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constant meaning 在 Masa do yoga Facebook 的精選貼文

2021-09-21 13:14:00 有 16 人按讚

How does Yoga help me to have more self-love? Through self-acceptance.
⠀
In the beginning, there is a craving for magic formulas to remedy your pain. Unable to heal herself, she casts the healer out. It is natural that for a long time the eyes are still turned outwards and any attempt to define yourself starts from a comparison with something external to you. It's tiring to live belittling yourself all the time, isn't it?
⠀
The essence of Yoga is the attentive, observant and receptive look for everything that emerges in sensations, thoughts, emotions and movements, and it is the constant exercise of this gaze that strengthens in itself, before any intimate transformation, a process of rediscovering oneself. What am, am, feel or think all the time and I don't notice? Realizing that there is a vast world of “new” information to be appreciated is a beautifully grandiose thing for a person.
⠀
This attitude of openness to self-observation is, in itself, a way of welcoming and practicing self-acceptance. The honest quest to see what was previously invisible to your conscious eyes is also a permission you give yourself to be yourself. Every meaningful transformation and transmutation of life is preceded by an acceptance of who you are now.
⠀
Your ups and downs, joys and sorrows, qualities and defects, virtues and shadows, truths and omissions, are the scribbles of your story, ink on the sheet forming the paragraphs of your life and each letter or comma make up something of rich meaning for those you is today. Self-acceptance is not about being passive about your issues, but about not reacting in a denial or reactive way with yourself, and then evolving from what is seen.
⠀
Promise if you accept more this week? ☕️ good morning and beautiful week 💫

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Masa do yoga

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天生好動，不想受拘束，想動就動嗎？跟著Masa作瑜珈吧，不定期舉辦草原公開課，讓你在最自然的環境中，和大家一起開心玩耍，揮灑身上的汗水

constant meaning 在黃心健 Hsin-Chien Huang Facebook 的最讚貼文

By 黃心健 Hsin-Chien Huang

2021-07-29 21:37:10 有 68 人按讚

#Congratulations! Director Hsin-Chien Huang's latest VR works, Samsara and The Starry Sand Beach, were nominated for the 78th Venice International Film Festival!

The 78th Venice International Film Festival (VIFF) announced the shortlisted nominees for the category of VR Film. Taiwanese new media artist, Distinguished Professor of NTNU, Hsin-Chien Huang, winner of the BEST VR Experience in 2017 with his work La Camera Insabbiata, will again contest for the Leone d’oro this year with two of his latest, sci-fi inspired works, Samsara and The Starry Sand Beach. While the Taiwanese athletes are striving for the Gold Medals at the Tokyo Olympics as we speak, director Hsin-Chien Huang dazzles the jury of VIFF with his visually-stunning and thought-provoking works — bringing cutting-edge Taiwanese VR films onto the international stage and letting world-wide audience sees Taiwan!

Before being selected for the 78th Venice International Film Festival, Samsara episode 1. has already grabbed the Jury Award at SXSW and Best VR Story at the Cannes XR Competition. This futuristic VR experience teleports the audience onto a journey that spans millions of years. Samsara is a Sanskrit word meaning “ the world ”. In Buddhism, it means what we perceive as the world is actually an endless cycle of karma (cause and effect), a cycle of life, death and rebirth in the six realms of existence. In this fascinating VR work, the audience is reincarnated into the bodies of different persons and creatures, experiencing the universe in their new bodies and in search for the ultimate spiritual transcendence.

Samsara depicts an apocalyptical story in the near future where human greed has depleted the earth’s resource. Catastrophic wars to fight for resource resulted in global destruction. Finally, the remaining humans had to leave the Earth and go on a search in space for a new place to live.

Nevertheless, their desperate, long quest for a new homeland… could it be just a loop in space and time? The cycle of greedy domination and total destruction that then necessitates the search for a new home…. may have hopelessly repeated itself over and over again? The constant evolutionary process and so-called progress, without transformation in consciousness and spiritual advancement, is nothing more than a Möbius strip that leads nowhere, perhaps…?

Samsara is an experiment based on the theory of Embodied Cognition. Through interactivity and VR, the audience gets to live inside the bodies of different persons and creatures, experiencing their feelings from within. Perhaps It is when we can perceive the world in different bodies that we may truly appreciate the thoughts of others and empathize with them. An experience that will also help us better comprehend our own existence and learn to live in harmony with all.

Samsara explores a complex of deeply interconnected issues of ecology, technology, natural resource and war, etc. It's a story about a journey humans are forced to take on, after having destroyed the earth with nuclear disasters. The survivors seek a new planet, in the boundless, interstellar space, to carry on their lives. Gradually they evolve into a new life form artificially. Yet, many years passed and they’ve come to realize that they would never make it to the new planet they’ve been dreaming of. In fact, they have simply been returning to the Earth, in different life forms, time after time.

Director Huang applies the concepts of embodied cognition, offering a unique way to contemplate about the nature of life. As the audience are transported into different bodies each time, they gain a brand new perspective to experience the world views presented in Samsara.

Samsara was produced under the guidance of Taiwan Creative Content Agency (TAICCA) and Kaohsiung Film Archive VR(VR FILM LAB), it’s a sate-of-the-art VR production made 100% in Taiwan. In the VR experience, viewers are transformed into various kinds of animals to interact with the scenes, including species unique and indigenous to Taiwan, such as Taiwan Blue Magpie and Formosan Black Bear.

Samsara Ep.1 features the latest somatosensory technology, including 4D views shooting techniques by the Industrial Technology Research Institute and TAICCA. A digital shooting system comprised of a high-sensitivity 4 million-pixel, full-color CCD sensor and 48 4DV-EX-Z cameras made it possible for Samsara Ep.1 to be taken from an omnidirectional view and shot without any blind spots, creating the ultimate immersive experience.

THE STARRY SAND BEACH, directed by Hsin-Chien Huang and produced in cooperation with Lucid Reality (France) and Oready 瑞意創科 Oready Innovation Lab (Taiwan), is a scientific fairy tale about a unique ecological wonder in Taiwan and Japan, the shiny starry sand beaches. Foraminifera, from the Latin word “foramen” meaning hole, is a single-celled organism that builds a shell with multiple chambers which intercommunicate with one another through holes. On the Qimei Island, Taiwan and the Yaeyama Islands, Japan, beaches have been formed by a specific species of foraminifera with star-shaped shells made of calcium carbonate. Like the real stars in the legends, grains of the starry sand have also been preserving the earth’s memories for millions of years.

THE STARRY SAND BEACH is a real-time 3D interactive VR adventure into the natural and mythological landscape of the starry sand beaches on Qimei Island in Penghu Archipelago, Xing Sha Wan in Kenting National Park and Taketomi Island in the far south of Japan. The experience is full of aesthetically-amazing elements and enriched with cultural and religious significance like Shintoism in Japan. A beautiful, haunting legend tells the story of the starry sand…

The final winners will be presented at the award ceremony held on Sep11. With great anticipation and hopes, Hsin-Chien Huang is expected to bring home again the grand prize for Taiwan!

https://www.labiennale.org/en/news/selection-complete-works-venice-vr-expanded-0

#黃心健 #HsinChienHuang
#samsara #chalkroom
#LaCameraInsabbiata
#VeniceInternationalFilmFestival #VIFF
#Thestarrysandbeach
#LucidReality
#OreadyInnovationLab

Tags: constant meaning Congratulations 黃心健 HsinChienHuang samsara chalkroom LaCameraInsabbiata VeniceInternationalFilmFestival VIFF Thestarrysandbeach LucidReality OreadyInnovationLab

黃心健 Hsin-Chien Huang

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科技的說書人 http://www.storynest.com/

constant meaning 在林郁晉- Yu Jun LIN Facebook 的最讚貼文

By 林郁晉- Yu Jun LIN

2021-07-19 20:36:45 有 21 人按讚

《＃籠罩下的巨大哀愁》A Dark Cloud of Sorrow Looms Over

A place where millions of people live alone together— the city.

During the busy and constant labor all day and night, we have fewer opportunities to talk to ourselves. The sudden epidemic has opened a door to calm our hearts and let us rethink our relationship with the world.

In the 1970s, urbanism rises in Taiwan, bidding farewell to the landscape of an agricultural society. In addition to skyscrapers, the meaning of the city also produces a certain kind of violent acceleration on our bodies. Before we could face all kinds of unpleasant questions, we quickly escape with the acceleration.

The city seems to be bustling and lively, but in fact it’s a series of stranger encounters unexpectedly. Trying to accompany each other is reduced to their
own mumbling with obscure social distance. They trying to escape from restlessness and distress for a short time; rising the conflict between governance practice and the sense of freedom. The closed, lonely cycle of labor faintly affects the changes of modern cities, and so on.

The people who live here are trying to learn how to coexist with it.

In A Dark Cloud of Sorrow Looms Over, we invite eight artists. The age difference between them is about 20 years old. We are trying to figure out in this big era,how people among different age groups to re-understand and break through the urban conditions of survival and change.

幾百萬人一起孤獨生活的地方-------都市。

沒日沒夜的繁忙，不斷勞動的過程中我們少了與自己對話的機會，突如其來的疫情，像開啟了一扇靜心的大門，反思我們與世界之間的關係。

1970年代台灣興起都市主義，揮別過往的農業景觀，其意義除了建築摩天高樓外，不外乎產生某種劇烈加速度於我們的身體，各種不適的提問還未面對，就隨著加速度快步的逃逸。

城市貌似繁華熱鬧卻只是意外地與一切陌異、他者的肉身遭逢；試圖相伴卻淪為各自的喃喃自語、不成文的特殊社交距離；嘗試短暫逃離不安及困頓的慾望；興起的治理實踐與自由意識的衝突；在封閉與寂寥的循環勞動，隱隱牽動著現代化城市的變遷等......

生存於此的人們，正試圖學習如何與它共存。

「籠罩下的巨大哀愁」一展邀請八位藝術家，之間年紀落差20來歲，我們試圖整出一個大時代下不同年齡層中，面對生存與變動的都市景況是如何重新理解及突破。

＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿

《籠罩下的巨大哀愁》展覽資訊
展覽日期｜2021/08/07(Sat.) ─ 09/12(Sun.)
展覽地點｜台北當代藝術館廣場電視牆 MoCA Plaza LED TV Wall
播映時間｜ Mon. ─ Sun. 16:00-21:00
嘖嘖募資｜https://reurl.cc/bXy09v

#王鼎曄 #吳柏賢 #陳嘉壬 #黃彥超 #黃淑蓮 #蔡傑 #鄭爾褀 #鍾知庭 #林郁晉 #A_Dark_Cloud_of_Sorrow_Looms_OverThe
＃Misanthrope_Society_厭世會社

Tags: constant meaning 籠罩下的巨大哀愁王鼎曄吳柏賢陳嘉壬黃彥超黃淑蓮蔡傑鄭爾褀鍾知庭林郁晉 A_Dark_Cloud_of_Sorrow_Looms_OverThe Misanthrope_Society_厭世會社

林郁晉- Yu Jun LIN

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嗨～

constant meaning 在 Tung I-Fen Youtube 的最讚貼文

By Tung I-Fen

2018-04-12 23:10:48 有 251 人看過有 1 人喜歡

60 A Minute 在作品『與時間牽手』的結構核心，是採用心理學角度作為出發，觀者在60個一分鐘的結構裡，體驗大腦對時序、時距和時點的不同感知，證明時間是主觀和人性化的，不同人對其意識程度和認知也有不同。

在董怡芬的編舞經驗中，「時間」一直在她的創作元素裡佔有極大且重要的位置，時間長度地掌握也一直是創作裡非常重要的功夫，巧妙運用時間的長短與快慢變化，產生所需的效果傳達。時間是一條持續向未來延伸的長線，20世紀的天才哲學家海德格（Martin Heidegger），把人生描繪為不斷做選擇並「被拋向未來」的存在。此製作其最終目標並非在於辯證出時間理論其正確性，而是藉此製作處理一向以時間推進為主要感官知覺的觀舞方式，能夠有其他的閱讀機會。安娜琪舞者一向擅長處理現場表演與觀眾之間的對應關係，在精細舞蹈編排設定後，時而慘入對時序的打破、時而對現實時間的推移做改變、時而藉由空間的流轉改變時間的定義。

The core structure of “60 A Minute” derives from a psychological perspective. In 60 one-minute-sections, the audience find themselves experience time order, time interval, and timing differently, proving that how we perceive time is subjective, human-centered, and variant among one another.

In I-Fen Tung’s choreography, “time” has been a constant key element. She values the mastering of time, utilizing different time length and speed to create the desired effects in her pieces. Time is a continuous extension into the future. Martin Heidegger, a renowned philosopher of the 20th century, depicts life as incessant decision-making and “being tossed towards the future”.

The aim of this production is not to debate the theory of time, but to generate an alternative to the usual perception of viewing dance in the chronology of time. Anarchy Dance Theatre excels in creating strong interfaces between audience and live performance. Their choreography, delicate and well thought out, integrates the shatter of time order, the shifting of real-time, and the influence of space transformation towards the meaning of time.

Tung I-Fen

About author

I-Fen is an independent choreographer/Performer and working across genres of arts in Taipei, Taiwan. I-Fen has presented a number of original works internationally recent years, such in France, USA, Greece, Korea, Hong Kong, Philippines, and India from 2006 onward. I-Fen has BA degree at Queensland University of Technology (Australia), MFA degree at Graduate Institute of Choreography and Performance, Taipei National University of the Arts

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constant meaning 在 林郁晉- Yu Jun LIN Facebook 的最讚貼文

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constant meaning 在 Tung I-Fen Youtube 的最讚貼文

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