Blog 4
I have a second confession to make. I actually quite admire Taylor Swift. I know, I know. I know she gets a lot of hate, and a lot of people don’t necessarily see her music as “real music”, whatever that means. I know liking her music is sometimes seen as “uncool”- how dare any serious musician say they like her stuff, it’s only for silly teenage girls. But if I’m honest, fewer and fewer people treat the whole Cantopop market as “real music” as well, so perhaps we kinda do share that in common. 🤷🏻♀️ So who am I to diss it? I actually really admire her, and definitely count her as one of my previously unspoken inspirations. I do resonate with the way she writes... because it’s kind of the way I write.
I recently watched her NPR Tiny Desk Concert, and if you don’t know about Tiny Desk, perhaps you could check it out and be inspired - it’s a YouTube channel where artists and musicians perform in a tiny cramped space behind a work desk - and it’s brilliant. I love the rawness of it, the realness of it, and the closeness of it. It takes what happens on a big stage into your average office work space. It was a surprise to see Taylor Swift there, because it usually features up-and-coming artists or jazz musicians, performances of which I enjoy thoroughly also. But this was a surprising one, and so I clicked. I admit I even got a tad bit emotional after watching it, not because of anything else but the fact that I can resonated with so so much the stuff she said about songwriting and her creative process, and I enjoyed how she picked the songs and played completely alone, stripped down and raw, in the songs’ demo versions. In between songs, she shared thoughts and her creative process so openly and vulnerably, and how she wrote her songs as self-therapy, usually with just one instrument, in her pajamas, in the middle of the night. In that format, she somehow still managed to find a dominant spot in the mainstream and manufactured pop world - and that was so reassuring for me because that’s how I have written a TON of my songs.
Very, very early on in my career, before R&K, one producer once said to me, “you’re not the best singer, you’re not really a great guitar player, piano you’re a little better but still not that great... but with everything put together, mayyyybe you would be able to become a little bit of something.”
And for me, to see someone like Taylor Swift do so well in this world, someone who doesn’t belt like Beyoncé, doesn’t shred on the guitar like John Mayer, doesn’t play keys like Alicia Keys, doesn’t riff like Ariana Grande... for someone like Taylor Swift to be the mega success that she is... is undeniably impressive, and downright inspiring to me. She doesn’t use fancy techy gear, she doesn’t use fancy chords, she doesn’t do fancy grooves or sing fancy riffs. She just writes songs like she writes her diary - but she’s also smart and catchy and commercial about it. She is an amazing storyteller of her own life, and without necessarily being the best at singing or any instrument, she was the best at telling her unique stories. With everything put together, and a strong belief in herself - she has used this creativity of hers to garner millions and millions of fans all around the world.
Sometimes, the mastery of a craft looks different for different people. Sometimes it’s not about technical perfection. Sometimes, those who are imperfect, broken, hurt, but headstrong, open, authentic, courageous, and unapologetic are more interesting. It’s like found their own way to harness their scars or life experiences, and turn them into doors leading to their eventual evolution through creativity. They tell stories instead of showing off. It’s reassuring and also comforting that this still sells, with this much competition in the market, and resonates with me so much.
I then watched the TED talk by Elizabeth Gilbert, author of Eat Pray Love after the tiny desk because Taylor said she watched it with tears when inspiration didn’t come. And I just teared myself also. Touched tears. Tears of inspiration. Tears of joy in finding people that seem to think like me, who share the weight of my worries, but are successful and made an impact in the world. I found myself nodding viciously in agreement idiotically in my own living room, when they share the anxieties, insecurities and fears that typically consume the mind of creatives. I am definitely an overthinker so I’m a victim of all that was mentioned. Ok, you’ll have to watch it to understand. But it felt like I was meant to listen to this. It’s based on the daunting feeling of failure when inspiration doesn’t come, or feeling like your best work is “untoppable” and therefore your best days are behind you. But inspiration isn’t from within you. Inspiration is this mysterious force in the universe, and you just have to catch it when it comes, and even when it doesn’t, just keep showing up for your part of the job anyway until it does. And when time comes, let inspiration, this outer force in the universe take over. You don’t have to be sad for writing a bad song, or too proud for writing a good one. Don’t beat yourself up, and just keep doing what you do. Leave that fear behind you. Absolutely life changing.
And with this, I’m gonna go turn on my water tap of inspiration and try to work on some songwriting now. Thanks for checking in 🙂
Till next time.
Choose love, and bring light.
xRobynn
#robynnblogs
Do share what you think on what my next confession should be. 🙂
同時也有2部Youtube影片,追蹤數超過7萬的網紅渡辺レベッカ ☆ Rebecca Butler Watanabe,也在其Youtube影片中提到,Today's translated cover is an English cover of "Kanade" by Japanese duo Sukima Switch. This is a very well-known song in Japan! The word "kanade" com...
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推推推!
我老闆真的酷!
My BOSS SIFU really cool!
陶山
來吧來吧🤗
陶山是一位知名的华语流行乐制作人,知名作品有陈芳语的【爱你】,谢和弦和王诗安的【爱不需要装乖】,林宥嘉的【感同身受】等等。在西雅图长大的陶山因为一首莫文蔚和柯有伦的 [爱死你]而来到台湾,开始为这里的音乐圈写歌与制作。今天的陶山因为写过许多金曲已是圈子里有口碑的金牌制作人,也为这事你啊来的华语流行音乐产业丰富许多。最近,他对音乐的热情被导入他新的音乐品牌SKR Music, 透过这个品牌他希望能够让更多好艺人,好的华语音乐被更多人看到。
适用人群:
• 对音乐行业有兴趣的社会各界人士,音乐背景不限。
时间:22/5/2019 - 24/5/2019
(星期三至星期五)
大师级音乐课室系列
Skot Suyama 陶山 Vocal
Production Master Workshop
Master Bio:
Skot Suyama 陶山 is a Mandopop record producer best known for penning hit tracks such as Kimberley Chen’s 爱你, R-Chord’s 爱不需要装乖, Yoga Lin’s 感同身受 and many more. Born in Seattle and of Japanese-American ancestry, he came to Taiwan after the success of his first song, Karen Mok and Alan Kuo’s ‘爱死你’ which kickstarted his interest and contributions to the Mandopop scene at large. A well-respected veteran producer within the industry for his ability to write hit songs, Skot has been a direct contributor to many representative works of the contemporary Mandopop scene over the last decade. In the last few years, his passion has led him to start his own record label SKR Music, under which he hopes to hone artistically-sound artists and music which bring Mandopop to the wider world.
Master Workshop Duration: 3 days
1. What is Vocal Production?
What does a vocal producer do?
2. Gear basics. Mic, Pre-Amp, EQ, Compressor
3. Setting up the Pro-Tools session, getting ready for the artist
4. Meeting the artist: getting to know what kind of artist they are, and the psychology of recording an artist. The mental and psychological aspects of a singer
- When to push
- When to listen
- How to read a singer and what they really mean when they complain
- How to get the arrangement super comfortable in the headphones, and balance the reverb, and delay so that the singer can give you their best performance
- The ‘groove’ of a recording session
- How much ‘pre-roll’ to give
- How much time to give between takes for the singer to res their voice
- The different backgrounds of singers and how that effects the recording technique. For example, Singers that developed their skills from Karaoke or singing competitions often like to sing the entire song through to get the right emotion for each part. Singer Songwriter or demo singers who have a recording background usually prefer to go part by part, etc. While seasoned veteran singers may prefer to speed through a recording session either because they’re busy and need to go to their next engagement, or because they already know the power of the computer and vocal editing.
- How long should you chat with a singer before recording? Get to know them and start building trust before you even press record.
- How to keep the singers confidence always high, so you can get the best performance out of them.
- When to make a comment, and when to just let the singer keep singing. What happens to the singer’s confidence when you give a negative comment like ‘You’re out of tune’, or ‘you’re rushing’ etc.
- When to show the artist another way of singing a certain line. And when to give up on your idea.
- How to create a bond with the singer in very short amount of time, so that you both are on the same team and both doing your best for the song
Skill Sharing course:
1. Recording the artist and selecting takes, different approaches to recording the song
2. Finding harmonies, and recording harmonies. Going in depth with many examples. How to find the 3rd, and the 5th harmonies and how to adjust them according to what the chords are playing behind. How many tracks to record, and how to pan them. Example pro-tools sessions : (王艳薇)天使亲吻过的声音, (王艳薇)框不住的爱
3. Adding ad-libs. Showing examples of when the ad-libs are too much, or in the wrong place. Showing the corrected examples. Example pro-tools sessions : (王艳薇)天使亲吻过的声音, (陈忻玥)Just You and Me,
4. Tuning vocals. Bring in a session and show them step by step how I tune vocals in all of my vocal productions. Example pro-tools session : (陈忻玥)Nobody Ever Wonders, (王艳薇)天使亲吻过的声音
5. Adjusting the timing of vocals / Aligning vocals. Show step by step using previous pro-tools sessions of songs that I’ve created. How to edit the timing of rap vocals. Example pro-tools session : (陈忻玥)Just You and Me, (李杰明)神秘
6. Trouble Shooting Vocal Editing. Get rids of pops and clicks, and bad cross fades. Show examples of each, and how to solve common vocal editing problems. Example pro-tools session : (傅又宣)Better This Way Unplugged
每晚7点至11点
地址:Livehouse @Lion Studio
115B Commonwealth Drive
Singapore 149597
课时:共12小时 (3节课,每节课4小时,英文再加一点点外国人华文授课)
费用:S$550新元/-
网上报名:http://Skot.peatix.com
咨询:+65 81800537 或 contact@livehouse.sg
(备注:报名者需预付200元订金*,此金额将从总费用中扣除。余下金额(例: S$550新元-S$200新元= S$350新元)
直接支付于Livehouse Pte Ltd
咨询方式:+65 81800537
或 contact@livehouse.sg
Date : 22nd-24th May 2019
( Wednesday- Friday)
Time: 7pm-11pm
Total No. of Hours: 12Hrs
(4Hrs x 3 lesson conducted in English )
(Note: Register here with S$200 deposit*, which will be deducted from the total fees. The rest amount (e.g. S$550-S$200= S$350/-) is directly payable to Livehouse before workshop commences.)
Contact +65 81800537or email to contact@livehouse.sg for enquiries.
* The S$200/- Deposit is non-refundable in the event that the attendee wishes to withdraw from the workshop on day of commencement!
best part chords 在 Florence 陈秀丽 Facebook 的最佳貼文
I believe the power of praying, pray for me please. Piano test at 11:54am today. Pray will passed the test. Thank you! Now is 5pm, the test is over, it takes 10 minutes for the test. When walk in sit for first song, blank for a moment, till teacher said may start with second song then third song then come back to first song. Three songs played title "impertinence", "serenade espagnole" "prelude"”, all scale answered, she ask all the difficult scale, Play some notes wrongly but hope won't affect too much. Major Scale F major, G minor, both hand, contrary E both hand, chromatic right hand D, apreggios A major, D minor, broken chords E minor. 30 second song no b and #, consider easy. Third part is singing part, sing with her piano rhythms. Listen to her play, find out the different of pitch change, rhythms change, dynamics, articulation and tempo. Full mark 150, 100 consider pass. It take 7 weeks for result. I do tried my best, thank you for your prayer and wishes.
best part chords 在 渡辺レベッカ ☆ Rebecca Butler Watanabe Youtube 的最佳解答
Today's translated cover is an English cover of "Kanade" by Japanese duo Sukima Switch. This is a very well-known song in Japan! The word "kanade" comes from the verb "kanaderu" which means "to play" (an instrument) or "to perform."
The lyrics were translated by the very talented Dima Lancaster, whose channel can be found here:
https://www.youtube.com/c/ThePrequelBand
~♪~♪~♪~♪~♪~
今日はスキマスイッチの「奏」を英語でお届けします♪
懐かしい曲ですね(^^♪ Enjoy!
英語歌詞はDima Lancasterによるものです。
※チャンネル → https://www.youtube.com/c/ThePrequelBand
~♪~♪~♪~♪~♪~
曲情報 / SONG INFO
~♪~♪~♪~♪~♪~
スキマスイッチ/奏
Sukima Switch / Kanade
Released 2004
Music/Lyrics: Sukima Switch
English Lyrics: Dima Lancaster
~♪~♪~♪~♪~♪~
リンク / LINKS
~♪~♪~♪~♪~♪~
■HP⇒ http://BlueEyedUtaUtai.jimdo.com
■Facebook⇒ http://facebook.com/blueeyedutautai
■Twitter⇒ @BlueEyedUtaUtai
■Chords
(Coming soon)
~♪~♪~♪~♪~♪~
歌詞/LYRICS
~♪~♪~♪~♪~♪~
(English lyrics by Dima Lancaster)
You don't have to say a word, just put your hand in mine
In the wind and station noises, let's stay like this for a while
It hurts my heart 'cause it's time to part, but I try my best to smile
There is sadness in the air, but something tell me we'll be fine
And I really wished for this one season that brought us something new
Not to overflow with sad songs that I'd write to you
But I'm standing here so numb and speechless, just looking in your eyes
Searching for the final words to break the silence
Something other than "goodbye"
To take your hand and show the way, so you are never lost
That is what I thought I lived for, what I cherished most
But the time goes on and now I know it's not like that anymore
It's the days we spent together that still keep us hanging on
And I really wish that in the season that brought us something new
You would bloom, just like these flowers 'cause I'm blooming too
If you ever find another melody that flows just like my voice
It will always keep us close no matter where you are
And no matter where you go
We are running out of time
The whistle blows, train will soon depart
I release your hand and just watch you go
This is the hardest part
I couldn't hold it anymore and I screamed my heart out,
"My voice will be there to protect you, it will never matter how far!"
When you first appeared before my eyes, I remember everything -
How the sky got closer to me and I learned to breathe
All the mornings, tears and singing voices - I got dazzled by their light
Yes, it's true, you gave me something that shined so bright
Memories I can't control are in my voice and I will send them far away
To the city where you are, where I will go someday
If you ever find another melody that flows just like my voice
It will always keep us close no matter what
No matter where you go
best part chords 在 haketu Youtube 的最佳貼文
This is just the intro of LEMON TREE in Ukulele. Click here for the full version of chords and part 1 tutorial: https://www.youtube.com/watch?v=cWgaISzcDJE&index=8&list=PL_iBkJoa0WAlh9OZTfuf4d0xgk8tuRzN1
You can apply this version on guitar as well ! It works ! :)
Haketu Guitar channel is created for sharing free guitar tutorial clips.
Please refer to http://haketuguitar.com/ for free and paid tabs.
Don't forget to like my fan page http://www.facebook.com/haketuguitar !
One more, http://artemy.co/ for Haketu Guitar's online lessons, including basic and intermediate guitar strumming, fingerstyle, ukulele, and song banks !!!
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best part chords 在 Best Part Guitar Tutorial Daniel Caesar Feat HER Guitar Lesson 的推薦與評價
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