關於 op means ，我們在網路上蒐集到這些相關的討論、資訊與評價

[News] COD: Black Ops Cold War จะใช้โหมด Warzone ร่วมกันกับ COD: Modern Warfare
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Activision ได้ประกาศอย่างเป็นทางการในหน้า FAQ ว่า Call of Duty: Black Ops Cold War จะใช้โหมด Warzone ร่วมกันกับ Call of Duty: Modern Warfare นั่นแปลว่า ค่าสถิติ สกิน ไอเท็มต่างๆ รวมไปถึงเนื้อหาคอนเทนต์ต่างๆ ของ Modern Warfare ที่เคยปลดล็อคได้ อาทิ Operators และ Weapon Blueprint จะสามารถใช้งานร่วมกันได้ ไม่ต้องไปเริ่มเล่นใหม่ทั้งหมด ซึ่งทาง Activision จะเปิดเผยรายละเอียดเกี่ยวกับ Black Ops Cold...
Continue Reading[News] COD: Black Ops Cold War will use Warzone mode together with COD: Modern Warfare
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Activision has officially announced on FAQ that Call of Duty: Black Ops Cold War will be using Warzone mode together with Call of Duty: Modern Warfare. That means statistics, skin items, items including contents of Modern Warfare. Unlocked, such as Operators and Weapon Blueprint will be able to work together. Not to start all over. Activision will reveal more details about Black Ops Cold War and Warzone later.
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Also, on Activision's FAQ page, there are other information about Call of Duty: Black Ops Cold War which are interesting as follows.
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- Those who buy Call of Duty: Black Ops Cold War on PS4 and XB1 will be able to upgrade to PS5 and XBSX games via digital storefront of each platform. Sheet buying case will be able to upgrade. Can be upgraded through store as well. Only for PS5 and XBSX machines with disc compartment. Sheets are required to upgrade.
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- Sheet playing case after upgrading to Call of Duty: Black Ops Cold War War and XBSX version. ′′ Still need to keep PS4 and XB1 sheet Do not leave or sell it because it has to be used to play. Too.
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- But if you buy PS5 or XBSX without a pad compartment, it can't upgrade.
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- Case not upgraded to the next generation console game, and XB1 on PS5 and XBSX version of XBSX, but will play through the Backward Compatible system that won't get any additional features on the console. Next such as higher frame rate, Ray-tracing system, faster game loading etc.
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- Call of Duty: Black Ops Cold War PC version will not be available for sale and must be purchased via BattleNet.
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- Call of Duty: Black Ops Cold War. Cross-Gen Bundles version includes and PS5, XB1 and XBSX in the package. That means if you buy Cross-Gen Bundles, you will play PS4 or XB1 in the game. The 13th of November Oh, my God. This and will be played PS5 or XBSX version immediately when the game launches for the end of the year.
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- Call of Duty: Black Ops Cold War will support Cross-play system that allows players on PS4, PS5, XB1, XBSX and PC to play all together and use Cross-progression system. That means if you play on the current console and upload. Grade to play on PS5 or XBSX. Statistics, progress, profiles will follow.
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- Those who pre-order Call of Duty: Black Ops Cold War will get the right to play Multiplayer Open Beta in advance ((will be played before other platforms), Woods Operator Packaging Sgt. Frank Woods Operator Skin, M4 Weapon Blueprint, Voice Quip, and Finishing Move that can be used in Call of Duty: Modern Warfare and Warzone ′′ when pressing digital pre-order ′′ and Confrontation Weapons which are 2 Weapon Bluebrint that will be available when games open in Feb. Oh, my God.
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- Call of Duty: Black Ops Cold War - Digital Ultimate Edition on console will receive Call of Duty: Black Ops Cold War both PS4 and PS5 or XB1 and XBSX as well as Confrontation Weapons Pack, Battle Pass 1 Seasons include 20 Tier Skips and Land / Sea / Air Pack which consist of 3 Operator Skins, 3 Weapon Blueprints, 3 Vehicle Skins
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- Battle Pass system will unlock post-game containers with the same progress of both Black Ops Cold War and Warzone which unlock weapons, decorative items and more will be from playing in-game which will be revealed. More details later on
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- Call of Duty: Black Ops Cold War post-game contents, Multiplayer, modes or in-game events will be updated entirely free.
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- Call of Duty: Black Ops Cold War. Plot campaign, Multiplayer mode and Zombies mode.
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- Multiplayer mode will be revealed on 9 July Oh, my God. Zombies will be Co-op mode together with zombies that make a name for Treyarch with Cold War weapons and devices.
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Call of Duty: Black Ops Cold War is scheduled to be available on PS4, XB1 and PC on 13 November. Oh, my God. This and on PS5 and XBSX are available through the end of the year.
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Call of Duty: Black Ops Cold War is opening for 10 % off Gamesplanet pre-orders. The following prices are available.
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https://us.gamesplanet.com/game/call-of-duty-black-ops-cold-war-standard-edition-battlenet--4727-1?ref=sheapgamer
Call of Duty: Black Ops Cold War - Standard Edition. Discount 10 % to $ 53.99 Approximate 1690 Baht (BattleNet)
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https://us.gamesplanet.com/game/call-of-duty-black-ops-cold-war-ultimate-edition-battlenet--4727-2?ref=sheapgamer
Call of Duty: Black Ops Cold War - Ultimate Edition. Discount 10 % to $ 80.99 Approximate 2530 Baht (BattleNet)
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Ultimate Edition will receive the main game with Battle Pass Bundle, Confrontation Weapons Pack and Land, Sea and Air Pack.
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Those who pre-order with Gamesplanet will get early access to Open Beta and Iconic Operator Frankwoods and assault rifle Weapon Blueprint to Call of Duty ®: Modern Warfare ® and Warzone ™ immediately.
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More details see store page
https://us.gamesplanet.com/search?query=Black+Ops+Cold+War&ref=sheapgamer
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Source: https://support.activision.com/black-ops-cold-war/articles/call-of-duty-black-ops-cold-war-editions-faq
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🎹鋼琴的大千世界/名家名言：「為何稱我為大師？主人在這裡（指著鋼琴），我只是他的奴才。」

— 李斯特著名的弟子，德國鋼琴家、作曲家、教育家 萊森奧爾(Alfred Reisenauer)

Why, there is the master (pointing to the piano), I am only the slave.”

— Alfred Reisenauer (1 November 1863 – 3 October 1907) German pianist, composer, and music educator.

📹 跟隨在李斯特學習長達十二年至李斯特過世(1874-1886)的萊森奧爾，演奏李斯特的第十號匈牙利狂想曲：
https://youtu.be/e12YwuHiQtY

📰 延伸閱讀 - 【李斯特學派 / the school of Liszt】♩.♪
https://www.facebook.com/notes/fan-chiang-yi-%E8%8C%83%E5%A7%9C%E6%AF%85/%E6%9D%8E%E6%96%AF%E7%89%B9%E5%AD%B8%E6%B4%BE-the-school-of-liszt/289155141104454/

———————————————————————1905-1906 鋼琴名家萊森奧爾（Alfred Reisenauer）在美國進行數月的巡迴演出，並接受美國著名音樂雜誌”Etude”的專訪。文章於1906年七月出版，隔年他在德國巡迴演出期間於下榻的飯店房間內過世。

📰 藝術家的養成 - 萊森奧爾的見解
The Making of an Artist - The Views of Alfred Reisenauer.

▪️With Liszt

“When I had reached a certain grade of advancement it was my great fortune to become associated with the immortal Franz Liszt. I consider Liszt the greatest man I have ever met. By this I mean that I have never met, in any other walk of life, a man with the mental grasp, splendid disposition and glorious genius. This may seem a somewhat extravagant statement. I have met many, many great men, rulers, jurists, authors, scientists, teachers, merchants and warriors, but never have I met a man in any position whom I have not thought would have proved the inferior of Franz Liszt, had Liszt chosen to follow the career of the man in question. Liszt’s personality can only be expressed by one word, ‘colossal.’ He had the most generous nature of any man I have ever met. He had aspirations to become a great composer, greater than his own measure of his work as a composer had revealed to him. The dire position of Wagner presented itself. He abandoned his own ambitions— ambitions higher than those he ever held toward piano virtuosity—abandoned them completely to champion the difficult cause of the great Wagner. What Liszt suffered to make this sacrifice, the world does not know. But no finer example of moral heroism can be imagined. His conversations with me upon the subject were so intimate that I do not care to reveal one word.

▪️Liszt’s Pedagogical Methods

“His generosity and personal force in his work with the young artists he assisted, are hard to describe. You ask me whether he had a certain method. I reply, he abhorred methods in the modern sense of the term. His work was eclectic in the highest sense. In one way he could not be considered a teacher at all. He charged no fees and had irregular and somewhat unsystematic classes. In another sense he was the greatest of teachers. Sit at the piano and I will indicate the general plan pursued by Liszt at a lesson.”

Reisenauer is a remarkable and witty mimic of people he desires to describe. The present writer sat at the piano and played at some length through several short compositions, eventually coming to the inevitable “Chopin Valse, Op. 69, No. 1, in A flat major.” In the meanwhile, Reisenauer had gone to another room and, after listening patiently, returned, imitating the walk, facial expression and the peculiar guttural snort characteristic of Liszt in his later years. Then followed a long “kindly sermon” upon the emotional possibilities of the composition. This was interrupted with snorts and went with kaleidoscopic rapidity from French to German and back again many, many times. Imitating Liszt he said, “First of all we must arrive at the very essence of the thing; the germ that Chopin chose to have grow and blossom in his soul. It is, roughly considered, this:（見譜例圖四）

Chopin’s next thought was, no doubt:（見譜例圖五）

But with his unerring good taste and sense of symmetry he writes it so:（見譜例圖六）

Now consider the thing in studying it and while playing it from the composer’s attitude. By this I mean that during the mental process of conception before the actual transference of the thought to paper, the thought itself is in a nebulous condition. The composer sees it in a thousand lights before he actually determines upon the exact form he desires to perpetuate. For instance, this theme might have gone through Chopin’s mind much after this fashion:（見譜例圖七）

The main idea being to reach the embryo of Chopin’s thought and by artistic insight divine the connotation of that thought, as nearly as possible in the light of the treatment Chopin has given it.

“It is not so much the performer’s duty to play mere notes and dynamic marks, as it is for him to make an artistic estimate of the composer’s intention and to feel that during the period of reproduction, he simulates the natural psychological conditions which affected the composer during the actual process of composition. In this way the composition becomes a living entity—a tangible resurrection of the soul of the great Chopin. Without such penetrative genius a pianist is no more than a mere machine and with it he may develop into an artist of the highest type.”

▪️A Unique Attitude.

Reisenauer’s attitude toward the piano is unique and interesting. Musicians are generally understood to have an affectionate regard for their instruments, almost paternal. Not so with Reisenauer. He even goes so far as to make this statement: “I have always been drawn to the piano by a peculiar charm I have never been able to explain to myself. I feel that I must play, play, play, play, play. It has become a second nature to me. I have played so much and so long that the piano has become a part of me. Yet I am never free from the feeling that it is a constant battle with the instrument, and even with my technical resources I am not able to express all the beauties I hear in the music. While music is my very life, I nevertheless hate the piano. I play because I can’t help playing and because there is no other instrument which can come as near imitating the melodies and the harmonies of the music I feel. People say wherever I go, ‘Ah, he is a master.’ What absurdity! I the master? Why, there is the master (pointing to the piano), I am only the slave.”

▪️The Future of Pianoforte Music.

An interesting question that frequently arises in musical circles relates to the future possibilities of the art of composition in its connection with the pianoforte. Not a few have some considerable apprehension regarding the possible dearth of new melodic material and the technical and artistic treatment of such material. “I do not think that there need be any fear of a lack of original melodic material or original methods of treating such material. The possibilities of the art of musical composition have by no means been exhausted. While I feel that in a certain sense, very difficult to illustrate with words, one great ‘school’ of composition for the pianoforte ended with Liszt and the other in Brahms, nevertheless I can but prophesy the arising of many new and wonderful schools in the future. I base my prophecy upon the premises of frequent similiar (sic) conditions during the history of musical art.” These are Reisenauer’s views upon this matter.

Continuing, he said: “It is my ambition to give a lengthy series of recitals, with programs arranged to give a chronological aspect of all the great masterpieces in music. I hope to be enabled to do this before I retire. It is part of a plan to circle the world in a manner that has not yet been done.” When asked whether these programs were to resemble Rubinstein’s famous historical recitals in London, years ago, he replied: “They will be more extensive than the Rubinstein recitals. The times make such a series posssible (sic) now, which Rubinstein would have hesitated to give.”

As to American composers, Reisenauer is so thoroughly and enthusiastically won over by MacDowell that he has not given the other composers sufficient attention to warrant a critical opinion. I found upon questioning, that he had made a genuinely sincere effort to find new material in America, but he said that outside of MacDowell, he found nothing but indifferently good salon-music. With the works of several American composers he was, however, unfamiliar. He has done little or nothing himself as a composer and declared that it was not his forte.

▪️American Musical Taste.

Reisenauer says: “American musical taste is in many ways astonishing. Many musicians who came to America prior to the time of Thomas and Damrosch returned to Europe with what were, no doubt, true stories of the musical conditions in America at that time. These stories were given wide circulation in Europe, and it is difficult for Europeans to understand the cultured condition of the American people at the present time. America can never thank Dr. Leopold Damrosch and Theodore Thomas enough for their unceasing labors. Thanks to the impetus that they gave the movement, it is now possible to play programs in almost any American city that are in no sense different from those one is expected to give in great European capitals. The status of musical education in the leading American cities is surprisingly high. Of course the commercial element necessarily affects it to a certain extent; but in many cases this is not as injurious as might be imagined. The future of music in America seems very roseate to me and I can look back to my American concert tours with great pleasure.

▪️Concert Conditions in America.

“One of the great difficulties, however, in concert touring in America is the matter of enormous distances. I often think that American audiences rarely hear great pianists at their best. Considering the large amounts of money involved in a successful American tour and the business enterprise which must be extremely forceful to make such a tour possible, it is not to be wondered that enormous journeys must be made in ridiculously short time. No one can imagine what this means to even a man of my build.” (Reisenauer is a wonderfully strong and powerful man.) “I have been obliged to play in one Western city one night and in an Eastern city the following night. Hundreds of miles lay between them. In the latter city I was obliged to go directly from the railroad depot to the stage of the concert hall, hungry, tired, travel worn and without practice opportunities. How can a man be at his best under such conditions—yet certain conditions make these things unavoidable in America, and the pianist must suffer occasional criticism for not playing uniformly well. In Europe such conditions do not exist owing to the closely populated districts. I am glad to have the opportunity to make this statement, as no doubt a very great many Americans fail to realize under what distressing conditions an artist is often obliged to play in America.”

Most entrepreneurs start their business full of energy, but some soon find themselves deflated by the realities.

In the spirit of helping you prepare and respond positively, here is a list of the most common new venture founder unexpected realities, with some thoughts on how to mitigate each one:

1. The business seems to be driving you, rather than you driving it.
Learn early how to focus on the things you can do, surround yourself with help rather than helpers, learn to say "no" often, and keep some balance between your business and the other elements of your life.
The startup world is all about causing change and reacting to unknowns, so set your expectations early to deal with it.

2. Managing cash is an overwhelming burden, in good times and bad.
Be more realistic in your projections on both ends, for example, always asking for enough to cover the next 12-month runway, plus a 6-month buffer for your next milestone to include contingencies and time for the next fundraising.

3. One or more key players need extra attention or replacement.
Don't take the "shortcut" of not doing your due diligence on aspiring team members, strategic partners, investors, or vendors. Cheaper in the beginning can be more costly in the long run.

4. Endless pivots are required to keep up with market changes.
No matter how certain you are that your solution, target market, and customer need are well-proven, you are likely wrong, or the world changes by events you could not have anticipated. Thus you need to reduce the extra pain by having a Plan B, and a process for rapid change.

5. Getting to the next level of growth is a constant challenge.
The key here is to plan ahead, nurture a relationship with your favorite venture capitalists, and leverage the growth and assets you already have with other lending and funding organizations. Of course this means taking some smart risks, not resting on your laurels, and continuously updating your business plan and strategy.

---
op by Joy Chiang, Alumni Community Manager of AppWorks

ミルクスライムさんとスライムジャパンさんのコラボスライム「すいもあまいも さつまいも」
"SUIMO AMAIMO SATSUMAIMO", a collaboration slime of Milk Slime and Slime Japan.

#milkslime #ミルクスライム
#スライムジャパン #slimejapan

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ミルクさん、三周年おめでとうございます！！💕

ミルクさん　https://instagram.com/miru_chonn_love?utm_medium=copy_link

スライムジャパンさん　https://instagram.com/slime_japan_?utm_medium=copy_link

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【タイムテーブル】

0:00 〜 OP

0:30 〜 本編開始　
the beginning of the main part

0:44 〜 ベーススライムを触る
touch base slime

2:18 〜 おいもスライムを触る
touch sweet potato slime

3:16 〜 DIY TIME

3:21 〜 触り始め
begin to touch

3:35 〜 容器から出す　
take out of a container

3:44 〜 片手で触る　
touch with one hand

3:54 〜 両手でガッツリ遊ぶ　
play with both hands

6:02 〜 あたたたたたたいむ
mochiyo beam

6:07 〜 もこもこテクスチャーで遊ぶ
play with a fluffy texture

6:20 〜 もこもこにして容器に還元　
fluff up and return to the container

6:26 〜 もこもこ
fluffy

7:19 〜 おすすめ

7:26 〜 おすすめ

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【テロップ書き起こし】

このスライムはミルクさんの三周年記念のコラボスライムです！
This slime is Milk Slime's 3rd anniversary slime!

ミルクさん、三周年おめでとうございます！
Congratulations on the third anniversary of Milk Slime!

こちらはホワイトグルーベースの滑らかなスライムです
This is a smooth slime based on white glue.

ツヤがあるのでタップ音がチャキチャキ気持ちがいいです
The slime is glossy, so the tapping sound feels good.

とろとろした感じもあります！
There is also a slimy feeling!

分厚いのでバブル音もとても大きいです
Because it is thick, the bubble sounds are also satisfying.

少しだけクレイも入ってる？って感じの絶妙な触り心地です
It's an exquisite touch that feels like "Is there a little clay in it?"

こちらはジェリーにメラミンスポンジを吸い込ませたという、お芋パーツです
This is a sweet potato part made by mixing jelly slime with melamine sponge.

蜜たっぷりのあま〜い焼き芋みたいなテクスチャーです
It has a texture like roasted sweet potato with plenty of nectar.

クリアスライムベースだけど全く手につきません
It's a clear slime base, but it's not sticky at all.

はい美味しそう〜〜！いただきま〜す！！
Yes it looks delicious! Let's eat!

この！！バブル音！！溺れそう！！
This! Bubble sound! I'm about to drown!

このように何度も空気を入れて遊びたくなってしまいます
I inflated it many times like this and played with it.

ザラザラしているけど、優しくてホクホクした手触りです
It's rough, but it's soft to the touch.

「"すいもあまいも"とは甘い経験も苦い経験もしているという意味で、優しくてチャーミングな人柄と神センスを持ち合わせた彼女だからこそ、乗り越えて、迎えられた、特別な３周年だなと思ったのです（ジャパンさん談）」
"SUIMO AMAIMO means that you have both sweet and bitter experiences. I thought it was a special 3rd anniversary because she had a gentle and charming personality and a wonderful sense.”

アタタタタタタタァァッッ！！
Hissatsu! Mochiyo Beam!!!!

ミルクさんとジャパンさんがお好きなさつまいもデザインのスライム
Milk slime and Slime Japan's favorite sweet potato design slime.

とってもとっても美味しそうな最高のスライムでした！
It was a wonderful slime that looked very delicious!

二倍以上に膨らみます！
It swells more than twice!

じゅわもこ天国〜〜
Juwamoko Heaven ~~

細かいパチパチも最高です！
The small bubble sounds are also great!

甘いお芋のいい香りでした！食べちゃいそうな香りです！
It had a nice scent of sweet potatoes!

それでは引き続きASMRをお楽しみ下さい！
Please continue to enjoy ASMR!

ごちそうさまでした！
Thank you for the meal!lol

ご視聴ありがとうございました！
Thank you for watching!!!!

───────────────────

サブチャンネル【もちよの研究室】はコチラ！
↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓
https://www.youtube.com/channel/UCWmSQDBSNQTX6kpFm6lYLnw

Instagram・ twitter・Tiktok・BASE shop・メルカリはこちら！
↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓
https://linktr.ee/mochiyoslimestore

スライムの提供についてはコチラ！
↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ https://www.instagram.com/s/aGlnaGxpZ2h0OjE3ODQ4ODU4NzU3MDI2MzA3?igshid=1hr3jy34zfnpo&story_media_id=2286885986591781571

イヤフォンやヘッドフォンをして聴いて頂くとよりいい音で楽しめるかとおもいますので、是非に😎

また、画面右上のチョンチョンチョンのとこから画質を1080pに設定して動画を見ていただけると、高画質でお楽しみ頂けます💪💪

───────────────────

どうもこんびんは！
もちよすらいむです🧜🏻‍♀️

素敵なスライマーさんのスライムのレビューや、自分で作ったスライムの動画などのASMRを中心に、いろいろなジャンルの動画を上げていきたいと思います！

【ごめんちゃいズ】
＊更新が突然途絶える可能性があります🙇‍♀️
＊慢性鼻炎でして、呼吸音が入ってしまうことがあります🤦‍♀️
＊机に爪がコツンと当たる音が入ってしまうことがあります🙇‍♀️
＊実家暮らしなので、稀に家族の出す生活音が紛れ込んでしまいます🙇‍♀️

動画を見てくださりありがとうございます💕
是非チャンネル登録をして、これからももちよの動画をお楽しみください💁‍♀️

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#もちよすらいむ #mochiyoslime #べらちゃんのslimeしばき部屋 #slime #asmr #asmrsounds #asmrslime #スライム #音フェチ #音フェチ動画 #音フェチスライム #clayslime #slayslime #butterslime #cloudcream #thickslime #thickie #thickieslime #fluffyslime #clearslime #slusheeslime #slushieslime #fishbowlslime #crunchyslime #slimejapan #スライムジャパン #sakuraslime #さくらスライム #aisu屋さん #tiaslime #slimeogproof #ogslimeproof #aobaslime #awesomeslimeproof #awesomeslime #slimefantasies #slimefantasiesproof
#rodemslime #rodemslimeproof #mooncottonslime #slimebyktmproof

８月上旬の土曜日。ふたりぱぱは新居のお庭のお手入れに大忙し！ 芝のお手入れについて相談したり、生垣をカットしたり！ そして、5歳の息子くん待望のトランポリンも到着！ 白夜も終わり、夜が暗くなるまでかかって完成したトランポリン、どんな感じでしょうか？　最後までゆっくりご覧ください！

00:00 OP
00:40 まずは庭仕事！ 生垣の剪定から！
03:56 ふたりぱぱの素が出る休憩
06:34 トランポリンの置き場で揉める親子
07:46 親子3人 で作るトランポリン！
10:26 やばい！ トランポリンが運べない！
11:27 暗闇の中の作業
12:34 完成！ ホッパしよう！




（English Translated by The LK Sisters, other languages are auto-translated so might be not so accurate)

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100万再生動画 / 3言語が飛び交う食卓
1M viewed movie / 3 languages at the dinner table
https://www.youtube.com/watch?v=RmRO-RV31wo

自己紹介動画 / This is who I am
https://www.youtube.com/watch?v=34ORUY73F7k

人気動画 / モーニングルーティン
Popular movie / Morning Routine
https://www.youtube.com/watch?v=qIqspcnbCk8&t=39s





こんにちは。ふたりぱぱのYouTubeチャンネルへようこそ！
僕らはスウェーデンと日本のゲイカップルで、男の子を育てています。
僕らの『当たり前に見えるけど本当は特別な毎日』をここでシェアしていきたいと思います。チャンネル登録お願いします！

Hey! Thanks for visiting our YouTube channel "FUTARIPAPA".
FUTARIPAPA means "Two-dads" in Japanese.
We are Swedish x Japanese couple with a boy 👨‍👨‍👦living in Sweden, would love to share some loving moments of our life. Don't forget subscribe us!

みっつん初著書
『ふたりぱぱ:ゲイカップル、代理母出産(サロガシー)の旅に出る』絶賛発売中！
【現代書館】
http://www.gendaishokan.co.jp/goods/ISBN978-4-7684-5862-4.htm
【amazon】
https://www.amazon.co.jp/dp/4768458629/ref=cm_sw_em_r_mt_dp_U_Y.1HEbCH6DE



＜楽曲提供＞
Production Music by http://www.epidemicsound.com

＜画像素材＞
かわいいフリー素材集 いらすとや
http://www.irasutoya.com/



Blog : http://futaripapa.com/

FB page: https://www.facebook.com/futaripapa/

instagram: https://www.instagram.com/mittsuntyoldnlla/?hl=ja

twitter: https://twitter.com/MittsunLondon

オリンピックの熱狂も落ち着き、パラリンピックまでは時間がある。お盆なのに緊急事態宣言で帰省も外出もできない。海外旅行なんて夢のまた夢…そんなあなたに朗報です！ ふたりぱぱがスウェーデンの世界遺産へとご案内します！ チャプターを作ったので 興味があるところだけでも見ていってくださいね。ライブチャットを見ながらお楽しみいただけたらと思います！

また初めての屋外でのライブということで、音声が聴こえにくいなどのお声をいただきました。
日本語字幕をつけましたので、［設定］⚙マーク➡︎［字幕］➡︎［日本語］を選択すると表示されます。
今回、いただいたスパチャでピンマイクを買い、今後は改善していきたいと思います。
至らない点の多いライブではございましたが、ライブチャットでの皆様の温かいメッセージに支えれられました。今後ともどうぞよろしくお願い申し上げます。

現地撮影担当: あゆみさん
ライブチャットモデレーター: なつこさん

00:00 OP 車で世界遺産へと向かいます
09:00 到着 世界遺産の概要
14:55 世界遺産クイズ！ 教会のまわりにある小屋の数は？
21:00 大きな〇〇用井戸と、小屋の利用用途とは？
22:45 息子くんがおトイレ！？
23:45 現役の教会、結婚式のパイプオルガンの音色が聴こえます。
27:57 息子くんとリカパッパとはぐれちゃいました！
31:00 ビジターセンターでお土産を見てみよう！


#おうちですごそう #おうちでバーチャル旅行！


（English Translated by The LK Sisters, other languages are auto-translated so might be not so accurate)

＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊

Subscribe Us! チャンネル登録お願いします!
https://www.youtube.com/channel/UCU69jxPesoWw5I4WmOMBx-Q/



100万再生動画 / 3言語が飛び交う食卓
1M viewed movie / 3 languages at the dinner table
https://www.youtube.com/watch?v=RmRO-RV31wo

自己紹介動画 / This is who I am
https://www.youtube.com/watch?v=34ORUY73F7k

人気動画 / モーニングルーティン
Popular movie / Morning Routine
https://www.youtube.com/watch?v=qIqspcnbCk8&t=39s





こんにちは。ふたりぱぱのYouTubeチャンネルへようこそ！
僕らはスウェーデンと日本のゲイカップルで、男の子を育てています。
僕らの『当たり前に見えるけど本当は特別な毎日』をここでシェアしていきたいと思います。チャンネル登録お願いします！

Hey! Thanks for visiting our YouTube channel "FUTARIPAPA".
FUTARIPAPA means "Two-dads" in Japanese.
We are Swedish x Japanese couple with a boy 👨‍👨‍👦living in Sweden, would love to share some loving moments of our life. Don't forget subscribe us!

みっつん初著書
『ふたりぱぱ:ゲイカップル、代理母出産(サロガシー)の旅に出る』絶賛発売中！
【現代書館】
http://www.gendaishokan.co.jp/goods/ISBN978-4-7684-5862-4.htm
【amazon】
https://www.amazon.co.jp/dp/4768458629/ref=cm_sw_em_r_mt_dp_U_Y.1HEbCH6DE



＜楽曲提供＞
Production Music by http://www.epidemicsound.com

＜画像素材＞
かわいいフリー素材集 いらすとや
http://www.irasutoya.com/



Blog : http://futaripapa.com/

FB page: https://www.facebook.com/futaripapa/

instagram: https://www.instagram.com/mittsuntyoldnlla/?hl=ja

twitter: https://twitter.com/MittsunLondon