關於 voice of god movie ，我們在網路上蒐集到這些相關的討論、資訊與評價

The Great Multitude in Heaven

“After these things I looked, and behold, a great multitude, which no man could count, out of every nation and of all tribes, peoples, and languages, standing before the throne and before the Lamb, dressed in white robes, with palm branches in their hands. They cried with a loud voice, saying, “Salvation be to our God, who sits on the throne, and to the Lamb!” All the angels were standing around the throne, the elders, and the four living creatures; and they fell on their faces before his throne, and worshiped God, saying, “Amen! Blessing, glory, wisdom, thanksgiving, honor, power, and might, be to our God forever and ever! Amen.” One of the elders answered, saying to me, “These who are arrayed in the white robes, who are they, and from where did they come?” I told him, “My lord, you know.” He said to me, “These are those who came out of the great tribulation. They washed their robes, and made them white in the Lamb’s blood. Therefore they are before the throne of God, they serve him day and night in his temple. He who sits on the throne will spread his tabernacle over them.” (Revelation‬ ‭7:9-15‬ ‭WEB‬‬)

The passage above depicts the scene of the saints arriving in Heaven right after the Rapture.

The main confusion for most people here regarding the timeline of this event is because of the words “came out of the great tribulation”, making them think that it happens in the middle or end of the Tribulation.

However, I believe that the Rapture happens once the appointed time for the Tribulation begins.

Whether someone comes out of the Tribulation at the start, in the middle, or at the end of it does not matter—it is still coming out of the Tribulation.

Let me give you an example. Let’s say you go and watch a movie at a cinema. You did not like the movie immediately, so you left the cinema shortly after arriving. The fact is, you still came out of the cinema, even if it was at the start of the movie. Makes sense?

Additionally, the Tribulation saints who miss the Rapture and only believe in Jesus during the Tribulation will not receive salvation immediately, but only at the end of the Tribulation when Jesus returns. They have to endure to the end (without receiving the mark of the beast) to be saved.

Read the following passage which takes place after the Tribulation, at the start of the Millennial reign of Christ. It shows that the martyred Tribulation saints will only come alive again and receive eternal life after the Tribulation has ended:

“I saw thrones, and they sat on them, and judgment was given to them. I saw the souls of those who had been beheaded for the testimony of Jesus, and for the word of God, and such as didn’t worship the beast nor his image, and didn’t receive the mark on their forehead and on their hand. They lived and reigned with Christ for a thousand years. The rest of the dead didn’t live until the thousand years were finished. This is the first resurrection.” (Revelation‬ ‭20:4-5‬ ‭WEB‬‬)

Jesus said the following words to the church of Philadelphia (all of them have fallen asleep since then):

“Because you kept my command to endure, I also will keep you from the hour of testing, which is to come on the whole world, to test those who dwell on the earth.” (Revelation‬ ‭3:10‬ ‭WEB‬‬)

There is an hour of testing coming upon the whole world, which is the seven years of Tribulation, but it is not for the church. Jesus’ message is true for the church today as well. We will not be going through the Tribulation.

“But let us, since we belong to the day, be sober, putting on the breastplate of faith and love, and, for a helmet, the hope of salvation. For God didn’t appoint us to wrath, but to the obtaining of salvation through our Lord Jesus Christ, who died for us, that, whether we wake or sleep, we should live together with him.” (1 Thessalonians‬ ‭5:8-10‬ ‭WEB‬‬)

We are not waiting for the Antichrist to appear. Instead, we are looking forward to Jesus’ return. We will obtain the last part of our salvation: the transformation of our mortal bodies into glorified bodies. Those who have fallen asleep will be raised from the dead first, and then we will all be transformed in the twinkling of an eye, to have immortal bodies that match our righteous spirits.

We are not appointed to go through the time of wrath. God knows how to separate the righteous from the wicked, just as He made a distinction between the children of Israel and the Egyptians during the ten plagues in Egypt. The children of Israel were preserved alive, and so were their flocks, but the Egyptians and their flocks suffered/died.

So do not fear—lift your head and confidently expect Jesus to return for us any day now!

Let me end off with a poem I wrote called “Jesus I Need You”. As you read, tune your heart to expect His imminent return. It is a hope that purifies you!

Jesus I’d be lost without Your love,
everyday would be so hard.
When things don’t go my way,
I fall into Your embrace,
I am forever Yours.

I can’t imagine life without You,
that would be Hell for sure.
I need grace and mercy that’s from You,
by myself I’m powerless.

Let me abide in the Vine,
I’ll hear of You and be fine.
Faith will rise—I’ll speak forth life,
fruitfulness is sure.

Take my hand and guide me through life,
I know you’ll never let me go.
With You I’ll walk on water,
we’ll rise above every power.

Lord Jesus,
you’ll catch me when I fall.
Amidst every trial,
You are there through it all.

I just want to see You,
I long for that perfect day.
Where we’ll meet in the clouds,
and I’ll see Your lovely face.

Did you enjoy this post? Unlock the other intriguing mysteries in the apocalypse when you read my eBook “The Book of Revelation Explained”. This epic and yet difficult final book of the Bible does not have to remain confusing to you anymore: https://bit.ly/bookofrevelationexplained

A Scene of Heavenly Glory

“For you have not come to a mountain that might be touched, and that burned with fire, and to blackness, darkness, storm, the sound of a trumpet, and the voice of words; which those who heard it begged that not one more word should be spoken to them, for they could not stand that which was commanded, “If even an animal touches the mountain, it shall be stoned”; and so fearful was the appearance that Moses said, “I am terrified and trembling.” But you have come to Mount Zion, and to the city of the living God, the heavenly Jerusalem, and to innumerable multitudes of angels, to the festal gathering and assembly of the firstborn who are enrolled in heaven, to God the Judge of all, to the spirits of just men made perfect, to Jesus, the mediator of a new covenant, and to the blood of sprinkling that speaks better than that of Abel.” (Hebrews‬ ‭12:18-24‬ ‭WEB‬‬)

Imagine the passage above as a scene in a movie. The person who wrote the epistle to the Hebrews described it most beautifully.

Picture this with me: a mountain on earth burning with fire, shrouded in blackness and darkness, with lightning streaking and thunder booming all around. This is Mount Sinai when the Old Covenant of the Law was given. A trumpet blast sounds and the voice of God gives a severe warning with a threat of death as two stone tablets of the Ten Commandments appears, floating in front of the screen.

Suddenly, the tablets are snatched away as if by a strong magnetic force and balanced upon Jesus’ hands right before the nails are driven into His hands. As the Roman soldiers hammer the nails down, the stone tablets are also attached to Jesus’ hands at the cross, crucified with Him.

Then, the camera pans upwards, zooming past the clouds. You see Mount Zion, the mountain of God in the distance, and the heavenly Jerusalem sitting upon it, radiating gloriously like a priceless jewel. Reaching a huge pearl gate of the city, the gate rolls aside, and myriads of angels fly across like a flocks of migrating birds, singing beautiful songs.

You see the river of the water of life dividing the city into half, with trees of life on its left and right.

The camera follows the river that proceeds from God’s throne, into His sanctuary at the highest point of the city, and you see the Father seated as judge over all, and standing on His right hand is Jesus smiling and His arms outstretched to welcome you with a loving embrace.

The scene ends with a close up on the ark of the covenant in the sanctuary that has the blood of Christ sprinkled upon the mercy seat, and the camera zooms into just one drop of His blood crying out for your blessing, redemption, forgiveness, favor, healing, restoration, and all good things as the credits roll.

Can someone please turn this video idea into reality? I would if I had the skills and funding to do so!

The Bible contains the geographical layout of Heaven, and hints about what we can expect to see in eternity. In my eBook “A Tour of Heaven and Eternity”, you can join me on this discovery journey to see what awaits us beyond this lifetime: https://bit.ly/heavenandeternity

Another great response to Shrey Bhargava's self righteous pity party. Every minority is invited to join! Come, let's blame the majority race for everything that's wrong in our lives, it is never our fault, it is because we are oppressed! Wow, so convenient!

Shrey has written another post boohooing about how racism (yawn), how minorities don't get roles easily in singapore, and how the Chinese are blind because we have privileged.

Cut your crap. If a Chinese director wants to make a movie about Chinese NS men, that's his fucking prerogative. If it features Indians or Malays as token characters, that's also his freedom and right. Why? You think every local movie needs to have an Indian main character then it's not considered racist is it?

In that case I ask... why are Bollywood movies full of only Indians? Why aren't one of the leads in 3 Idiots any race other than Indian?!!! Such an atrocity and blatant racism. Sure, Bollywood shows are in Tamil, but hey I don't care, this is as racist as The Voice asking for Chinese speakers! I don't care, include a Chinese mute character please, and he must not be a token role! Otherwise the director is racist! 🙄

Obviously like Donovan said there are privileges to being a majority race, a majority anything. That much is undeniable. While the Chinese in singapore should be mindful of consideration for all the other ethnic groups and always be respectful, but the automatic assumption that jobs be not only handed to you, but CREATED FOR you purely for the sake of your race isn't one of them.

Singapore is built on meritocracy.

Keep up your self victimizing charade and keep blaming society for your failures in life - you will find that soon nobody respects you.

And unlike the white liberals who have been indoctrinated with white guilt since their school days and think they have to pay for their ancestors' crime, you will find Singaporeans way less susceptible to your guilt tripping. Asians, including Indians and Chinese alike, don't subscribe to victim-playing. We work hard and succeed despite the odds - I suggest you get on with the program. Nobody owes you or your race a level playing field. Your whining rings hollow, since you exist in one of the most racially harmonious countries in the world, where the govt has taken careful steps to ensure equality for all the 4 main races.

Dear Shrey Bhargava,

As far as I can tell from your post, there was nothing racist about your Ah Boys to Men audition and I'll be kind enough to tell you and the 3000-odd people whom have shared your post why.

You were tasked to perform the role of a 'full blown Indian' and you have interpreted that as having to 'portray a caricature of my race' and being 'reduced to my accent'.

The casters were not racist and the element of racism here is non-existent because that was the role that is being demanded of you here, whether it was that of a Singaporean Indian, North Indian, British Indian or Red Indian.

Suppose Samuel L. Jackson had tried to audition for the role of Jack Dawson in Titanic, a part that really went to Leonardo DiCaprio. It is obvious that he would have been turned down because he was black. Now, is this not a clear-cut case of racial discrimination? Surely no one (maybe except that crazy Sangeetha) would be absurd enough to claim that the directors or scriptwriters of Titanic were racist and had "reduced" Jackson down to his skin colour?

That is because the role of Jack Dawson (may he rest in peace at the bottom of the Atlantic) is one of a white man.

Why is it somehow more 'wrong' for you to portray the role of a stereotypical Indian from India, than for Wang Wei Liang to portray the stereotypical Chinese gangster, or for Maxi Lim to portray the role of a stereotypical bootlicking yes-man recruit, or for Tosh Zhang to portray a stereotypical authoritative army Sergeant?

If Wang Wei Liang were to drop out of the Lobang King role right now and I be in line to audition for the role, I'd be similarly asked by the casting director to play the role of a 'full blown ah beng'.

That would mean me summoning out to the best of my abilities the most vicious, stereotypical characteristics of a Chinese 'ah beng'. I'd have to speak in subpar broken English, exercise a liberal use of dialect profanities and demonstrate an aptitude for violence in the face of problems.

I have no doubt in my mind that a lot of the ones whom are throwing support behind you right now would not similarly rally and call to arms in the same righteous manner for me because I had to depict a caricature of the stereotypical Chinese hooligan.

Yet what is the difference? Certainly not all Chinese 'ah bengs' are characterised with the same rebellious, malingering characteristics like that of Wang Wei Liang's character. I have done my National Service alongside some of them (in a god-forsaken rifleman unit no less), and most of them in fact are some of the most patriotic men I have ever seen.

Why is a racial stereotype anymore of a grievous injustice than the stereotype of an occupation, a cultural identity or any other form of stereotype? It is not.

If your objection is with being pigeonholed into a simplified, hackneyed image of a particular person, then you must similarly condemn all forms of stereotypes in film - not just stereotypes that are played along racial lines. And it is unnecessary for me to point out that stereotypes in the arts are ubiquitous in any and all forms.

In your follow-up post, you ramp up your distinct brand of illogic. You claim that it is wrong for the minority character to be of insignificance because this is a film that is a "SINGAPOREAN story".

But this begs the question. What defines being 'Singaporean'? Given that 40% of our population are comprised of foreigners and non-residents, isn't it just as wrong that these Filipinos, Indonesians, Japanese and Koreans are utterly unrepresented in Ah Boys to Men? Is it fair to stick to the 'Chinese, Malay, Indian' categorisation that in the first place, is a categorisation formulated on arbitrary standards by our government?

Is there any reason why your standard of what is 'Singaporean' should take priority over mine, or over the casting director's?

Yes, actors need jobs and it is certainly true that a racial minority would not enjoy the luxury of roles to pick from in comparison to one in the racial majority. But it is not clear WHY this is unfair, which is what you seem to me implying by "Minority actors do not have the privilege to pick and choose what to audition for".

Of course majorities benefit. The same can be said for people whom are right-handed, whom are tall, whom are lucky enough to be born with our five senses. When you lament that "Minority actors do not have the privilege to pick and choose what to audition for", you are no longer making an argument against racism, rather, you are making an argument against reality i.e., the racial proportion of our population.

I have observed this for some time among the young Singaporeans who are most active on social media. One of the most troubling cultural trends as of late is this idiotic penchant to leap at every slightest opportunity they get to call out racism, from the Toggle blackface issue and the Kiss92 incident to a Smartlocal video from last year.

Of course racism exists in Singapore (or anywhere else in the world for that matter), but reducing any and all issues down to race is not very helpful. There are far more productive ways to tackle discrimination. And that begins with changing the institutional framework of our society, such as the freedom of our press and media, so racial minorities are empowered to best represent their own unique cultures. Nit-picking on little details in the media is not one of them.

Like the Nobel Laureate Milton Friedman said: “One of the great mistakes is to judge policies and programs by their intentions rather than their results.” I commend your well-intentioned attempt to speak out against what you have perceived is 'racism', but your analysis is incorrect and your methods are in fact entirely retrogressive.

P.S. It was quite interesting to see how that Vimeo video on your wall provided a most comical caricature of Arabs being equated with bombs/terrorism. It appears that it is just your own racial identity that is most fragile, and that the rest of us must tread precariously around. I wonder if it was only I who cringed so hard?

I sung Singapore's NDP 2017 theme song during THE VOICE of Hwa Chong Event. It was an honor to be given such a privilege. Enjoy!
(Pardon the technical noise/glitches in the music)

Title: Because It's Singapore!
Music by Lee Wei Song
Lyrics by Jay Lim

MUSIC Instrumental:
Big props to my instrumentalist
** CHRIS RD **
please follow his youtube account below
https://www.youtube.com/channel/UCUKI...

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#JustJANG

In preparation for the upcoming The Voice of Hwa Chong, I sang the song Over and over Again by Nathan Sykes. some parts are translated in chinese! so here you go!

I hope you will all like it.
Sorry for my bad chinese :)

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Original Song : https://www.youtube.com/watch?v=DDWKuo3gXMQ

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ปุณณภพ กาจกระโทก (เนม)
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All Production by : Yongyuth Manakornkowit (Eddy)

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"When We Were Young"

Everybody loves the things you do
From the way you talk to the way you move
Everybody here is watching you
'Cause you feel like home
You're like a dream come true

But if by chance you're here alone
Can I have a moment before I go?
'Cause I've been by myself all night long
Hoping you're someone I used to know

You look like a movie
You sound like a song
My God, this reminds me
Of when we were young

Let me photograph you in this light
In case it is the last time
That we might be exactly like we were
Before we realized
We were sad of getting old
It made us restless
It was just like a movie
It was just like a song

I was so scared to face my fears
Nobody told me that you'd be here
And I swear you moved overseas
That's what you said, when you left me

You still look like a movie
You still sound like a song
My God, this reminds me
Of when we were young

Let me photograph you in this light
In case it is the last time
That we might be exactly like we were
Before we realized
We were sad of getting old
It made us restless
It was just like a movie
It was just like a song

When we were young [4x]

It's hard to admit that
Everything just takes me back
To when you were there
To when you were there
And a part of me keeps holding on
Just in case it hasn't gone
I guess I still care
Do you still care?

It was just like a movie
It was just like a song
My God, this reminds me
Of when we were young

When we were young [4x]

Let me photograph you in this light
In case it is the last time
That we might be exactly like we were
Before we realized
We were sad of getting old
It made us restless
Oh I'm so mad I'm getting old
It makes me reckless
It was just like a movie
It was just like a song
When we were young