Layton Wu 雷頓狗 - On My Way Home to You (cover)
Expiry Dates Vol.1
「不知道從什麼時候開始,在什麼東西上面都有個日期,秋刀魚會過期,肉罐頭會過期,連保鮮紙都會過期,我開始懷疑,在這個世界上,還有什麼東西是不會過期的?」- 何志武 (重慶森林)
對我而言, 這三首翻唱的音樂都沒有過期, 當然還有更多陪伴我的音樂也是如此。原本的想法只是學習這些音樂人的創作想法,但接著慢慢的做了不少首。 第一首是翻唱影響我很深的創作者Michael Frank, 在七零年代開始發展偏smooth jazz風格的創作者, 而我第一張買的黑膠就是他的 The Art of Tea. 我這次翻唱的是來自1980年 One Bad Habit 中的 On My Way Home to You.
感謝
雷頓狗
" Somehow everything comes with an expiry date. Swordfish expires. Meat sauce expires. Even cling-film expires. Is there anything in the world which doesn't? " -- [He Zhiwu, Cop 223] (Chungking Express)
For me, many old songs I love that are never out of date, even though they are not popular anymore. I think music from the 70s and 80s are so fascinating. There are many great artists and producers that I admire. To learn their thoughts and production, I decided to cover some songs. The first song, in this EP, I cover is from Michael Franks, in 1980's One Bad Habit Album - "On My Way Home to You" He inspired me so much in singing and writing and also the first vinyl I bought was his The Art of Tea Album.
Listening to music makes me fall in love.Writing music lets me get over who i love.
Produced by Layton Wu 雷頓狗
Mixed and Mastered by Layton Wu 雷頓狗 at Bedroom Dog Studio 臥室狗, Chicago
Cover by laishihchi 賴士琦
同時也有3部Youtube影片,追蹤數超過1,750的網紅Layton Wu 雷頓狗,也在其Youtube影片中提到,Layton Wu 雷頓狗 - Expiry Dates Vol.1 " Somehow everything comes with an expiry date. Swordfish expires. Meat sauce expires. Even cling-film expires. ...
「1980 love songs」的推薦目錄:
- 關於1980 love songs 在 雷頓狗 Facebook 的精選貼文
- 關於1980 love songs 在 賈文青德仔 Facebook 的最佳貼文
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- 關於1980 love songs 在 Layton Wu 雷頓狗 Youtube 的精選貼文
- 關於1980 love songs 在 SIMON JAP Youtube 的最讚貼文
- 關於1980 love songs 在 張牧喬 Lyn Chang Youtube 的最佳解答
- 關於1980 love songs 在 A COLLECTION OF 80'S AND 90'S OPM... - CRAM Music ... 的評價
1980 love songs 在 賈文青德仔 Facebook 的最佳貼文
用了多年KKBOX聆聽音樂與製作歌單,一直苦於歌單分享後便不能編輯與排序,因此無法在歌曲版權變動後更新已分享的歌單。
當年也是考慮過Spotify的,但當時Spotify才剛進軍台灣市場,歌曲版權很不完整,就連英文歌都比不上已經耕耘幾年的KKBOX,因此我還是選擇了KKBOX。
說明一下,英文歌的版權是不同市場分別授權的,所以在原來市場再怎麼呼風喚雨家大業大,進新市場時版權常常都還是得打掉重練,大家可以回想一下Netflix剛進台灣時有多陽春。
最近因為製作Podcast的關係再度接觸Spotify,感覺歌曲庫已經充實許多,最重要的是它在歌單製作分享的使用者體驗上比KKBOX好太多。即使因為有電信折扣,我訂Spotify每月要貴上50元,即使真的很想支持本土品牌,但如果沒有意外,我應該就是會棄KKBOX,轉而選用Spotify了。
所以,我會開始將原來已製作過的歌單,在Spotify上重做一次並分享給大家。也會把當年分享時寫的文字挖出來修改一下再重新發文。
那麼就要再度從1980年開始,每次我都會簡單提幾首我自己特別有印象的歌曲。
Pink Floyd,Another Brick in the Wall, Part II,描述失敗的教育體制將孩子們塑造成不存在人性,嵌於高牆上的磚頭,是灰暗中帶著憤怒的作品。認真聽這首歌是因為《傷心咖啡館之歌》,當時喜歡的對象介紹我看,我可是看得相當仔細。
Bette Midler翻唱成經典的The Rose,1984年還被金瑞瑤拿去翻成《好想你》。
https://youtu.be/z6ZtfIb0mJE
年輕人應該都不知道金瑞瑤了,找連結給大家聽一下,才發現他前奏竟然還抄Air Supply的Making Love Out of Nothing at All,真是集各家大成於一身。
然後微台灣人Air Supply第一首走紅的Lost in Love正好也是這一年,已經來15次了真的很猛。
辛龍還叫辛隆也還是「King of Pub」的年代,Kool & the Gang的Ladies' Night是他的大絕招。
當時他是熊圈的大菜啊,演唱時每次都愛脫襯衫露胸毛跟小肚肚真可口啊嘶。
還有舞廳一定放的Funkytown跟抒情合集必選的Longer。
最後講一下Crazy Little Thing Called Love,這是Queen在美國的第一張冠軍單曲,主唱Freddie Mercury說他在十分鐘內就寫出了這首歌。而且因為他當時貧弱的吉他能力,將這首歌的和弦限制在了很有限的範圍內,結果反而造成歌曲的成功。
其實我很小的時候以為這首歌是貓王唱的,這在某個角度上也不算太錯,因為它的Rockabilly曲風與Queen的其他成名作大不相同,也正是向貓王致敬的一首歌曲。
我在卡拉OK裡很愛唱這首歌,它的音調不高,同時Rockabilly的唱法可以運用大量的胸腔共鳴與氣泡音,唱來輕鬆有趣。
#非業配
#放棄KKBOX有些捨不得啊畢竟當年是從KKMAN的熊版開始用
1980 love songs 在 VOP Facebook 的精選貼文
Voices of Photography 攝影之聲
Issue 26 : 末日棲居
Dwelling in the Apocalypse
面對不可預期的來日,我們是否與德國詩人腓特烈.賀德林曾言的「詩意地棲居」更加疏遠?災害與戰禍、虛假與算計,人類世界無限擴張的野心和欲望未曾降低,人的存在也愈來愈難以賦添詩意。而衝突升高的國際政治情勢,使此刻相隔末日只剩兩分鐘的「末日時鐘」竟回到與1953年冷戰時期的同一等級,成為二戰結束以來與末日距離最近的年代。我們如何可能地棲居——在末日到來的大地?
志賀理江子迷離如夢般的影像書寫,是她在2011年親歷東日本大地震之後對於存在與死亡的感知路徑。在新作《Human Spring》中,志賀試圖打開如今已逐漸被封閉但仍存於人類內在的自然性與身體感,透過繪織意識流般的圖景,呈現著對於人性與生存本身的冥思啟示。林諭志的《Asongcalledformosa》是他在漫長的家園行旅中刻錄的私房曲盤—故鄉與里人、工業區和荒涼的海岸、父親在二戰時遭日本軍徵召至南洋服役的往事記憶⋯⋯,跨越數十年的影像在此首次發表,島嶼的戀曲與哀歌幽幽鳴奏,旅人一路踽踽低吟。1980年代起投入錄像裝置創作的袁廣鳴,作品反映著對於日常生活的不安覺察,自上世紀末的《關於米勒的晚禱》、《離位》到本世紀的《城市失格》、《能量的風景》、《棲居如詩》、《日常演習》等系列作品,發散著前末日感氣息的寓言,這些寓言緩慢漂移在去人化的現代社會空間,直至世界轟然炸裂。
在本期中,謝佩君深度描寫美國藝術家克利斯迪安.馬克雷與亞瑟.賈法各自運用現成影像蒙太奇的創作,傳遞著影像生產中戰爭、暴力的末世預警,這兩件於今年威尼斯雙年展中受到矚目的錄像作品,同時反映著本屆「願你生活在有趣的時代」這個對現今世界充滿各種不確定性的喻義主題。陳儒修則從影史開展的歷史性一幕—「火車進站」—指出電影發展的開端與災難的關聯、災難電影與現實經驗的糾葛,以及電影本身所造成的歷史性災難。
日本在今年告別「平成」年代並開啟「令和」年號,對日本的政治與文化進入新的階段有著重要的象徵意義,張世倫從昭和天皇裕仁於1946年發表的「人間宣言」開始,針對天皇形象在戰後的轉變與影像包裝歷程,進行了細緻地視覺解析,檢視天皇制度綿延而生的歷史記憶與文化政治。「攝影書製作現場」單元則近訪日本藝術書籍出版社赤赤舍創辦人姬野希美,記錄了外界少見的編印工作實況。
今年三月起,《攝影之聲》與空總台灣當代文化實驗場合作舉辦了一系列由藝術家和影像研究者帶領的「歷史後像:攝影史敘事工作坊」,嘗試推進攝影史的當代意義與創造性思索。本期我們特別摘錄其中由高重黎主持的「影像機器工作坊」談話,在這份講稿中,他以視覺原理出發,揭示藝術與文學創作如何回應攝影與視覺,並創造出強調手眼協作感知的「觸/視頭部造相術」,為思考攝影/視覺史帶來新的啟發。關於工作坊系列的更多內容,我們將在後續製作的專題中呈現。同時,我們近期也將舉辦攝影史論壇與相關活動,等待你一起來參與。
● 更多內容預覽 / 購書 Order | http://bit.ly/vop26
In the face of unpredictable days ahead, have we drifted even further away from the “poetic dwelling” the German poet Friedrich Hölderlin so poignantly described? Disasters and wars, lies and scheming - the ambitions and desires that plague the human world never cease to expand, making it harder to imbue the presence of humans with a sense of poetry. As the threat of conflict in global politics rises to its highest level since the Cold War in 1953, where the “doomsday clock” stays at two minutes to midnight, we are closer than ever to the end since World War II. How do we possibly survive on this land as the apocalypse closes in?
Shiga Lieko’s dream-like imagery creations reflect her perception of life and death after living through the Great East Japan Earthquake in 2011. In her latest work, Human Spring, Shiga attempts to recover the sense of nature and self that lies within all humans but has since been forgotten and buried. She does so through the use of imagery that flows like a stream of consciousness, presenting a picture of meditation on human nature and survival itself. Lin Yu-Chih’s Asongcalledformosa is a private songbook he created on a long travel home, filled with songs like that of his hometown and its people, the industrial area and the desolate coast, and memories of his father being recruited by the Japanese army to serve in Southeast Asia. These images taken over the course of decades are published for the first time, singing the love and sorrowful songs of this island that the traveler hums along to as he set out on his journey. Yuan Goang-Ming has been working with video installation since the 1980s, and his work illustrates a sense of uneasiness towards daily life. From About Millet’s The Angelus and Out of Position created at the end of last century, to more recent works such as City Disqualified, Landscape of Energy, Dwelling and Everyday Maneuver, a sense of our past and last days permeates his creations, the message of which is drifting afloat in the modern social space that has been dehumanized, until the world can finally take no more.
In this issue, Hsieh Pei-Chun describes in great detail American artists Christian Marclay and Arthur Jafa’s works that consist of found footage, and are warning of war and violence. Their works received much attention in this year’s edition of the Venice Biennale as they reflected the metaphorical theme of the Biennale that hints at uncertainties in today’s world, “May You Live in Interesting Times”. On the other hand, Chen Ru-Shou draws a connection between movies and disasters, the entanglement of disaster films and real-life experience and finally the disasters brought about by filmmaking itself.
Japan’s era name change from Heisei to Reiwa this year is symbolically significant both for her politics as well as her culture which have also entered a new era. Chang Shih-Lun takes a look at the post-war transformation in the external images of Emperor Hirohito since his “Declaration of Humanity” in 1946, analyzing in detail the memories of history and cultural politics that followed Japan’s imperial system. Furthermore, the Photobook Making Case Study segment features a rare behind-the-scenes look at printing work with Himeno Kimi, founder of AKAAKA, a Japanese art book publisher.
Since March this year, we have been co-organizing with C-LAB the Afterimage of History: Photography History Narrative Workshops, a series of workshops led by artists and imagery researchers, promoting the critical thinking of contemporary meaning and creativity in the history of photography. In this issue, we are featuring an excerpt from artist Kao Chung-Li’s lecture in his Imagery Machine workshop, in which he spoke about the principles of visual imagery, and revealed the ways art and literary creations responded to photography and visual perception. (Kao also created a concept called “chù/shìh tóu bù jhào siàng shù” (tangibility of touch/sight head phase-image making method), a method to illustrate the perception of touch and sight in image creation, inspiring new ways to approach photography and visual history.) We will be featuring more content from the workshops in future issues. At the same time, we will also be organizing a forum on photography history, and we look forward to your participation.
Cover photo: Shiga Lieko, Human Spring, 2019 / courtesy the artist.
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Voices of Photography 攝影之聲
www.vopmagazine.com
1980 love songs 在 Layton Wu 雷頓狗 Youtube 的精選貼文
Layton Wu 雷頓狗 - Expiry Dates Vol.1
" Somehow everything comes with an expiry date. Swordfish expires. Meat sauce expires. Even cling-film expires. Is there anything in the world which doesn't? " -- [He Zhiwu, Cop 223] (Chungking Express)
For me, many old songs I love that are never out of date, even though they are not popular anymore. I think music from the 70s and 80s are so fascinating. There are many great artists and producers that I admire. To learn their thoughts and production, I decided to cover some songs. The first song, in this EP, I cover is from Michael Franks, in 1980's One Bad Habit Album - "On My Way Home to You" He inspired me so much in singing and writing and also the first vinyl I bought was his The Art of Tea Album.
「不知道從什麼時候開始,在什麼東西上面都有個日期,秋刀魚會過期,肉罐頭會過期,連保鮮紙都會過期,我開始懷疑,在這個世界上,還有什麼東西是不會過期的?」- 何志武 (重慶森林)
對我而言, 這三首翻唱的音樂都沒有過期, 當然還有更多陪伴我的音樂也是如此。原本的想法只是學習這些音樂人的創作想法,但接著慢慢的做了不少首。 第一首是翻唱影響我很深的創作者Michael Frank, 在七零年代開始發展偏smooth jazz風格的創作者, 而我第一張買的黑膠就是他的 The Art of Tea. 我這次翻唱的是來自1980年 One Bad Habit 中的 On My Way Home to You.
感謝
雷頓狗
Listening to music makes me fall in love.Writing music lets me get over who i love.
Produced by Layton Wu 雷頓狗
Mixed and Mastered by Layton Wu 雷頓狗 at Bedroom Dog Studio 臥室狗, Chicago
Cover by laishihchi 賴士琦
![post-title](https://i.ytimg.com/vi/nQO6ybUHeD0/hqdefault.jpg)
1980 love songs 在 SIMON JAP Youtube 的最讚貼文
https://linkco.re/CmMdUtut
〈SEEDA〉
I thought I wanted fame, but then I got fame
有名になりたいと思っていた そしたら有名になった
I thought I wanted money, but I just felt shame
お金が欲しいと思っていた でも寂しく思えた
I thought I wanted drugs, but I won't stay sane
麻薬が欲しいと思っていた でも正気でいられなかった
I thought I wanted love, but love gave me pain (2x)
愛が欲しいと思っていた でも愛は俺に傷みを教えた
Slipped into the belly of the beast
街の危ない場所にいる
Enemy’s around so I gotta keep the peace
敵がまわりにいるから 平和でいたい(武器を持つ )
(Yeah) (b-b-bitch)No my money don't crease
ビッチ 金は減らない
Look straight at em when we seeing the police, Yeah
お巡りの眼も 余裕で見れる
会社 上下 が ある
There are social ranks in companies
仕事 以外 wass up で十分
Other than work “wass up” is enough
息苦しくて 死にたくなる
Its hard to breath and I feel I want to die
そんなの日本だけ やめる理由
Thats only in Japan and I wanna quit
Yea
And you know we had them hard times, hard times
俺達にはハードな時間があった、捕まったことも
They keep you medicated if you doing hard time
あいつら薬漬けにしてくる、塀の向うの仲間にさえ
Even money ain’t gon make a difference
お金なんてあまり違いを生まない
Only from inside can we get deliverance
心の内側からじゃないと助けられない
40 years man I’m walkin my shoes
40才自分の道を歩いて来た
I keep my head up when they sang me the blues
過去の人と言われる度 ツーパックの歌を口ずさみ頭を上げてきた
Some people just grab for the nues
紐に手を伸ばす人もいる
That shit would break my heart when I watching the news
ニュースを見る度 俺の心も痛む
いじめにヤク 漬け
bullying and drugs
カネってレースが下手な だけ で
Just because I wasn’t good running in the race to chase the bag
悲惨な目?Fuck だぜ
Fuck those eyes filled with pity
aye aye aye aye
※〈Hook〉
傷み覚え怒り留めて
闇恐れず光求めて
歩み止めず希望届けて
情熱燃える 魂が吼えてる×2
Remember the pain and bottle up the anger
Seeking the light without fear of the darkness
Delivering hope, never stopping
Burning with passion, my soul screams
〈Jesse McFaddin〉
Sorry that I made you play the roll of daddy
It killed me when I left you with our daughter and the baby cuz
I don’t give a fuck about a lot of things
(that’s why) little thing is killing me
Losing the lottery
But please don’t bother me
(Because I finally found my way)
I’m living proof worth 40 years man
many more coming with my blood sweat and tears so
I’ve walked a little far but
(I needed something opposite, I’m fiending it)
Try to find my another end of chain
I’m
Still looking for it maybe next time
(habit that I have will never go away)
(so)you’ll have to understand me
(Art is all about pain)
So just let me flow as i want
(Every day daily)
(It’ll repeat)
(sometimes) feeling numb but I’ll
(ride my way through) with a black eye
Singing songs Iv been lately
So I can think sanely
But pain keeps on changing me
Cuz I’m born with a scar of Eighty
父親役を君にやらせてごめん
君と子供たちを置いて行くなんて生きた心地がしなかった
気に掛ける事などほとんど無いのに
当たり前を失うと気にしてしまう
負け?って誰が決めるんだ
遠回りしたからこそ見つけれた道
40年描き続けてきた地図
歳と共に重ねる血と汗と涙は
一歩一歩踏み残した足跡だ
たまに真逆にある物を欲する
チェーンの先を今日も探す
見つからなければ明日また探す
直感で向かうクセは未だに
治らないから受け入れるか消えろ
痛みがあるからartが生まれる
これが俺だ、好きに語らせてもらう
毎日繰り返す日々
感覚が麻痺しても
傷だらけになろうとも
乗りこなす他ない
狂いそうになると歌を歌う
すると自分が痛みと共に変化していく
1980年からこの先もその繰り返しだ
※〈Hook〉
傷み覚え怒り留めて
Since I know pain, I can release my anger.
闇恐れず光求めて
Never scare darkness. Hope is what I want to find out
歩み止めず希望届けて
I take that hope to you, keep doing.
情熱燃える 魂が吼えてる×2
my soul is passionately screaming.
〈SIMON JAP〉
I’m out for presidents to represent me get money
自分を表す札束のために、儲けるぜ
なら痛い目見ても全然平気
Then I'm fine even if I get hurt
げんなりしても諦めず攻めてみる
I will try to attack without giving up even if I get tired
限界など決めないテメェでいる
I'm not setting limits
天才もバカも紙一重
Theres a fine line between genius and idiot
想いを歌詞に込め
put all of my energy to my lines,
派手にブッ放して弾き飛べ
blast, spit and fly
今は今だ後にも先にもねぇ
Time never goes back
後悔しないよう握るファミリーの手
Hold hands of my family to not have regret.
もうこれ以上他にない要求
No other request
あの悪ガキが親になり40
I was bad boy. Now I’m 40 years old and became a father.
時が経てば笑って言えたり
We can talk after time has passed
胸に深く刺さって消えない
It sticks deeply in my heart and does not disappear
空が代わりに涙流した日
The day the sky shed tears instead
決して忘れず一花咲かしたい
I never forget to make one flower bloom
かすり傷だろ死ぬ事以外
It ’s a scratch, except to die
タフに生きるこの時代
This era to live tough
※〈Hook〉
傷み覚え怒り留めて
Since I know pain, I can release my anger.
闇恐れず光求めて
Never scare darkness. Hope is what I want to find out
歩み止めず希望届けて
I take that hope to you, keep doing.
情熱燃える 魂が吼えてる×2
my soul is passionately screaming.
https://linkco.re/CmMdUtut
SIMON JAP - ART OF PAIN(REMIX)feat.SEEDA, Jesse McFaddin
Produced by SIMON JAP & GUCHI
Arranged & Mixed by Fourd Nkay
Designed by N.S.P
DIRECTOR:NABE
CAMERA:Lighter
LIGHT:Daiky
EDIT:NABE,VIDEOMAFIA
Styling
https://instagram.com/hiroki_matsui_
https://gola.jp.net/
SIMON JAP(サイモンジャップ)
https://www.instagram.com/simon_jap
SEEDA(シーダ)
https://twitter.com/neetseeda
Jesse McFaddin(ジェシーマクファディン)
https://instagram.com/jesse_mcfaddin_original
SIMON JAP - ART OF PAIN Feat.GUCHI,Felipe,麻猿,Tomokuni,GRACE https://youtu.be/0Xub6-xef8A
SIMON JAP 3rd Album『ART OF PAIN』
https://linkco.re/nzmacvQA
#simonjap #seeda #jessemcfaddin
![post-title](https://i.ytimg.com/vi/DLVskqB7Sa4/hqdefault.jpg)
1980 love songs 在 張牧喬 Lyn Chang Youtube 的最佳解答
《Don’t Drink Tonight 》OUT NOW-
【KKBOX】https://kkbox.fm/Ta6B3A
【myMusic】https://bit.ly/2Jn8NwI
【Spotify】https://spoti.fi/37if196
【Apple Music】https://apple.co/3oe39vQ
【friDay】https://bit.ly/37rL8U1
【LINE MUSIC】https://www.line-website.com/music-external-link?type=album&dest=3362155
【Street Voice】https://streetvoice.com/linyuchang/songs/628760/
Follow Lyn Chang
Instagram: https://www.instagram.com/lyn_chang_/
Facebook: https://www.facebook.com/thelynchang
YouTube:https://www.youtube.com/c/MoochiaoChang
Music produced by :Lyn Chang
Music video directed by: Wen Hsu
Assistant Director:Molly Liu
Special thanks to :1980 303t @taipei_sunny
Don’t Drink tonight-Lyrics:
written by Lyn Chang
Don’t go out for drinks tonight
I wish I could hold you tight
But now 只剩下過多的無奈
和陪我的路牌
if I could play like Charlie Parker and Martin Taylor would you stay?
知道你昨晚 calling a name Jane
只是你太想要Jam
I can give you all I can give
I will love you as long as I live
請別回答 當燈亮起
別出發 往哪裡去
因為我怕 你不像你
在太多沒我的夜裡
So I say
Don’t go out for drinks tonight
I wish I could hold you tight
But now 只剩下過多的無奈
和陪我的路牌
他們指著我 說我不對
我無法控制 心在枯萎
I wish you nothing but you would stay
Would you stay ?
#LynChang#張牧喬#DontDrinkTonight
![post-title](https://i.ytimg.com/vi/sapIXakAG5o/hqdefault.jpg)
1980 love songs 在 A COLLECTION OF 80'S AND 90'S OPM... - CRAM Music ... 的推薦與評價
A COLLECTION OF 80S AND 90S OPM LOVE SONGS TRACK LIST HINDI AKO IIYAK . ... 22 Ambrosia – You're the Only Woman (You & I) (1980) ... <看更多>