關於 its the destination not the journey ，我們在網路上蒐集到這些相關的討論、資訊與評價

Every 6 months, we take a deep-dive into the current state of Taiwan's AI ecosystem. For the last 6 months, the world has been dealing with a pandemic, and Taiwan has managed to power through the crisis with its strong AI ecosystem supporting businesses and the healthcare industry. As a founder interested in AI applications, Taiwan might be the next destination for you to explore.

Digital marketing platforms are rising as they help clients switch from physical stores to having an online presence. By using AI technology to accurately do ad placements, track user journey and behavior, and analyze the collected data, companies are able to outline consumer profiles and thus more accurately predict consumer shopping preferences and price orientation, creating personalized shopping experiences for each visitor. We've seen this become particularly effective in Taiwan.

There has also been an introduction of AI applications in healthcare. AI usage in improving the efficiency of medical consultation and disease screening is at an all-time high, especially during this pandemic. Not only has Taiwan accumulated years of experience in the development of AI in healthcare, but more and more healthcare-related startups have been cropping up.

If you’re interested in learning more, take a look at Taiwan’s AI ecosystem map for the first half of 2020.

By Natalie Feng Lin, Analyst

Welcome to JUXTAPOSED 2020 by HONG KONG FASHION DESIGNERS ASSOCIATION

Journey into the future of fashion at LANDMARK
and explore 75 of Hong Kong’s local designers

(Hong Kong, 7 July 2020) JUXTAPOSED 2020, hosted by the Hong Kong Fashion Designers Association (HKFDA) and sponsored by Create Hong Kong (CreateHK) of the Government of the Hong Kong Special Administrative Region, the collaborative duo present a new and experiential fashion exhibition along with two concept stores. After captivating the fashion industry with its large-scale outdoor exhibitions, JUXTAPOSED is taking on a new form, from simple displays to multi-party interactive experiences. As a key luxury fashion shopping destination in Hong Kong, LANDMARK has been chosen to host the ten-day JUXTAPOSED 2020 Fashion Exhibition and Limited Concept Store. Displaying the works of 75 Hong Kong fashion designers, this exhibition reveals the future possibilities of fashion development while deepening the audience’s understanding of the diverse aesthetics of local fashion designers.

Exploring the future development of fashion

HKFDA not only continues to promote the development of local fashion designers and fashion culture, but to drive the innovations of fashion alongside technology. With rapid global changes in recent years, it is a pivotal time in the fashion industry. Technology has become a greater part of our daily life as a result of this, fashion designers are exploring other forms of fashion design not only in the materials they use but also the ways in which the audience experiences it. Through their shared values and passion for innovative fashion and culture, HKFDA has the pleasure to cooperate with LANDMARK as its venue partner to pursue and create inspiring fashion experiences.

From now till 16 July 2020, with the theme of "Inheriting Tradition, Connecting Technology, and Stepping into the Future", HKFDA's JUXTAPOSED 2020 has transformed LANDMARK ATRIUM into a fashion stage to explore the future. This collaboration marks a notable change for the JUXTAPOSED series of events, taking the exhibition and designs directly to the public audience.

Concept stores linking life and fashion

JUXTAPOSED 2020 will have two concept stores are located at shop 116A and shop B10 of LANDMARK ATRIUM and will showcase up to 4 sets of the designers work. In addition, there will be areas with more innovative and bold designs, as well as exquisite and highly practical fashion products.

Further enhancing the exhibition experience, visitors will be able to purchase the exclusive designs on the spot through LANDMARK's online shopping platform, Style Concierge of the LANDMARK HongKong app between now and 6 August 2020. With over 170 designer creations on display, the exhibition is a brand-new experience from appreciation to purchase and is a new path into the future development of fashion trends.

Inspiration through a diversity of lenses

In addition to physical exhibitions and online shopping, the HKFDA is reinterpreting 75 groups of exhibited works through the lens of 4 new Hong Kong photographers: Lamb Yu, Leung Mo, Deon Wong, and Isaac Lam. Fashion, as seen through their unique perspectives, further inspires cross-industry creativity between photography and fashion. A series of works will also be displayed on a rotation basis in the exhibition space, echoing the exhibition’s installation. It will provide more space for the imagination, leading visitors on a journey into the future of fashion, and exploring the infinite possibilities together.

The Hong Kong Fashion Designers Association invites your organisation to send staff to interview and report on related activities:

HKFDA JUXTAPOSED 2020
Date: (Tuesday) 7 – (Thursday) 16 July 2020
Time: Daily 10:30 – 19:30
Venue: LANDMARK ATRIUM / Shop 116A / Shop B10
Admission Free
Website www.juxtaposed.com.hk

伊瓜蘇在南美瓜拉尼語有「大水」的意思。總闊2.7公里，高82公尺的伊瓜蘇瀑布是世界三大瀑布之一。

在《春光乍洩》裡，瀑布群象徴梁朝偉的旅程終結….但往何處去？

接受愛人的離開？接受自己從來只是孑然一身？

這像我們現今面對疫情經常遇到的事。

面對不可抗力如大自然、病毒以至意外，人類如此微不足道。一切皆非我們而起，卻又無從控制。

我的工作不是要分析這幕戲，而是要拍攝它。

最初的概念是要從正上方拍攝瀑布。我們不是拍明信片照，要捕捉的是瀑布抽象的美，展現的某種活力。

當時唯一能做的，就是借直升機拍攝。可是，找來的都不是專門用來拍攝的直升機。面積很小，最多只能容納機師、我與攝影機和助手。

我們決定在直升機邊緣安裝一個架來安置攝影機，再綁上彈簧索，確保它拍攝時不會因懸吊機外而掉下去。

我坐在直升機地板上，雙腿懸吊在架外，唯一確保我安全就是腰間纏着的一條繩，它由助手牽着。

伊瓜蘇瀑布的流量是每秒1,75立方公尺，形成了巨大的拉力， 使我們要再飛高1千米才能拍攝到這瀑布，避免被大水吸進去。

我要拍一個抽象又超凡脫俗的瀑布，然而瀑布群本來又是旅遊點，周圍都是酒店、觀光船和觀景橋。

我們在上空盤旋…我不斷拍攝，但鏡頭總避不開那些酒店，因為我們還未能從瀑布正上方拍下去。

接著我想到一個方法，我向機師提議把直升機機身傾斜向瀑布中心。機師說他試著做。

他把直升機身傾側一方，我也意識自己縱身下去，上半身整個人已懸吊機外。跟死神距離不過是千米之隔，結果全繫於一條繩和一條彈簧索….. 我本有畏高…..或許瀑布群讓我有了「頓悟」…..明白到自己為何堅持拍電影，為何我們還要關心。

於是……我成就了攝影生涯一個最難忘的電影鏡頭：為《春光乍洩》揭開序幕，營造了它的調子。

Iguazu means "big water" the indigenous Guarini language. And being 2.7 kilometres wide, and dropping 82 metres on average these falls are the biggest in the world.

In "Happy Together" they represent the end of Tony’s Journey to …. to what ?

Acceptance of loss of his lover ? We are all alone in ourselves ?

This something Covid 19 is making us all face up to day to day .

How insignificant we are compared to the infinite force that is Nature,
and a virus or accidents that are not our fault and yet not under our control?

It is not my role to analyse the meaning of the scene . I was my job to film it.

The idea was to film the falls from above. Not as a picture postcard, but more like some abstraction of beauty, some kind of celebration of energy.

The only way to do that was by helicopter. The only helicopter available was not equiped for filming. And it was very small. In fact so small that it could carry only the pilot, myself and the camera and my assistant.

We plan to rig a frame around the helicopter and "secure" the camera with bungee cords so it hang suspended outside the helicopter .

I sit on the floor, but my legs have to rest on the frame OUTSIDE. The only thing holding me in is my assistant holding a rope around my waist .

The water flows at 1.756 metres per second over the falls, which creates such a down-pull that we have to fly a kilometre above the falls to avoid being sucked in to them .

The idea is to have an image that is abstract, other-worldly. Problem is that the Falls are also a tourist destination so Hotels and tour boats and bridges all press right up to their edge.

We circle above … I shoot. I can’t keep the hotels and such out of frame . We are not looking directly down enough . What to do ?

I have a bright idea : let’s tilt the helicopter on its side and just hover right over the falls I suggest . The pilot says he’ll try.

He tilts the helicopter . And then I realise I am face down half way outside this machine a kilometer away from death only held back by a rope and a bungees cord … and then in spite of my fear or heights …. Or maybe because of them I have a kind of “ epiphany “ … I realise why I am doing this, that’s we make films, why we care .

And so….we get one of the most memorable shots I have ever made : the one that opens and sets the mood for Happy Together.

Video 影片來源：《春光乍洩》“Happy Together”（1997）
Music音樂來源：Caetano Veloso “Cucurrucucu Paloma”

#春光乍洩 #HappyTogether #王家衛 #WKW #伊瓜蘇大瀑布 #IguazuFalls

《DAWN》
DAWN / 總有一刻的拂曉
作詞 / Lyricist：aimerrythm
作曲 / Composer：秋田博之、玉井健二
編曲 / Arranger：玉井健二、釣俊輔
歌 / Singer：Aimer
翻譯：夏德爾
English Translation:Thaerin

背景 / Background - 静蒼 - とちちま :
https://www.pixiv.net/artworks/80551182

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Copyright Info:
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すべての権利は正当な所有者/作成者に帰属します。あなたがこの音楽（または画像）の作成者で、この動画に使用されたくない場合はメッセージまたはこのYoutubeチャンネルの概要のメールアドレスにご連絡ください。私はすぐに削除します。

如果你喜歡我的影片，不妨按下喜歡和訂閱，你的支持就是我創作的最大原動力！
If you like my videos, please click like and subscribe! Thx :)

粉絲團隨時獲得最新訊息！
Check my Facebook page for more information!
https://www.facebook.com/chschannel/

中文翻譯 / Chinese Translation :
https://home.gamer.com.tw/creationDetail.php?sn=2976963

英文翻譯 / English Translation :
https://www.lyrical-nonsense.com/lyrics/aimer/dawn/

日文歌詞 / Japanese Lyrics :
果てしなく広がる　この空に　奇跡なんてなくてもかまわない
流した涙なら　隠さない　もう何があっても

例えば　そう　空を横切る白い鳥のように翼があって
自由に今　空を飛べたなら　逃げるように　ただ彷徨っていた
　
地上(ここ)でしか見えないものがあって　地上(ここ)でふたり出会えた
行く宛のない旅路としても　もう二度と迷わない　願いは　一つだと誓う

果てしなく広がる　この空に　奇跡なんてなくてもかまわない
流した涙なら　隠さない　もう何があっても

振り返れば　寄せては返す　白い波が　ほら
選んできた足跡だけ消してくれるから　正しさとか　もう答えはなくて

漕ぎだした船は帆をはって　凍える風　吹かれた
遠ざかってく渚の隅で　思い出と悲しみが手を振り　さよならを謳う
　
果てしなく広がるこの海に　行き場なんてなくてもかまわない
嵐の夜ですら　怖くない　もう何も怯えることもない
勇敢な想いがつまずいた夜も　そばにいるよ
何があっても　そばにいるよ

消えてゆく月と　星のない夜空
何より暗いのは　そう　夜明け前
朝日まで　もう少し

明けてゆく　静かなあの空に　奇跡なんてなくてもかまわない
つないだこの手なら離さない　もう何も怯えることもない
眠れない想いを抱きしめた夜に　朝は来るよ
手を伸ばせば　朝は来るよ

中文歌詞 / Chinese Lyrics :
在寬廣的無邊無盡的，這片天空底下，就算不存在有奇跡也無所謂
因為我已經決定，不會再隱藏落下的眼淚，無論發生什麼事情

要比喻的話，對了，我的心就像是飛越天空的白鳥一樣有著一對羽翼
若是能自由地在空中飛翔的話，肯定會像是在逃竄一樣，僅是四處徬徨吧

這裡有著只有從地上才能看見的景色，而我們就在相遇在這樣的地方
就算是連目的地也沒有的旅途，也絕對不會再次迷惘。在此發誓，那是我唯一的願望

在寬闊的無窮無盡的這片天空裡，沒有奇跡的存在也無所謂
因為，我已經下定決心不會再隱藏流下的眼淚，無論再發生什麼事情

悄然回首，你看，那來回拍打岸邊的白色潮水
都會帶走我們選擇留下的那些足跡，所以正確與否什麼的，根本，就沒有任何答案可言

開始划動的船張開了船帆，在冷冽的風中前進
在岸潮漸漸遠去的那個角落裡，回憶與悲傷正揮著手，與我們高聲道別

在這無限寬闊的大海中，不在乎是否還有我們的棲身之所
就算是暴風雨的夜晚也無從畏懼，已經什麼都不足以使我們膽怯
就算是這份勇敢的心念遭遇挫折的夜晚，我也會在你的身邊
無論發生什麼事情，我都在你的身邊

月亮漸漸抹去了身影，留下星星們接二連三離去的夜空
最昏暗、最昏暗的，是的，就是拂曉之前
那距離晨曦，還差那麼一點點的時刻——

在寧靜之中慢慢明亮的那片天空，不需要什麼奇跡
不會再放開牽起的手，已經什麼都不能讓我們膽怯
懷抱著難以入眠的心念，在這樣的夜晚裡早晨還是回來訪的
只要伸出手……拂曉，就在這裡

英文歌詞 / English Lyrics :
In this limitlessly expanding sky, I don’t mind if there are no miracles to be found.
I won’t hide the tears that have already flowed, no matter what happens.

If I were to have wings, like those white birds that cross the sky,
And could fly freely… I’d have been merely wandering, as if running away from it all.

There’s something that can only be seen here on the ground; this is where we met.
Even if the path of our journey has no destination, I’ll never lose my way again: I swear we share the same wish!

In this limitlessly expanding sky, I don’t mind if there are no miracles to be found.
I won’t hide the tears that have already flowed, no matter what happens.

When you turn to look, you’ll notice that the white waves coming in and out,
Are only erasing the footprints we managed to choose on our own; there’s no longer any answer to the question of what’s “right”.

The boat we’ve started rowing raises its sail and a chilling wind blows in.
In the corner of the shore we leave behind, our memories and sorrows wave, singing a song of parting.

Upon this limitlessly expanding sea, I don’t mind if we have nowhere to go.
I don’t even fear a stormy night; there’s not a thing for us to be afraid of.
Even on nights our brave thoughts stumble, I’ll be by your side –
No matter what happens, I’ll be by your side.

The moon is vanishing in a starless night sky,
But the darkest time of all is just before dawn…
It’s just a little longer ’til the sun rises…

Within the silent sky that opens up, I don’t mind if there are no miracles to be found.
I won’t let go of our joined hands; there’s really nothing else for me to say.
To the nights we clung to sleepless emotions, morning will come –
If we just reach out our hands, morning will come!

By far my most hardcore photography trip, me and 5 friends spent 6d5n in the East Java of Indonesia, sleeping very little and spent most of the nights capturing milkyway. On the first day we arrived, we went to Mount Ijen which is famous for its acidic crater lake and blue flame. We started to hike at around 1.30am and we took an hour and a half and completed 3km journey and reached at the peak. When the day breaks, you will see the turquoise colored crater lake at the bottom. A mask is highly recommended here.

Then we moved on to Papuma Beach, a leading tourist attraction in the Jember district. The crushing waves here are so strong that swimming and playing in the sea are prohibited. We successfully captured the rising milkyway on the first night, spending the whole night at the seaside. On the second night luck was not on our side. Hence, we stayed in our hostel and finally get some sleep.

During the 4th day, we reached Bromo which is our true goal during this trip. We agreed to leave it as the last destination because you will always like to leave the best for the last right? =D

Reaching the Penanjakan 1 at 8pm, we setup our gears and wait for the milkyway to rise. It was cloudy starting but after a couple of hours, the clouds gave way and we saw the milkyway with our naked eyes! It was empty all over the place so we got to secure the front row and make sure nobody will block our view. After 9 hours standing under the temperature of 12 degree celsius, the day began to break and you will see a sea of people trying to squeeze to the front row, phones and cameras were gliding by our side, and they look forward to photograph the amazing view.

I look forward to returning to this amazing piece of land again in the next few years.

Camera & Gears:
Canon 5D Mark III
Canon 16-35mm f/2.8L II
Canon 70-200mm f/2.8L IS II
Sigma 50mm f/1.4A

Instagram: https://www.instagram.com/raymond.yk_/
Facebook: https://www.facebook.com/raymond.ykchoong

Music:
Ambiment - The Ambient by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/)
Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100630
Artist: http://incompetech.com/