'Urban Folly – Electric this' shows two women in their Plexiglas bubble, lying in front of a cityscape in LED and neon light.
The background of the work is the acrylic neon sign Urban Folly neon with lights in various colours in an abstract array, representing buildings. In front of the buildings are two women lying down, mother and daughter, cut out from transparent Plexiglas. Over their heads is text (engraved in the Plexiglas), each speaks half a poem, discussing how to be modern with yet allusions to ancient Chinese habits and symbols. Behind the board are speakers left and right (actually, they are the beloved Hong Kong cell phones) that say the English text in Cantonese. The title of the poem (Electric this) is carved in a Plexiglas cloud and hangs over the buildings like a neon sign. The entire work is put in a black protruding frame as if they are inside a casing or exhibited in some kid’s shoebox diorama.
The Urban Folly neon sign creates the virtual environment that influences the way this mom and her daughter live their lives, lying in front of the city as if on the HK beach. And the mom passes on her urban myth while the daughter comments on her mom as a ‘sheep’ that follows fashion and fads to feel unique, not aware of the transparent bubble she, the daughter, lives in herself. But inside is the ancient Chinese core, unbroken.
Through the conceptual visualisation formed by the root-like winding of the neon light, the work hopes to trigger an underlying light and reflection that resonates with citizens in a certain and also manifold way on this modern and traditional soulful land. The continuity of life in progress and the shifts in the flickering and shimmering of neon lights show us something clearer. It is the way and the opening in the frame that one might have overlooked, the energy of life in all the old and fancy of the new from the past to the present...
同時也有40部Youtube影片,追蹤數超過255萬的網紅相信音樂BinMusic,也在其Youtube影片中提到,我們都曾迷惘 也曾用盡全力追尋所謂的幸福或夢想 即使失敗,回首,那都是我們不可抹滅的勇敢印記 抬頭仰望青空,未來依舊閃著光芒等待我們。 🎶線上聽:https://ashin.lnk.to/Future #阿信 #五月天阿信 #青空未來 - ▍青空未來 下雨了 雨停了 天晴了 又黑了...
「neon led」的推薦目錄:
- 關於neon led 在 Sharmaine Kwan - Artist Facebook 的精選貼文
- 關於neon led 在 林郁晉- Yu Jun LIN Facebook 的精選貼文
- 關於neon led 在 Sharmaine Kwan - Artist Facebook 的最佳解答
- 關於neon led 在 相信音樂BinMusic Youtube 的最佳貼文
- 關於neon led 在 โลกของคนมีหนวด Youtube 的最佳解答
- 關於neon led 在 Cheri Hyeri 체리 혜리 Youtube 的最佳貼文
- 關於neon led 在 480 Neon - Led ideas | neon, neon art, neon signs - Pinterest 的評價
neon led 在 林郁晉- Yu Jun LIN Facebook 的精選貼文
《 #籠罩下的巨大哀愁 》
正式開展啦~
歡迎各位到台北當代藝術館
/
詳細資訊|https://reurl.cc/bXy09v
________________________________________________
A Dark Cloud of Sorrow Looms Over
by Yu-Jun LIN
Late mornings and sleepless nights. Frustration. Anxiety.
They seem to have infiltrated our consciousness and entered our dreams. We recognize the shape of eaves, the folding line of streets, and return to our dwelling coordinates where we hide and live. We see restless men and women in full feather wandering through the brightly-lit city and then sitting shoulder to shoulder with countless strangers, between countless walls.
In the 1970s, urbanism started paving its way into Taiwan. Bidding farewell to the landscape of an agricultural society, life thus became crowded and repressive in cities. The meaning of “urbanism” does not merely lie in towering skyscrapers but in altered landscapes, living conditions, isolation and loneliness as well as increasingly complex social issues. Submerged in the capitalist system, every person has been assumed as a tiny component, whose labor force is needed by the whole mechanism, but not with one’s individuality as well.
However, the construction of liberalism constantly reminds us of our own subjectivity, along with the importance of being viewed as a whole. Such contradictory values leads to extreme unease and confusion that keeps building up and ceaselessly floods our minds with external chaos. As worries that never subside loom over us, we are forced to retreat to our dwellings, where we are perfectly alone, and safe. We can uninhibitedly be ourselves – yet under the lingering dark cloud of sorrows.
Frustrating questions as “Who am I?” seem to return in lonesome nights, invariably. When night falls, myriads of dazzling lights glisten in innumerous windows at the near distance. Gazing into the dreamlike, transient light, we recall things we hope to seal for good in our troubled mind. We question again and again, about what role we should be playing to integrate into the society but still maintain the integrity of our own subjectivity.
A Dark Cloud of Sorrow Looms Over features eight selected pieces and delineates the question of how people, as individuals, should coexist with others, a question deriving from urbanites’ perceptual conflicts experiences.
Zheng Er Qi | People
“People” mirrors the phenomenon of Taiwan’s transition from being an agricultural society to city since 1970. It precisely portrays everyday urbanity that people nowadays are familiar with: Although millions of people reside on one spot, their recognition of one another fails to grow with urbanization, despite the presumable nearness.
Chung Chih Ting|I Am by Your Side
With the explanation by an offscreen sound and the roleplay image, “I Am by Your Side” depicts how urbanites try to be in company, revealing people’s natural urge for social connection. Yet it ends up to be talking to oneself or pointless mumbles, simply a futility of communication.
Wu Bo Sian | Chimps with Mona Lisa’s Smile
In the video, the chimpanzees form a spectacle, say, abnormality, in a seemingly normal context. “Chimps with Mona Lisa’s Smile” is a response to conflicts between public administration and individual freedom, zooming in on the contradictions or constraints between all the intervenable and the non-intervenable in everyday scenes.
Wang Ding Yeh | One-One
“One-One” depicts how people try to maintain an intact, rational space of survival while sometimes fail to avoid transgressing, under limited resources in a highly competitive society. With much precision, it captures the specific default interpersonal distance, and poses the question: How should each person navigate to find the best living posture at the moment?
Tsai Jie | When the Dust Settles
“When the Dust Settles” shows people restlessly beating on a possible exit to get out. However, does such an exit really exist? Or is it simply a delusion stemming from one’s untamable impetuosity? The work reflects the desolation of men and women, who are rumbustious, but aimless.
Huan Yen Chiao | 1, 2, 3. Are You Already in Hiding, Fish?
Fish in the bowl resembles people trapped in cities: extravagant outfits, splashing neon lights; sensational visual effects indeed. “1, 2, 3. Are You Already in Hiding, Fish?” presents how people escape from their anxiety and weariness for the time being. The work highlights the entire incompatibility and a sense of solitude after one’s subjectivity is highly developed.
Wong Shu Lian | I found myself floating and sinking down once in a while
The work addresses the enduring controversy between liberalism and capitalism that have been engendering people’s inner conflicts. It captures one’s self-doubt and angst in a profound way while, by exploring how to determine one’s best position, raises the ultimate question – Who are we after all?
Chen Chia Jen | SWEETWATER
“SWEETWATER” was born under Chen’s reflections during his artistinresidence experience in Southeast Asia. Between people living in urban and rural areas, there is a grand difference of perspectives, regarding how to survive and live a good life. It implies the fact that the widely-recognized future image, constructed by our society, might not be as clear or real as it seems, or perhaps what people accepted is simply a vague, even somehow out-of-focus, prospect.
_____________________________
《籠罩下的巨大哀愁》展覽資訊
展覽日期|2021/08/07(Sat.) ─ 09/12(Sun.)
展覽地點|台北當代藝術館廣場電視牆 MoCA Plaza LED TV Wall
播映時間| Mon. ─ Sun. 16:00-21:00
特別感謝| 贊助單位
厭世會社 @mis.society
#王鼎曄 #吳柏賢 #陳嘉壬 #黃彥超 #黃淑蓮 #蔡傑 #鄭爾褀 #鍾知庭 #林郁晉 #A_Dark_Cloud_of_Sorrow_Looms_Over
#MisanthropeSociety厭世會社
#厭世會社
neon led 在 Sharmaine Kwan - Artist Facebook 的最佳解答
Want to meet the world-famous robot Sophia? Come visit our exhibition at The Catalyst on the 13th, 14th & 15th August where she will be reciting poems and doing a special water calligraphy art performance from 3pm - 4pm on Sunday 15th! (📸Throwback to when I first met her at the Hanson Robotics Lab with Prof. Johan F. Hoorn and David Hanson!) @realsophiarobot @hansonrobotics
---------------------------------------------------------
The Sparkle: Not Alive Yet Bright
瞬息一閃:本覺明妙
Exhibition Period: 8th July - 15th August 2021
Opening Hours: 12:30pm - 18:30pm Wednesday to Sunday (Closed on Mondays & Tuesdays)
Venue: The Catalyst, G/F, no. 2 Po Yan Street, Sheung Wan, Hong Kong (上環普仁街2號地下)
🤖 World-famous Sophia robot creates paintings
🤖 World-famous Alice R50 creates poetic chants
🤖 LED and NEON installations, poetry, and calligraphy
neon led 在 相信音樂BinMusic Youtube 的最佳貼文
我們都曾迷惘
也曾用盡全力追尋所謂的幸福或夢想
即使失敗,回首,那都是我們不可抹滅的勇敢印記
抬頭仰望青空,未來依舊閃著光芒等待我們。
🎶線上聽:https://ashin.lnk.to/Future
#阿信
#五月天阿信
#青空未來
-
▍青空未來
下雨了 雨停了 天晴了 又黑了
天空從不為誰而蔚藍
時光從不為誰而等待
而你 只能為你自己存在
你迂迴 你徘徊 你期待 你深愛
用盡一場青春的混亂
提煉一個渴望的答案
而你 是否依然敢瘋敢愛
明天就會明白
|如果你 如果我 如果回頭看
|會發現 我們像 貪玩的小孩
|像未來 不再來 像是沒有明天 的去愛
|如果你 如果我 如果能重來
|會不會 還依然 像當初勇敢
|讓無悔的青空
|有無垠未來
誰來過 誰離開 誰和你 留下來
一生要有多少的輾轉
才能走到幸福的彼岸
才能 活得此生無恨無憾
平凡卻不平淡
-
詞 Lyrics / 曲 Composed / 演唱 Performance:五月天阿信 Mayday Ashin
製作 Produced:五月天阿信 Mayday Ashin + 黃士杰 Jay Huang
編曲 Arrangement:蔡巽洋 Ocean Tsai + 盧鈞右 Neon Lu
木吉他演奏 Acoustic Guitar:蔡巽洋 Ocean Tsai
鋼琴演奏 Piano:盧鈞右 Neon Lu
弦樂編寫 Strings Arrangement / 監制 Producer:蔡曜宇 Shuon Tsai
弦樂 Strings:曜爆甘音樂工作室 Just Busy Music Studio
第一小提琴 First Violin:沈羿彣 Yi-Wen Shen + 朱奕寧 Yi-Ning Ju + 陳奕勇 Yi-Yung Chen
第二小提琴 Second Violin:黃雨柔 Nala Huang + 駱思云 Ssu-Yun Lo + 黃瑾諍 Chin-Cheng Huang
中提琴 Viola:潘自琦 Tzu-Chi Pan + 牟啟東 Wayne Mau
大提琴 Cello:劉涵隱分子 Hang Liu + 葉欲新 Shin Yeh
弦樂錄音師 Strings Recording Engineer:林尚伯 Lin Shang-Po
弦樂錄音室 Strings Recording Studio:強力錄音室 Mega Force Studios
和音編寫 Backing Vocal Arrangement / 演唱 Backing Vocal:詹宏業 Ryan Chan
混音 Mixing : 李志清 Cheng Lee @ Prodigee Studio
製作執行 Production Assistant:詹宏業 Ryan Chan + 江昆餘 Ken Chiang + 黃士杰 Jay Huang
母帶後期 Mastering:Ryan Smith @ Sterling Sound
-
導演:魏奕旻
導演助理:吳東峻
導演助理:何冠臻
導演助理:李宜樺
製片:劉任修
製片助理:杜德修
製片場務:范子薺
防疫組:劉子瑄
攝影師:張天城 陳翔科
攝影大助:楊家哲
攝影二助:陳晧堯
攝影二助:謝承羿
力榮影業
搖臂技師:呂偉銘
搖臂助理:黃永鑫
搖臂助理:王曜愷
燈光師:楊景浩
燈光大助:呂佑凱
燈光二助:楊朝翔
燈光二助:陳繹閎
電工:何政達
劇照師:周浩詠
標準字:吳建龍
視訊影像製作:8ID STUDIO
視訊執行VJ:黃永杰 曾詠晶
專案經理:李維德
攝影器材:仰角國際影業 妄想機影音
燈光器材:六福影視
LED攝影棚:夢想動畫 聚積科技
‥‥訂閱・看更多‥‥‥‥‥‥‥‥
▶ 追蹤 五月天 阿信 相關資訊
FB:https://fb.com/ashin555
IG:https://www.instagram.com/ashin_ig
YT:@五月天 阿信
Weibo:https://weibo.com/u/1265020392
▶ 追蹤 五月天 Mayday 相關資訊
https://imayday55555.soci.vip/
訂閱相信音樂YouTube官方頻道
音樂MV http://bit.ly/YTBinMusic
相信日常 http://bit.ly/YTBinNow
按讚相信音樂官方FB Like on Facebook
https://www.facebook.com/ibinmusic
![post-title](https://i.ytimg.com/vi/AUp8MZbkQfI/hqdefault.jpg)
neon led 在 โลกของคนมีหนวด Youtube 的最佳解答
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neon led 在 Cheri Hyeri 체리 혜리 Youtube 的最佳貼文
#mùađông #vlog
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Bộ thể tháo
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-----------------------------------
Music in the Video - Epidemic Sound
Christmas Day Sale - DJ DENZ The Rooster
Cold Outside - Gregory David
Pool Party - Dylan Sitts
Turn the Page (Inst Ver) - Matt Sierra
Part of the Game - Velveteen
O Come, All the Faithful (Lofi Version) - Gregory David
The Red Light Special - Matt Large
After C Virus - DJ DENZ The Rooster
![post-title](https://i.ytimg.com/vi/R8NL7wIA7jE/hqdefault.jpg)
neon led 在 480 Neon - Led ideas | neon, neon art, neon signs - Pinterest 的推薦與評價
Nov 2, 2020 - Explore Kristina Bowden's board "Neon - Led" on Pinterest. See more ideas about neon, neon art, neon signs. ... <看更多>