關於 urban space architecture ，我們在網路上蒐集到這些相關的討論、資訊與評價

In Conversation with...Me!! 😆

ʙᴇꜰᴏʀᴇ ᴍᴇᴍᴏʀɪᴇꜱ ᴇxᴘɪʀᴇ - ɪɴ ᴄᴏɴᴠᴇʀꜱᴀᴛɪᴏɴ ᴡɪᴛʜ ᴀʀᴛɪꜱᴛ ᴇʟᴀɪɴᴇ ᴄʜɪᴜ thanks for the opportunity: Jps Gallery & Hong Kong Art Gallery Association

Hong Kong artist Elaine Chiu joins moderator Kenneth Chan in a conversation of Elaine’s working process, inspirations, and trajectory as an artist. Hong Kong’s endangered buildings, architecture, cityscape and memories are some of the cornerstones of Elaine’s research and practice. Her work not only explores space, memory and the city's evolving urban identity, but also conveys the transience and fragility of Hong Kong's cityscape. In this conversation, Elaine will share the story of her creative practice, her muses, and her work as a personal investigation of Hong Kong’s transient, fluidic, and intersecting memories. This conversation is presented as part of ‘Before Memories Expire’, an exhibition at JPS Art Gallery on view from 6 May 2021 to 6 June 2021.

Makeup @c_chungyee_
Photo @c_chungyee_ @shingphotography
#BeforeMemoriesExpire
#回憶若有限期

Artist Talk Alert!! 👩🏻‍🎨

ʙᴇꜰᴏʀᴇ ᴍᴇᴍᴏʀɪᴇꜱ ᴇxᴘɪʀᴇ - ɪɴ ᴄᴏɴᴠᴇʀꜱᴀᴛɪᴏɴ ᴡɪᴛʜ ᴀʀᴛɪꜱᴛ ᴇʟᴀɪɴᴇ ᴄʜɪᴜ x @hkartgal

Hong Kong artist Elaine Chiu joins moderator Kenneth Chan @kenn.ch1 in a conversation of Elaine’s working process, inspirations, and trajectory as an artist. Hong Kong’s endangered buildings, architecture, cityscape and memories are some of the cornerstones of Elaine’s research and practice. Her work not only explores space, memory and the city's evolving urban identity, but also conveys the transience and fragility of Hong Kong's cityscape. In this conversation, Elaine will share the story of her creative practice, her muses, and her work as a personal investigation of Hong Kong’s transient, fluidic, and intersecting memories. This conversation is presented as part of ‘Before Memories Expire’, an exhibition at JPS Art Gallery on view from 6 May 2021 to 6 June 2021.

香港藝術家趙綺婷將與講者陳承焜先生分享她的創作理念、過程和心路歷程。唐樓、歷史建築、 城市景貌和記憶，是趙綺婷創作中常見的主題。趙綺婷的創作探討空間、記憶和不斷演化的城市 身分，反映了香港轉瞬即逝的城市面貌。這次對談活動，趙綺婷會分享她創作背後的故事，共同探討如 何從個人角度，窺探香港城市景象演變和交疊的回憶。這次對談活動為趙綺婷於2021年5月6日 - 2021年6月6日在JPS畫廊的個人展覽《記憶若有限期》的活動之一。

Date: 18 May, 2021
Time: 4-5pm
Venue: JPS Art Gallery
Registration: https://docs.google.com/forms/d/e/1FAIpQLSdui5jMdcODdEgd_GlVcB-hNkFrfQXO311FSk-PMWHCYAtVxA/viewform?usp=pp_url

You are invited to my upcoming solo exhibition 𝘽𝙚𝙛𝙤𝙧𝙚 𝙈𝙚𝙢𝙤𝙧𝙞𝙚𝙨 𝙀𝙭𝙥𝙞𝙧𝙚 @jpsgallery !!

“How do we, as humans, individuals, and members of a community, embrace the destruction and recreation of our socio-economic cityscape, collective memories and interwoven identities?” — Elaine Chiu

Growing up in Yau Tsim Mong District, one of the busiest neighbourhoods in the city, Hong Kong artist Elaine has witnessed the drastic and continuous transformation of the urban space and environment since her childhood. The transient, fluidic, intersecting memories and impressions about Hong Kong have been deep-rooted in her consciousness and self-identity.

With the effect of the amendment of the Building Ordinance in 2011, thousands of sign boards, hand-written or neon-lit, have since been removed all around the city. In the past three years, Elaine initiated an on-site sketching campaign to record the fleeting cityscape with her paintbrush in the past three years. Street-sketching prompts her to contemplate the disappearance of numerous heritage buildings and tenement houses in the local community under rapid urban renewal.

Titled 𝘽𝙚𝙛𝙤𝙧𝙚 𝙈𝙚𝙢𝙤𝙧𝙞𝙚𝙨 𝙀𝙭𝙥𝙞𝙧𝙚, this exhibition is a continuation of Elaine’s previous on-site sketching and community art project. Centring her research around endangered buildings, architecture, cityscape, and memories of Hong Kong, her work explores different organic carriers, and their relationship with time and people, including community spirit, architectural structures and memories, that are formed bottom-up in the urban space. This exhibition features Elaine’s latest acrylic paintings, watercolour works on paper and a fresh to her practice sculptural work. ✨

This solo art exhibition will be on view from 6th May to 6th June, 2021 in JPS Art Gallery. The opening reception will be on 6th May, 2021, 5-8pm.
​
Rsvp for the opening: https://www.elainechiu.com/events/before-memories-expire-opening-reception

#BeforeMemoriesExpire
#記憶若有限期
#ElaineChiu #趙綺婷
#jpsgallery

On 18 May 2021, 4-5pm at JPS Gallery | Hong Kong artist Elaine Chiu joins moderator Kenneth Chan in a conversation of Elaine’s working process, inspirations, and trajectory as an artist. Hong Kong’s endangered buildings, architecture, cityscape and memories are some of the cornerstones of Elaine’s research and practice. Her work not only explores space, memory and the city's evolving urban identity, but also conveys the transience and fragility of Hong Kong's cityscape. In this conversation, Elaine will share the story of her creative practice, her muses, and her work as a personal investigation of Hong Kong’s transient, fluidic, and intersecting memories. This conversation is presented as part of ‘Before Memories Expire’, an exhibition at JPS Art Gallery on view from 6 May 2021 to 6 June 2021.

Makeup @c_chungyee_
#BeforeMemoriesExpire
#回憶若有限期

Our Merch: https://standard.tv/kentobento
Our Patreon: ​https://patreon.com/kentobento

Nebula: https://watchnebula.com/kentobento
Twitter: https://twitter.com/kentobento2015
Business Inquiries: kentobento@standard.tv

Get Skillshare for free for 2 months: https://skl.sh/kentobento3
Over 30,000 classes on just about anything.

Other videos you may like:
The Bizarre South Korean Bank Heist: https://youtu.be/8JclG3gZLQI
How Would You Save The Maldives? (The 7 Choices): https://youtu.be/aLwXDEzh_Js
This Is The Greatest Bank Heist in Japanese History: https://youtu.be/gbeN-2ErxBw
These Events Will Happen In Asia Before 2050: https://youtu.be/2VAtKVCTA5k
How Macau Became North Korea's Base of Operations: https://youtu.be/BQ5x8riJ6SA

Music:
Epidemic Sound: http://epidemicsound.com

Channel Description:
Animated documentary-style videos on extraordinary Asian events.

Credits:
Kento Bento — Researcher, writer, narrator, audio editor, video editor, motion graphics & art director
Charlie Rodriguez — Illustrator
Nina Bento — Cheerleader

Video Title: Why Japan's Great Pyramid of Giza Can't be Built Until 2110

"London. October, 1992. A Japanese man entered a government building near Chancery Lane, and made his way up to an office on the first floor. This was the London branch of the UK’s Patent Office. You see, this man was there on behalf of Japan’s renowned Shimizu Corporation - a leading architectural and engineering firm that was (and is) among the top in the world, and he was there to apply for a patent. To secure their ideas globally it was necessary to apply not just in Japan. Now this particular patent was for no ordinary idea. It was for something grand, something spectacular. The idea was to build giant pyramids in the middle of some of the largest and busiest urban centers in the world - starting with Tokyo. These infrastructures would be so large, they could house entire cities. But why? What was this for? And who exactly is the Shimizu Corporation? To understand this, we need to go back in time, back over 200 years ago to the company’s inception..."

Talking Points:
- Shimizu Megacity Pyramid TRY-2004
- Megastructures
- Pyramidal structures
- Japanese architectural & engineering companies
- Kisuke Shimizu
- Edo period
- Japan's population decline
- Tokyo's overpopulation & overcrowding
- Large scale construction projects
- Floating cities, underwater cities, space hotels
- Blade Runner (Tyrell Corporation headquarters pyramid)
- Egypt's Great Pyramid of Giza
- Burj Khalifa & Jeddah Tower
- 2 kilometer high building
- Tokyo Bay
- Megatrusses & suspended skyscrapers
- Renewable energy of solar, wind, algae & waves
- Japanese earthquakes & tsunamis
- Pacific Ring of Fire
- X-Seed 4000 (Taisei Corporation)
- Mega-City Pyramids in Singapore, Hong Kong, Mumbai, Delhi & Dhaka
- Largest man-made structure in history
- Hong Kong's Kowloon Walled City

The 2018 Toyota C-HR is designed around the theme of “distinctive diamond”, combining style and strength. The CHR ’s exterior is unique in the compact crossover market – combining a coupe-like sporty upper body with a dynamic lower body and powerful stance. The interplay between the main body and prominent wheel flares presents an iconic diamond profile that stands out from the crowd. The face is sharp and powerful, designed to look wider than it is and express the C-HR’s dynamic, urban-friendly performance. The profile emphasizes the C-HR’s agile proportions, with powerful wheel arches housing large 17” alloy wheels – accentuating the vehicle’s sturdy posture and compact cabin. And the rear design, complete with hatch fitted with a lip spoiler and functional top wing, enhances the C-HR’s futuristic look and surprising girth.

Open the door, and the C-HR invites drivers into a modern cabin that may appear compact from the outside, but is surprisingly spacious. The interior is a study in contrasts – combining a seamless, expansive space for five adults with a driver’s zone that places the focus on performance. The exterior’s distinctive diamond motif is reinforced inside, through diamond-patterned textures and fittings – from the dual-zone automatic climate controls, to the speaker surrounds and door pulls, to the black headliner above the front row seats.

The C-HR’s sports car-inspired dash is angled to provide the driver with a clear view of the road ahead and intuitive access to instrumentation. Bolstered bucket seats keep driver and passengers snug and comfortable during spirited driving. There’s generous headroom and legroom in the rear seats, which are split 60/40 and fold flat for extra cargo-carrying versatility.

The C-HR benefits from the Toyota New Global Architecture (TNGA) – Toyota’s state of the art approach to platform and powertrain design. The vehicle takes full advantage of TNGA to deliver sports car-style responsiveness, linearity, and consistency of performance. TNGA confers an inherent low centre of gravity, high strength and body rigidity, and low weight to give the C-HR superior handling, whether one is steering, accelerating or braking.

This is further enhanced with a newly-developed MacPherson strut front suspension to help the C-HR’s front end respond quickly and precisely at initial corner turn-in. At the rear, an all-new double-wishbone suspension includes Toyota’s first use of shock absorbers with urethane upper supports to improve passenger comfort, cabin quietness and vehicle agility.