🚩 New Media Artist Hsin-Chien Huang Leads "Garden Taipei/Formosa: Taiwan Grand Tour" with 22 Taiwan's VR and New Media Artworks to 2021 Ars Electronica Linz in Austria🇦🇹
2021 ARS ELECTRONICA FESTIVAL Ars Electronica has chosen “A New Digital Deal” as its annual theme, centering around the social and cultural transformations under the influence of technology from different countries. Also, it pays attention to changes of “the New Normal” due to the pandemic.
Hsin-Chien Huang, this year’s curator of the “Garden Taipei/Formosa”, resonates the theme with the “Taiwan Grand Tour”, hoping to waken our desire and ability to move freely during the journey via different kinds of media, also make more people see the marvelous results and how hard Taiwan has devoted to technology, culture, tradition, and tradition via international digital platforms. The tour will have become a window between the world and Taiwan.
The scale of this year’s exhibitions has been brought up a notch. Not only did it carry on displaying the VR and AR productions from last year, but the curator Hsin-Chien Huang has collaborated with three other, Hsiao-Yue Tsao, Billy Chang, and Chung-Hsien Chen, to call out many VR directors, new media artists, start-up companies and government institutions to join the project. There are 22 magnificent programs in total, which will be shown in categories such as “Immersive Tour”, “Animated Tour”, “New Media Tour”, “Earth Tour” and “Action Tour” respectively.
“Immersive Tour”, as the first part of the “Taiwan Grand Tour”, viewers can wander among the mountains, oceans, and rivers in the digital world, even outer space! Six scenes inspired by unique Taiwanese landscapes with cultural and biological features will be shared with the audiences, such as “The Starry Sand Beach” (Directed by Hsin-Chien Huang and Nina Barbier), “Moondream Reality-Rebirth”(Directed by Chi-Yen Chiang, Ami Wu), the shuttle VR 360 stereo video of “TAIPOWER D/S ONE.” (Directed by Ghung-I Hung and Shih-Chou Wen), “Floating Childhoods” (Directed by Hakka Public Communication Foundation and Wen-Chieh Chang), “Blue Tears EP1” (Directed by Hsiao-Yue Tsao), and “Samsara” (Directed by Hsin-Chien Huang).
In the “Animated Tour”, viewers can devote themselves to the characters via different programs. Whether it is the abstract or figurative visual style, audiences can experience anxiety and frustration all the way to happiness and growth. Getting rid of this disappointing reality, viewers shall continue the “Taiwan Grand Tour” through their imagination. This program consists of four animations: "Go Go Giwas: Sowing Dream Seeds"(Directed by Vick Wang, Yi-Feng Kao), "My grandmother is an Egg"(Directed by Wu-Ching Chang),"Inside"(Directed by Yu-Ting Hsueh), and "The Wayward Kite"(Directed by Yu-Ting Hsueh).
In the “New Media Tour” program, nine brilliant pieces created by Taiwanese artists will be shared as the relay points for the “Taiwan Grand Tour.” They use video, sound, electronic music, installation, and various new media to explore different topics, such as family, memory, city, society, landscape, and environment. We firmly believe that digital tools can also capture the warmth and emotions in reality. This program consists of nine artworks: "Surrounding Spectrum"(Directed by Hsiu-Ming Wu), "Nanyang Express II : Eternal Wandering and Tropical Pursuing"(Directed by Yi-Chi Lin), "Wave Waves"(Directed by Sio-Pang Hong), "That ・ This"(Directed by Ching-Chuan Hu), "Signal"(Directed by Chin-Hsiang Hu), "Tower of Babel by the sea"(Directed by Wei-Chung Feng), "How to explain love to an iPhone"(Directed by Jie-Huai Yang), "U+617E_v2.∞"(Directed by Jia-Hua Zhan), and "Absence in Presence"(Directed by Ning Tsai).
In the program “Earth Tour”, viewers will participate in a performance art called “Taste Soil”, which intends to rethink the relationship between humans and land by means of “eating.” The program brings together international eminent chefs Andre Chiang, dancer Billy Chang, new media artist Hsin-Chien Huang and Wen-Chieh Chang, fusing Taiwan’s unique traditions and customs with cuisines and dance performances via VR experience. A feast to the eyes and tastebuds awaits.
Looking back at the present time, humans need to take more efficient scientific actions in the digital world to reduce the consumption and pressure of resources and the environment and cope with the impact in the post-pandemic times. Two important technology units in Taiwan make their debut in the “Action Tour”: Miniwiz Co., Ltd. and the Taipei Urban Intelligence Center. The former is devoted to the sustainable development of materials science with digital technology and design, while the latter is the integration of big data and streaming technology to create a new technical model of urban governance. Combing these two, an answer to developing a sustainable society with digital energy is born. During the tour, a new performance art project is inspired by the digital cross-field cooperation for the first time. The Taipei Urban Intelligence Center will join hands with new media artist Chin-Hsiang Hu and the founder of Inwheel Ghung-I Hung, to create a new media artwork “The Weight of Data” by integrating both virtual and physical materials from different domains and sharing data resources.
The brilliant curatorial concept and lineup of the Taiwan Grand Tour have attracted the interest of the officials of the festival and been in the limelight. Therefore, the festival has invited three creators behind the “Earth Tour”: Andre Chiang, Billy Chang, and Hsin-Chien Huang, to an online interview called “Highlight Channel” at 18:00 on September 1 (Taiwan Time). The link will be provided by the official later on. Moreover, Miniwiz Co., Ltd. and the Taipei Urban Intelligence Center are also invited to share their ideas and experiences in an online show called “Home Delivery.”
The theme of the Garden Taipei/ Formosa is presented in a diverse form of performances by combining different fields multiply. The audience can easily follow the step of the “Taiwan Grand Tour” to explore Taiwan’s magnificent local digital creativity and illustrate a new digital landscape unitedly that only belongs to Taiwan. The 2021 Ars Electronica online exhibition will be held from September 8 to 12, 2021. Click the link below to take a sneak peek of this year’s shows.
📍ARS ELECTRONICA FESTIVAL 🔗 https://ars.electronica.art/newdigitaldeal/de/formosa-grand-tour/
📍ARS ELECTRONICA FESTIVAL “Home Delivery” 🔗 https://www.youtube.com/c/arselectronica/playlists?view=50&sort=dd&shelf_id=5
📍 Garden Taipei/Formosa: Taiwan Grand Tour 🔗 http://garden2021.metarealitylab.com/
#奧地利林茲電子藝術節
#arselectronica21 #gardentaipeiformosa
同時也有1部Youtube影片,追蹤數超過19萬的網紅Mateusz Urbanowicz,也在其Youtube影片中提到,See the finished pieces and read more on my blog here: http://mattjabbar.tumblr.com/post/183002013016/sketching-thoughtfully-i-dont-have-so-much-time ...
「how to become a concept artist」的推薦目錄:
- 關於how to become a concept artist 在 黃心健 Hsin-Chien Huang Facebook 的精選貼文
- 關於how to become a concept artist 在 KIVΛ Facebook 的最讚貼文
- 關於how to become a concept artist 在 Sydney Sie Facebook 的精選貼文
- 關於how to become a concept artist 在 Mateusz Urbanowicz Youtube 的最佳解答
- 關於how to become a concept artist 在 How to become a concept artist (and what to do once you've ... 的評價
how to become a concept artist 在 KIVΛ Facebook 的最讚貼文
About "THE BEAUTIFUL ONES"
Perhaps there are many of you who are interested in biology or anthropology had heard of the "Universe 25" experiment.
The experiment was about a "rat utopia", providing an artificial heaven for rodents to survive - free from predators, sufficient food, accommodation and all sorts of recreations. Such creatures with social structures will result in a "behavioral sink" when the group grows into a certain threshold.
In the experiment, rats and mice experiencing behavioral sink are invasive, refusing social activities, going hypersexual and progressing further, asexual and completely isolated from the community. Some males ended up just ate, slept, and groomed, wrapped in narcissistic introspection, and ultimately death. These were called by scientists as "The Beautiful Ones".
As there are more of "The Beautiful Ones", a huge community would eventually collapse and become extinct.
I am certainly not an expert on this, but this experiment gave me immense insight. At least from what I could observe, there are many who could not adapt to the exponential growth of the community and information, resulting into a situation very similar to "behavioral sink". Being alive is increasingly lonely, but such cultural revolution is also so poignant that motivated me to construct such a contradictory emotion and world setting with sounds.
Being the first song released under the new alias "KIVΛMKII", creating pieces in such form is also the main focus of the project. I have always been into theology, philosophy and science and so, which interprets life and universe in different eras and different ways. Transcribing such beauty into pieces of work is the greatest motivation throughout my life as an artist. I have always hoped that through such creation, I could come across more resonating souls in this lonely world, as a proof of my existence.
To stop writing forever, I shall talk about how I transcribe concepts into sounds and music in other instances, or in a walkthrough video of the entire project if you are interested.
I have to thank my friend Wayson Hsu for mastering the track with me. This piece is not as "digital" as my previous works, and I attempted to use analog gears to render the master track, giving the dirty and saturated, granulated world in the finalize phase. With his help, the outcome was satisfying.
I created the entire video for this. I planned to make a music video with my new character image, rendering with better visual effects, but my eyes got swollen due to infection, and the whole plan was ruined right before the date I scheduled to release the video, so it resulted in this motion visual. There might be some flaws in the video and I would say it is below perfection, but I would consider it a pass given the production schedule I had.
I would also like to thank another friend Yu-Lin Tsao for providing me insights of using program codes in the music video. Unfortunately the code seems blurred in the rendered video (I am so thankful that viewers are decoding them, and I have already released the code).
I wish my new work could bring some further insight to you, and there will be new works in the same concept upcoming. I will be working together with you for the better 2021.
how to become a concept artist 在 Sydney Sie Facebook 的精選貼文
|Ze and Zir|
今年受邀參與韓國 Asia Culture Center 的展覽《Solidarity as Spore》,主題為各種形式的愛(Love: in all its forms and inclusivity) 。2019年,台灣成為亞洲第一個同性婚姻合法化的國家,同一年,Ze 與 Zir 在 2019 年正式收錄於牛津英語辭典,將特指單一性別的 He or she 取代成中性的代名詞。作品也類比成華文的「也」,取下「他」或者「她」的性別部首符號,作為這次創作的核心理念。
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二元社會性別是所有性別問題的根源,當人們選擇成為伴侶、選擇衣著、選擇以一種特定形象生活時,捨棄掉性別的標籤就可以超脫目前所有的問題,我們不需要透過刻板印象來建立自我價值,自己可以隨意建立個人識別象徵而不需要參考模範,滿足任何有限的想像空間。
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作品呈現三幅動態視覺系列稿,同時在垂直並排的三面螢幕重複播放,它們各自擁有不同的主題。打破性別刻板印象,沒有男孩應該要做什麼,女孩應該要做什麼,呈現更自由的性別氣質與性向。女人不用一定要穿高跟鞋,男人也可以喜歡化妝。
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最後,一個彩色的玻璃球穿梭在各個畫面中,打破界線劃破三個螢幕的彩色玻璃球,劃破時間與空間。
|Sydney Sie / Zen Yun Zon,
|Ze and Zir, 2020. Three-channel
|video, color, silent, 2 min.
|Commissioned by Asia Culture
|Center; courtesy of the artist.
|Special Thanks: 親愛的 Aaron Nieh (✾♛‿♛) 聶永真 Aaron Nieh / Elise Chen
————————————————
If there were no genders, it should not cause any troubles to say “ze has loved cars since childhood”, “ze dreams to become a ballet dancer”, or “ze loves zir deeply and wants to spend zir life with zir”.
Gender binary is the source of all gender troubles. If people could choose to become partners, how to dress and how to present themselves in life without gender labels, then we no longer need to establish self-value by conforming to gender stereotypes. An individual could build a personal image freely without referring to gender roles and instead according to their unlimited imagination.
Taiwan became the first country in Asia to legalize same-sex marriage in 2019. In the same year, the Oxford English Dictionary update included gender-neutral third-person pronouns Ze and Zir. With a similar spirit, we experiment with removing the radicals of Chinese characters “他(he)”/“她(she)”, reinventing the character “也” as the potential gender-neutral pronoun and using it as the core concept of this creative project.
The work consists of three moving posters, which will be displayed in loop on three aligned, vertical screens, each with a different theme. We incorporate elements of gender stereotypes in these images while seeking to break the traditional gender framework through a visual dynamic, as well as to discover more freedom in gender expression. There is no “should”; women don’t need to wear heels and men can enjoy putting on makeup.
Lastly, a colorful glass ball travels through the images on the screens, metaphorically crossing the boundaries of time and space.
————————————————
● Solidarity as Spore
● Dates: May 14–October 25, 2020 (opening May 13)
● Venue: Asia Culture Center (https://new.acc.go.kr), Gwangju, South Korea
● Organized by: Asia Culture Institute (http://aci-k.kr) and Asia Culture Canter
● Artistic director: Kim Sung Won
● Contributing curators: Bojana Piškur, Vali Mahlouji, Museo de la Solidaridad
Salvador Allende, Sulki and Min, Goto Tetsuya, Kim Seong Hee, and Seo Dongjin
● Overarching theme: history of Non-Aligned Movement and its relevance to the
contemporary artistic practice in Asia
Section Participants
● Bae Minkee (Seoul, South Korea)
● Gideon Jamie (Singapore)
● So Hashizume (Tokyo, Japan)
● Saki Ho (Hong Kong, China)
● Hong Eunjoo (Seoul, South Korea)
● Sueh Li (Kuala Lumpur, Malaysia)
● Scarlett Xin Meng (Shanghai, China)
● Rikako Nagashima (Tokyo, Japan)
● Nguyen Giang (Ho Chi Minh City, Vietnam)
● Januar Rianto (Jakarta, Indonesia)
● Shin In-ah (Seoul, South Korea)
● Sydney Sie and Zen Yun Zon (Taipei, Taiwan)
● Yui Takada (Tokyo, Japan)
how to become a concept artist 在 Mateusz Urbanowicz Youtube 的最佳解答
See the finished pieces and read more on my blog here:
http://mattjabbar.tumblr.com/post/183002013016/sketching-thoughtfully-i-dont-have-so-much-time
I wanted to paint this shop and especially it's insides for some time but the thing that finally pushed me to do it was my recent idea of "thought-out striving" to become a better artist.
Tools:
* Holbein Waterford White HOT pressed watercolor paper (for a smooth texture)
* Mijello Mission Gold watercolors (for more saturated colors)
* HB Pencil (for the sketch)
* SAILOR shikiori brown pen / Faber-Castell ECCO pigment 0.3 multiliner (for nice line finish)
Feel free to check out my other stuff:
Gumroad: https://gumroad.com/mateusz_urbanowicz
Patreon: https://www.patreon.com/mateuszurbanowicz
Website: http://mateuszurbanowicz.com
Blog: http://mattjabbar.tumblr.com
Twitter: https://twitter.com/gommatt
Instagram: https://www.instagram.com/mateusz_urbanowicz
Music: Scott Buckley - Wonderful (not Hymn)
how to become a concept artist 在 How to become a concept artist (and what to do once you've ... 的推薦與評價
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