Why do we Act?
Because we tell stories of real people, we give them a chance to be heard, and a chance to reclaim narratives when and where necessary.
We allow the world to see where it stands, and inspire the desire for change in people who can.
This is why Theatre, Film and Drama are so important.
Just as important, I’ve come to realise that Actors have the responsibility of choosing the right roles; For the perception of society often depends on the portrayal of the actor, and the actor has the power to preserve and amplify the integrity of the character’s voice through performance.
This is why we tell stories— because the opportunity to empower is inherent in the process ❤️
#SaturdayMusings #ItsBeenALongWeek #RememberingYourWhy #Shakespeare #Drama
同時也有4部Youtube影片,追蹤數超過36萬的網紅Atsueigo,也在其Youtube影片中提到,【発音マスタークラス】 発音のすべてがここにある。5,480円(税込)で見放題。 https://masterclass.atsueigo.com/pronunciation 【AccentHelp】 50を超える上級者向けのアクセント教材を提供(英語のみ)。パーソナルコーチングも。 https:...
「shakespeare theatre」的推薦目錄:
- 關於shakespeare theatre 在 Crisel Consunji - Artist / Educator Facebook 的精選貼文
- 關於shakespeare theatre 在 祖嘉大娘 Joker Rita Facebook 的最佳貼文
- 關於shakespeare theatre 在 It's all about your OTPs Facebook 的最讚貼文
- 關於shakespeare theatre 在 Atsueigo Youtube 的精選貼文
- 關於shakespeare theatre 在 石破天欣 Youtube 的最佳解答
- 關於shakespeare theatre 在 Sandra Tavali李婉菁 Youtube 的最讚貼文
- 關於shakespeare theatre 在 English - The globe: Shakespeare's Theatre (B1-B2) - YouTube 的評價
shakespeare theatre 在 祖嘉大娘 Joker Rita Facebook 的最佳貼文
Helen Mirren x Shakespeare in theatre =My kind of meditation. 🧘🏻♀️📚 Having a sip of Shakespeare in English Literature classes in junior and high school kinda opened my door to global perspective, while it always appeared in my tertiary education as in Translation and English Communication. As a layman in the fountain of Literature, there are so much to learn and transform, never easy, but it still takes my breathe away.
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More than an online master class, something’s gently floating in the air 🌾🌅
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Would highly recommand anyone to join masterclass.com 🌍📚
shakespeare theatre 在 It's all about your OTPs Facebook 的最讚貼文
/NEWS/ DAVID TENNANT VÀ SIR PATRICK STEWART "DẠY ONLINE" 😗
Các bạn học sinh - sinh viên kịch nào gặp khó khăn để hiểu kịch Shakespeare thì trong thời gian phong tỏa chống dịch có thể nhờ những "chuyên gia hàng đầu" của Công ty Royal Shakespeare giải đáp và cho lời khuyên nha. David Tennant, Sir Patrick Stewart và Tamsin Greig là những tên tuổi lớn đồng ý tham gia sáng kiến Trợ giúp Bài tập về nhà này.
Jacqui O' Hanlon, giám đốc giáo dục của RSC, cho biết: "Từ khi trẻ em và phụ huynh trên khắp Vương quốc Anh bắt đầu học online, chúng tôi đã nhận thấy một cơ hội mới để mở rộng sự hỗ trợ và làm việc với các nghệ sĩ của RSC để góp phần phát triển nền giáo dục nước nhà và giúp đỡ các học sinh khác có cùng vấn đề cần giải đáp. Họ, những nghệ sĩ, sẽ trả lời bất kỳ câu hỏi nào mà những người trẻ thắc mắc về Shakespeare và về nhà hát nói chung."
Học sinh có câu hỏi vui lòng gửi email đến địa chỉ: homeworkhelp@rsc.org.uk hoặc chia sẻ bằng cách sử dụng hashtag #RSCHomeworkHelp trên Twitter hoặc Instagram vào Chủ nhật. Phần trả lời đầu tiên sẽ được phát hành từ thứ Hai tuần sau dưới dạng video hoặc tin nhắn được ghi lại từ các diễn viên.
Link: https://www.standard.co.uk/go/london/theatre/rsc-shakespeare-homework-help-david-tennant-patrick-stewart-tamsin-greig-a4434571.html
shakespeare theatre 在 Atsueigo Youtube 的精選貼文
【発音マスタークラス】
発音のすべてがここにある。5,480円(税込)で見放題。
https://masterclass.atsueigo.com/pronunciation
【AccentHelp】
50を超える上級者向けのアクセント教材を提供(英語のみ)。パーソナルコーチングも。
https://www.accenthelp.com/
Jim Johnson
Professor of Voice and Accents
Jim Johnson is a professor of voice and accents at the University of Houston School of Theatre & Dance, where he received the Provost’s 2007 University Teaching Excellence Award and serves as the director of undergraduate programs for the School. Jim served as the director of the School of Theatre & Dance from 2013 – 2016. He works professionally as an actor and as a voice and dialect coach, and is a founder of AccentHelp, which offers over 40 sets of materials for different accents and dialects. Jim teaches and performs annually with the summer training institute of the Prague Shakespeare Company. He is an associate teacher of Fitzmaurice Voicework, an associate editor for the International Dialects of English Archive and a member of the Voice and Speech Trainers Association. He received his M.F.A. in acting from the University of Nebraska — Lincoln. He formerly served on the faculty of The Theatre School of DePaul University and taught at the Audition Studio in Chicago, Illinois. He is currently represented by Pastorini-Bosby Talent Agency and is a member of Actors’ Equity.
![post-title](https://i.ytimg.com/vi/TFwXTGtBKEA/hqdefault.jpg)
shakespeare theatre 在 石破天欣 Youtube 的最佳解答
大家有D咩問題或者想知更多行程資料都可以留言問我架 ^U^
笫三天行程 ^U^
+ Big Ben
+ Westminster Abbey
+ Shakespare's Globe Theatre
+ Millennium Bridge
+ Tate Modern
+ Toy Shop (Hamleys) 去到山左 T^T
我的Instagram : https://www.instagram.com/misstinab/
我的Facebook : https://www.facebook.com/shekty1015/
![post-title](https://i.ytimg.com/vi/cxJXePPDUG8/hqdefault.jpg)
shakespeare theatre 在 Sandra Tavali李婉菁 Youtube 的最讚貼文
Computer Music Ensemble: for Black metal vocal, Prepared piano, Real time sound processing.
Composer: Ivan Voinov, Sandra Li, Cvo Yang, Bruce Wang
Sound engineer: Cvo Yang, Bruce Wang
Metal Vocal: Chi Yue
Prepared Piano: Sandra Li
Premiere Production: Body Phase Studio, Guling Avant-Garde theatre, Taipei, TAIWAN, 2014.4.26
About the work:
Dirge is a prepared piano piece that is processed through electronics and fused with a harsh vocal speaking the poem "Dirge" by Shakespeare. "Dirge" is written about death from the perspective of the dying. The meditative, dark sound interlaced with complex piano melodies and rhythms creates a perfect, romantic atmosphere around the aspect of death. The harsh vocal can be interpreted as the cries of a crow, traditionally a messenger of death.
Dirge (134)
William Shakespeare
COME away, come away, death,
And in sad cypres let me be laid;
Fly away, fly away, breath;
I am slain by a fair cruel maid.
My shroud of white, stuck all with yew,
O prepare it!
My part of death, no one so true
Did share it.
Not a flower, not a flower sweet,
On my black coffin let there be strown;
Not a friend, not a friend greet
My poor corse, where my bones shall be thrown:
A thousand thousand sighs to save,
Lay me, O, where
Sad true lover never find my grave
To weep there!
About the composers:
Ivan Voinov is a first generation Russian living in America, where he has grown up, maintaining strong cultural ties back to his ethnic Russian roots, which can easily be heard in his music. During the later years if his high school career, he became successful as an ensemble composer, having several of his pieces performed across his home state, Vermont, and appeared on the radio for interviews on two occasions. Ivan is now studying computer music and recording rats major at Peabody conservatory, studying under Dr. Geoffrey Wright, where he is exploring the rich depths of sounds and capabilities and control pertaining to the field of electronic music.
Sandra Li, of the Siraya people, is a former keyboardist of the classical ensemble "Indulge" and the well-know metal band "Chthonic". Her musical works crossover between classical and fine art, film and documentaries. She is the composer for the TV documentary "Unknown Taiwan" produced by the Discovery Channel. Also, she was the artistic director of the musical "Dark Baroque”. Ms. Li earned the Master of Music degree in Computer Music from the Peabody Conservatory of the Johns Hopkins University in Baltimore, Maryland, U.S.A., where she studied Computer Music with Dr. Geoffrey Wright.
輓歌
威廉莎士比亞
無常爾來矣﹐置我於柩床。一息已云絕﹐殺我乃姣娘。
麻絰及紫杉﹐速備慎毋忘。無人愛我深﹐乃肯殉我亡。
竟無一好花﹐撒余靈柩旁。竟無一良朋﹐弔余埋骨場。
不須為余泣﹐葬余在遐荒。親友無覓處﹐免其徒哀傷。
《輓歌》是為預先設置的鋼琴,現場即時聲響效果控制,與金屬黑死腔演場所創作的作品。人聲的部分所吟唱的是莎士比亞的詩作 "輓歌"。這首詩所描寫的角度,是從一個渴望垂死的靈魂,面對生命中無法抗拒的凋落。企圖利用鋼琴複雜的旋律與節奏營造出一種完美浪漫的死亡氛圍,暴烈的人聲比喻為烏鴉的哭聲,代表死亡的傳統使者。
Ivan Voinov 來自俄羅斯,成長過程中大部分居住在美國。在他的作品中,充分展現了俄羅斯的民族意識與風格。就讀高中時,已經展露在室內樂作品的創作能量,樂曲曾發表於 俄羅斯,佛蒙特州,與電台相關專訪。目前就讀於約翰霍普金斯琵琶地音樂院電腦音樂系,主修作曲,雙修錄音藝術。師從 Dr. Geoffrey Wright。創作特色專注於聲音的探索以及有關電子音樂現場控制的深入研究。
汪戊全,來自台灣台北,2013年畢業於臺北科技大學互動媒體設計研究所,目前嘗試以手作的細膩態度融入互動媒體設計的謹慎思考,共同創造出述說新形態故事溫暖人心的價值。
楊政,來自臺灣,畢業於實踐大學服裝設計系,在組樂團的過程中受到身邊不同藝術形式的人啟發試著追求無法明確定義的表演形式。曾經重新定義縫紉機的聲音的意義,在各地做過演出,同時於2013年在牯嶺街小劇場手作工作坊演出。
李婉菁 Sandra Tavali,西拉雅人,前indulge , 閃靈樂團鍵盤手; Discovery Channel 「謎樣台灣」配樂,音樂劇「黑暗巴洛克」音樂總監。作品常為跨界藝術、電影、紀錄片配樂等。約翰霍普金斯琵琶地音樂院電腦音樂研究所畢業,師從 Dr. Geoffrey Wright。
![post-title](https://i.ytimg.com/vi/Hfz-yMUk878/hqdefault.jpg)
shakespeare theatre 在 English - The globe: Shakespeare's Theatre (B1-B2) - YouTube 的推薦與評價
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