拔舌、沸湯、刺嘴、剝皮、箭樹、車崩、射眼……等十六小地獄。隨五殿森羅王豋「望鄉臺」回眸親人最終眼後觀擊膝、誅心、刀山、飛刀火石……小地獄。六殿卞城王別稱「大叫喚大地獄」,轄火牛、虎啖、噬腎、鉗嘴含鍼、釘喉、磨摧、砍頭……等小地獄。七殿泰山王為「熱惱大地獄」,窺烙手指、抽腸、頂石蹲身、油釜滾烹、割舌穿腮……等十六小地獄。八殿都市王掌管「大熱惱大地獄」兼火狗、鐵汁、鐵蛇、鋸劈斷肢、釘板、灸脊、鐵丸、磅秤……等小地獄。九殿平等王直轄十八層「阿鼻大地獄」,直透地心、內中陰森、不見五指、滿溢地漿,皆為極犯,另轄紫赤毒蛇鑽孔、夾頂、鐵鴉、針雨、蜂蠍……等小地獄。至十殿輪轉王上「觀生臺」、「轉劫所八司」(查驗司 、稽善司 、考過司 、恩怨司 、壽命司 、支配司、掌劫司 、授生司)後至「孟婆亭」飲「醧忘湯」忘盡前塵往事,依前世功德過金、銀、玉、石、木、竹六種橋樑至「轉輪臺(紫河車)」入六道輪迴轉生投胎。據《十八泥犁經》記載,人過世後七七四十九天為「中陰生」,經閻羅王審判善惡業力判定去留或懲罰百千萬劫,犯五逆重罪則墮入「無間地獄(阿鼻地獄)」永劫不復。地藏王乃幽冥教主,統轄十殿閻羅,逢三曹普渡便在各殿設「講道所」超度尚存善根之鬼魂。
人類居於五趣(阿修羅、人、傍生、餓鬼、地獄)雜居地五濁惡世之堪忍世界,犯十惡業(殺生、偷盜、邪淫、妄語、兩舌、惡口、綺語、貪慾、嗔恚、愚痴)者必墮三趣惡道。如何出「三界」(欲界、色界、無色界)二十八天?凡人無此意識,別說能破「十二因緣」(無明、行、識、名色、六入、觸、受、愛、取、有、生、老死)還滅門,更別想斷除「四聖諦」(苦、集、滅、道)集地八十一品見惑與八十八使思惑(五利使-身見、邊見、邪見、見取見、戒禁取見、五鈍使-貪、瞋、癡、慢、疑),了悟「五蘊」(色、受、想、行、識)本空、「十二入」(眼、耳、鼻、舌、意、色、聲、香、味、觸、法)空、「十八界」空,破俱生我執與分別我執、法執甚至空執,生十一處「善心所」(信、精進、慚、愧、無貪、無瞋、無痴、輕安、不放逸、行捨、不害),降二十六處「惡心所」(貪、瞋、癡、慢、疑、惡見、忿、恨、覆、惱、嫉、慳、誑、諂、害、憍、無慚、無愧、掉舉、惛沉、不信、懈怠、放逸、失念、散亂、不正知),須知善根斷盡則陷永劫輪迴、無垠轉世之苦。
地獄可能空滅嗎?若地獄空乏人間多鬼怪,地獄淨空世間何嘗非淨土?若能證空性何處現地獄?
地獄曠古來便廣泛流傳各部族間,老死生滅為自然運行之基礎、宇宙意識之核心,然今文明昌盛如咱城邦並非慾望消弭之所,惡性所及實無可根除,礙於憲法國家法律社會軍隊企業公司學校家庭團體之層層束縛不亞於十八層,乃遁於壓抑、束己情懷,暗埋心底、日久貪嗔痴慢疑怨噌會疊穢。而六塵未熄,心多妄念,妖魔鬼怪魑魅魍魎孤魂閃靈出沒於荒郊乃至人間,會靈於曠野密林以增性靈乃出世高人修煉之舉,我等凡人擅闖宛如迪士尼般之人造地獄,三魂七魄尚不足以出竅,驚邪恐怖淒厲猙獰倒滿足了自以為是的慚愧,豈不謬哉?
病毒肆虐年半有餘,全球確診者逼近一億八千萬,枉死者近四百萬,堪比戰爭規模,望眾生發慈悲心、令往生者安息、善待其他物種、平等有情眾生。地獄本空,唯妄念生起一切羨慕嫉妒恨而地獄現前。盡以此書作為世界新冷戰獨裁者、超限戰者、暗網駭客、陰險狡猾冷嘲熱諷落井下石者之良知備忘錄矣。
姚瑞中寫於2021年端午節
Postscript
I have been living recklessly in Taiwan for more than fifty years. According to Zi Wei Dou Shu (Purple Star Astrology), Tan Lang is the sole star in my house of Self. This star, which represents xxx, forms an equilateral triangle with that star Qi Sha and Po Jun on the square chart and constitutes a Sha Po Lang pattern. The pattern indicates a kind of turbulence and change, a life of wandering with ups and downs and it tells a lot about my life. After my ill-fated youth, I started from scratch and traveled around the world with exhibitions that I participated. Like a flaneur, I wandered around ruins, nature, and temples with every type of film camera obliviously. Thus, I founded the Hall of Illusion and claimed to be the master of the hall. Several times a day, I pondered a quote from the Diamond Sutra, “Everything with form is unreal.” In addition, I usually stayed in the darkroom developing film and enlarging those negatives overnight. However, I treasured the simplicity of the black and white world. The earthly, gaudy, garish, phony and pleasing qualities within colored photos make the images even more realistic than the real world. It is not my cup of tea, so I seldom took colored photos. In Confucian thought, the age of fifty marks the stage knowing the mandate of Heaven. I am now at my fifties and realize how ephemeral human life is. However, I am not an immortal, nor having sagelike characteristics. I just learned that the stage of stainless (the second bhūmi) and develop a pure mind that is free from doubt and defilement. However, I’m still far from the immovable state and need to practice.
In the summer of 2017, after filming the work Incarnation, I experienced a severe heart rhythm problem which almost triggered myocardial infarction and could have killed me. Consequently, I realized that death was waiting for me and the life is too short to figure out how I can liberate myself from the cycle of Birth and Death. I couldn’t comprehend how to be free from all afflictions and worries and how to avoid delusive ideas. I wept for three days and nights after being enlightened by Shakyamuni Buddha. Up to the moment, I felt ashamed that I failed to realize that the self is as insignificant as dust after these years learning and practicing Buddhism. Since then, I have visited famous temples and monasteries in my spare time, worshiping Buddha, Bodhisattvas, arhats, and all the deities and immortals. Taiwan’s temples are myriad with a enormous number of sects, including Buddhism, Taoism, Yiguandao, Catholicism, Christianity, Chinese religions of fasting, Islam& Baháʼí Faith, Confucianism, Tiandiism& Tian-De Teachings, Xiwangmu cult, Yellow Emperor Sect, Precosmic Salvationism, Liism, World Wide Ethical Society, séance cult, etc. Some people even claim that they can mediate communication between the deities or spirits of the dead with human beings, having their believer rely on themselves instead of the orthodox dharma or dogma and pay excessive respect and admiration for the mediums or objects, accumulating wealth through such an unfair means or even harassing their believer sexually. Due to Taiwan’s historical changes, social turbulence, political struggles, and ideological issues, Buddhism and Taoism are somehow mixed. However, there are few emphases on the concept of the hell. As I took photographs of Yama of each court, judges, wardens of the underworld, jailers, General Fan and Hsieh (the ghost escorts) and all sinners, I found few temples cleverly created hellish scenes that are intriguing, exaggerating, and extraordinary. However, the creations are unparalleled unique. I have been studying Western arts for decades and then I came to realize that simplicity makes the most beautiful works of art. These hellish scenes can even compete with works of Giotto di Bondone (1267-1337) and Michelangelo Di lodovico Buonarroti Simoni (1475-1564).
Jingang Temple Shimen District, founded in 1986, overlooks the beautiful North shore. Although the temple is mainly dedicated to Phra Phrom (the Thai representation of Mahabrahma), spirits of Confucianism, Buddhism, and Taoism can also be founded in the temple. The worshipper can go cross the Seven Star bridge to relieve bad luck, walk along the five hundred arhat statues and knock on the gong to affirm one’s Buddha nature. Furthermore, the worshipper can also prostrate themself before Asia’s largest statue of Buddha in Nirvana (the Reclining Buddha statue) and pacify the Taoist Tai Sui deity of the year. I was impressed by the Jia-Zi Tai Sui General that a pair of palms grow out of his eyes. In 1994, the biō-kong (the person taking charge of the temporal affairs of a temple) received a divine inspiration from Yama (the King of Hell) that he had to build a sacred hall in the shape of a divine dragon, with the interior designed according to the World of Ultimate Bliss and the Underworld. When the visitor walks in the dark hallway, they will see the tortured people (dioramas, of course) scrunching their faces and crying bitterly and loudly in excessive grief as the visitor triggers the mechanism. One will even find them in the midst of flesh, body liquid and blood, mutilated limbs, and rotten corpses. While each of the ten Yamas are focusing on their own duties, showing their sacred dignity that collect visitors’ attention. The Baogong Temple in Linkou District, New Taipei City exclusively features colorful depiction of hellish scenes in relief in Taiwan. With its pastel shades and cartoon-like style, the relief is both grotesque and adorable at the same time. This temple is dedicated to Bao Zhen (also known as Justice Bao) representing the incarnation of Yama. Living people who have been treated unjustly can come worshipping Bao Gong and receive exorcism. Therefore, many people come here for seeking to solve unsolved cases. In Zhongyuan Festival (the ghost festival), the temple will burn the Zhizha (paper craft) boat to ferry the ghosts to the other shore, which is the shore of enlightenment. The only giant statue of Yama in Taiwan is still in the making. The temple is surrounded by a cemetery, suitable for meditating on the loathsomeness and impurity. Nantian Temple (1971), located next to the Eight Trigram Mountains Buddha in Changhua, features the first animatronic underworld. Despite the small size, the animatronic underworld is intensely shocking. Though it’s slightly worn, the colorful dioramas are still brutally ferocious. The creator was the late venerable Dao Zhang (Taoist priest) Jing Deng-fu while the origin of animatronic deities can be traced back to the 1960s Beigang Chaotian Temple. On the contrary, the Whiteman Toothpaste Tourism Factory in Shuishang Township, Chiayi, features ten Yamas with individual booth. The place is unexpectedly clean and polished yet keeps a simple and modest tone. Then, the Dragon Pagoda of the Dragon and Tiger Pagodas at Lotus Lake in Zuoying, Kaohsiung, holds the only relief of hellish scenes made of Kochin ceramic. All the figures are vivid and life-like. If one goes further into the pagoda, they will see a relief tunnel of the thirty-three incarnations of the white-robed form of Guanyin (Avalokiteśvara) on a white lotus, with a lovely and interesting design. Another Hall of Yama is built in the 1970s next to the entrance of Dagangshan Chaofeng Temple, located in the Alian District of Kaohsiung. Visitors will also see three statues of the Three Holy Ones of the Western Pureland (Amitābha, Avalokiteśvara, Mahāsthāmaprāpta) which assemble at a lotus pond. Although the hellish scene looks somewhat antiquated, you may still find its previous charm. If one goes further, they will reach the sculptural garden of “Attaining the Bodhi Way: the Incarnation of Sakyamuni Buddha,” where the visitor can see the essence of Bhagavato’s (meaning the Blessed one, one of the common epithets for Buddha) life. When Tathāgata (another epithet for Buddha) was old, the king of Kosala wanted to avenge the arrogance of the tribe of Shakyas who had long despised him, regarding him as a son of a maiden. Although Buddha has sat in lotus position alone three times to stop the army from attacking his tribe. However, one can never reverse the cause and following karma. The prince born of a maiden was so furious that he eventually destroyed his homeland. Maudgalyāyana (one of the Buddha’s closest disciples), who is said to have had supernatural abilities that surpassed the other disciples, could not bear to see the slaughter of innocent people. Thus, he saved five hundred people of his tribe with a pātra (an eating utensil of Buddhist monks). Unfortunately, everything he did was in vain, those who were saved eventually turned into a puddle of blood. The Buddha said that the supernatural abilities cannot surpass the power of karma. The cause and effect work all the time. When Maudgalyāyana’s mother fell into the path of hungry ghost, he used his supernatural abilities to save his mother from hunger. However, all the food turned into fire before being fed to his mother. Later, the Buddha commanded the monks to put nectar and dishes in a basin on the 15th day of the seventh month in the lunar calendar for the monks from all directions to free his mother from reincarnation. In later times, the Ullambana Dharma Service, the Compassionate Samadhi Water Repentance, and the Yoga Collection for Feeding the Searing Mouths Dharma Service are rituals to eliminate karmic hindrance and to cease to worldly delusions. Through such practices, one can free the dead as well as confess their repentance.
Madou Daitian Temple is a magnificent and colorful temple in Tainan. Not only can the worshippers visit the eighteen levels of Hell but also the Heaven (it was built in 1979 and inaugurated in 1983) here. The lighting and sound effects are stunning and frightening. When walking alone in the space, one may feel like taking a Guan Luo Yin trip (a Taoist necromancy which leads people’s spirits to hell and communicate with the dead ones) to visit the underworld prison. Before arriving the first court of the underworld, the visitor will walk through the Mountain of Heart Summit, the Pure Heart Pond, the Frontier between the Living and the Dead Realms, the Soul Registry Hall, the Portico of Demons, the Center for Complementary Teaching of Canonical Books, the Citadel of Premature Death, and the Bridge of Vanity. When one arrives at the first court, they will see King Chin-guang, who is in charge of the court, using the Mirror of Retribution to show the earthly form of evil creatures and also witness the sub-hell of Pillar-Holding and Fire Bed, etc. At the second court, King Chu-jiang collates the register of sins the souls of the dead have committed to impose the punishments. Here, you will see the sub-hell of Excrement and Urine, Hungry Ghost, Burning Dance Floor, Ice, Pus and Blood, Whipping, Tongue-Raking, Sword Blade, Stomach-Piercing, Chopping, etc. Next, the dead at the third court, ruled by King Song-di, will receive the punishments including inversion tortures, face-skinning with steel and copper knife, eye-wrenching, pounding, blood-sucking, rib-piercing, roasting, tendon-taking, being eaten by maggots. The visitor can pay a visit to the Palace of Soul-Resuscitation for the Four Forms of Creatures (birth from an egg, birth from a womb, birth from moisture, and birth by transformation). King Wu-guan is in charge of the fourth court. There are sixteen sub-hells at the fourth court including Waist Chop, Tongue Removal, Boiling Pond, Mouth-stabbing, Skin-peeling, Sword Tree, Burning Wheels and Cart, Eye-shooting, etc. Next, at the fifth court, sinful souls are allowed to ascend the Tower of Hometown-Viewing to take a final look of their family. The visitor will witness sub-hells of Knee-striking, Heart-slicing, Blade Mountain, Flying Swords and Burning Stones, etc. The King of Bian City takes charge of the sixth court, which is also known as the “Great Hell of Screaming,” with sub-hells including Fire Cattle, Tiger-Biting, Kidney-Eating, Mouth-Poking, Throat-Nailing, Iron Mill, Decapitation, etc. The King of Tai-shan is in charge of the seventh court, the “Great Hell of Heat and Fire.” The sixteen sub-hells at this court include Finger-Searing, Bowel-Hauling, Stone-Bearing, Boiling Oil, Tongue-Removal and Cheek-Piercing, etc. Next, the King Du-shi is in charge of the eighth court, the “Great Hell of Intense Fire and Heat,” and the sub-hells including Fire Dogs, Molten Iron, Iron Snakes, Dismemberment, Steel Spikes, Burning-Marrow, Iron Ball, Scale, etc. The ninth court is ruled by the King Ping-deng. It is known as the biggest court, Avici Hell (the Hell of Incessant Suffering), which if the lowest level of the hell realm and the interior is gloomily and terrifyingly dark. Those who committed the most serious evil deed will be sent to the Avici Hell. Sub-hells such as Poisonous Snake, Brain-Removal, Crow-Gnawing, Raining Needles, Wasps and Scorpions are included at this court. After arriving the tenth court, ruled by the Great King of the Reincarnation Palace, one can visit the “Observatory of Life on earth” and the “eight bureaus of the Reincarnation Palace” (including the Bureau of Judicial Control, the Bureau of Good-Actions, the Bureau of Bad-Actions, the Bureau of Debts, Gratitude, and Vengeance, the Bureau of Longevity and Destiny, the Bureau of Familial Ties, the Bureau of the Reincarnated, and the Bureau of Birth). The sinful one will be sent to the Pavilion of Mengpo and made to drink the Soup of Forgetfulness to forget all past affairs. According to the sinful one’s merits of previous life, they will go across one of the six bridges (gold, silver, jade, stone, wood, bamboo) to the “Reincarnation-Wheel (Wheel on the Crimson River).” Finally, one is able to reborn in the six realms. According to the Aṣṭadaśa nāraka sutra ( the Eighteen Hells Sutra), after one passes away, they will enter an intermediate and transitional state between death and rebirth, known as antarābhava in Sanskrit, for forty-nine days. The being will be evaluated by Yama, who will decide if one should get reborn or get punished at the hell. Those who committed the Five Grave Offenses (killing one’s father, killing one’s mother, killing an Arhat, shedding the blood of a Buddha, and creating a schism within the community of Buddhist monks and nun who practice for attaining enlightenment.) will be sent to the Avici Hell and stay there eternally. Kṣitigarbha is the Lord of the Nether World, ruling the ten court of Hell. The lord will set up the “Hall of Teaching” at each court to salvage those sinful ones who still obtain few merits at the offering rituals.
Human beings live the Sahā world (sahāloka in Sanskrit, meaning “endurance of suffering,” a concept of mundane world in Mahāyāna Buddhism) where they share with other reincarnations (including beings of the hells, of the preta, and of malevolent nature spirits) with five turbidities (the Kalpa turbidity, the view turbidity, the affliction turbidity, the living beings turbidity, and the life turbidity). Those who commit the ten evil deeds (killing, stealing, adultery, lying, using immoral language, slandering, equivocating, coveting, anger, and false views) must fall into the three evil paths (animals, preta, and hell). However, how can one escape from the three realms/ twenty-eight heavens (including the six heavens of the desire realm, the eighteen heavens of the form realm, and the four heavens of the formless realm)? Worldly people who don’t have such an awareness cannot leave the cycle of the twelve nidanas (meaning causes or motivations), let alone eliminate the eighty-one afflictions (that have been produced due to misunderstanding regarding reality) and the eighty-eight illusions (including five afflictions of advanced practitioners, also known as five views: view of self, extreme view, evil view, view of attachment to views, and view of morality; and five unintelligent temptations: desire, anger, stupidity, arrogance, and doubt) of thought within the three realms and four Arya satyas (noble truths, including suffering, arising, ending, and path). They cannot realize that the essence of the five skandhas (referring to aggregates of clinging, including the matter of form, sensation, recognition, mental formation, and consciousness) , the twelve ayatana (meaning sense base, including six internal bases: eye, ear, nose, tongue, body, and mind and six external bases: visible objects, sound, odor, taste, touch, and mental objects), and the eighteen dhātavah (meaning compositional elements of human existence, including six consciousness, six faculties, and their objects) are the emptiness and the void. Furthermore, they cannot dispel the two reasons for clinging to the idea of the self and the attachment to elemental constructs and even believe in the two (false) tenets that that karma and nirvana are not real and that the ego and phenomena are real. As a consequence, they fail to develop the eleven wholesome mental factors (faith, energy, conscience, being ashamed, non-attachment, non-aggression, non-delusion, calmness, equanimity, conscientiousness, and non-injuriousness) and cease the sixteen unwholesome mental factors (desire, greed, anger, delusion, arrogance, doubt, wrong view, wrath, enmity, hypocrisy, vexation, jealousy, parsimony, deceit, flattery, harming, ambitiousness, stupidity, lacking of faith, idleness, being unrestrained, forgetting, distraction, non-discernment, ). One must bear in mind that once all our virtuous roots are discontinued, they will be trapped in the never-ending reincarnation and the suffering of infinite continuity.
Is it possible that the hell will be empty one day? If the beings in hell will become extinct while evil spirits inhabit the mundane world, the world could be considered as a pure land. If we could witness the nature of the void, then hell will exist no more.
Since ancient times, the concept of hell has been widely spread among all tribes. Aging, death, beginning, and end are the basis of nature and the core of cosmic consciousness. However, the prosperous civilization as our island is not a place where desire can be eliminated. It’s impossible to eradicate evil nature. Since fetters brought by the constitution, the state, the law, society, the military, corporations, schools, families, and groups are not less than the eighteen levels of hell, the mortals repress themselves, bury their feelings. Day after day, greed, anger, stupidity, arrogance, doubt, and resentment are stacking. However, since the six dust (visible objects, sound, odor, taste, touch, and mental objects) has not yet been extinguished, people in the mundane world are still full of delusions. The demons, devils, evil spirits, and the wondering dead exist in the wilderness, while only advanced practitioners with transcendent would attempt to make contact with the dead in the wasteland and forest. Worldly people like us trespass in Disneyland-like man-made hell. It is absurd and ridiculous that the hellish scenes cannot stop us from perpetrating evil deeds, but the horrific and cruel scenes yet satisfy our self-righteous shame.
The pandemic has been boiling over for more than a year and a half. The number of infected patients worldwide is nearly a hundred and eighty million, and the death toll has risen to four million, which is equivalent to a war crisis. I hope that we can all be compassionate, give peace to the dead, treat all sentient beings well and equally. The hell is innately empty; however, deluded and misleading thoughts would give rise to all jealousy and hatred and then manifest the hell before us. This book merely serves as a memorandum of conscience for dictators of the world’s new cold war, supporters of unrestrained warfare, dark web hackers, and those who are cunning and contemptuous and maltreat others when knowing they have problems.
June 2021,
Yao Jui-chung
同時也有8部Youtube影片,追蹤數超過44萬的網紅TEEPR 叭啦叭啦研究室,也在其Youtube影片中提到,#avangers #Transformation 漫威電影的人物化妝和特效都很細緻,有些演員甚至需要花好幾個小時把皮膚塗滿顏料,真的是非常敬業,一起來看看這些演員的化妝前後對比吧! ◇◇◇◇◇ 追蹤Jon和Sherry的 IG帳號: sherry__jon (是兩個底線唷~) ◇◇◇◇◇ ...
walking dead 尼 根 在 Facebook 的精選貼文
在《夢想之地 Minari》(2020》的預告片釋出之後,史蒂芬.連(Steven Yeun)將之傳給了一位同樣在美國生活的韓裔朋友。
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不過對方看見預告片之後的反應,並不是為自己族群的經驗有機會搬上大銀幕,而是帶著猶疑地態度回他:「我不確定我看不看得下去,因為這兩分鐘的預告對我來說太『準確』了,太接近我已經埋葬的記憶。」
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在《瘋狂亞洲富豪 Crazy Rich Asians》(2018)之中,我們看見亞洲人豪奢、性感的一面,這與過去美國亞裔總是在中餐廳與洗衣店工作的形象可說大相徑庭。這部作品也在美國獲得出色票房成績,尤其受到亞洲觀眾的歡迎,畢竟美國亞裔實在悶太久了,好萊塢幾乎沒有非關刻板印象的亞裔電影。
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但片中富麗堂皇的場面,究竟不過也只是關於某一小部分富有亞洲人的故事,終究不具有代表性,甚至離寫實性都有距離。所有關於新一代美國亞裔的共同經驗,無疑是隨著上一輩移民而來的歲月。現在美國共有兩千萬四百萬亞裔人口,其中1950年代到2000年,就有超過一千萬名亞洲人移民美國。
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但關於亞洲的移民故事,長期以來卻付之闕如。早期最具代表性的亞裔故事,真要舉出一部,就屬譚恩美小說《喜福會 The Joy Luck Club》,也在1993年被王穎搬上大銀幕。
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「在90年代長大時,譚恩美是我唯一知道的亞裔美國作家,她厚厚的平裝書擺在每個人的書架上。但我討厭她的作品,她的書都是在寫一些關於勤勞、有尊嚴的移民,體現了美國人對亞洲人期待的那種東方智慧⋯⋯」史蒂芬.連坦率地說:「如果當時有人問我打算寫什麼,我可能會說我想寫披頭族、海洛因或爵士樂,可以確定的是,我絕不會去寫《喜福會》。」
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史蒂芬.連的父親是一名首爾的建築師,一次去明尼蘇達州洽公的時候,愛上了當地風光,當聽到有招募韓國移民的計畫時,他賣掉了自己在首爾的房子,在1988年帶著全家人追尋美國夢。剛過去時,小史蒂芬不諳英語,當他第一次去上學回家的時候,問了他的父母「Don’t cry」是什麼意思。
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事實上,在當時的首爾擁有一棟房子,家境算是相當富庶。史蒂芬的父親原本希望能夠在美國更上一層,但很不幸的是,他們投靠的叔叔身處在龍蛇雜處的工人社區,而他雙親第一份工作──是把筷子塞到紙套之中。史蒂芬說他的父親後悔了,因為他意識到自己居然放棄了一切充裕的生活,現在必須重新開始。
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史蒂芬依然難忘有次他與父親去一間車行退貨一個零件,老闆卻不讓他退貨,謊稱這不是他們家的商品。他看見父親當場把零件摔在地上,對店家大吼,不過他的英語程度卻很勉強,無法很清楚表達自己的不滿。對於父親所失去的尊嚴,小史蒂芬全看在眼裡。
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在史蒂芬五年級時,他們全家在底特律郊區定居,他的父母開設了一間服務黑人顧客為主的美容用品店,同時也加入了當地的教會,與那裡的其他韓裔孩子參與主日學(在《夢想之地》也有類似情節)。史蒂芬說,在學校時,他必須表現成安靜與友好的形象,唯有在教堂,他能夠真正地展現自己。
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與多數韓國人父母一樣,他們期待史蒂芬成為一個醫生。他遵循雙親期待,獲得了心理系學位,專研神經科學。不過他真正感興趣的卻是戲劇演出,為此開始參加了由亞裔美國人組成的喜劇團體。父母起先對史蒂芬的決定感到失望,但最後還是全力予以支持。
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不過當時的史蒂芬沒有太多亞裔的模範給以參考,在這過程中,他慢慢意會到一個道理,他在受訪時曾提到:「這或許是一個文化差異,作為韓國人,我的直覺就是得要散發出一種謙卑的氣息。但這種態度其實對你的演藝事業毫無幫助。在表演當下,謙虛不是必要的,它甚至會削弱你的能量。」
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以《陰屍路 The Walking Dead》(2010-)中的格倫一角揚名,史蒂芬一下躍升為全球知名度最高的美國亞裔演員之一。在劇中,他甚至與一名白人角色瑪姬約會。許多人說,這代表亞洲人也可以跟白人交往了,有亞裔粉絲寫信給他說「謝謝你,你是我們當中第一個成功辦到的人」史蒂芬卻覺得啼笑皆非。他認為這好比要求亞裔男人得與白人交往才能證明自己獲得了認可,「這種想法是可怕的」。不過史蒂芬不諱言,這些針對種族的爭論,許多亞裔美國人天天都在面對。
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這種對身分的焦慮,一直到他去韓國為奉俊昊拍攝了《玉子 Okja》(2017)之後,又有了新的轉變。從小與父母說韓語的他,回去韓國,發現語言溝通無礙,不過他卻無法適應在韓國的生活。他說許多一同工作的外國人,都將他視為韓國文化大使,但史蒂芬卻根本對韓國一無所知,也沒有歸屬感。到了《燃燒烈愛 Burning》(2018),李滄東讓史蒂芬的角色像是被孤立般存在,也許正是因為他查知了他身分上的特殊性。
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當《夢想之地》的導演鄭李爍(Lee Isaac Chung)找上他出演片中的韓國父親時,史蒂芬身為最知名的美國韓裔演員,或許是理所當然的人選,但他第一時間卻猶豫了。畢竟他離開韓國才四、五歲,他無法想像自己如何去詮釋一個剛離開韓國的父親,更擔心自己的韓語不到位。
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這個故事以1983年為背景,史蒂芬飾演的雅各從韓國移民至加州,但作為一家之主的他,卻有著更強烈的企圖心,他希望能夠自己開墾農地種植韓國農作物。於是他帶著妻小來到阿肯色的鄉下,自己尋找水源、開墾、播種。只是這個過程實在太過於艱難,品質低落的生活環境迫使夫妻經常吵得不可開交,同時兒子大衛又患有心臟疾病,隨時可能需要動刀。到底這個追逐夢想的旅程,會成就奇蹟,還是以枉然作結?
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故事取自鄭李爍的童年經歷,即便當他試圖去訪問父母當時在農場開墾的經歷時,他們三緘其口,與多數沉默的亞裔移民一樣,不願喚起當年艱苦的記憶。史蒂芬也有相同感受,雖然經驗不一,但他很快從片中的雅各看到了自己父親的身影,他說:「雖然我沒有把我自己的父親投射在主角身上,但令我不安的是,某方面來說他的確就像我的父親。而我則像是他的意志、慾望與精神的延伸。」
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《夢想之地》2020年初在日舞影展首映,獲得了美國劇情片競賽單元觀眾票選獎及評審團大獎。在首映會時,史蒂芬也帶著父親來到了現場觀影,他倆就緊坐在一起。他說自己想讓父親知道的是:「我也成了一個父親,現在我能理解你們所經歷的一切。」
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史蒂芬說,父親在放映完之後拋給了他一個眼神。他敢說,父親感受到了。
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在2021年奧斯卡獎,《夢想之地》獲得了最佳影片等六項提名、飾演外婆的尹汝貞榮獲最佳女配角獎。而史蒂芬.連則成為了奧斯卡92年歷史上第一位提名最佳男主角的韓裔演員。
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各位,你最喜歡史蒂芬.連的哪一部作品呢?
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《 #夢想之地》現已可於 CATCHPLAY+ 觀看:https://bit.ly/3xcQ36R
除了 #史蒂芬連 #StevenYeun,同樣在歐美影壇發光發熱的韓裔演員還有在《 #追殺夏娃》中扮演中情局幹員的 #吳珊卓 喔!之前的專文介紹如下:
https://www.facebook.com/nofilmnome/posts/328496428633273
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註:
Steven Yeun被長期被翻譯為「史蒂芬.元」,然而基於他的韓國本名「연상엽」,「연」姓比較合適的是對應到韓字「連」姓,「元」事實上是基於音譯產生的誤譯。故本文採用「史蒂芬.連」為名。
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此外,史蒂芬.連經常被誤解為首位提名奧斯卡最佳男主角的亞裔演員,但這也是誤會,在他之前至少已有蒙古族裔的尤.伯連納(Yul Brynner)、印度裔的班.金斯利(Ben Kingsley)與敘利亞裔的莫瑞.亞伯拉罕(F. Murray Abraham)等多名亞裔演員入圍(上述三人也都獲獎)。
walking dead 尼 根 在 Facebook 的最佳貼文
【尋找Ground Z(ero):殭屍和他們的產地】#葉郎電影徵信社 #舊文重貼
1932年的好萊塢電影《White Zombie 蒼白殭屍》開啟了接下來80年橫跨電影、電視、電玩、小說等等媒介的大眾文化殭屍熱,並賦予Zombie這個字眼百年難以磨滅的恐怖想像。
雖然殭屍和殭屍病毒的故事是虛構的(希望啦),但這個字眼和其背後的信仰並不是無中生有。它們根源自更早的原始宗教、都市傳說和以訛傳訛(希望啦)的見證報告。
下文將追溯殭屍電影的源頭,尋找這個感染力甚強的文化病毒最一開始的Ground Zero:
▇ 深夜畫室的鬼靈
1838年Zombi這個新單字(拼寫方式要多年後才會加上字母e)首度出現在美國媒體上,是伊利諾州地方報紙The Telegraph轉載自英國雜誌Chambers's Edinburgh Journal的一篇恐怖短文,名為「不明畫家」。
文中描繪巴洛克時期的西班牙畫家Bartolome Esteban Murillo所僱用的年輕黑奴因為晚上睡在畫室裡,親眼目擊了非洲傳說中的“zombi”出現,並隨手拿起畫筆在畫室學徒的畫作上塗塗改改的驚悚畫面。
但沒有人把黑奴的說詞當一回事,認為只是他根深蒂固的迷信作祟。
(圖說:殭屍本人Sebastián Gómez的畫作)
Zombi的字源眾說紛紜,但多半不脫西非週邊的各民族語言。剛果的Kikongo語中,有類似的字如zumbi(意指軀體)和nzami(意指靈魂),被認為最可能是zombi的字源。
西非國家正是16~19世紀歐洲人實施大西洋奴隸貿易的最大受害者。這些字眼和它們背後的非洲原始信仰巫毒教稍後隨著運奴船流轉向世界各地。以法國在加勒比海的殖民地海地島(法國人稱之為聖多明尼克)為例,最高峰時島上總計有3萬名白人指揮70萬名黑奴在甘蔗田和糖廠裡頭不眠不休地工作。
必須注意的是,就像zombi這個字的多重起源一樣,海地的黑人使用zombi這個字來指稱多種廣泛的靈異現象:比如失去身體的靈魂、失去靈魂的身體(比較接近我們今日對於zombie的想像)以及被巫師施法變成動物的人或是其他各種超自然現象。
所以回到1938年的「不明畫家」鬼故事中,黑奴使用這個字眼可能廣泛指超自然鬼靈,而非明確意指死而復生的那種殭屍。否則《The Walking Dead 陰屍路》中笨拙緩慢的殭屍群裡就會多出好幾隻以畫筆為武器的繪畫天才。
「不明畫家」的故事其實改編自史實。不僅巴洛克畫家Bartolome Esteban Murillo真有其人,連他家黑奴的名字Sebastián Gómez 都有明確史料記載。
隱藏在撞鬼事件背後的真相是:Murillo的學徒們早就懷疑畫室有鬼,因為他們下課時留在畫室裡的習作經常半夜被不知道什麼人增添好幾筆。最讓他們惱怒的是這個鬼還把他們的習作改得更漂亮。身為師長的Murillo最終只能親自扛起起抓鬼特攻隊的任務,半夜偷偷躲在畫室裡準備真的「抓鬼」......
如果這個故事裡的zombi確實是恐怖的殭屍,接下來想必會是腥風血雨、鬼哭神嚎的高潮場景。可惜劇情隨即急轉直下,變調成了一場溫馨喜劇——
被畫室主人活逮的Zombi根本是黑奴Gómez本人,而且Murillo還發現這位超會編故事的年輕人在繪畫上同樣也天賦過人。於是Murillo果斷還他自由身,並當場收他為徒,甚至還贊助了他的婚禮。
真正令人頭皮發麻的殭屍故事還要再等百年左右才會出現......
▇ 魔島和甘蔗田裡的活死人
1932年的恐怖電影《蒼白殭屍》非常不尋常地引用了18海地刑法249條印在海報上,甚至還特別囑咐電影院老闆一定要把該條文張貼在電影院大廳明顯處藉以攬客。片商的邏輯是如果海地刑法裡真的特別寫明了不准把人變殭屍,那不就代表殭屍的情節不是電影虛構,根本真有其事?
《蒼白殭屍》實際上是從早兩三年出版的一本書《The Magic Island 魔島》中抄來的條文。海地刑法還真的有這個條文,只是《魔島》作者把246條誤植為249條,以至於《蒼白殭屍》的宣傳素材也跟著抄錯了條號。
原本僅規範禁止對人下毒的海地刑法246條,在1864年增訂了第二款、第三款,把禁止的範圍擴及到用藥物把別人毒害致接近死亡狀態,此外如果被害人因此被當成死人埋葬則其加害行為視同謀殺。主導修法的是美國扶持的傀儡政權Fabre Nicolas Geffrard總統。篤信基督教的他原本打算亂槍打鳥,不管殭屍的傳說是真是假,都先用這個修法讓被他認為有失國家顏面的迷信徹底消失。總統大人有點弄巧成拙,因為《魔島》和《蒼白殭屍》引用條文到處敲鑼打鼓宣傳,海地島自此再也沒能擺脫大眾文化中巫毒污名。
史上第一部殭屍電影《蒼白殭屍》其實不只抄了人家一個條文。它的整個故事根本就是從《魔島》這本書中片段拆解出來的。而最詭異的是《魔島》這個現代殭屍文化的源頭甚至不是一本小說,而是一本海地島的旅遊書。
《魔島》的作者 William Seabrook是一名對神秘主義有濃厚興趣的記者兼探險家。他的另外一本遊記因為記載了自己在象牙海岸吃到剛剛被殺的新鮮人肉而引發輿論熱議。但真正影響後世深遠的仍是這本記錄他1927年海地之旅的遊記。
他在書中記載了他的海地朋友轉述的海地殭屍事件:
1918年當地最大的糖廠Haitian American Sugar Company因為甘蔗收成期間缺工而提出懸賞,任何人只要能帶新的工人來上工都能得到糖廠重賞。這天糖廠的工頭Ti Joseph 真的帶來一群新的工人來領賞。工頭說他們來自山上的部落,因此語言不通,不會說話。但實際上這些可憐的人是被工頭用巫毒下藥變成殭屍。
殭屍是所有工頭眼中完美的奴隸:可以日復一日工作,完全不會喊累,不會抱怨,不會生病,甚至永遠不會死。唯一需要留意的是他們只能吃沒有調味的食物,尤其不能讓他們吃到鹽或肉,因為那些食物會讓他們恢復知覺和記憶,意識到自己已經死了,甚至可能轉頭殺死對下藥控制他們的巫師。
故事的最後工頭的妻子對這些工人生了惻隱之心,於是領他們前往市集裡,餵他們吃用鹽調味過的開心果點心,並把恢復意識的他們帶回山上的部落。工頭Ti Joseph稍後被憤怒的家屬用大刀斬首致死。
讓《魔島》創造一整個殭屍文化的不是上面這個驚悚的故事。作者 William Seabrook的第一反應和你一樣,覺得傳聞證據沒什麼可信度,還是要眼見為憑。於是他當場要求海地友人帶他去甘蔗田裡看真正的「殭屍」。
這本遊記真正讓美國人嚇到頭皮發麻的是接下來作者親眼見證殭屍的紀錄:
他見到田裡的黑奴,立刻不顧工頭攔阻大膽向前攀談。但無論他怎麼對黑奴問話,黑奴唯一的反應是眼神空洞地看向遠方的虛無。「他們規律如一地埋頭工作就好像是畜生或是機器一樣。而最可怕的是他們的眼神。唯一能形容的就是已死之人的雙眼,跟盲人完全是兩回事,而是睜大眼睛、毫無焦點、什麼都沒有看在眼裡的茫然感覺。」
《陰屍路》、《28 Days Later 28天毀滅倒數》、《World War Z 末日之戰》、《Zombieland 屍樂園》、《I Am Legend 我是傳奇》、《Shaun of the Dead 活人甡吃》和《Night of the Living Dead 活死人之夜》等等殭屍電影的經典形象通通起源自於這段文字。
▇ 殭屍背後的真正恐怖情節
1928年《魔島》這本遊記在美國出版之後造成議論紛紛的殭屍議題熱潮(《蒼白殭屍》正是這個熱潮的產物),作者William Seabrook後來不得不出來澄清大家誤讀他的原意:他只是轉述殭屍傳說以及紀錄他目擊到的農場黑奴的身心狀況,他從來沒有說他看到的就是殭屍。
如果不是殭屍,那是什麼?
紐約時報曾將殭屍形容為「非洲信仰」與「奴隸制傷痕」的混合體,因為殭屍本身就是「永恆的奴隸」。
非洲人被法國人運送到海地島之後,受到各種非人的待遇:在持續的飢餓狀態下每天連續工作18個小時,還有各種嚴厲酷刑隨時伺候。海地人趕走法國人之後,又換來1915年~1934年美國海軍陸戰隊以維護美商權益之名入侵,並對海地人實施種族隔離和強制勞役,用槍押著海地人到處修路,以便美軍得以快速控制全島。
不論法國人或是美國人都積極想用基督教取代海地原本的巫毒信仰,美其名為「救贖」。但他們的壓迫適得其反,讓巫毒信仰變得更加強韌、更有生命力。殭屍的鄉野奇譚正是起源於非洲的巫毒信仰:
非洲人認為無論在世界何處,自然死亡的人都可以重回非洲故里和先祖重聚,去到一個名為Lan Guinée(幾內亞)的天堂。但如果是自殺或是他殺而死的人,將無法回到非洲與家人重聚,永遠徘徊在葬身之所。
正是黑奴心中最深的恐懼創造了殭屍的鄉野奇譚。他們被萬惡的奴隸主、法國人、美國人輪番奴役,唯一能奪回自由的方法只剩下死亡。但自殺而死的黑奴又會遭到懲罰永遠無法重返故里,甚至會被路過的巫毒巫師收編成為永遠不會死的殭屍,進而成為「永恆的奴隸」。
所以殭屍是一種文學比喻,一種非洲人淪落永久失去意志、失去自由、失去對人生控制權的類死亡狀態。
殭屍的信仰反應了海地人的惡夢,殭屍的大眾文化則反應了美國人的社會焦慮。每一個世代的殭屍大眾文化都有各自的焦慮源頭:
《陰屍路》前後的影視作品反應的是人與人之間的不信任;《28 Days Later 28天毀滅倒數》前後的殭屍電影代表的是對於不明疾病爆發的憂慮(正式此時此刻全世界正在發生的狀態);《活死人之夜》前後的殭屍電影則是白人對於黑人民權運動引發暴亂的恐懼。
再往前推到殭屍電影的源頭《蒼白殭屍》背後的《魔島》,代表的是1920、1930年代美國社會兩股互相衝突的情緒。其一是美國人由於種族歧視而對於黑人文化的莫名恐懼,其二則是前者引發的「哈林文藝復興」運動,激起包括《魔島》作者William Seabrook在內的一群紐約藝術家和作家試圖探索黑人的歷史文化,揭開各種迷思背後的真相。
殭屍的真相則在1937年另外一本關於海地的書《Tell My Horse》中出現了新的答案。
同樣得到哈林文藝復興運動的啟發,曾受人類學訓練的黑人女作家Zora Neale Hurston前往海地調查另外一起剛剛發生匪夷所思的殭屍事件:
1936年,一名除了身上披的破爛袍子之外幾乎全裸的女子出現在海地的某個村子裡。她自稱是隔壁村的Felicia Felix-Mentor,還跟同名的女子一樣出現左腳跛腳的明顯特徵。唯一不吻合的地方是Felicia Felix-Mentor早在29年前就已經過世並下葬。她的說詞是自己被巫師變成了殭屍控制多年,後來被巫師拋棄才能脫身回家。
Zora Neale Hurston親自採訪了這位自稱殭屍的女子,並拍下這張極可能是史上第一張殭屍的歷史照片,刊登在1937年的《Life 生活》雜誌上頭。
她在文章中猜測女子是被下藥才會失去語言能力和自由意志,因而被家人當成死人下葬。她推論應該是一種莨菪烷生物鹼藥物或是從蛤蟆或是河豚身上提煉的毒素。不過Zora Neale Hurston欠缺醫學訓練,加上她歷來對神秘主義的高度興趣,使她的結論被專業人士完全無視。
1945另外一名醫師Louis P. Mars發表了對於同一個個案的研究結果:他用X光檢驗發現女子左腳並沒有死者原來的骨折痕跡,同時發現按常理近60歲的她應該已經停經,但檢查後發現仍然有月經,顯示她的年齡可能並不吻合。醫師最後推論認為比較大的可能性是患了「思覺失調症」(過去稱作精神分裂症),才會有身份的錯誤認知。也就是說其實沒有殭屍這一回事。
有學者認為所謂的殭屍,很可能是一種社會性的「死亡」。就像某些社會對於精神病患者的反應,對整個家庭和社會來說當事人就好像已經死亡的成員一樣,因為他再也不能控制自己的意志,再也不能言語。被當成死人般遺棄,也是一種「下葬」。
於是從今以後我們再也無法正視任何一個電影中的殭屍,因為我們終於知道所有笨手笨腳、緩慢移動的活死人都代表了一種內建在靈魂裡卻永遠無法實現的本能:
重返故里,與家人重聚。
walking dead 尼 根 在 TEEPR 叭啦叭啦研究室 Youtube 的精選貼文
#avangers #Transformation
漫威電影的人物化妝和特效都很細緻,有些演員甚至需要花好幾個小時把皮膚塗滿顏料,真的是非常敬業,一起來看看這些演員的化妝前後對比吧!
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追蹤Jon和Sherry的 IG帳號: sherry__jon
(是兩個底線唷~)
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蜘蛛人反派綠惡魔/猛毒可能出現?
https://www.youtube.com/watch?v=bG6qoMho27M&t=69s
復仇者聯盟成員「從嬰兒到超級英雄」成長過程
https://youtu.be/ztqmAux-iTc
【爆雷影評】復仇者聯盟4:終局之戰 重點Bug+彩蛋解析
https://youtu.be/DE7VSo_QZ1Y
復仇者聯盟4終局之戰「150個彩蛋分析」
om/watch?v=8TjjV...
驚奇隊長4大Bug 在《鋼鐵人1》犯的錯回不來了!
https://youtu.be/-wLYMXomkOs
驚奇隊長電影彩蛋爆雷分析-她根本還不是驚奇隊長
https://youtu.be/ezsNiADdCag
漫威女英雄木瓜大小排行
https://youtu.be/mx-VbDm4tSI
walking dead 尼 根 在 TEEPR 叭啦叭啦研究室 Youtube 的精選貼文
#gameofthrone #權力遊戲
大家期待的木瓜系列又來了,之前介紹過漫威、DC和日本動漫真人電影的排行,今天要來整理最近火紅的冰與火之歌!家最喜歡哪位角色呢?歡迎在下面留言告訴我喔!
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追蹤Jon和Sherry的 IG帳號: sherry__jon
(是兩個底線唷~)
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權力遊戲冰與火之歌「全人物關係圖」 https://youtu.be/8qSNpR5hy-M
《冰與火之歌:權力遊戲》角色/怪物能力排行榜 夜王有多強?https://youtu.be/UBv6zKGIZG8
漫威女英雄木瓜大小排行
https://youtu.be/mx-VbDm4tSI
日本動漫真人版女神「木瓜成熟度排行」
https://youtu.be/DtxuzuJERNs
DC女英雄「木瓜成熟度排行」A-E:水行俠梅拉 vs. 神力女超人誰勝?
https://youtu.be/z8vpqJIbgcU
終局之戰後漫威第四階段「內部爆雷預測」-奇異博士師生戀/星爵涅布拉戀愛/黑騎士出現?
https://youtu.be/wQNt4W1y33c
復仇者聯盟成員「從嬰兒到超級英雄」成長過程
https://youtu.be/ztqmAux-iTc
【爆雷影評】復仇者聯盟4:終局之戰 重點Bug+彩蛋解析
https://youtu.be/DE7VSo_QZ1Y
復仇者聯盟4終局之戰「150個彩蛋分析」
https://youtu.be/ubs87hpeGBA
復仇者聯盟4不爆雷影評心得
https://youtu.be/goPlTyQtnCs
終局之戰預告時間軸
https://www.youtube.com/watch?v=8TjjV...
驚奇隊長4大Bug 在《鋼鐵人1》犯的錯回不來了!
https://youtu.be/-wLYMXomkOs
驚奇隊長電影彩蛋爆雷分析-她根本還不是驚奇隊長
https://youtu.be/ezsNiADdCag
看驚奇隊長前「必須知道的3件事」
https://youtu.be/li2Rlu5Sxf4
復仇者聯盟超級盃預告解析
https://youtu.be/B6a2Pjy2xBM
walking dead 尼 根 在 小小實況 Youtube 的精選貼文
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一行人繼續啟程尋找溫暖的房屋供李碧佳兩母子度過這個寒冬,可是就在此時遇上了阿沃所引領的俄羅斯生還者,眼見失血過多的李碧佳已經屍變,尼克果斷開槍,卻引來克萊曼婷一方與俄羅斯生還者展開駁火;眼見姊妹被殺阿沃掙脫開肯尼的手臂撲在姊妹的身上痛哭流涕,此時沒有了人質作為肉盾的肯尼落入到俄羅斯大叔的準星之中,幸好已經離開隊伍的簡出手相救將匕首插入到俄羅斯大叔的後腦勺之中。
俄羅斯人都被消滅(除了阿沃),大家都聚在一起,只有盧克腿上中槍和已經屍變並且死去的李碧佳,其餘各人均沒有受到太大的傷害。眾人在李碧佳的屍體前發誓要將她的嬰兒撫育長大。肯尼揪住還在悲傷下跪的阿沃並準備要揍他,可是遭到了邁克的阻撓。肯尼掏出了槍打算要斃了阿沃。可是淚流滿面的阿沃居然為了求饒而說出俄羅斯人囤積食物的地點。簡認為目前大家已經無定所,搜索一個地區也無壞,反正現在大家也是要搜尋一個溫暖的房子給小嬰兒過冬,因此相信與不相信阿沃根本不重要,最好要儘快趕路,因為那兒離著應該也有很長的路程。
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