關於 i saw the light video ，我們在網路上蒐集到這些相關的討論、資訊與評價

Larry Carlton Style - Triad Approach
https://youtu.be/lGFl9EVy7rI

Special thanks to Tim H (my new fan!) who sent his special package with money for my cds! This gift was so amazing! His friend Bob Cameron who took this amazing photo from live footage of Louis Armstrong in 1941! Incredible! I love it so much! Tim said "I thought you might like to have it in light of the fact that you are a fine musician in your own right." Wow! Thank you so much!!

Then I thanked him via email.. he wrote me back with more about Bob and Tim's life stories.

Then Tim wrote.... "Nevertheless, I really admire your skills as a performer as well as a teacher. Of all the teachers I have followed, you make the most sense to me personally."

""I am including a link to a video of Rick Beato with Larry Carlton. I saw Larry Carlton play a few years ago and he just blew me away. Since you are so into triads and base your understanding of soloing on them, I wanted to ask you to do a video on how Larry Carlton hears 3 triads above the one that is played... and then he improvises based on these 3 possibilities.
It's way over my head and I'll probably never "get it" as far as getting it under my fingers, but at least maybe I can intellectually understand it. Here is the video - 5 minutes in...
https://www.youtube.com/watch?v=1c9lx0KFkO4&t=416s

Anyway, maybe you can explain it better than they do.
Thanks,
tim ""

So this video is replying to Tim's question. Although I didn't watch that video yet because I wanted to point out two approaches first as simple ideas. Hope Tim will enjoy this!
What do you think?

Introduction (00;00)
Story behind this video (01:00)
Tim 's request on LC from Rick Beato's video (03:07)
CMaj7 (G/C) ..G = 5, M7, 9 .. FMaj7 (C/F) C = 9, 5, M7(03:40)
Chord voicings idea over CMaj7 & FMaj7 (06:10)
Soloing Example Over Backing Track #9 (07:18)
Soloing Example Simple Triads & mixing blues feeling (08:45)
Larry Carlton was a huge Influence on me (10:15)
My problem was not have my own style (12:25)
Larry Carlton style BLUES in G (14:25)
G7 = G & F Triads (I & bVII Triads) (R35 & b7911) (15:12)
C7 = C & Bb Triads (I & bVII Triads) (R35 & b7911) (16:32)
G Blues Backing Track (18:49)
Soloing example over G Shuffle Blues (19:37)
Larry Carlton's I & bVII Triads Review (22:07)

1967 Gibson ES-335
Bartel Roseland Head
Bartel 1-12 Cabinet
Providence cables E205TF
Boss RC-3
One Control Prussian Blue Reverb
Vemuram Jan Ray for TF
D'Addario NYXL 09-42
Pickboy TF Sig 1.00mm

【芸能事務所の生き残り方】

本題に入る前に近況報告からさせてください。

昨日もお話しさせていただいたのですが、３日前に募集を開始した「西野亮廣オンライン講演会　〜マーケティング講座【上級編】〜」に期待が集まっているみたいで、昨日の段階では受講生が８５０人だったのですが、今朝見たところ、１７００名を超えていました。本当にありがとうございます。

(こちら↓)
https://silkhat.yoshimoto.co.jp/projects/2158

こちらの講演会は受講料が５３００円となっておりますが、映画『えんとつ町のプペル』のオンラインムビチケ（前売り券）が「３枚」ついてくるので、受講料は実質ほぼ無料です。クラファンの手数料ぐらい。

当然、この講演会をやっても僕には利益なんてないのですが、僕からすると、そんなものよりも、皆で作った映画が一人でも多くの方に観てもらえる方が何千倍も何万倍も嬉しいので、まったく構いません。

モノを届ける為には、何が必要なのか？
人を集める為には、何をしなければならないのか？

今回の講演会では、エンターテイメントに限らず、全てのサービスに関わってくる問題と、その解き方について、かなり踏み込んだ話をしたいと思います。「上級編」とありますが、難しい言葉や、無駄な横文字は使わないので、ご安心ください。


https://silkhat.yoshimoto.co.jp/projects/2158





というわけで、今日の本題です。



今日は「キンコン西野が芸能事務所を作るなら…」というテーマでお話しさせていただきます。



僕は表向きは吉本興業のタレントなのですが、それって表舞台に出る時で、僕の実際の仕事は９割ぐらいが株式会社NISHINOの仕事なんですね。

ただ、吉本興業とバチっているってことはなくて、吉本興業と一緒にした方がいい仕事は一緒にしますし、「ここは組まない方がいいよね」という仕事は組まずに、株式会社NISHINOでやらせてもらっています。そのへんは臨機応変に。

吉本芸人の中では珍しい「吉本愛」がある男です。

やっぱり、なんだかんだ言っても自分を育ててくれた会社なので、その恩は何倍かにして返さないと気持ちが悪い。
だからこそ、ダメな時はかなり強めに「ダメだ」と言います。
かなり強めに(笑)


吉本興業に限らず、あらゆる芸能事務所がおかれている今の状況を、めちゃくちゃフラットな立場から切り取ると……やっぱり、最大の権威であった「テレビ」を観る人が減ってきて、それぞれがYouTubeチャンネルを持ってしまって、「テレビに出たい」というタレントや、「レギュラー番組が欲しい」というタレントが減ってきた。
くわえて吉本興業の場合だと、コロナで劇場もやられてしまって……それによって「いや、劇場でネタをおろすより、ジャルジャルみたいにYouTubeでネタをおろした方が多くの人に見られるし、実入りもいいんじゃね？」というのがバレてしまって……今、全員の頭の中にある疑問は「芸能事務所って本当に必要なの？」だと思います。



インターネットの本質は「直接購入」なので、どうしても「中抜き」の立場は弱くなってしまう。

そんな中、今、各芸能事務所が生き残りをかけて、あれやこれやと手を打っているわけですが、たとえば、こと吉本興業に関していうと、やっぱりこれまで「大仏商売」だったんですよね。

明石家さんまサンがいて、ダウンタウンさんがいて、ナインティナインさんがいて…という。もちろん、その才能を生んだのは吉本興業であることは間違いないのですが、「生んだ才能に乗っかり続けた」というのも、また事実。

それでも、ネットインフラが整うまでは、それでいけたんですよね。
タレントのスケジュールを切って、ギャラ交渉をして、時々、バーターで新人を挟んで…というビジネスモデルを長らくアップデートする必要がなかった。
それはそれで本当に凄いことなんだけども。


だけど今は、ネットインフラ、もっと言うと、動画インフラやダイレクト課金インフラが整ってしまったので、もう「事務所に所属していないと世に出れない」みたいな時代じゃなくなった。

で、「これはヤバイ！」となって、今、慌てて、各芸能事務所デジタル化らしきものを進めているのですが、肌感でいうと７〜８年ぐらい遅い。
「UI、UX、何やそれ？」「オンラインサロンって、儲かりまんの？」という世界です。

本当に、何年も前に止まってしまった時計の針を今、慌てて動かしているから、ガタガタギシギシ鳴っているのが現状です。

頑張っているのは分かるのですが、そこに対する知識が圧倒的に不足しているから、流行っているものを見よう見まねで始めては見るものの、全然イケてないサービスを量産してしまう。
「そういうことじゃねえんだよ」の連続です。


一つ、吉本興業のクラウドファンディング「SILKHAT」に関しては、立ち上げから携わらせてもらった手前、今でも逐一「ここは違う、ここはこうだ」と口を挟ませてもらっているのですが、それ以外の吉本が仕掛けているサービスなんかは、ちょっとよく分からない。

救いは社外取締役で来てくださったビリギャルの坪田さんで、さすが坪田さん案件はイケてるなぁと思うのですが、ただ、坪田さんの身体は一つしかないので、さすがに吉本興業の全てのサービスをカバーすることは難しい。
吉本って、本当に大きな会社なんです。

ネットは特に適者生存の世界で、これまでリアル社会でどれだけ幅をきかせていようが、時代に合っていなかったら、１秒で駆逐されてしまうんです。

時計の針を長年止めていた人が見よう真似で参戦して生き残れる世界じゃないんですね。

今、コロナで食い扶持が減った各芸能事務所が、「新しい収入源を作れ〜」と躍起になっていると思います。

このへんの展開は手に取るように分かるのですが、まぁ、いろんな事務所さんが「オンラインサロン」を始めると思います。

始める理由は「オンラインサロンは、どうやら儲かるらしいから」です。
そして僕の見立てだと、ほぼ１００%失敗します。

「なぜ、ダイレクト課金が成立しているか？」を構造で理解していないからです。
「認知」と「人気」の違いを本質的な部分で理解できていない。

今田さんや東野さん、この前だと華大さんとか千鳥さんとかが「そういうのは、知識の無い社員が旗を振らずに、西野に頼んでやってもらったらいいんだよ」と言っていたんですが、僕本人が言うのもアレですが、本当にそうだと思うんですね。
でも、社員は絶対に聞いてこない。

僕は日本の名だたる企業さんから社員向けの講演会のオファーを受けるのですが、吉本興業から頼まれたことは一回もありません。

自分で言うとカドが立つので嫌なのですが、でも実際問題、クラウドファンディングで日本で一番支援を集めていて、オンラインサロンで日本で一番会員を集めていて、なんか国内最大の広告賞を取っている。
…そんな奴が、自分とこの会社にいて、カジュアルにアドバイスを求められる距離にいるんだったら、アドバイスを求めた方がよくないですか？

渡辺直美ちゃんにインスタの運営方法を聞いた方がよくないですか？
カジサックやオリラジの中田君にYouTubeの勉強会を開いてもらった方がよくないですか？


でも、それをしないんです。なぜか？
「プライド」です。

芸能事務所とテレビというタッグはこれまで本当に強くて、タレントはあくまで「使う存在」だったので、「教えてくださ〜い」とは言えない。

現役のバリバリ第一線でやっている人が、隣にいるんです。これ、勿体無いでしょ。

僕が吉本興業の社長なら、西野にギャラ１００万円渡して、なんばグランド花月に吉本の全社員を入れて、西野のマーケティング講座をやります。もしくは西野の書籍「革命のファンファーレ」あたりを全社員に配ります。
#どうせ西野は100万円を全額寄付します

これビッグマウスでも天狗でも何でもなくて、普通のビジネスマインドを持った人からすると、かなりフラットな意見だと思います。


で、今日の本題である「キンコン西野が芸能事務所を作るなら…」というところなのですが、やっぱり、今、一番時代を切り取れているのは、「結果を残しているプレイヤー」であることは間違いないんです。

そこに、あらゆる情報が集中しているので。やっぱり、その人が一番、知識がある。

　
その上で、僕が芸能事務所を作るのなら…………トッププレイヤーに株を持たせます。
むしろ、事務所の方から頼みこんで、事務所の株を持ってもらう。

　
株を持ってもらうのが難しいというのであれば、顧問料として業務ごとに契約して、事務所の売り上げのパーセンテージ渡します。

吉本興業でやるYouTubeならば、顧問料として、カジサックやオリラジ中田君に僅かでもパーセンテージを渡します。

そうすると、カジサックやオリラジ中田君は、吉本興業のYouTubeを盛り上げようとして、他の吉本芸人のYouTubeチャンネルの宣伝を自発的に行ってくれるので。


これから「タレントに株を渡せる事務所」と「タレントに株を渡せない事務所」の明暗は大きく分かれてくると思います。

今日のオンラインサロンの記事は、ここから、さらに踏み込んだ話をしたいと思います。

よろ！

　
▼西野亮廣の最新のエンタメビジネスに関する記事(1記事=2000~3000文字)が毎朝読めるのはオンラインサロン(ほぼメルマガ)はコチラ↓
https://salon.jp/nishino

▼Instagram版はコチラ↓
https://nishino73.thebase.in/items/25497065

━━━
２０２０年１２月２５日公開！
映画『えんとつ町のプペル』

▼オンラインムビチケ（特典付き）の購入はこちら↓
https://mvtk.jp/Film/070395

▼上映館はこちら
https://theater.toho.co.jp/toho_theaterlist/poupelle.html…
[how to survive the entertainment office]

Let me make a status report before entering the chase.

I was able to talk to you yesterday, but I started recruiting 3 days ago, ′′ Ryo Nishino Online Lecture ~ Marketing course [Advanced Edition]~" it seems that there is a lot of expectations for yesterday's stage, and I'm going to have a good time with the students There were 850 people, but I just saw it in the morning, and it was over 1700 people. Thank you so much.

(here ↓)
https://silkhat.yoshimoto.co.jp/projects/2158

This lecture is 5300 yen for the enrollment fee, but the online bangabandhu (advance tickets) of the movie ′′ a town ′′ is coming with ′′ 3 pieces ′′ so I'm going to enroll The fee is virtually almost free. About the fees of a fan.

Of course, I don't have any profit to do this lecture, but from me, it's a thousand times more than that, it's a lot of people who have been able to watch a lot of movies that we all made. I'm so happy that I'm so happy that I'm so happy that I'm

What do you need to deliver things?
What do you have to do to collect people?

In this lecture, I would like to talk about the problem that is involved in all services, and the problem that is involved in all services, and the solving of it." it is an advanced version." but it is difficult words and useless. I don't use the side letters, so please rest assured.


https://silkhat.yoshimoto.co.jp/projects/2158





So today's chase.



Today we will talk about the theme of ′′ if xin nishino is going to make an entertainment office..."



I'm officially a talent for yoshimoto kogyo, but it's time to go on the stage, and my actual work is about 9 % of Nishino Co Ltd.

It's just that I'm not drumstick with yoshimoto kogyo, but I'm going to have a good time with yoshimoto kogyo, and I'm going to have a good time with the work that I don't have to set up here, but I'm going to do it I'm giving it to you. I'm flexing it.

This is a man who has a rare ′′ Yoshimoto Love ′′ among yoshimoto comedians.

As expected, it's a company that raised me even if I said it, so i feel bad if I don't return it to a few times.
That's why when you can't do it, it's pretty strong to say ′′ no
Pretty strong lol


It's not limited to yoshimoto kogyo, but when you cut the current situation that every entertainment office is in a flat position...... as expected, there are many people who watch ′′ TV ′′ that was the biggest authority, and each one is youtube I have a channel, and I have lost the talent of ′′ I want to be on TV ′′ and ′′ I want a regular program,"
In the case of yoshimoto kogyo in the mouth, the theater was also hit in corona...... by that, ′′ No, it's a lot of people who put down the story on Youtube like jal rather than lowering the story in the theater. I found out that it's good to have a good time?" now I think that the question in everyone's head is ′′ I really need an entertainment office?"



The essence of the internet is ′′ direct purchase so the position of ′′ inside ′′ is going to be weak.

In such a way, each entertainment office has survived, and it is hitting their hands with this, but for example, about yoshimoto kogyo, it was a ′′ Daibutsu business ′′ so far.

There is a akashiya san, and there is downtown, and there is a nine nine nine... Of course, there is no doubt that it is yoshimoto kogyo who gave birth to the talent, but it is also a fact that ′′ I have continued to be born with the talent that I have been born,"

Still, until the net infrastructure is done, it's done.
I didn't have to update my business model for a long time, when I cut my talent schedule, negotiate galaga, and sometimes, in remembrance of the newcomer...
That's really amazing though.


But now, net infrastructure, more to say, video infrastructure and direct charge infrastructure have been set up, so it's no longer an era like ′′ if you don't belong to the office, you can't get out of the world

So," this is crazy!" and now I'm in a hurry, and I'm going to have a good time with each entertainment office digital, but it's about 7 TO 8 years late with the skin feeling.
′′ UI, UX, what is that?"" the online salon is profitable?"

Really, I'm in a hurry to move the needle on the clock that has stopped years ago, so it's the current situation that I'm going to have a good time with the tagaytay snipe.

I know you're working hard, but the knowledge of there is overwhelming, so I'm going to see what's trending, and I'm going to have a good time with a lot of people who are in the middle of the day, and I'm going to have a mass production of
It's a row of ′′ it's not that kind of thing


One, as for yoshimoto kogyo's crowdfunding ′′ Silkhat ′′ in front of the launching, I still have a mouth-to-mouth ′′ it's different here, it's like this other than that I don't really understand the service that yoshimoto is planting.

Salvation is the outside director of the biryani, and I think that the case is cool, but it's just that there's only one body of Mr. Bamboo, so I'm going to go to the middle of the day, and I'm going to have a good time with yoshimoto kogyo Covering the services of the.
Yoshimoto is a really big company.

The net is especially the world of the fittest survival, and how wide it is in real society so far, but if it is not right in the era, it will be destroyer in 1 seconds.

It's not a world where people who have been stopping the needle in the clock for many years can survive and survive.

Now, I think that each entertainment office, which has lost the the in corona, is scrambling to make a new source of income ~"

I know I'm going to get this strange expansion, but I think all kinds of offices will start the ′′ Online Salon ′′

The reason to start is ′′ the online salon seems to be profitable
And when it's my likened, almost 100 % fail.

Because I don't understand the structure of ′′ why the direct charge is completed?"
I don't understand the difference between ′′ cognitive ′′ and ′′ popularity ′′ in an intrinsic part.

Imada-San and higashino-San, last time, Mr. Hua-San and chidori-San said, ′′ that's what I wish I could ask nishino to do without knowledge without throwing the flag But that's what I'm saying, but I really think it is.
But employees never listen.

I'm getting an offer for a lecture for employees from a Japanese famous company, but I've never been asked by yoshimoto kogyo.

I don't like it because I'm going to say it myself, but it's actually a problem, crowdfunding is collecting the most support in Japan, and I'm collecting the most members in Japan at the online salon, and I'm going to have the biggest advertising I'm taking it.
... isn't it better to ask for advice if that kind of guy is in this company and in the distance where he can ask for advice casual?

Isn't it better to ask Naomi Watanabe how to operate her instagram?
Isn't it better to have a youtube study session for kazi and olli nakata?


But I don't do that. Why?
It's ′′ pride

The tag called entertainment office and tv is really strong so far, and the talent was only ′′ the existence of use," so I can't say ′′ let me know,"

There are people who are doing it on the front line of the active crunching. This is not spoiled, is it?

If I am the president of yoshimoto kogyo, I will give you 100 yen to nishino, and I will put all employees of yoshimoto in nanbagurando huā yuè, and I will do a marketing course in nishino. Or handing out nishino's book ′′ Fanfare of the revolution ′′ to all employees.
#どうせ西野は100万円を全額寄付します

I think it's a pretty flat opinion from a person with a normal business mind, not a big mouse or tengu.


So, today's chase, ′′ if xin nishino is going to make a entertainment office..." but now, the most era is," the player who leaves the result ′′ Things are not wrong.

There, because all the information is focused. As expected, the person is the most knowledgeable.

　
On Top of that, if I'm going to make an entertainment office............ I'll bring stocks to the top player.
Rather, I'm going to ask you from the office, and I'm going to have a office stock.

　
If it is difficult to get stocks, sign up for each business as an adviser fee and pass the percentage of the sales of the office.

If you're on Youtube at yoshimoto kogyo, you'll give a little percentage to kazi and olli nakata as an adviser.

So, kazi and olli nakata are going to elevate yoshimoto kogyo's Youtube, and they are voluntarily going to promote the youtube channel of other yoshimoto comedians.


From now on, I think that the light of ′′ the office that can pass stocks to talent ′′ and ′′ the office that can't give stocks to talent ′′ will be divided greatly.

Today's online salon article, from here, I would like to talk about stepping in further.

Happy birthday!

　
▼ an article about the latest entertainment business of ryo nishino (1 articles = 2000 to 3000 characters) can be read every morning online salon (almost mail magazine) is here ↓
https://salon.jp/nishino

▼ Instagram version is here ↓
https://nishino73.thebase.in/items/25497065

━━━
Released on December 25, 2020!
The movie in a town ′′

▼ Buy Online Bangabandhu (with perks) here ↓
https://mvtk.jp/Film/070395

▼ here is the screening hall
https://theater.toho.co.jp/toho_theaterlist/poupelle.html#region7Translated

【玳瑚師父客人見證】《玳瑚師父好厲害》
The Great Power of Master Dai Hu

文 / 吳女士
Written by: Ms Goh

非常感恩菩薩的慈悲，明明之中通過姐姐的介紹，讓我有機會認識師父。 姐姐介紹我看師父的臉書視頻，也跟我說有機會一定要撥電話給師父。

起初，我第一次看見師父的視頻， 沒有想到師父是那麼的年輕、英俊的師父😍。 心想這位師父這麼年輕，會厲害嗎？

在慢慢的繼續看視頻，讓我越來越想要撥電話給師父，希望師父能幫我改善我的生活。

將近15年來，我的胃因為工作的原因而出現了問題。 這問題看了好幾位醫生都沒法解決，可說是無藥可救。 我的身體就好比住了一隻活貓。 不能控制的，時不時就會發出貓叫聲，不騙你。 有時就像小貓肚子餓找食物的聲音，有時就像大貓要打架的聲音。同事聽了都會開玩笑，還給我取小名為貓貓 ＂Kitty＂。在去年，新上司一聽到就皺眉頭，今年，年頭也因為這怪聲而被罵，哭到我眼睛腫到幾乎不能打開。工作的壓力、身體的問題，讓心情、心靈越來越不好。有時就想拿把刀切開肚子，把那只貓給抓出來。每當想起被罵的那一次，眼淚就不受控制的留下。😭

幾次試著撥電話給師父都打不通。天天在想， 天天心裡祈求，師父幫我。

在8月4日那天，感謝菩薩慈悲，感謝師父給我機會，電話的另一端不是電話錄音，而是師父的慈祥的聲音！我非常的開心，開心到一直在流眼淚，這是極度歡喜的眼淚。❤️

我非常的贊嘆師父的厲害！對於玄學、看八字非常的厲害。 他比我更瞭解我自己。

我對師父說，師父好像裝了閉路電視在我家。 師父所說的句句都對。百發百中！🎯
為師父掌聲鼓勵鼓勵！！👏🏻👏🏻👏🏻👏🏻👏🏻

師父說我適合吃西餐、日本餐，什麼餐都好就是不能吃麵條。因為面不適合我的五行。師父怎麼知道😲？我真的幾乎是餐餐都是麵條！因為胃不好，所以我喜歡吃面湯。

自從我聽了師父的話，不再吃麵條，也聽了師父的話，把我20多年的長髮給剪了，還做了一些有益我五行的改變，還有通過念經。

我看到了改變！ 最讓我開心的是不用吃藥，跟隨我多年的＂貓＂病，這兩個多月都沒出現了。😄

就連我的同事也發覺了，說好久沒聽見貓的聲音。似乎已經跑掉了！工作上也比以前順利。心情也比以前平靜了好多💖

真的非常非常感恩師父❤️🙏🏻玳瑚師父988波道給我機會和力量向善向上。❤️

師父真的很棒！真的好厲害！💕👏🏻👏🏻👏🏻👏🏻👏🏻

南無阿彌陀佛🙏🏻

———————

I'm very grateful for Bodhisattva's Great Compassion for playing the role of a middleman. Through my Elder Sister, I got to know Master Dai Hu. My Sis encouraged me to look at Master Dai Hu's Facebook’s posts and told me that I should try to make a call to Master Dai Hu.

When I first saw Master Dai Hu's Facebook video, my first impression of Master Dai Hu was, he was so young and handsome-looking. I was thinking in the back of my mind, what great power will he have, for him being so young?

Gradually, after watching many Master Dai Hu's videos, my craving to want to look for Master Dai Hu's help grew greater. I wish that he could help me.

For the past 15 years, I developed gastric issue due to the nature of my work. I had sought help from many doctors but they couldn't seem to cure me. There was literally no cure to my condition. My stomach often involuntary made cat meowing sounds. It wasn't a joke. Even my doctors was puzzled by my sounds. But no treatment and medication could totally cured it. I often laugh and tell people that I swallow a cat alive. And this "cat" is living inside me. The involuntary sounds I made can seem like a small kitten looking for food from its mother. Sometime, it will sound like angry big cats going to engage into a fight. I often got teased by my colleagues. They even gave me a nickname "Kitty".

Things started to get worse this year, after I got transferred to a new department. Although I had explained to my "cat" issue to my new manager, she didn't seem to empathise with my condition. She would frown whenever she heard my meowing sounds. I felt so alien.

In the beginning of this year, there was an incident that happened, I was scolded by a senior for the sound I made. I felt so sad that I cried so bad. Both my eyes swelled until I couldn't even open them the next day. The stress from work and worsening health condition put me on the verge of depression. I was so angry, negative and frustrated with myself. I would often think of taking a knife to cut open my stomach to take that "cat" out of my body. Even till now, whenever I think of the scolding incident that happened, my eyes will well with tears.

After failing to call through Master Dai Hu a couple of times . I pray daily, prayed that one day Master Dai Hu will answer my call for help.

I want to thank Bodhisattva & Master Dai Hu for my wish comes true. On 4th August, the phone call didn't end in voicemail. It was Master Dai Hu's calming voice coming from the other end of the phone. I was so rejoiced! Tears of happiness kept flowing down my cheeks during my conversation with Master Dai Hu.

I am very impressed by the great power of Master Dai Hu. His accuracy in Chinese Metaphysics and Bazi is more than superb! He knows more about me than I know myself. I laughed telling Master Dai Hu, he must have installed CCTV at every corner of my house. Whatever he said, was so right! He deserves more than a round of applause 👏🏻👏🏻👏🏻👏🏻

Master Dai Hu told me that I'm suitable to eat any types of food, for example western food, Japanese food. All types of food except noodles. Noodles doesn't suit my five elements. I didn't even tell him that due to my stomach issue, I consumed noodle soup almost daily, as it is warm and light to my problematic stomach.

Ever since I adhered to Master Dai Hu's advice, I had stopped eating noodle, cut away my 20+years of long hair and did some changes that suited my five elements, and began reciting the name of Bodhisattva.

I saw changes! Without taking any medication, the "Cat" that lives within me seem to vanish! For more than 2 months! Even my colleagues notice. They said they had not heard my cat cries. I finally behaves normal, Good normal. My work is smoother. My mood seems calmer, peaceful. Life is more positive. I'm really happy. ❤️😇

I'm really very grateful for Master Dai Hu. ❤️
Thank you Master Dai Hu for creating Master Dai Hu Channel 988; for giving me a chance to learn.

旅先で出会った気になるお店の気になるランチ…！新潟県加茂市『割烹 笹』にお邪魔しました。信号待ちしていた時に何やら気になる看板が目に入り、思わず伺ったお店です。リーズナブルだし、缶コーヒー40円も気になる…どんなランチが出てくるか入ってみることにしました。入ると座敷とカウンターの落ち着いたお店で飲みにちょうど良い一品料理もたくさんあるようでした。注文が入ってから揚げてくれるので熱々が食べられるのも嬉しいですし、小鉢がたくさんがまたいいですね。それでは早速ご覧ください！

＊感染対策を徹底して撮影を行っています。
＊撮影に際しては、お店の方や周りのお客様に充分配慮して撮影をおこなっています。

An interesting lunch at an interesting shop I met while traveling ...! I visited "Kappo Sasa" in Kamo City, Niigata Prefecture. When I was waiting for the traffic light, I saw a signboard that I was curious about, and I visited this shop. It's reasonably priced, and I'm curious about 40 yen for canned coffee ... I decided to enter what kind of lunch would come out. When I entered, there seemed to be a lot of dishes that were just right for drinking in the calm shop of the tatami room and the counter. It's nice to be able to eat hot because it's fried after the order is placed, and it's nice to have a lot of small bowls. Please have a look!
* We take thorough measures against infection.
*When shooting, we give due consideration to the shop and customers around us.


いつもありがとうございます！( ´ ▽ ` )
高評価＆チャンネル登録もよろしくお願いいたします！

#とんかつ #新潟 #ランチ #ロイドごはん #フラメンコロイド


—————《サブチャンネルもよろしくお願いします！》—————————————

【メロンシートジャーニー】
https://www.youtube.com/channel/UCwNlBAUziFWkJZFY_u3t65A

【フラメンコロイド】
https://www.youtube.com/channel/UCsFJHNg3SR41R2a3vctUInw

🍀「ロイドごはん」公式LINEができました！
お友だち追加はこちら
https://lin.ee/ow4OdaV


—————《本日の店舗情報》—————————————————

『割烹 笹』
https://www.google.co.jp/amp/s/s.tabelog.com/niigata/A1501/A150102/15004290/top_amp/
—————《ロイドごはんオススメの動画！　 ROIDGOHANs’ Recommended video》———————————

78才おじいちゃん屋台ラーメンの朝『幸っちゃん』夜明けの銀座【飯テロ】Old Style Ramen Stall Yatai Japanese Street Food
https://youtu.be/YHiWYvhxUI4


【家系ラーメン特集!】
https://www.youtube.com/playlist?list=PL6yW17uB9uIVUmOS8qnXrRwcBu8W-uRYZ

神回【ラーメン二郎の貴重映像】全増しが出来るまで一部始終を大公開！【ラーメン二郎 ひばりヶ丘店】ramen
https://youtu.be/mBFcdMHyaxA


—————《オリジナルサイトの情報》—————————————————

★ロイドwalker《人生をドラマチックに彩る旅とグルメと温泉図鑑》
https://ramenjapan.net/
★メロンシート《フラメンコギターの世界一の旅》
https://pordiotama3.xsrv.jp
★フラメンコロイド 《フラメンコロイドの神話と伝説》
https://flamenkoroid.net

—————《twitter》—————————————————————

★ロイドごはん
https://twitter.com/roidgohan
★メロンシート
https://twitter.com/meloncito310
★フラメンコロイド
https://twitter.com/flamenkoroid

—————《instagram》———————————————————-

★ロイドごはん
https://www.instagram.com/roidgohan
★メロンシート
https://www.instagram.com/satoshimelo...
★フラメンコロイド
https://www.instagram.com/flamenkoroid

☝ 請開啟 CC 字幕觀看歌詞
🎧 專輯 Sounds of My Life 數位平台點播：https://orcd.co/soundsofmylife
🔔 訂閱韋禮安官方頻道 : https://pse.is/WeiBird_Sub

「聽我的」可能是感情控制的字眼
「聽我的」可能是情緒勒索的話語
「聽我的」可以是捍衛自我的堅持
「聽我的」更是為自己發聲的傲骨

一筆一畫寫在身體上的歌詞
是埋伏在歌曲裡的叛逆反骨
用音樂打破各種成見桎梏
盡情地狂妄、放肆吶喊「聽我的」！

—

《聽我的 Listen to Me》
詞 WeiBird 韋禮安
曲 WeiBird 韋禮安、鍾承洋、江尚謙、黃耀圻

聽我的你立地成佛
聽我的你就沒錯
聽我的因為我是我
Cause I just know

Been there done that
Now I'm back for more
I heard I saw
And I conquered all
Follow me follow me
Or you're gonna fall
Paved the way paved the way
I show them all

So bad so sad
But it's not your fault
I win everytime
And I win them all
I'm right I'm right
And I'm never wrong
You better shut up before your downfall

Hold your tongue now
Hold your heart now
Hear me talk cause
This is scripture

Don't make me, make you listen
This is gold and you're wasting your life away
Backtrack your nonsense
Backup I'm warnin'
Listen to me

Don't make me, make you listen
So behold Imma drop on you some wisdom
Ignorance's victim
I'm your only savior
Listen to me

—

♩ 音樂製作 Song Credit
製作人 Producer｜韋禮安 WeiBird、蔡尚文 Aven Tsai
編曲 Arrangement｜韋禮安 WeiBird、鍾承洋 Cheng Yang Chung、江尚謙 Shang-Chien Chiang、黃耀圻 Zell Huang
電吉他 Electric Guitars｜鍾承洋 Cheng Yang Chung、韋禮安 WeiBird
貝斯 Bass｜黃耀圻 Zell Huang
鼓 Drums｜江尚謙 Shang-Chien Chiang
和聲編寫 Chorus Arrangement｜韋禮安 WeiBird
和聲 Chorus｜韋禮安 WeiBird
合成器 & 取樣 Synthesizer & Sampling｜韋禮安 WeiBird
製作行政 Production Administrator｜廖婧紋 Melrose Liao
錄音工程師 Recording Engineers｜韋禮安 WeiBird (Vocal、Guitars、Chorus)、王永鈞 Chief Wang (Drums)
錄音室 Recording Studios｜貓在外錄音室 Cat Outside Studio (Vocal、Guitars、Chorus)、強力錄音室 Mega Force Studio (Drums)
混音工程師 Mixing Engineer｜宋星凱 Sean M. Sinclair
混音錄音室 Mixing Studio｜ff studio
母帶後期處理工程師 Mastering Engineer｜Derek Snyder
母帶後期處理錄音室 Mastering Studio｜Polygon Audio
OP：Awesome Music 耀聲音樂
OP：Warner Chappell Music, Hong Kong Limited Taiwan Branch
TWFG72001011

♩ MV製作 Music Video Credit
MV製作 Production｜二二川 ERERCHUAN
導演 Director｜張瀞予 Chang Ching Yu
副導演 Assistant Director｜WALL
攝影 D.O.P｜張瀞予 Chang Ching Yu
攝影助理 Assistant Camera｜謝宗諭 / 蘇品豪
攝影器材 Photographic Equipment｜鏡頭銀行
燈光器材 Light Equipment｜貞寶企業
美術設計 Art Designer｜王殊懸
製片 Producer｜卓虹伶
場務 Grip｜范子薺
九巴 Driver｜獨家企業有限公司
剪接師 Editor｜BUZZ / 史詠毓 / BUG
調光師 Colorist｜OiiO / 拾捌才
特效師 Compositor｜阿薛
字卡設計 Graphic Designer｜王殊懸
其他演員 Extra｜MASO

──♫─ 更多韋禮安 ─────────────────────────
韋禮安 WeiBird FB｜https://www.facebook.com/Weibird.official
韋禮安 WeiBird IG｜https://www.instagram.com/weibirdmusic/
韋禮安 WeiBird WeiBo 微博｜https://www.weibo.com/weibird

#韋禮安 #聽我的 #ListentoMe

收錄於緩緩首張專輯《水可以去任何地方》
From 2020 Huan Huan's 1st album "Water Can Go Anywhere".

黑夜的冷
包圍著我
意志的城
瀕臨崩裂的一瞬

麻木的人
疲憊走著
那是一段
不見盡頭的山路

我還沒
看遍山頂上景色的美
我不願
屈服空間時間下的界限
我要找到
只屬於我自己的符號
我必須
執著留下痕跡即便一切終將逝去

手中的燈
提醒著我
從哪裡來
往哪裡去


The cold of the night
Envelops me
This fortress of determination
Is on the verge of crumbling

This weary traveler, numb
Trudges on
On that leg of the journey
I saw no end to this mountain road

I have yet
To see the beauty of the mountaintop
I'm still not willing
To surrender to the boundaries of space and time
I'm searching for
A language of my own
I need
To hold on to my scars, though I know all things must eventually pass

The light in my hand
Reminds me
Where I came from
Where I must go

_________________________________

製作人 Producer | 蕭戎雯 Coco Hsiao
配唱 Vocal Director | 沈簡單 Easy Shen
詞／曲 Songwriter | 蕭戎雯 Coco Hsiao
編曲 Music Arranger | 緩緩 Huan Huan
主唱 Vocal | 蕭戎雯 Coco Hsiao
電吉他 Electric Guitar | 蕭戎雯 Coco Hsiao
電貝斯 Electric Bass | 黃柏豪 PauL Huang
爵士鼓 Drums | 彭一珍 Yi Jen Peng
和聲 Backing Vocals | 黃元懋 Yuan Mao Huang
剪輯 Editing | 彭一珍 Yi Jen Peng、黃柏豪 PauL Huang
錄音師 Recording Engineer | 李詠恩 Joshua Lee (荒原錄音室 The Wasteland Studio)
混音師 Mixing Engineer | 李詠恩 Joshua Lee
影像 Video | 黃元懋 Yuan Ｍao Huang

_________________________________

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