關於 art on paper gallery ，我們在網路上蒐集到這些相關的討論、資訊與評價

〈透過亞福儲能，看見光．熱．永恆〉
2O21 亞福儲能 發展白皮書　
APh White Paper 2O21

亞福儲能以全球創新材料技術的研發與專業，開創儲能產業格局。因此，本發展白皮書封面採用了鮮少使用在書籍上的竹尾PACHICA燙透紙，紙張應用十分仰賴技術，在熱燙後會成為可透光的材質、產生半透的效果，我們在第一頁內頁選用陽光灑落的自然照片，運用紙材特性與編排，連結了亞福儲能與創新格局、光熱及永續發展等企業核心價值。PACHICA具備獨特性及技術性，同時卻保有溫潤手感，內頁也選用顯色清爽卻具有溫度的紙張，剛柔並濟，寓意亞福儲能不僅勇於挑戰，且重視與人的信賴。全書色彩以企業標準色紅、灰，以及具有光澤的銀色帶出品牌能量屬性。

Through APh ePower, we see the light, heat, and sustainability.
APh ePower breaks new ground in energy storage industry by the R&D and expertise in innovative materials. Accordingly, the book cover of this white paper uses the paper Pachica, which is rarely used in books. The paper after hot stamping will transmit light so that it brings a semi-transparent effect. We use the forest sunlight picture on the first page below the cover. The papers and layout arrangement connect APh ePower and the innovative approaches, light, heat, and sustainable development.

客戶 Client｜亞福儲能
視覺總監 Art Director｜HAA SO͘
書封及版型設計 Book Cover and Layout Designer｜HAA SO͘
美術編輯 Art Editor｜HAA SO͘, LAN​​​​​​​
作品攝影 Photographer｜HAA SO͘
Released in 2O21
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更多專案內容 See more →
https://www.behance.net/gallery/121169969/_

#pachica #pachika #takeo #パチカ

You are invited to my upcoming solo exhibition 𝘽𝙚𝙛𝙤𝙧𝙚 𝙈𝙚𝙢𝙤𝙧𝙞𝙚𝙨 𝙀𝙭𝙥𝙞𝙧𝙚 @jpsgallery !!

“How do we, as humans, individuals, and members of a community, embrace the destruction and recreation of our socio-economic cityscape, collective memories and interwoven identities?” — Elaine Chiu

Growing up in Yau Tsim Mong District, one of the busiest neighbourhoods in the city, Hong Kong artist Elaine has witnessed the drastic and continuous transformation of the urban space and environment since her childhood. The transient, fluidic, intersecting memories and impressions about Hong Kong have been deep-rooted in her consciousness and self-identity.

With the effect of the amendment of the Building Ordinance in 2011, thousands of sign boards, hand-written or neon-lit, have since been removed all around the city. In the past three years, Elaine initiated an on-site sketching campaign to record the fleeting cityscape with her paintbrush in the past three years. Street-sketching prompts her to contemplate the disappearance of numerous heritage buildings and tenement houses in the local community under rapid urban renewal.

Titled 𝘽𝙚𝙛𝙤𝙧𝙚 𝙈𝙚𝙢𝙤𝙧𝙞𝙚𝙨 𝙀𝙭𝙥𝙞𝙧𝙚, this exhibition is a continuation of Elaine’s previous on-site sketching and community art project. Centring her research around endangered buildings, architecture, cityscape, and memories of Hong Kong, her work explores different organic carriers, and their relationship with time and people, including community spirit, architectural structures and memories, that are formed bottom-up in the urban space. This exhibition features Elaine’s latest acrylic paintings, watercolour works on paper and a fresh to her practice sculptural work. ✨

This solo art exhibition will be on view from 6th May to 6th June, 2021 in JPS Art Gallery. The opening reception will be on 6th May, 2021, 5-8pm.
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Rsvp for the opening: https://www.elainechiu.com/events/before-memories-expire-opening-reception

#BeforeMemoriesExpire
#記憶若有限期
#ElaineChiu #趙綺婷
#jpsgallery

今個星期五六日本包會係 JCCAC展出4張水彩畫作🥰仲會其他17Creators 不同類型嘅藝術作品

17LIVE《Art is @live》藝術展覽
日期: 3月12日(五)至3月14日(日)
地點: JCCAC賽馬會創意藝術中心L0 Gallery *
因應人流管制，請先網上登記，確保你能順利進場*
https://www.eventbrite.hk/e/17liveart-is-live-registration-139591202043?aff=art

Art is alive 展覽作品介紹
作品1
題目：未來小食亭
297x420 mm | water color on paper

作品（2）
題目：貓盟太平清醮
297x210 mm | water color on paper

作品（3)
題目：香港保育系列- 中環公利真料竹蔗水
297x420 mm | water color and gouache on paper

作品（4)
題目：香港保育系列- 灣仔愛群理髮店
420x 297 mm | water color and gouache on paper

音樂 / Music: Ibiza Summer Mix 2018 🌱 Best Summer Hits 🌱 Best Of Remixes Deep House 2018
演出者 / Performer: Shine Music
https://www.youtube.com/watch?v=Z_fNOPwGI7k

剪輯軟體 / editing tool: Premiere Pro
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- 目前正在英國讀大學／平面設計系
Studying undergraduate now in the UK / Graphic Design
- 手帳控、文具控、紙膠帶控
Documenting life, loving stationary and washi tapes
- 喜歡分享紀錄自己的生活
Loving share and document my life
- 從寫手帳 專頁 到現在的影片
From document on paper, social media, and now filming

Facebook: Tracy L.
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