#Congratulations! Director Hsin-Chien Huang's latest VR works, Samsara and The Starry Sand Beach, were nominated for the 78th Venice International Film Festival!
The 78th Venice International Film Festival (VIFF) announced the shortlisted nominees for the category of VR Film. Taiwanese new media artist, Distinguished Professor of NTNU, Hsin-Chien Huang, winner of the BEST VR Experience in 2017 with his work La Camera Insabbiata, will again contest for the Leone d’oro this year with two of his latest, sci-fi inspired works, Samsara and The Starry Sand Beach. While the Taiwanese athletes are striving for the Gold Medals at the Tokyo Olympics as we speak, director Hsin-Chien Huang dazzles the jury of VIFF with his visually-stunning and thought-provoking works — bringing cutting-edge Taiwanese VR films onto the international stage and letting world-wide audience sees Taiwan!
Before being selected for the 78th Venice International Film Festival, Samsara episode 1. has already grabbed the Jury Award at SXSW and Best VR Story at the Cannes XR Competition. This futuristic VR experience teleports the audience onto a journey that spans millions of years. Samsara is a Sanskrit word meaning “ the world ”. In Buddhism, it means what we perceive as the world is actually an endless cycle of karma (cause and effect), a cycle of life, death and rebirth in the six realms of existence. In this fascinating VR work, the audience is reincarnated into the bodies of different persons and creatures, experiencing the universe in their new bodies and in search for the ultimate spiritual transcendence.
Samsara depicts an apocalyptical story in the near future where human greed has depleted the earth’s resource. Catastrophic wars to fight for resource resulted in global destruction. Finally, the remaining humans had to leave the Earth and go on a search in space for a new place to live.
Nevertheless, their desperate, long quest for a new homeland… could it be just a loop in space and time? The cycle of greedy domination and total destruction that then necessitates the search for a new home…. may have hopelessly repeated itself over and over again? The constant evolutionary process and so-called progress, without transformation in consciousness and spiritual advancement, is nothing more than a Möbius strip that leads nowhere, perhaps…?
Samsara is an experiment based on the theory of Embodied Cognition. Through interactivity and VR, the audience gets to live inside the bodies of different persons and creatures, experiencing their feelings from within. Perhaps It is when we can perceive the world in different bodies that we may truly appreciate the thoughts of others and empathize with them. An experience that will also help us better comprehend our own existence and learn to live in harmony with all.
Samsara explores a complex of deeply interconnected issues of ecology, technology, natural resource and war, etc. It's a story about a journey humans are forced to take on, after having destroyed the earth with nuclear disasters. The survivors seek a new planet, in the boundless, interstellar space, to carry on their lives. Gradually they evolve into a new life form artificially. Yet, many years passed and they’ve come to realize that they would never make it to the new planet they’ve been dreaming of. In fact, they have simply been returning to the Earth, in different life forms, time after time.
Director Huang applies the concepts of embodied cognition, offering a unique way to contemplate about the nature of life. As the audience are transported into different bodies each time, they gain a brand new perspective to experience the world views presented in Samsara.
Samsara was produced under the guidance of Taiwan Creative Content Agency (TAICCA) and Kaohsiung Film Archive VR(VR FILM LAB), it’s a sate-of-the-art VR production made 100% in Taiwan. In the VR experience, viewers are transformed into various kinds of animals to interact with the scenes, including species unique and indigenous to Taiwan, such as Taiwan Blue Magpie and Formosan Black Bear.
Samsara Ep.1 features the latest somatosensory technology, including 4D views shooting techniques by the Industrial Technology Research Institute and TAICCA. A digital shooting system comprised of a high-sensitivity 4 million-pixel, full-color CCD sensor and 48 4DV-EX-Z cameras made it possible for Samsara Ep.1 to be taken from an omnidirectional view and shot without any blind spots, creating the ultimate immersive experience.
THE STARRY SAND BEACH, directed by Hsin-Chien Huang and produced in cooperation with Lucid Reality (France) and Oready 瑞意創科 Oready Innovation Lab (Taiwan), is a scientific fairy tale about a unique ecological wonder in Taiwan and Japan, the shiny starry sand beaches. Foraminifera, from the Latin word “foramen” meaning hole, is a single-celled organism that builds a shell with multiple chambers which intercommunicate with one another through holes. On the Qimei Island, Taiwan and the Yaeyama Islands, Japan, beaches have been formed by a specific species of foraminifera with star-shaped shells made of calcium carbonate. Like the real stars in the legends, grains of the starry sand have also been preserving the earth’s memories for millions of years.
THE STARRY SAND BEACH is a real-time 3D interactive VR adventure into the natural and mythological landscape of the starry sand beaches on Qimei Island in Penghu Archipelago, Xing Sha Wan in Kenting National Park and Taketomi Island in the far south of Japan. The experience is full of aesthetically-amazing elements and enriched with cultural and religious significance like Shintoism in Japan. A beautiful, haunting legend tells the story of the starry sand…
The final winners will be presented at the award ceremony held on Sep11. With great anticipation and hopes, Hsin-Chien Huang is expected to bring home again the grand prize for Taiwan!
https://www.labiennale.org/en/news/selection-complete-works-venice-vr-expanded-0
#黃心健 #HsinChienHuang
#samsara #chalkroom
#LaCameraInsabbiata
#VeniceInternationalFilmFestival #VIFF
#Thestarrysandbeach
#LucidReality
#OreadyInnovationLab
同時也有1部Youtube影片,追蹤數超過22萬的網紅ASMR BlueKatie,也在其Youtube影片中提到,リクエストだった時をかける少女の主題歌、ガーネットを歌ってみました!ご視聴ありがとうございます!^^チャンネル登録してもらえるとうれしいです*Twitter: https://twitter.com/ASMRBluekatie Today I sang Garnet by Hanako Oku f...
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desperate meaning 在 葉小妍MagicWin2ie Facebook 的最佳解答
人生的意義:擁抱自己的憂傷
現代的社會往往會強調樂觀與開朗,不過我們要領悟到,現實大多是交織著傷心與失落。
一個好的人生不是「不難過」的人生,而是安然走過所有滄桑、從而建立的人生。
「人生必經憂傷」這個事實不該讓我們絕望,而是讓我們變得更寬容、更善良、也更能夠把握住人生中那些真正值得的事物,趁一切還來得及的時候。
The meaning of life: Embrace your own sadness
Modern society tends to emphasize optimism and cheerfulness, but we must realize that reality is mostly intertwined with sadness and loss.
A good life is not a "not sad" life, but a life built through all the vicissitudes of life safely.
The fact that "life must go through sorrow" should not make us desperate, but it should make us more tolerant, kinder, and able to grasp the things that are truly worthwhile in life, while it is still too late.
Photographer :
www.garymakphotography.com
Model :
https://instagram.com/magic_win2ie?igshid=14i6jucq2kk7c
#抑鬱症
#如何面對死亡
#金句
#心靈雞湯
#香港女生
#葉小妍
#beinternational
desperate meaning 在 趙德胤 Midi Z Facebook 的最讚貼文
#尋人啟事
#胡湘荷妳在哪裡
我的母親已八十歲,
疫情期間,
母親常在電話跟我聊一些過去的事情,
母親的記憶力非常好,
從她十歲開始到現在,
她幾乎能記得所有的事情。
當然,
她記的幾乎都是些令人心碎的事。
就像她的妹妹_
我的小阿姨,
跟她失聯了四十三年的事,
一直讓母親忘不了。
小阿姨屬猴,
64歲、
1956年出生。
大約1977年離開緬甸,
去到泰國投靠大舅,
又輾轉在1978年左右去了加拿大。
之後,
就失去了聯絡。
自從有網路以來,
我就幫忙母親在各種尋人版上刊登過尋人啟事,
但都沒有下文。
可能是刊登的資訊不齊全。
四十三年前,
小阿姨從緬甸到泰國又到加拿大,
可能證件、姓名等都跟原本的不一樣了。
近期,
與我母親通話,
母親又提到失聯的小阿姨。
她叮嚀我們是否能幫忙她再找找看。
母親今年八十歲,
她很想知道她的小妹,
是否還活在這世界上?
附上母親說的話,
她讓我公佈在網路上。
希望有緣,
我的小阿姨能看到。
Midi 於永和
2020 April 12
#胡湘荷
#尋人
胡湘荷,妳在哪裡?
阿湘,
我是妳的二姐胡明珠。
我們分別有好長一段時間了。
妳離開緬甸時,
我二兒子才剛出生,
都還不滿一個月,
妳來看他時,
還說:
「他的臉白白的,
是不是我給他擦粉?」
現在,
我二兒子四十三歲,
我呢,
已經快滿八十二歲,
八十多歲,
是老人了。
人家說,
人愈老記性愈差,
我是相反,
我的記性反倒是愈老愈好。
但是,我能記住的,
都是些傷心的事情。
也許,
我們這代人,
也沒有什麼快樂的事情可以記住。
就像妳的離開,
我們從此失去聯絡,
想起妳,
就讓我難過。
妳還活著嗎?
我想妳會活得好好的。
妳有幾個小娃了?
過得怎麼樣呢?
四十三年前,
妳離開腊戌時,
妳還在腊戌漢人學校唸書。
有天放學,
我去攔住妳,
跟妳說:
「妳以後每天下課後就來我家吃飯,
別去大姐家吃了…」
妳說:「好」。
妳也就跟著我到我家吃飯了。
我還記得,
妳才剛坐下,
我不知怎麼搞的,
就說了那些話。
我說:
「大姐讓妳以後來我這裡吃飯,
別去她家吃了,
讓妳三姐去她家吃,
妳三姐不挑嘴,
妳比較挑嘴…」。
這些話,
是大姐跟我說的,
我當時太懵,
太老實,
我也不曉得,
為什麼要說這些大姐講的話?
為什麼要講給妳聽?
我完全,
沒有擔待不了妳的意思呀。
不管多窮,
姐妹間互相照顧都是應該的,
我轉述大姐說妳的那些話,
是沒有任何理由的,
就是我以為是姐妹之間的聊天,
講出來而已。
我那時候過得很困難,
養著六個小娃,
病死了兩個。
但是,
照顧自己的妹妹是天經地義的。
那天,
我邊說就邊到廚房去炒菜,
難得妳來這裡吃飯,
總要多一樣什麼菜才行。
我炒完菜端著出來,
妳就不見了。
當時,
房東許老嬤嬤還在場,
她說,
「我轉進廚房,
妳就站起來走了…」
我那時才發覺;
我講錯話了。
妳這麼敏感的人呀!
我一路追著妳,
追到大水塘路上_
到妳跟妳三姐住的地方,
妳正在哭。
妳正在哭著跟妳三姐吵架,
妳跟妳三姐說:
「二哥寄來的錢分來…」
妳三姐不敢應妳,
在旁沉默著。
這筆妳要的錢,
確實是妳二哥寄來給妳們兩姐妹的生活費。
那時,
媽媽剛去世不久,
大哥人去了泰國;
在泰國北部滿堂安了家,
家裡所有的兄弟陸續去了泰國。
而爸爸因為沒身份證在貴概被移民局抓住,
送到仰光坐滿九年牢,
緬甸政府正打算著把他送到台灣去的時候…
那天,
我看著妳哭,
我就明白了妳的心情。
妳三姐在準備跟她愛人私奔,
在腊戌妳也只有大姐、我和妳三姐了。
我和大姐早結婚,
各自已有有家庭。
如今妳三姐又要嫁人,
大哥他們又遠在泰國,
母親去世,
父親坐牢。
妳接下來就要孤苦零丁的一個人生存了。
一個十八歲的女孩。
我知道妳的害怕和難過。
那天,
看著妳哭,
我很後悔把大姐說的話講出來。
妳應該了解我的。
我一直都盡力照顧我的家人,
當時從雲南背著妳逃難到緬甸邊境,
背了一天一夜。
我都是自願的。
妳記得嗎?
妳到腊戌讀書時,
很想要一條件仔褲,
那時許多人都買不起,
我還是費盡力氣買給妳。
妳知道我是心疼妳的。
妳離開腊戌的那天,
妳說妳要去泰國了。
臨走時,
我拿了300塊錢給妳,
妳知道嗎?
那時候我拿出300塊錢緬幣是到處借來的錢呀。
阿湘,
我知道妳一直都在受苦,
去到泰國,
大嫂可能待不得妳,
妳二哥、三哥他們當時也沒能力照顧妳,
妳在泰國又沒有合法的身份;
哪可能有其它去處。
最後妳選擇結婚,
我想也只是為了解脫這些難過的生活罷了。
之後,
就聽說妳嫁了人,
跟著丈夫家去了加拿大。
之後,
我就再也就打聽不到妳的下落了。
我們最後的連繫,
停留在泰國北部滿堂,
或是停留在泰緬邊境美賽,
我都有些記不得了。
那時,
聽說妳從大哥家跑出來了?
又聽說妳去暫住在一對老年夫妻的家裡?
這些,
都是後來傳到腊戌的消息了。
妳去加拿大前,
還寄來給我和大姐和妳三姐每個人一件衣裳布、
一條籠基。
三份禮物裡夾著三張白紙,
寫著:「大姐的、二姐的、三姐的…」。
我還記得,
那是託「義號佛堂」楊前人帶來的禮物。
那條籠基到現在我還留著_
孔雀花紋的。
阿湘,
我這個作二姐的也羞愧妳了。
當時,
聽到這些關於妳的困難的消息,
只能每天想念著,
想到傷心,
我沒有任何能力。
那時,
我是,
連從緬甸腊戌到泰國邊境的車票都買不起呀。
當時我養著這麼多小娃,
吃一口飯都難。
阿湘,
現在講這些都只是回憶了,
都是我們老人家的回憶,
都不重要了。
那為什麼還要講這些呢?
就是,
為了,
想讓妳看到,
看到這些我說的話,
證實,
我是妳的二姐而已。
想讓妳知道,
我一直在找妳。
我活到八十歲,
夠了,
人活這麼老沒什麼意思,
都盡是傷心的事情。
我不知哪天會死去。
但如果可能的話,
在死去之前,
能讓我知道一下妳的消息。
我想知道,
妳在哪裡?
我想知道,
妳還活著嗎?
阿湘,
爸爸十幾年前已經去世,
大哥六年前去世,
連大姐,
前年也不在世上了。
妳二哥;
他住在泰國山邊荒地裡,
幫人家看田地,
過得不是很好,
但也不用擔心,
我在泰國的二兒子和大姑娘時常會去照顧他。
妳三哥,
講到也是讓我難過呀。
他大前年腦出血,
去醫院醫好了,
但醫好後,
很奇怪,
突然忘記了漢人話,
只會講泰國話。
後來不久,
他就偷偷上吊自殺了。
你說,
我們兄弟姐妹這是什麼樣的命運呢?
阿湘,
我們家沒剩下什麼人了,
妳三姐、妳四哥還在泰國。
還有我,
我還活著。
我還在緬甸,在腊戌。
除了妳,
我們一家人也就剩下這三個人了。
阿湘,
我們已經分別已四十三年,
妳也有六十多歲了吧?
我很想知道,
妳在哪裡?
妳還活著嗎?
如果有緣,
妳看到這信,
就回我一下吧。
妳的二姐胡明珠,
日日夜夜,
在等妳的消息。
二姐胡明珠 於緬甸腊戌
2020 年4月11日
姪Midi代筆
找人信箱:humingju1638@gmail.com
**************
#notice for a missing person
translated by Jane Lin
****************
Where are you, Hu Shine-Ho?
Ah-Shine,
This is your 2nd sister, Hu Ming-Ju. It has been a long time since we last saw each other. When you left Burma, my 2nd son was not even one-month-old. You asked why he was so fair-skinned? Had I put powder on his face? Now, he is 43 and I am almost 82.
Eighty something...I am indeed an old woman! People say that you lose your memory as you age. I am quite the opposite. The older I get, the better I remember! But, what I remember is nothing but sadness. Perhaps, our generation just doesn't have much happiness. Like you leaving home, we losing contact forever…. The thought of you puts me in such despair. Are you still alive? I imagine you living a good life?!! How many children? How are you?
Forty-three years ago, you were still a student at Chinese High School in Lashio. One day after school, I went to intercept you, "From now on, come to my home after school. Don't go to 1st sister's for dinner anymore." You said, "OK" and followed me home.
I still remember clearly that you had just sat down and I said, "The first sister asks that you come to me for dinner. She will take 3rd sister who's easy-going, not like you, a picky eater." I don't know what possessed me that day? Why I had to tell you what 1st sister had to say? Was I too naive? Too honest? Too stupid? I had absolutely no intension not to take care of you - we are sisters!!!! We have to care for each other, no matter how poor we are!!! The first sister's words just came out as a casual chat between sisters. Nothing more!
Life was tough for me at the time. Diseases took away two of my six children. But that didn't mean I would ignore my God-given responsibility as your elder sister. Without realizing the impact of my "casual chat", I went into the kitchen wondering what additional dish I could come up with for your first dinner with us. When I came out with the dishes, you were already gone! According to our landlady, Granny Hsu, you just got up and left as soon as I was out of sight. Only then did I realize my stupid mistake and how sensitive you were! Immediately, I ran after you, all the way to Big Pond Road where you and 3rd sister stayed. You were crying, asking 3rd sister for the money that 2nd brother sent. 3rd sister just kept quiet.
Indeed! The money that you demanded from 3rd sister was to cover living expenses for both of you. At that time, Mother had already passed away. The first brother went to Thailand, had already settled his own family in Pong Ngam. All the brothers followed suit. Father got caught in Kutkai by the immigration for not having an I.D. and had been in prison in Rangoon for 9 years. The Burmese government was just about to send him to Taiwan…. That day, while watching you cry, I understood how you felt. The third sister was getting ready to run away with her lover and both 1st sister and I were married young with our own families to deal with. As an 18-year-old with no mother, a father in prison, you must have felt all alone, sad and very scared.
I was filled with regrets watching you that day. But, please understand that I have always tried my best to take care of my family. When we escaped from Yunnan to Burma as refugees, I carried you on my back all day and all night without any complaints. When you went to Lashio for school, you wanted a pair of jeans so badly, remember? It was such a luxury that most people could not afford. Yet, I gathered all my might to get you a pair. You know I always have a soft spot for you, don't you? The day you were leaving Lashio for Thailand, do you know how many places I had to try to gather 300 Burmese kyats for you???
Ah-Shine, I know it was a huge struggle for you in Thailand. It's impossible that 1st sister-in-law would put you up. Second and 3rd brothers were in no position to help you….. I suppose you were pushed into marriage, just to end this desperate situation. Last I heard, you moved to Canada with your husband. From that point onward, in spite of all the efforts, I just couldn't find any trace of your whereabouts.
Our last contact stopped at Pong Ngam, Thailand. Or, was it MaeSai? I can't quite remember now. The news came to Lashio that you had run away from 1st brother's home. Later, you were temporarily staying with an older couple….
Before leaving for Canada, you sent, via Abbott Yang of the Yi Buddhist Hall, a package for us - each gift had a piece of dress fabric and a longyi, clearly labeled on a piece of white paper: "for 1st sister," "for 2nd sister," "for 3rd sister." I still have that longyi, with a peacock pattern, after all these years!
Ah-Shine, I feel deeply embarrassed to be your elder sister. Upon hearing the challenges that you had to face at the time, I could do nothing but worrying and feeling sad. I couldn't even afford the bus fare from Lashio to the Thai border. I barely managed to feed my own children!
Ah-Shine, What's the use of talking about these old memories? These sad memories of us old people have no importance but to serve to show you that I am indeed your 2nd sister.… that I have been looking for you all these years.
To live in my eighties is more than enough for me. It's not much fun to live this long - just a lifetime of sadness. I have no idea when I will die and I don't really care. I just wish that I could hear from/about you before I leave this world. I want to know where you are. I want to know if you are still alive.
Ah-Shine, Father passed away more than a decade ago. The first brother left us 6 years ago, so did the first sister 3 years ago. The second brother works as a field caretaker in a remote Thai mountainside. It's not a good life, but both my 2nd son and first daughter are also in Thailand; can visit and take care of him often. The saddest is our 3rd brother. He had a stroke 3 years ago. After recovery, he suddenly forgot his Chinese, could only speak in Thai. Not long after, he hanged himself! Please tell me what kind of fate has been bestowed on our siblings??? What is the meaning of life???
Ah-Shine, There aren't that many of us left, only 3rd sister and 4th brother in Thailand and me still in Burma. In Lashio.
Ah-Shine, We have been apart for 43 years. You should be in your 60s by now. I really would like to know if you are still alive and where you live. God willing, you will see this letter and reply!!! (humingju1638@gmail.com)
Waiting to hear from you, day and night!
Second sister, Hu Ming-Ju
Lashio, Myanmar
April 11. 2020
desperate meaning 在 ASMR BlueKatie Youtube 的最佳解答
リクエストだった時をかける少女の主題歌、ガーネットを歌ってみました!ご視聴ありがとうございます!^^チャンネル登録してもらえるとうれしいです*Twitter: https://twitter.com/ASMRBluekatie
Today I sang Garnet by Hanako Oku from the movie The Girl Who Leapt Through Time! Thanks for listening and please subscirbe ^^
Lyrics and translations:
Guraundo kaketeku anata no senaka wa
Sora ni ukanda kumo yori mo jiyuu de
nooto ni naranda shikakui moji sae
Subete wo terasu hikari ni mieta
As you were dashing on the ground, your back
Was freer then the clouds that floated in the sky
And in the light that illuminates everything, I could even see
The square letters lined up in your notebook
Suki to iu kimochi ga wakaranakute
Nidoto wa modoranai kono jikan ga
Sono imi wo atashi ni oshiete kureta
I didn't understand the feeling known as love
So this moment in time that wouldn't return again
Taught me its meaning
Anata to sugoshita hibi wo kono mune ni yaki tsukeyou
Omoi dasanakutemo daijoubu na you ni
Itsuka hoka no dareka wo suki ni natta toshitemo
Anata wa zutto tokubetsu de taisetsu de
Mata kono kitsetsu ga megutteku
I'll sear the days that I sprnt with you into my chest
So that I'll be all right even if I don't recall them
Even if I were to fall in love with someone else, someday
You'd always be special and important to me
And this season would come around again
Hajimete futari de hanashita houkago
Dare mo shiranai egao sagashiteita
Tookude anata no hashaideru koe ni
Naze da ka mune ga itakunatta no
When we first talked together after school
I was searching for your smile that no-one else knew about
For some reason, my chest felt painful
To your cheerful voice far away
Kawatte yuku koto wo kowagatteta no
Zutto tomodachi no mama ireru kigashita
Owatteku mono nado nai to omotta
I feared changing
I felt that we could always stay friends
I thought that there was no such thing as an ending
Hateshinai toki no naka de anata to deaeta koto ga
Nani yori mo atashi wo tsuyokushite kureta ne
Muchuu de kakeru ashita ni tadoritsuita toshitemo
Anata wa zutto tokubetsu de taisetsu de
Mata kono kisetsu ga yatte kuru
Within the endless time, the fact that I was able to meet you
Made me stronger than anything else
Even if I were to make a desperate run for tomorrow
You'd always be special and important to me
And this season would come about again
Itsumademo wasurenai to anata ga itte kureta natsu
Toki ga nagare imagoro atashi wa namida ga koboretekita
Since the summer when you told me you'll never forget
Time has passed and just now, my tears came spilling down
Anata to sugoshita hibi wo kono mune ni yaki tsukeyou
Omoi dasanakutemo daijoubu na you ni
Itsuka hoka no dareka wo suki ni natta toshitemo
Anata wa zutto tokubetsu de taisetsu de
Mata kono kitsetsu ga megutteku
I'll sear the days that I spent with you into my chest
So that I'll be all right even if I don't recall them
Even if I were to fall in love with someone else someday
You'd always be special and important to me
And this season would come around again
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