關於 in his time譜 ，我們在網路上蒐集到這些相關的討論、資訊與評價

將興趣繼之以恆練成了專長，再將專長聚焦於關懷環境，成就了這些隱藏在地貌之美背後的島國危機。這是真正以職人精神譜寫愛鄉情懷的藝術。

催淚神曲【時間都去哪了 - 王錚亮】cover by William Tseng & Rick Chang｜Bassoon&Piano

Youtube完整版：
https://youtu.be/0U0z8OKorJI

今天是一首催淚的曲子
演出是我的好朋友兼好室友在月初畢業音樂會的安可曲
大學4年幾乎彈了他的所有考試、比賽、音樂會、演出伴奏
除了謙虛以外他的主修也超厲害，
他是人稱曾大師的曾昱承！
Bassoon在他手上根本就是玩具
隨便吹都很有音樂性，全國第一真的是實至名歸！！
他是我大學第一個認識的同學
我到大學才知道Bassoon這個樂器可以這麼好聽XD
還記得那時候認識第二天我們兩個就話很多
整個寢室都我們兩個在吵
結果現在竟然要畢業了0.0
幸運的是他在疫情封館前三天開了他的畢業音樂會
不幸是我的音樂會剛好在他的音樂會下一週
因為疫情所以停辦了

而他音樂會的那週剛好是母親節
平時合伴奏我一直問他：『安可曲要不要來個流行啊哈哈』
他一直說不要，他說吹完整場古典的曲子就要累死了XD
但他突然在當天下午彩排到一半時說：『欸我安可曲想吹那個 時間都去哪兒了』
然後我就這樣找了一個單旋律的譜給他，
他視譜還吹得很像練過...超有音樂性....
結果我們晚上就演出了，好荒唐XD
-
喜歡記得幫我們分享出去喔！
還有記得按讚訂閱我的頻道喔 🤩
-
This is the encore performance from the recital of my friend's which was held in the beginning of the month.
I was his piano accompanist for four years, and I was there for almost all of his exams, competitions and recitals.
He is humble yet a genius, that's why we call him Master. Tseng. The Bassoon is as easy to handle as a toy to him, he doesn't even need to put in any effort to make his music sound amazing.

I can't believe we are about to graduate! He was the first person I got to know in college, and before I met him, I never knew Bassoon could make such beautiful sounds.
He was lucky that he held his recital three days before the announcement of banning all kinds of performances due to the pandemic. I wasn't as lucky as he was. My recital was scheduled a week after his, so I had to cancel it.

His recital was the same day as mother's day. I remember asking him if he wanted to play any pop song as the ecncore piece, but he rejected, saying: "I'm already dying from playing classical music for fifty minutes straight." But during the rehearsal, he asked me if I could play this song named "Where did all the times go?". I found him the score, and he played it with such incredible sound as if he'd been playing it for a long time.

::: Translate｜Rissie Chen :::

-

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#時間都去哪了
#王錚亮
#時間都去哪了鋼琴
#曾昱承
#Bassoon
#時間都去哪了Bassoon
#低音管
#時間都去哪了piano
#Rick Chang
#PianoCover
#CoverByRick

《我的幸福5/2 週末》

*週日下午兩點誠品信義書店「廿世紀典範人物」新書分享會，我下午二時開始演講，離上次在台灣大學公開演説。快半年了！分享會報名一小時預告已額滿，但TVBS電視台慷慨的支持。派出SNG車，屆時TVBS文茜的世界周報YouTube 及世界周報Facebook 都將同步直播。

*新書分享會後我將直奔高雄衛武營，參加劉孟捷（李斯特巡禮之年）鋼琴獨奏會。這是劉孟捷回台，最重要的一場音樂會，我目睹他用盡了一切心力。過去即使21歲時在費城代打缺席大師的音樂會，劉孟捷都未曾如此緊張。他此次回台，手術前為了沒有遺憾，共舉行三場音樂會：其中4/17與5/30皆是與國家交響樂團NSO合作：530那一場指揮是呂紹嘉。但他告訴我，某些曲目對他而言，是Piece of Cake ：惟獨衞武營這一場，曲目由他自己決定，現場錄影，並且找了金曲獎錄音師同步錄音。

5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784

劉夢捷明白他即將面對一個大手術，手術風險之外，他的免疫系統疾病，將使他的康復之路更長。

沒有人可以預知未來，為了圓他的夢，醫院每天都要求他早上、晚上量血壓，報告直接傳給院長。振興醫院院長魏崢雖然是亞洲第一把心臟外科醫師，但也不敢大意。

畢竟這個人的生命那麼脆弱，他的心臟主動脈剝離，那是實質的「心碎」了：但他仍有詩，仍有音樂夢。在生命的交接處，在白日與黑夜的交义口，劉孟捷想為他的音樂生涯，留下最美好的紀錄。

他選擇了李斯特。

在這場音樂會前，他甚至以英文寫下了自己與音樂、疾病的半生回顧：如李斯特的巡禮，有仰望，有沉思，有失落，有幽微的疼痛。他以詩篇般的演奏模式，傾訴，詠嘆。他曾得到天賦，也走過死蔭的幽谷。命運是一層又一層的黑影逼近，老天爺隨時想帶走他。

而他已不再流淚，不再沉浸於悲愴告別：因為對他而言活著並不容易，他要讓自己更深刻的抓住每一分時光之美。

如果時間和空間，正如哲人們所形容的
都是不實際存在的東西：那從不感到衰敗的太陽，也不會比我們了不起多少！

他如艾略特的詩句中所形容的：我們為什麼要如此貪心總在祈禱，想活上整整一個世紀？

蝴蝶雖僅活了一天，已經歷了永恆。

當他的身軀如露水還在藤蔓顫抖時，他送給我們一場「完全浪漫又超技的李斯特」。

等音樂會結束了，至少有一張CD，一段YouTube 影像：不論孟捷代表生命的那朵鮮花是否枯萎，他彈奏如天使的音聲不會飛離，它會停留在那夜，繼續釋放芬芳。

這是盡生命之力、之情獨奏的音樂會。劉孟捷説：這樣當他走進手術室時，會少一點悲傷。

或許快樂的日子本來就不多，但讓這場「完全李斯特．完全劉孟捷」的獨奏會放出神聖的光彩吧！

我必將赴會，不會錯過！我知道此刻的獨奏會，很難複製，因為它綜合了太多的情感、愛念，釋放與生命的抒情。

*劉孟捷為此次獨奏會寫下的文字：This past year has seen some unprecedented changes in the world. Many lives have been lost and many have changed. The world has changed while many of us confront the uncertainty of the future.

For most musicians, life has changed. For months, we have been conducting our lessons online, and concerts have mostly stopped or become an online experience as well. More time has been spent learning how to improve the online teaching experience than one could have imagined. While I have felt the duty to continue teaching, the format the pandemic requires for teaching leaves me unwilling to spend more time than I have to.

And truly, I have had other things to deal with. When the pandemic started to worry the American public in March, I was in the middle of a tour with the String Quartet-in-Residence at Curtis, the Vera Quartet. However, our concerts were canceled, and everything came to a sudden halt.

I felt the universe had sent me an unexpected gift, as I had also just received some terrible news concerning my worsening aortic arches and a diagnosis of kidney cancer. The sudden halt in my professional schedule seemed perfect in its timing. I was able to settle into a monastic existence, to simply practice and attempt to heal.

I see many musicians itching to be concertizing again, and many stepped into new territory, performing on the internet. Many took time to develop new podcasts, and to write new materials for their art. Sadly, many have struggled as they have fallen into desperation without any concert incomes. Altogether the music industry seems to be in peril, and many worry about how music and musicians will survive.

However, I had my own survival to think about. Having been through many difficult experiences in my life, I knew this might be the most difficult I would encounter. My Doctors describe me as a walking time bomb. My condition could be lethal at any moment if my blood pressure gets out of control. So while others wrestle with the fate of the music industry, I’ve needed to face my own fate and mortality.

Playing concerts can mean many things to people. At different times throughout my life, I’ve felt the need to express different aspects of myself. When I was young, I wanted to embody the spirit of romanticism, playing lots of Chopin and Schumann. Then there was a period of time when I wanted to challenge myself by showing off pyrotechnics. I had a brooding period where I turned to the pathos of Rachmaninoff, and then felt the need to return to the purity of Schubert and nobility of Brahms. Throughout this pandemic, I wanted to play Bach. Through Bach’s music I found a kind of spiritual sanctuary.

In considering the program for this concert, I felt again the urge to play music that reflects my current feelings and state of mind. The title of today’s recital, “Years of Pilgrimage” seems to fit exactly what I am experiencing.

Liszt wrote several volumes of “Années de pèlerinage” throughout his life to reflect on thoughts he had during his travels. He links his philosophical thoughts to the scenery which inspired them. “Au Bord d’un Source” describes feelings of rejuvenation while standing next to a clear stream of water, a symbol and source of life and energy. It seems to say, when the stream is so pure, life can be so full of joy.

In the Les jeux d'eaux à la Villa d'Este (The Fountains of the Villa d'Este), the water has a magical and supernatural quality, as Liszt himself wrote in the inscription: "But the water that I shall give him shall become in him a well of water springing up into eternal life,"( from the Gospel of John.)

For me, I have never felt more connected to Liszt than when he looked upon the valley of Obermann and questioned the meaning of existence. At this moment in my life, I often find myself reflecting my experiences of what I see and read into philosophical musings. Perhaps many people come to a time when this is so.

In all this I have felt gratitude for the love stories and sonnets that one can romantically indulge in, and for storms so violent that they threaten to destroy one’s spirit, even the hell-bound journey which brings up questions about the purpose of life…

On this journey, I felt full and alive as a human being. Looking back on this journey, I am grateful for everything, whether happy or sad, to have made an impact, found and imparted meaning to this life.

The unusual time of this pandemic has marked a milestone for me. I have journeyed back home, and as it happened, this is the first time I have spent so much time in my hometown Kaohsiung in over 35 years. It’s particularly nostalgic to play these pieces as some of them were significant in my early musical career. Vallée d’Obermann was the piece I played in my first competition at the junior high school level, in which I won first prize on the national level, which allowed me to be qualified to apply for a special permission to study abroad. This meant my dream to be educated as a musician could be continued in an environment where I could develop fully. In the following year when I was 13, I won the first Asia-Pacific Youth PIano Competition with the Dante Sonata. The competition catapulted me into national attention as I was headlined in several newspapers, and especially since it was held in Kaohsiung, I became a local hero as well. During the same event, I had a fateful meeting with one of the important influences in my life, Mr. Gary Graffman, who then mentored me throughout not only the years when I was studying at Curtis, but throughout my illness and recovery as a pianist. Right before I departed to study in Philadelphia, I played my first solo recital throughout Taiwan, and along with the Dante Sonata, I also performed the three sonnets.

It’s perfect that now, back in Kaohsiung, all these memories have flooded back into my head. I feel so lucky to have been born here, and to have met my first teacher, Chin-Li Lee, who inspired me on the path to become a musician. Prof. Alexander Sung filled me with dreams of becoming an artist. I am grateful for his belief in my talent, when he chose to give a 12 year old such philosophical pieces to play.

Having once again spent some months in Kaohsiung, I can freshly appreciate the source of inspiration it once was for me. I have returned to the source to heal. Having already glimpsed hell’s gate several times, battered and weathered by the storms of life, I know there is a reason life is this way, and it all will be alright.

Meng-Chieh Liu
April, 2021

*劉孟捷衛武營《李斯特巡禮之年》演奏會中，包括李斯特以佩脫拉克三首情詩譜寫的鋼琴琴詩：這三首情詩是從大詩人佩脫拉克一百多首情詩挑出來的，詩本身就很優美，依此激發李斯特的浪漫主義創作靈感，成為琴藝上最困難演奏，但也特別細膩溫柔的琴詩。

這三首分別是：
〈佩脫拉克第47號十四行詩〉〈佩脫拉克第104號十四行詩〉及〈佩脫拉克第123號十四行詩〉。
Franz Liszt（1811-1886）: Sonetto 47 del Petrarca, Sonetto 104 del Petrarca, Sonetto 123 del Petrarca, from Années de pèlerinage, Deuxième année: Italie

李斯特於1846年先出版藝術歌曲《三首佩脫拉克十四行詩》（Tre sonetti del Petrarca），再改成鋼琴獨奏版。

三首佩脫拉克十四行詩
中譯：焦元溥（元溥也是友情贊助，特別準備音樂資料，周日南下，聆賞劉孟捷的樂曲，並且陪同他盯著錄音共三天）

〈第47〉
祝福每天、每月、每年，
所有片刻與鐘點、時間與季節，
在那美麗的原野，

我為一雙眼眸魂縈夢牽。

祝福初遇時的甜，
與愛同在、受苦不停歇，
如弓箭刺穿令我淌血，
傷口永留感動在我心間。

祝福一切我發出的聲音，
當呼喚著我深愛的女郎，
渴望、嘆息、淚濕滿襟。
祝福我寫下的文字遠揚，
歌頌她的芳名，萬古長新。
我心永屬於她，無人能闖。

〈第104〉
我找不到和平，也無意打仗，
我恐懼、我期望，燃燒又冰透。
我向天飛升，卻躺在地上，
我一無所有，卻又擁抱整個宇宙。

我身陷囹圄，監牢又開敞；
我不受囚禁，卻銬著鎖頭。
愛情不讓我死，也不讓我飛翔；
不要我活，也不准我逃離悲愁。

欲看卻無眼，啞口還在發言，
我甘心殞滅，卻仍高聲呼救，
我痛恨自己，但仍愛著他人。

憂傷滋潤我，淚水伴隨笑臉，
生命不足惜，死亡也不煩憂；
我淪落至此，都是妳啊，我的愛人！
〈第123〉

我在塵世見到仙子的美，

她天堂般優雅無與倫比。
想起她讓我悲傷又歡喜，
所見如幻夢迷霧與幽黑。

妳的可愛眼睛使我落淚，
多少次讓太陽也要妒忌。
我還聽到四周發出嘆息，
移動了山嶽停止了河水。

愛情智慧憐憫憂傷財富，
在淚水中形成甜美聲響，
奇妙和諧世上未曾目睹。
天堂追隨著音樂的流淌，
雖然枝上樹葉並未飛舞，
空氣與風息卻充滿芬芳。

5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784

Hello friends! Today we're going to share with you how to make a classic Italian sweet buns: Maritozzi Con La Panna, sweet buns with whipped cream.

Maritozzi are gorgeous and delicious Italian cream buns. It's a kind of soft and light brioche style bun which is sliced in half, then filled with whipped cream! You can easy to get one in Rome's pastry shops or coffee shops. Usually people enjoy it with coffee for breakfast. Or even for afternoon tea.

Maritozzi buns are originally found in the Lazio region in Rome and date back to the Middle Ages. They're made with yeast, flour, egg, sugar, butter, honey, salt, and orange zest. There is a tradition that a boyfriend or future husband gives his lover these sweet cream buns as a sign of his love, or hides a ring inside the bun. So romantic. If you love cream buns, you need to try it. Enjoy :)

📍 Please follow me on Instagram: https://www.instagram.com/sweetdumplingofficial/
📍 Welcome to follow me on FB: https://www.facebook.com/sweet.dumpling.studio

This is an #ASMR​​​​​ ver, you can check out the other version that with BGM and Voices in Chinese if you like:
https://youtu.be/Ltrmtpc7EqA
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How to make Maritozzi Con La Panna
Maritozzi Con La Panna Recipe

☞  Yield: Serve 5

✎ Ingredients
bread flour 167g
unsalted butter 25g
granulated sugar 27g
medium egg 2
instant yeast 2.2g
salt 2.3g
honey 7g
an half orange zest
milk 45g

✎ Instructions
1. In a large bowl, add milk (room temp), a teaspoon of the total quantity of sugar and instant yeast and 15g of the total quantity of flour together, mix well to create a smooth paste. Cover with plastic wrap and let rest for 30 minutes in a warm spot.
2. Then add egg mixture, the remaining of sugar, honey and orange zest into the bowl, mix to combine.
3. Add the remaining of flour and salt, combine the ingredients, incorporating the flour bit by bit.
4. Transfer the dough to the work surface, the dough will be sticky but try not to add too much flour, a little is fine, just knead until it becomes a ball, it should come together nicely. You can use a scraper to collect the dough.
5. Add the softened butter, press the dough out in a way on the work surface to help blending the ingredients together, then scrape the dough back into the center, and continue to press the dough again until fully incorporated.
6. Next, use the slap and fold method to knead the dough, just pick up the dough and slap it down, then fold it over, and repeat again, until the dough is smooth and soft. You can also use a mixer for this procedure.
7. Place the dough ball in a bowl and cover with a plastic wrap in a warm place for about 2 hours or until doubled in size.
8. Turn the dough onto a work surface. Divide the dough into pieces of 55g for each. Degas them gently, rolling each bun into a small round shape. Place them one by one onto a baking sheet with baking paper. Cover with a tea towel or plastic wrap loosely, let them rise for 30 minutes in a warm spot.  
9. When ready to bake, preheat the oven to 200ºC, brush the maritozzo with an egg wash and bake for about 12~14 mins, or until golden on top.
10. Once baked, let the buns cool completely.
11. Cut the bread in half without cutting through. Open slightly and fill with fresh whipped cream, and dust with icing sugar.
12. Enjoy.
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Chapter:
00:00 opening
00:32 Ingredients
01:25 yeast
02:46 Make the dough
05:07 1st kneading(about 4~6 mins)
05:50 add butter, and 2nd kneading(7~8 mins)
07:02 let rise until it doubles in size(about 2~3 hours)
09:23 2nd rise(about 30 mins)
09:40 egg wash, baking time and temp
10:41 Fill the maritozzi with whipped cream
-----------------------------------------------------------------------
#Maritozzo
#Maritozzi
#easydessert

More Info:
https://www.sweet-dumpling.com

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何等榮耀／How Glorious
詞曲 / Kyle Lee, Mark Harris & Tony Wood
演唱者／Gateway Worship feat. Joshua Band /璽恩SiEnVanessa
中譯詞 / 周巽光 & FGACYC Worship

樂譜連結 / https://www.pubu.com.tw/ebook/218947

[VERSE 1]
祂的聖潔 如此美麗
The beauty of His holiness
超越真光的絢麗
Brighter than the purest light
祂的信實 奇妙堅定
The wonder of His faithfulness
從亙古直到永遠
Reaching down through all of time

[PRE CHORUS]
祂大能寶座的榮美
The splendor of His mighty throne
唯有祂掌權到永遠
The power that is His alone forever

[CHORUS]
何等榮耀 偉大至高神
How glorious, great and glorious
何等榮耀 是我神 我神
How glorious is our God our God
得勝君王 掌管我生命
Victorious sovereign over us
何等榮耀 是我神 我神
How glorious is our God our God


[VERSE 2]
耶穌基督無罪羔羊
The mystery of His righteousness
顯明公義的奧秘
Jesus Christ who knew no sin
眾聖徒天使都宣揚
The anthem of His worthiness
述說祂何等配得
Sung by angels and by men


[BRIDGE]
大君王威嚴的榮美
The King of awesome majesty
我主掌權直到永遠
The One who reigns eternally
諸天萬物歌唱讚美
Forevermore creation sings
何等榮耀 何等榮耀
How glorious, how glorious
-
Vocal Producer 曹之懿Isabelle Tsao
Backing Vocal 陳州邦Ben Chen、璽恩SiEnVanessa
Vocalists 陳州邦Ben Chen、杜威霖Bukun Isbabanal、鄭牧德Darren Cheng、陳雅玲Sunay Chen、馬永蒂Matilda Ma、蔡依純Anna Cai
Choir Directors 璽恩SiEnVanessa
Vocal Recorded by 葉惟恩 Calvin Yeh、劉員杰Francis Law
Vocal Edited by 劉淑莉Lily Liu
Vocals Recorded Live at Vision Studio
-
Producer Kyle Lee
Recorded Live by Mitch Waddell
Engineered by Patrick Smith at Gateway Studios, Southlake, TX; Kyle Lee at The Court, Franklin, TN
Mixed by Sean Moffitt at Yoda’s Palace Studios, Nashville, TN Except “Stand In Your Love” Mixed by Kyle Lee at The Court, Franklin, TN
Mix Assistant Daniel Mikesell
Mastered by Joe LaPorta at Sterling Sound, Edgewater, NJ
-
Acoustic Guitars Austin Benjamin, Mark Harris, Matthew Harris, Kyle Lee, David Moore, Andrew Morris & Levi Smith
Electric Guitars Cole Novak & Michael Phelps
Piano Julian Collazos, Kyle Lee & David Ramirez
Synth Pads Kevin Melton
Synth Programming Julian Collazos, Kyle Lee & David Ramirez
Bass Josiah Funderburk
Drums Ish Melton
-
奉獻 Asia for JESUS/ 約書亞樂團事工
https://goo.gl/5AAgQP

聯繫約書亞樂團：
https://www.joshua.com.tw/web/
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這裡可以找到我們！
YouTube▸https://bit.ly/3hBNTH5
Apple Music▸https://apple.co/3Au41TK
Spotify▸https://spoti.fi/3As1fi4
KKBOX▸https://bit.ly/3dJyCTz
My Music▸https://bit.ly/2UnIVpA
friDay音樂▸https://bit.ly/2UkxJdm
LINE MUSIC▸https://bit.ly/3fyxAeu
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異象工場官方商城▸https://shop.asiaforjesus.net/
約書亞樂團官網▸https://www.joshua.com.tw/
約書亞樂團Facebook▸https://www.facebook.com/joshuaband
約書亞樂團Instagram▸https://www.instagram.com/joshua_band/
約書亞樂團微博▸https://weibo.com/joshuaband
約書亞樂團微信▸joshuaband

■ 更多林子安：
INSTAGRAM：https://www.instagram.com/an__official/
FACEBOOK：https://www.facebook.com/Anviolin/
WEIBO：http://weibo.com/u/6511795600
Spotify：https://spoti.fi/2XmfcLw

各式工作演出邀約請私訊IG或臉書專頁
For business, please send private message to my Instagram or Facebook fan page.

■ 更多【Cover by AnViolin】：https://bit.ly/2vWVtF5

🎶樂譜連結 Sheet Music🎶
https://gumroad.com/anviolin
（台灣請用蝦皮）https://shopee.tw/anviolin

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《成全》小提琴版本 | Violin cover by Lin Tzu An of Step Aside

這首歌原唱是劉若英，但後來林宥嘉翻唱後讓這首歌有了新的感受，好像變成是他的歌（認真不開玩笑～很多人以為成全是林宥嘉的歌😆 ) 記得我第一次拉這首歌是2.3年前在某平台上直播的時候被點播的，後來陸續有人一直說好聽，索性做成cover了。

每次拉這首歌都有新的感受，就像有人說林宥嘉唱出的是放不下，而劉若英版本的成全是放下。
原來那時候擁有的一身傲骨，未必以後還可以如此義無反顧啊！
據我觀察，大家應該都偏好虐心版的林宥嘉的成全，這首歌單曲循環都說明著大家的放不下。

生命有幾個過客，會帶走我們的天真；愛過幾個錯過的人，才能夠完整我們的人生。
我們都曾經死心踏地付出，而到最後這些執著可能變成了我們的成全。
對的時間遇見對的人，怎麼都不會被擱淺；錯的時間遇到對的人只能怪世界多轉了兩圈。
不過沒關係，未必永遠才是愛得完全，多兜過的圈也能看見不同風景吧（雙關了林宥嘉另首歌呢）

2021年第一首歌送給大家這首cover，向過去說聲謝謝。
祝福在新的一年每個人都可以好好擁抱自己，每個人的溫柔能被珍惜。

歡迎大家在沒有下雨的週末到信義區香堤大道，聽cover歌曲的live版！詳細演出相關資訊，我都會更新在我的Instagram 限時動態！

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This song was first released by Rene Liu, but then went viral again because of the cover by Yoga Lin after a few years later. The cover was sooooo successful that many people think it's his song.
I remember my first covering this song was 2018 or sth, and it's just random requested by my fans. But I kept getting the feedback that you guys really like this song by violin cover so here it is =]

Every time I play the song, I have different thoughts toward the song. It's like some people say that what Rene sang was literally stepping aside while Yoga's was like I cannot let you go.
From my personal observation, it seems like more people prefer Yoga's one that it's really hard for us to go over those memories which we laughed and loved so sincerely.

We all once dedicated ourselves to the one we thought he/she was the one, to the one who promised us forever, but sorry there's no happy ending.
Meeting the right one at the right time would be perfect and meeting the right one at the wrong time would be like wasting time and missing around. But hey, it is not forever that could be named love. We can love in our own way and there must be a lesson for going around.

This is the first cover in 2021. Happy new year!
You are special and you are loved =]

Should you have any request regarding cover songs, just comment below and let me know.
Also please share the video and subscribe to my channel https://bit.ly/2EsTGMQ.
Don't forget to click the 🔔 bell to be notified when my videos come out!

Visit me at Taipei Shin Kong Mitsukoshi Xinyi Plaza to enjoy more my live cover songs. Check it out details on my Instagram stories!

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編曲Arrange：林子安 Lin Tzu An
混音mix：林子安 Lin Tzu An
小提琴 Violin: 林子安 Lin Tzu An
Keyboard:Neon Lu
攝影師剪接師 Photographer & Film editor: Santon.W
文字編輯 Social media editor/manager: Lily Wu

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🎻Sponsor AnViolin🎻
如果你喜歡我的影片的話，歡迎贊助我，讓我有更多資源去提升畫面與音樂。
贊助連結：
（台灣請用歐付寶）歐付寶：https://p.opay.tw/77sBF
（Via Paypal）Sponsorship：https://www.paypal.me/Anviolin

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【Cover by AnViolin】每週上傳新的小提琴cover影片，
喜歡的話請訂閱我的頻道 https://bit.ly/2EsTGMQ
也記得開啟🔔訂閱通知，按讚留言分享給你家人朋友看！

還想看子安cover什麼歌？留言跟我說 ！

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#劉若英
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#成全violin
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