💕「愛台灣,我的選擇」系列第15發:臺虎董事長黃一葦(Peter Huang) 要讓臺虎精釀 Taihu Brewing成為台灣年輕人才發光發熱與實踐夢想的平台
「儘管我有著東方面孔,但我不是台灣人,家族根源也不在台灣。一直到我念大學時 (美國麻薩諸塞州的威廉斯學院,非常棒的學校),我才透過普林斯頓北京中文培訓班的機會,真正到東亞來闖蕩。
大學畢業之後,我埋首於數字和表格之間,精釀啤酒陪我撐過了這段辛苦的歲月。我的職涯始於紐約,但後來輾轉來到亞洲 (名義上是去新加坡,但主要是在印尼、緬甸和馬來西亞)。
在數字間打轉從來不是我的夢想。身為一個負責任且典型的千禧世代,我一直很想獨立開創自己的事業,如果能將個人興趣和創業機會相結合,那就太完美了。而精釀啤酒就是那完美的交集點!精釀工藝的精神我深有同感,這是一種對未來可能性充滿嚮往、不盲目接受現狀的精神;同時也代表著與一群優秀的人才,一起開發令人驚喜的產品,並打造屬於自己的社群。
成立臺虎精釀的契機出現之後,我立刻想到台灣。之所以選擇這裡,不是因為台灣文化很吸引人 (雖然確實是),不是因為台灣有著厚實的文化傳統 (雖然確實有),更不是因為台灣的好山好水。
我選擇台灣的主要原因是這裡遇到的人。很多人會說,人生中有兩個家庭,一個是你的原生家庭,另一個是你自己選擇的家庭。對我來說,那個我自己選擇的家庭,似乎就在台灣。
臺虎精釀的商標 (由台灣傑出設計師Jess Lee設計) 由老虎、啤酒花和葫蘆三個元素組成,葫蘆是古代盛酒的容器。
葫蘆就不需要多加解釋了,但啤酒花是當代精釀啤酒的基石,代表著創新創意的精神。事實上,我們使用的絕大多數啤酒花都來自美國,畢竟美國是精釀啤酒的中心 (過去20年一直都是)。美國的啤酒花產業 (還有麥芽產業) 可以說是世界之最,也難怪經典IPA啤酒中最受歡迎的啤酒花都來自美國。
商標中的老虎是為了向早期台灣作為「亞洲四虎」(亞洲四小龍) 的年代致敬。當年台灣經濟快速起飛,產業朝氣蓬勃,民眾無不對未來充滿樂觀和期待。
老虎代表的正是那樣的生機勃勃、神采煥發。臺虎167名員工幾乎都是台灣人。我們認為,與其說臺虎是一個釀酒廠,不如說臺虎是讓台灣年輕人才發光發熱、實踐夢想的平台。
我們的目標是吸引並培育人才,最終目標希望能夠在台灣發展出欣欣向榮的創業生態圈。Sway是我們成立初期的成員,她一開始是在吧台工作,非常優秀。在小公司工作的好處就是,你可以盡你所能所想去做,Sway後來開始慢慢接觸進口通關業務,現在是我們全球物流的主管 (很不簡單)。
也許有一天,她會開創自己的事業,進而將這份育才的信念在台灣新創圈繼續傳承下去。」— 臺虎董事長黃一葦 Peter Huang
💕Why I chose Taiwan #15 – Taihu Brewing Founder Peter Huang leads Taihu to become a platform for Taiwan young talents to carry out their dreams and express themselves
“Despite appearances, I’m neither Taiwanese nor have roots here. It took college (Williams College in Massachusetts – phenomenal place), to really bring me out to East Asia via Princeton’s immersion program in Beijing.
Post-graduation, I paid my dues shuffling numbers around in a spreadsheet. Craft beer made it bearable-ish. Working life began in New York, but ultimately landed me in Asia (nominally Singapore, primarily Indonesia, Myanmar, Malaysia).
Shuffling numbers was not the dream. So, as a responsibly stereotypical millennial, I had an urge to venture out on my own. Ideally, to try something at the intersection of opportunity and interest. Craft beer! The craft movement itself struck a chord - a yearning for what could be, rather than blind acceptance of what is. It is about building communities around delightful products and, critically, wonderful people.
When the opportunity to start Taihu appeared, my mind immediately went to Taiwan. Not necessarily because the culture is fantastic (though it is), nor because it has a strong cultural heritage (though it does), and not even because the island itself is a magical composition of mountains meeting oceans.
Ultimately, I chose Taiwan because of the people I met here. There’s a tired trope that you get two families in life, the one you’re born into and the one you choose. For me, that chosen family, well, it seemed like it could be in Taiwan.
Taihu Brewing’s logo (designed by brilliant local artist, Jess Lee) is comprised of a tiger and hops within a hulu (traditional Chinese alcohol vessel).
The hulu needs no explanation, but hops are the cornerstone of modern craft beer. They represent the innovation inherent in the space. In fact, the vast majority of the hops that we use are from the United States. Since the US is the epicenter of craft brewing (and has been over the last twenty years), the American hop industry (malt too, actually) is arguably the best in the world. It is for good reason that the most popular hops in category-defining IPAs are American.
The tiger is a nod to an earlier era when Taiwan was one of the “Four Asian Tigers.” Taiwan’s meteoric economic rise was accompanied by deterministic optimism, vibrancy, and general excitement about the future.
The tiger represents that energy. That sense of opportunity, positivity, and hope. Taihu’s 167 employees are almost entirely Taiwanese. Internally, we think of Taihu as more of a platform for young Taiwanese talent than as a brewery, a medium for that energy to express itself.
Our goal to attract and develop talent with the ultimate goal of developing the burgeoning entrepreneurial ecosystem here in Taiwan. One of our earliest team members, Sway, came on board as a bartender -- a fantastic bartender. At a small company, you do what you can, where you can, and Sway ended up taking up some of the slack in our logistics. Now she runs all of Taihu’s international supply chain (no small feat).
With luck, one day she’ll be running her own successful Taiwanese business, and, in doing so, perpetuate the cycle.” — Peter Huang, founder of Taihu Brewing
struck out中文 在 Eric's English Lounge Facebook 的最佳貼文
[時事英文] 言論自由與冠狀病毒
在自由的社會中,每位公民都能依照個人的自由意志來行使權利。言論自由讓每位公民都能監督政府,要求政府改變不公不義的法規與政策。
In a free society, all citizens must be able to pursue their own paths, set their own goals, and think for themselves. The freedom of speech safeguards these rights as it enables us to challenge and change government regulations and laws we find oppressive and unjust.
歷史表明,在缺乏監督機制的情況下,政府的絕對權力將導致絕對的腐化。即便有些言論不合我們的心意,但禁止人們發聲不僅限制了言論自由,也剝奪了人們聽取他人意見的權利。禁止言論,並不能禁絕思想。唯有透過對話與協商,才能達成共識,而使社會進步。
History has shown that without the corrective mechanism of free speech, governments would consolidate their powers without regard for the rights and freedom of those whom they ought to serve. To deny people of free speech is a double wrong, because doing so would also deprive people of the right to listen, even though some speech would undoubtedly make us feel uncomfortable. Banning certain speech would not result in the elimination of ideas. It is through engagement and negotiation that we can reach consensus and progress as a society.
每個人都應享有批評政府的權利,而無需擔心遭受迫害。這也是當今公民得以贏得諸多權利的原因。言論自由是值得全體人類努力爭取的基本人權。
All people ought to have the right to criticize their government without fear of persecution, because it is how we have won the rights we have today. The freedom of speech is a fundamental human right and it’s worth fighting to protect.
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《紐約時報》報導:
Trevor Noah, the host of “The Daily Show,” has won praise on the Chinese internet for his searing criticism of the Trump administration’s mishandling of the coronavirus pandemic. So has Jerry Kowal, an American who makes Chinese-language videos chronicling the dire situation in New York.
1. win praise 贏得讚賞
2. searing criticism 猛烈抨擊
3. mishandle (v.) 對⋯⋯處理不當
4. chronicle 記錄
5. a dire situation 可怕的情況
因為猛烈抨擊川普政府對新冠病毒疫情的應對不當,《每日秀》主持人特雷弗・諾亞(編按:中國網民給他取了一個暱稱叫崔娃)在中國的網路上備受讚賞。受到追捧的還有郭傑瑞,作為美國人,他製作的中文影片記錄了紐約的可怕情形。
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China’s response to the virus has its own sharp-eyed critics at home, and they have found a vastly different reception. One resident of the virus-struck city of Wuhan who writes under the name Fang Fang documented despair, misery and everyday life in an online diary, and has endured withering attacks on social media. Three citizen journalists who posted videos from Wuhan in the first weeks of the outbreak disappeared and are widely believed to be in government custody.
6. response to 回應
7. sharp-eyed 眼尖的;目光敏銳的
8. a vastly different reception 截然不同的對待
9. virus-struck 病毒侵襲
10. document (v.) 記錄
11. endure attacks 忍受攻擊
12. withering 令人難堪的;嚴厲的
13. be in government custody 被政府監禁(或拘留)
中國對疫情的應對在國內也引發了尖銳的批評,但這些批評者卻遭到了截然不同的對待。在病毒肆虐的武漢,一位筆名方方的居民用網路日記記錄了人們的絕望、痛苦和日常生活,結果她在社群媒體上遭到了猛烈的攻擊。在疫情暴發的前幾週,三位在武漢發布影片的公民記者失蹤了,人們普遍認為政府把他們抓走了。
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The pandemic unfolded dramatically differently in China from the way it has in the rest of the world — at least, if one believes state-run Chinese media. Chinese news outlets used words like “purgatory” and “apocalypse” to describe the tragic hospital scenes in Italy and Spain. They have run photos of British and American medical workers wearing garbage bags as protective gear. A lot of the same miseries happened in China, but those reports were called “rumors” and censored.
14. pandemic 全球性流行病
15. unfold 展開;顯露
16. state-run 國營;國有
17. news outlet 新聞出處
18. purgatory 煉獄
19. apocalypse 末日(天啟)
在中國,這場大流行的展現方式與世界其他地方截然不同——至少,如果你相信中國官方媒體的話。中國的新聞媒體用「煉獄」和「末日」這樣的詞來描述義大利和西班牙醫院裡的悲慘情形。它們還登載了英國和美國的醫務人員把垃圾袋當防護服的照片。中國也有很多類似的悲劇,但那些報導被稱為「謠言」而遭到刪除。
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The death of Li Wenliang, the whistle-blowing doctor in Wuhan, on Feb. 6 galvanized many Chinese people into demanding freedom of speech. Online sentiment became much more skeptical, and many young people openly challenged the party’s message.
20. a whistleblower 吹哨者
21. galvanize somebody into… 激起;使震驚
22. freedom of speech 言論自由
23. online sentiment 網路輿情
24. skeptical 存疑的;持懷疑態度的
25. openly challenge 公開挑戰(或質疑)
2月6日,武漢吹哨醫生李文亮的去世激起了許多中國人對言論自由的要求。網路上的懷疑情緒更多,許多年輕人公開質疑黨的訊息。
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Then the United States and other countries bungled their own responses, and China’s propaganda machine saw an opportunity. Using the West’s transparency and free flow of information, state media outlets chronicled how badly others have managed the crisis. Their message: Those countries should copy China’s model. For good measure, the propaganda machine revved up its attacks on anybody who dared to question the government’s handling of the pandemic. For many people in China, the push is working. Wielding a mix of lies and partial truths, some young people are waging online attacks against individuals and countries that contradict their belief in China’s superior response.
26. bungle 弄糟;(笨手笨腳地)把……搞砸
27. propaganda machine 宣傳機器
28. see an opportunity 看見機會
29. manage a crisis
30. transparency 透明度
31. free flow of information 資訊的自由流動
32. chronicle (v.) 記錄
33. rev up sb/sth(使)活躍;(使)積極
34. dare to question 敢於質疑
後來,當美國和其它國家搞砸了各自的疫情應對時,中國的宣傳機器看到了機會。中國官媒利用西方媒體的透明度和資訊的自由流動,記錄了其它國家在應對危機時的糟糕表現。他們的訊息是:這些國家應該效仿中國模式。此外,宣傳機器還加大力度,攻擊那些敢質疑中國政府處理疫情方式的人。
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Many of the same people praising Mr. Noah have been slinging arrows and rocks at Fang Fang, whose real name is Wang Fang, for telling the truth about China. Her diary was moderate and personal, and a place where many of us turned for comfort during the darkest hours of China’s epidemic. But after Harper Collins announced plans to publish it in English, tens of thousands of online users descended on her Weibo account, saying she was a traitor for supporting the enemy’s narrative.
35. sling arrows and rocks 口誅筆伐
36. tell the truth about 說了關於⋯⋯的實話
37. moderate 溫和的
38. turn to comfort 尋求慰藉
39. the darkest hours 最黑暗的時刻
40. descend on 突襲;向⋯⋯湧來
41. a traitor 叛徒;賣國賊
在這些讚美諾亞的人中,有很多卻對真名為汪芳的方方口誅筆伐,就因為她說了關於中國的實話。她的日記是溫和而私人的,在中國疫情蔓延最黑暗的時刻,我們中的許多人都在這裡尋求安慰。但在哈珀柯林斯出版社宣布計劃出版該日記的英文版後,成千上萬的網民攻擊了方方的微博帳號,說她在支持敵人的敘事,是個賣國賊。
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The online backlash has been so severe, Fang Fang wrote on Weibo, that it reminds her of the Cultural Revolution, the decade of political violence and chaos that she saw as a child. The only comfort, she wrote, is that “this type of Cultural Revolution is only conducted in cyberspace.”
42. online backlash 網路上的強烈反對
43. the Cultural Revolution 文化大革命
44. remind sb of sth 使⋯⋯想起⋯⋯
45. political violence and chaos 政治暴力與混亂
方方在微博上寫道,這種網路叫罵是如此嚴重,令她回想起兒時目睹文化大革命的政治暴力和混亂的十年。唯一的寬慰是「這種文革只在網路空間進行著」,她寫道。
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May everyone in the world have the freedom to criticize their governments without fear. May we, no matter what our opinions are, speak out to safeguard human rights.
願世人都能享有言論自由,批評政府時無須擔驚受怕。即便意見相左,都能為捍衛人權而奮鬥。
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《紐約時報》完整報導:https://nyti.ms/35aI90l
圖片出處:https://bit.ly/2y6iN7X
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時事英文講義:https://bit.ly/2XmRYXc
時事英文大全:http://bit.ly/2WtAqop
如何使用「時事英文」:https://bit.ly/3a9rr38
#疫情英文
struck out中文 在 克麗絲叮 Facebook 的最佳貼文
我翻唱了將近二十首華語歌曲之後,決定寫一首中文歌。但我發現歌曲寫的很爛,所以我又寫了一首。然後又寫了一首。當時在念中文碩士的我,修了一門古典詩詞的課程,開始欣賞李白、李清照、陶淵明等古代文人的詩詞。同時,因為翻唱了幾首陶山寫的歌曲,就認識了他,開始合作。這是我第二次進入錄音室(大學時曾經與a capella 團體錄製過一張專輯)不過的確是我第一次錄製自己寫的歌曲,感覺很不一樣。「尋尋覓覓」(2012) 就因為這些元素而形成了!MV在陶山的錄音室以及附近的公園拍的,那時候對MV沒什麼概念,單純只是想要分享我們的音樂。#尋尋覓覓 #一百萬個可能 #克麗絲叮
After covering a bunch of Chinese songs, I decided to write one of my own. But it was difficult, and the first few I wrote were kind of blah. At that time, I had just started a Masters in Chinese Literature in Taipei, and was taking a class on ancient Chinese poetry. I got really into poems by Li Bai, Li Qingzhao, Tao Yuanming, and many others. At the same time, because I’d covered a bunch of Skot Suyama’s songs, we struck up an online conversation, and started to do some songs together. This was the second time I’d ever recorded at a studio (my a capella group had recorded a CD in college) but this was the first time I’d ever recorded I song I had helped to create, and it was super exciting. “What Are You Looking For?” (2012) was born out of these different experiences. The music video we did at Skot’s studio and at a park nearby. Although I didn’t have a ton of experience making MVs, we just wanted to share the music we had made.
Instagram/FB Christine Welch (克麗絲叮) @kelisidingding
Weibo: @克丽丝叮ChristineWelch