Reasons why I love being a songwriter:
Music truly is a universal language.
When I released 'Siboh Kitak Nangis' (meaning Don't You Cry) on my 2nd album 'Ghostbird', I was faced with many doubtful questions from Malaysians (I don't need to tell you which part Msia these Q's came from), who asked me things like, "Wahhh~ berani eh you letak lagu Sarawak dalam album you?" and "So is this a way to prove you're more Malaysian?" (Whut, bro?) I thought to myself, this was just a song I wrote about comforting yourself, or others, and telling them that every hardship shall pass, chin up, don't worry, I'll be by your side if you need me, come rain, thunder or lightning, I will be with you... BUT it just so happens to be in my native dialect of Bahasa Sarawak.
I remember hearing praises about it from my record label and particularly my producer Mario Caldato (Mario C) and how excited they were to be hearing this beautiful language, and their faith in the song made my heart melt.
When the song finally released, and hearing those things from my fellow countrymen shocked me to the core.
Of course, not everyone thought like that... Members of the media were very kind and I have been told that the song went on to inspire many more artistes and Sarawakian artistes to embrace our culture and language... Which to me, meant that that was my job as a songwriter done. 'Siboh Kitak Nangis' then went on to be become the first Bahasa Sarawak song on an international album, on rotation on NPR radio stations in the US and was also featured in Korean dramas, and also just like in this video, appreciated by people of different parts of the world who do not even remotely know what it means, just by the sentiments of the song that they're hearing.
This is Gina, New York born and raised to parents of Haiti Island. Singing in the Sarawakian language flawlessly.
My darlings, in music, there is no limit. No one makes the rules. It depends on what you want to achieve and express. Sing the language of your hearts, your souls, and mind not about "making it the market", truth is, someone, somewhere, needs to hear it, and feel like they are loved and not alone.❤️ On that note: OOHHHAAAAA🌺!
同時也有3部Youtube影片,追蹤數超過2萬的網紅I Mean Us,也在其Youtube影片中提到,// I Mean Us 2021 New Single // ▬ 《普通人類》▬ 當思考自己是否非凡的同時, 便已落入平凡。 𝐖𝐡𝐢𝐥𝐞 𝐰𝐨𝐧𝐝𝐞𝐫𝐢𝐧𝐠 𝐢𝐟 𝐲𝐨𝐮'𝐫𝐞 𝐫𝐞𝐦𝐚𝐫𝐤𝐚𝐛𝐥𝐞 𝐨𝐫 𝐧𝐨𝐭, 𝐲𝐨𝐮'𝐫𝐞 𝐚𝐥𝐫𝐞𝐚𝐝𝐲 𝐛𝐞𝐜𝐨𝐦𝐞 𝐚𝐧 𝐨𝐫𝐝𝐢𝐧𝐚𝐫𝐲 𝐨𝐧...
「producer npr」的推薦目錄:
- 關於producer npr 在 Zee Avi Facebook 的最讚貼文
- 關於producer npr 在 Robynn Yip Facebook 的最佳解答
- 關於producer npr 在 MaoGaming เมาเกมมิ่ง - สมาคม คนเมาเกม Facebook 的最讚貼文
- 關於producer npr 在 I Mean Us Youtube 的最佳貼文
- 關於producer npr 在 Alena Murang Youtube 的最佳貼文
- 關於producer npr 在 I Mean Us Youtube 的精選貼文
- 關於producer npr 在 NPR Extra - Anjuli Sastry is the host, co-producer, and... 的評價
producer npr 在 Robynn Yip Facebook 的最佳解答
Blog 4
I have a second confession to make. I actually quite admire Taylor Swift. I know, I know. I know she gets a lot of hate, and a lot of people don’t necessarily see her music as “real music”, whatever that means. I know liking her music is sometimes seen as “uncool”- how dare any serious musician say they like her stuff, it’s only for silly teenage girls. But if I’m honest, fewer and fewer people treat the whole Cantopop market as “real music” as well, so perhaps we kinda do share that in common. 🤷🏻♀️ So who am I to diss it? I actually really admire her, and definitely count her as one of my previously unspoken inspirations. I do resonate with the way she writes... because it’s kind of the way I write.
I recently watched her NPR Tiny Desk Concert, and if you don’t know about Tiny Desk, perhaps you could check it out and be inspired - it’s a YouTube channel where artists and musicians perform in a tiny cramped space behind a work desk - and it’s brilliant. I love the rawness of it, the realness of it, and the closeness of it. It takes what happens on a big stage into your average office work space. It was a surprise to see Taylor Swift there, because it usually features up-and-coming artists or jazz musicians, performances of which I enjoy thoroughly also. But this was a surprising one, and so I clicked. I admit I even got a tad bit emotional after watching it, not because of anything else but the fact that I can resonated with so so much the stuff she said about songwriting and her creative process, and I enjoyed how she picked the songs and played completely alone, stripped down and raw, in the songs’ demo versions. In between songs, she shared thoughts and her creative process so openly and vulnerably, and how she wrote her songs as self-therapy, usually with just one instrument, in her pajamas, in the middle of the night. In that format, she somehow still managed to find a dominant spot in the mainstream and manufactured pop world - and that was so reassuring for me because that’s how I have written a TON of my songs.
Very, very early on in my career, before R&K, one producer once said to me, “you’re not the best singer, you’re not really a great guitar player, piano you’re a little better but still not that great... but with everything put together, mayyyybe you would be able to become a little bit of something.”
And for me, to see someone like Taylor Swift do so well in this world, someone who doesn’t belt like Beyoncé, doesn’t shred on the guitar like John Mayer, doesn’t play keys like Alicia Keys, doesn’t riff like Ariana Grande... for someone like Taylor Swift to be the mega success that she is... is undeniably impressive, and downright inspiring to me. She doesn’t use fancy techy gear, she doesn’t use fancy chords, she doesn’t do fancy grooves or sing fancy riffs. She just writes songs like she writes her diary - but she’s also smart and catchy and commercial about it. She is an amazing storyteller of her own life, and without necessarily being the best at singing or any instrument, she was the best at telling her unique stories. With everything put together, and a strong belief in herself - she has used this creativity of hers to garner millions and millions of fans all around the world.
Sometimes, the mastery of a craft looks different for different people. Sometimes it’s not about technical perfection. Sometimes, those who are imperfect, broken, hurt, but headstrong, open, authentic, courageous, and unapologetic are more interesting. It’s like found their own way to harness their scars or life experiences, and turn them into doors leading to their eventual evolution through creativity. They tell stories instead of showing off. It’s reassuring and also comforting that this still sells, with this much competition in the market, and resonates with me so much.
I then watched the TED talk by Elizabeth Gilbert, author of Eat Pray Love after the tiny desk because Taylor said she watched it with tears when inspiration didn’t come. And I just teared myself also. Touched tears. Tears of inspiration. Tears of joy in finding people that seem to think like me, who share the weight of my worries, but are successful and made an impact in the world. I found myself nodding viciously in agreement idiotically in my own living room, when they share the anxieties, insecurities and fears that typically consume the mind of creatives. I am definitely an overthinker so I’m a victim of all that was mentioned. Ok, you’ll have to watch it to understand. But it felt like I was meant to listen to this. It’s based on the daunting feeling of failure when inspiration doesn’t come, or feeling like your best work is “untoppable” and therefore your best days are behind you. But inspiration isn’t from within you. Inspiration is this mysterious force in the universe, and you just have to catch it when it comes, and even when it doesn’t, just keep showing up for your part of the job anyway until it does. And when time comes, let inspiration, this outer force in the universe take over. You don’t have to be sad for writing a bad song, or too proud for writing a good one. Don’t beat yourself up, and just keep doing what you do. Leave that fear behind you. Absolutely life changing.
And with this, I’m gonna go turn on my water tap of inspiration and try to work on some songwriting now. Thanks for checking in 🙂
Till next time.
Choose love, and bring light.
xRobynn
#robynnblogs
Do share what you think on what my next confession should be. 🙂
producer npr 在 MaoGaming เมาเกมมิ่ง - สมาคม คนเมาเกม Facebook 的最讚貼文
อัพเดตเพิ่มเติมสำหรับท่านที่อยากไปนะครับ
ส่วนตัวผมเปลี่ยนใจไม่ได้ไป เพราะไม่สะดวกกับบัตรยืนครับ
อยากได้แบบปีที่แล้ว นั่งฟังซึมซับความประทับใจมากกว่า
Video Game Orchestra First Time In Thailand
ครั้งแรกที่คุณจะได้สัมผัสกับวง Rock ผสมเครื่องสาย
จะมาบรรเลงเพลงจาก Video Game ที่คุณชื่นชอบ
ขายบัตรแล้วที่ https://www.eventpop.me/e/6478-videogameorchestra
โชตะ นาคามะ (กีต้าร์ ,โปรดิวเซอร์ และ ผู้ก่อตั้ง Video Game Orchestra)
ได้ฝากคลิปมาถึงแฟนๆชาวไทย เพื่อเป็นการยืนยันว่าพบกันแน่
เสาร์ที่ 26 ตุลาคม นี้ ที่ Live Arena RCA
Shota Nakama (Guitarist, Producer, Creator of Video Game Orchestra) is sending a short clip for all of us in Thailand! See you all on October 26 at Live Arena RCA
Video Game Orchestra First Time in Thailand
Ticket on sales at
https://www.eventpop.me/e/6478-videogameorchestra
โชตะ นาคามะ (กีต้าร์ ,โปรดิวเซอร์ และ ผู้ก่อตั้ง Video Game Orchestra)
โชตะ นาคามะ เป็นผู้ผลิตผลงานเพลงที่ได้รับรางวัลมากมาย ปัจจุบันโชตะอาศัยอยู่เมืองบอสตันในรัฐแมสซาชูเซตส์ เขาถือว่าเป็นบุคคลที่มีชื่อเสียงในฐานะผู้สร้างและผู้ผลิตผลงาน และตำแหน่งผู้บริหาร Video Game Orchestra ซึ่งเป็นคอนเสิร์ตที่มีการใช้เพลงจากวิดีโอเกมยอดนิยม
ในเวลาเพียงไม่กี่ปีนับตั้งแต่ก่อตั้ง VGO ได้ประสบความสำเร็จและกลายเป็นหนึ่งในการแสดงในระดับนานาชาติที่เป็นที่นิยมมากที่สุด
นอกจากนี้โชตะยังทำโชว์ Capcom Live ซึ่งถือเป็นคอนเสิร์ตอย่างเป็นทางการของ Capcom
โชตะยังได้ผลิตผลงาน Sonic the Hedgehog Live ซึ่งเป็นการแสดงเพลงจากซีรีส์ โซนิค โดยรอบแรกแสดงที่ไชน่า จอย ในเซี่ยงไฮ้เมื่อวันที่ 5 สิงหาคม 2018 โดยมีผู้ชมมากกว่า 3,000 คน
ในปี 2013 โชตะได้ก่อตั้งบริษัทผลิตเพลงซาวด์แทรคเพื่อใช้ในวิดีโอเกม,ภาพยนตร์และภาพเคลื่อนไหว และยังได้มีส่วนร่วมในรายชื่อผู้สร้างผลงานใน Final Fantasy XV (ยอดขายได้ 8.3 ล้าน) Kingdom Hearts , Sonic Mania , God Eater , Cytus (ยอดขายเพลงเกมส์จากไต้หวันที่สูงที่สุดในเอเชีย) , Lazer Team(หนังที่ฉายสดแนวอินดี้ที่มีการระดมทุนจัดทำโดย Rooster ) , Little Witch Academia(Netflix Anime โดย Toho) และผลงานของเมกะ-ฮิตแฟรนไชส์
ผลงานที่โดดเด่นของโชตะได้เผยแพร่อยู่ในสื่อที่มีชื่อเสียง เช่น NPR, the Boston Globe, the Asahi Newspaper และ NHK World
producer npr 在 I Mean Us Youtube 的最佳貼文
// I Mean Us 2021 New Single //
▬ 《普通人類》▬
當思考自己是否非凡的同時,
便已落入平凡。
𝐖𝐡𝐢𝐥𝐞 𝐰𝐨𝐧𝐝𝐞𝐫𝐢𝐧𝐠 𝐢𝐟 𝐲𝐨𝐮'𝐫𝐞 𝐫𝐞𝐦𝐚𝐫𝐤𝐚𝐛𝐥𝐞 𝐨𝐫 𝐧𝐨𝐭,
𝐲𝐨𝐮'𝐫𝐞 𝐚𝐥𝐫𝐞𝐚𝐝𝐲 𝐛𝐞𝐜𝐨𝐦𝐞 𝐚𝐧 𝐨𝐫𝐝𝐢𝐧𝐚𝐫𝐲 𝐨𝐧𝐞.
🌐 Digital Release on 22 Jan , 2021
🌐 數位平台 2021.01.22 全面上架
▸▷▻▷▻▷▻▷
作曲 Composer : 梁丹郡 Mandark Liang
作詞 Lyrics : 梁丹郡 Mandark Liang 楊詠淳 Vitz
編曲 Arranger : I Mean Us
演奏 Performer : I Mean Us
主唱.電吉他.合成器 Vocal.Guitar.Synth : 章羣 Chun Zhang
主唱.鍵盤 Vocal.Keyboard : 梁丹郡 Mandark Liang
電吉他 Guitar : 楊詠淳 Vitz
鼓 Drums : 呂佩蓬 PP L
貝斯 Bass : 陳思翰 Hank Chen
和聲 Chorus:劉庭佐 Joe Liu
製作人 Producer : 鍾濰宇 Yu
主要錄音師 Main Recording Engineer : 鍾濰宇 Yu
主要錄音室 Main Recording Studio : 89 studio
鼓組錄音師 Drum Recording Engineer: 錢煒安 Zen Chien
鼓組錄音室 Drum Recording Studio : 112F Recording Studio
鼓錄音助理 Drum Recording Assistant : 陳祺龍 Chris Chen
人聲音訊編輯 Vocal Audio Editing : 游景棠 Don Yu
混音師 Mixing Engineer : 黃文萱 Ziya Huang
混音錄音室 Mixing Studio: Purring Sound Studio
混音助理 Mixing Assistant: 沈冠霖 SHENB
母帶後期處理工程師 Mastering Engineer: 黃文萱 Ziya Huang
母帶後期錄音室 Mastering Studio: Purring Sound Studio
藝術指導 Art Director: 盧翊軒
電腦圖形設計 CG Artist: Pin Chiang
特別感謝器材提供 Special Thanks:陳君豪
▸▷▻▷▻▷▻▷
►首張專輯〈OST〉 ᶠ ᴜ ʟ ʟ ᴀ ʟ ʙ ᴜ ᴍ
https://rock-mobile.lnk.to/k42tR
►
https://www.facebook.com/IMeanUsBand
https://www.instagram.com/imeanus/
► ᴍ ᴇ ʀ ᴄ ʜ
https://goo.gl/AHM1wC
![post-title](https://i.ytimg.com/vi/L-fdPOd_yC4/hqdefault.jpg)
producer npr 在 Alena Murang Youtube 的最佳貼文
Midang Midang is an old Kelabit song, handed to Alena by her grandaunty Tepu’ Ira. Turn the subtitles on in the video above to view the English translations.
Artist: Alena Murang
Director: Sarah Lois Dorai
Executive Producer: Alena Murang / Fabian Wilfred Joseph
Director of Photography: Fabian Wilfred Joseph
Music Producer: Joshua Maran (PepperJam Productions)
Focus Puller/Lighting: Teh U-Jinn
1st Camera Assistant: Veknesuaran Thiagarajan
Production Coordinator: Annabel Michael
Production Assistant/2nd Camera Assistant: Pearly Choo Hui Wen
Production Assistant: Fara Emiera
Stylist: Sarah Lois Dorai / Alena Murang
Wardrobe Assistant: Sharifah Nur Hannah
Hair & Make-up Artist: Gebriel Padan
Hair & Make-up Artist Assistant: Aqeem Yusuf
MV Audio Mix: Soo Yuen Yiet
BTS Videographer: Candy Fredrick
Choreographer: Sarah Lois Dorai
Dancers: Sharabana Mala Ulun
Vivianna anak Jimbun
Amelia Usun Juing
Norina Anak Changan
Miri Production Runner: Amreetpul Singh
Daniel Sim Mong Say
Bario Locations & Production Runner: Zac Labang
David L. Labang
Food & Accommodation: Lucy Bulan & David Labang (Labang Longhouse Lodge)
Post Production
Post Supervisor: Fabian Wilfred Joseph
Post Producer: Teh U-Jinn
Offline Editor: Sarah Lois Dorai / Fabian Wilfred Joseph
Online Editor: Fjallraven Boy
Color by Company 3 Los Angeles
Colorist: Tyler Roth
Executive Producer: Ashley McKim
Producer: Mario Castro
Special thanks to:
Elle Sia
Gary Lionel
Julian Rang
Lawrence Lawai Lukas
Lynette Nicholas
Paul Anis Pian
Nazri Bin Mahari
Sharifah Nur Annissa
Nicholas Chin
Cinerent (M) Sdn. Bhd.
AV8 Media Pte. Ltd.
Special thanks to:
Sarawak Tourism Board
Miri Marriott Resort & Spa
Miri City Council
LANA
Maatin Shakir
Neng Kho Razali
Raben Beads
Tanoti
Von Jolly Couture
Wan Bynun
Gebriel Padan Makeup Artistry
Music Video Produced by Project Room & Kanid Studio
Music Copyright: Alena Murang
Video Copyright: Alena Murang & Project Room
![post-title](https://i.ytimg.com/vi/NZUf2hHq-EE/hqdefault.jpg)
producer npr 在 I Mean Us Youtube 的精選貼文
如果 可以用一首歌曲道盡一切
『不論歷經一切過程,
不論千山萬水,阡陌沃野,
也願能找到那一眼就能明白我的你』
●○●○●○●○●○●○●○●○
I Mean Us《EYƎ》Asia Tour 2019
每當我想起你
那段波光粼粼的回憶
每當我看著你
我就知道天空為何而藍
我就會知道,什麼是真實的顏色
6/15 南 京 @ 歐拉藝術空間 (下午場)
6/16 上 海 @ 育音堂公園
6/17 杭 州 @ MAO LIVEHOUSE
6/19 武 漢 @ VOX LIVEHOUSE
6/20 深 圳 @ HOU LIVE
6/21 廣 州 @ TUTU空間
6/23 厦 門 @ REAL LIVE
7/19 福 岡 @ BEAT STATION
7/21 大 阪 @ SOCORE FACTORY
w.揺らぎ, Tsudio Studio
7/22 東 京 @ FEVER
w. Luby Sparks, 17歳とベルリンの壁
🔖Tickets:
👉https://pse.is/IMUcn
👉https://pse.is/IMUjp
●○●○●○●○
I Mean Us / I'm U
Taipei based, formed in 2015.
Genre: Indie Pop/Noise Pop/Dream Pop/Shoegaze
Schmaltzy songs at the end of century.
I Mean Us / I'm U
2015年底成立,來自台北;
曲風雜揉Indie Pop/Noise Pop/Dream Pop/Shoegaze,
器樂操弄著九〇年代類比聲響,
男女主唱交織,唱述著內心的躁動以及曾經滿地的心碎;
他們是I Mean Us,唱著世紀末濫情歌。
●○●○VIDEO●○●○
Production House :accesstovision
https://accesstovision.co/
Cast :James Magnum III
Executive Producer :PRODUCED IN LAB
Director :KAI-HAN CHENG
Director’s Assistant :Dai Kuo Chun
Producer :Brute Sea, En Hsieh
Cinematographer :Zhou Jia-Qi, Brute Sea
Costume Designer :Saem Xu, LINCHIAHSIN
Makeup & Hairstyle :Eon Hsu
Visual Effects :accesstovision
Editor :KAI-HAN CHENG, Dai Kuo Chun
Colorist :Su Pei (Timeline Studio 時間軸)
Photographer :maumauchiu
Special Thanks :蘭嶼 漁夫嶼海, Orchid island fisherman&sea, 謝金龍, 希蕊娜莉古早味早餐
●○●○MUSIC●○●○
製作人 Producer : 陳建騏 George Chen
作詞 Lyrics : 楊力龢 Edney Yang・梁丹郡 Mandark Liang
作曲 Composer:梁丹郡 Mandark Liang
編曲 Performer.Arranger : 楊詠淳 Vitz Yang・章羣 Chun Zhang
演奏|
主唱.電吉他 Vocal.Guitar : 章羣 Chun Zhang
主唱.鍵盤 Vocal.Keyboard : 梁丹郡 Mandark Liang
電吉他 Guitar : 楊詠淳 Vitz Yang
鼓 Drums : 呂佩蓬 PP L
貝斯 Bass : 陳思翰 Hank Chen
合音 Chorus:劉庭佐 Joe Liu
弦樂編寫 Strings Arranger: 劉涵 Liu Hang
小提琴 Violin:劉融Liu Jung\曲靜家 Ching Chia Chu
中提琴 Viola:甘威鵬 Weapon Gan
大提琴 Cello:劉涵 Liu Han
錄音 Recording Engineers : 錢煒安 Zen Chien/陳以霖 Yi Lin Chen
錄音場地 Recording Studios : 玉成戲院錄音室 Yu Cheng Cinema Studio/大小眼錄音室 Twin Eyes Studio
混音 Mixing Engineers : 錢煒安 Zen Chien @112F Recording Studio
母帶後期製作 Mastering Engineer : 孫仲舒 Sun Chung Shu
母帶後期錄音室 Mastering Studio : 鈺德科技 U-Tech
●○●○●○●○
特別感謝 Special Thanks
韓立康/吳東陽/鄭力愷/籟音音樂影像工作室 / 黃婕妤 / 張藝
●○●○●○●○
► ᶠ ᴜ ʟ ʟ ᴀ ʟ ʙ ᴜ ᴍ
https://rock-mobile.lnk.to/k42tR
►
https://www.facebook.com/IMeanUsBand
https://www.instagram.com/imeanus/
► ᴍ ᴇ ʀ ᴄ ʜ
https://goo.gl/AHM1wC
![post-title](https://i.ytimg.com/vi/sBLVe2Fu1Qc/hqdefault.jpg)
producer npr 在 NPR Extra - Anjuli Sastry is the host, co-producer, and... 的推薦與評價
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