關於 years and years cd ，我們在網路上蒐集到這些相關的討論、資訊與評價

沒想到已經是10年前的歌了

今天又是個令人擔憂的確診數字，不管多少，我想我們都有些不安，因此就跳開曲序，接著分享一首我專輯《43》裡的曲目 - 觀音。

不知道你有信仰嗎？我有。從大概國中開始吧，我習慣跟母親到廟裡上香，漸漸的，我感受到這個過程可以帶給我心裡的平靜，長大之後，我也很習慣到慈雲寺去，有時候跟母親，有時候刻意自己一個人，有時候全家大小一起去，都會有不同的感受。

從小到大，我跟母親一起去的時候，好像我們都能講點心裡話，不管在去的路上，在等那炷香燒完的時候，或在回家的路上。母親一個人把我從小帶大，但我小時候脾氣臭又好強，在家裡常跟她回嘴，但這個到廟裡上香的過程，就好像是個magic moment般的存在在我的青春回憶裡，直到現在我還是很常約母親一起到廟裡，還是可以如往常般的聊上幾句心裡話。

我沮喪的時候會一個人去廟裡，自己在那張長椅上坐上一陣子，我喜歡聞廟裡清香的味道，看著來去的人們臉上的表情，跟菩薩說說的話，心裏會有種安定感慢慢產生，當走出廟裡，就彷彿有種被充電的感覺，連車子開起來都覺得馬力會變強。

記得去年農曆年過年後，那時疫情是剛開始不久，我們全家一起到廟裡去，童言童語的魏騫在我旁邊跟菩薩請求：「菩薩好，我是魏騫，請多給我們一點口罩，謝謝。」小孩總是單純而可愛，有時候我深刻的感覺，其實在你身邊的人，早就是你的菩薩了。

分享給你，大家平安。

簽名版CD預購：https://www.eslite.com/product/1003317242682013148009
簽名版黑膠預購：https://www.eslite.com/product/1003317242682013149006

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09 觀音
記得國中之後常與母親到廟裡上香祈福，我們最常去的就是離家不遠的基隆慈雲寺，因此我與觀音菩薩好像有了些緣分，後來無論有事沒事，都習慣去寺廟裡跟菩薩說說心裡話。我常在想，也許到寺廟裡祈求的人們都有煩惱，希望菩薩可以幫忙他們度過難關，透過這樣的儀式，心情能因此平復，並得到些許的寄託。這個從憂慮到平靜的過程，或許才是菩薩真正要給人們的感受，而我也相信，只要能懂得敬與畏，就能與天、地、人共存。

09 Guan Yin
In senior years of high school, my mom and I often went to pray in temples, most frequently Ciyun Temple (Keelung) near where we lived. I have felt a certain connection to Guan Yin ever since, and would visit temples and open up my mind to the Buddhist God from time to time. Those who pray in temples probably face trouble of some sorts, and wish the Gods to help them move past through. Religious rituals provide emotional healings and seed hope, as I understand. Perhaps the journey from worrying to inner peace is what the Gods truly offer, and I believe that being respectful is key to how everything co-exist.

《我的幸福5/2 週末》

*週日下午兩點誠品信義書店「廿世紀典範人物」新書分享會，我下午二時開始演講，離上次在台灣大學公開演説。快半年了！分享會報名一小時預告已額滿，但TVBS電視台慷慨的支持。派出SNG車，屆時TVBS文茜的世界周報YouTube 及世界周報Facebook 都將同步直播。

*新書分享會後我將直奔高雄衛武營，參加劉孟捷（李斯特巡禮之年）鋼琴獨奏會。這是劉孟捷回台，最重要的一場音樂會，我目睹他用盡了一切心力。過去即使21歲時在費城代打缺席大師的音樂會，劉孟捷都未曾如此緊張。他此次回台，手術前為了沒有遺憾，共舉行三場音樂會：其中4/17與5/30皆是與國家交響樂團NSO合作：530那一場指揮是呂紹嘉。但他告訴我，某些曲目對他而言，是Piece of Cake ：惟獨衞武營這一場，曲目由他自己決定，現場錄影，並且找了金曲獎錄音師同步錄音。

5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784

劉夢捷明白他即將面對一個大手術，手術風險之外，他的免疫系統疾病，將使他的康復之路更長。

沒有人可以預知未來，為了圓他的夢，醫院每天都要求他早上、晚上量血壓，報告直接傳給院長。振興醫院院長魏崢雖然是亞洲第一把心臟外科醫師，但也不敢大意。

畢竟這個人的生命那麼脆弱，他的心臟主動脈剝離，那是實質的「心碎」了：但他仍有詩，仍有音樂夢。在生命的交接處，在白日與黑夜的交义口，劉孟捷想為他的音樂生涯，留下最美好的紀錄。

他選擇了李斯特。

在這場音樂會前，他甚至以英文寫下了自己與音樂、疾病的半生回顧：如李斯特的巡禮，有仰望，有沉思，有失落，有幽微的疼痛。他以詩篇般的演奏模式，傾訴，詠嘆。他曾得到天賦，也走過死蔭的幽谷。命運是一層又一層的黑影逼近，老天爺隨時想帶走他。

而他已不再流淚，不再沉浸於悲愴告別：因為對他而言活著並不容易，他要讓自己更深刻的抓住每一分時光之美。

如果時間和空間，正如哲人們所形容的
都是不實際存在的東西：那從不感到衰敗的太陽，也不會比我們了不起多少！

他如艾略特的詩句中所形容的：我們為什麼要如此貪心總在祈禱，想活上整整一個世紀？

蝴蝶雖僅活了一天，已經歷了永恆。

當他的身軀如露水還在藤蔓顫抖時，他送給我們一場「完全浪漫又超技的李斯特」。

等音樂會結束了，至少有一張CD，一段YouTube 影像：不論孟捷代表生命的那朵鮮花是否枯萎，他彈奏如天使的音聲不會飛離，它會停留在那夜，繼續釋放芬芳。

這是盡生命之力、之情獨奏的音樂會。劉孟捷説：這樣當他走進手術室時，會少一點悲傷。

或許快樂的日子本來就不多，但讓這場「完全李斯特．完全劉孟捷」的獨奏會放出神聖的光彩吧！

我必將赴會，不會錯過！我知道此刻的獨奏會，很難複製，因為它綜合了太多的情感、愛念，釋放與生命的抒情。

*劉孟捷為此次獨奏會寫下的文字：This past year has seen some unprecedented changes in the world. Many lives have been lost and many have changed. The world has changed while many of us confront the uncertainty of the future.

For most musicians, life has changed. For months, we have been conducting our lessons online, and concerts have mostly stopped or become an online experience as well. More time has been spent learning how to improve the online teaching experience than one could have imagined. While I have felt the duty to continue teaching, the format the pandemic requires for teaching leaves me unwilling to spend more time than I have to.

And truly, I have had other things to deal with. When the pandemic started to worry the American public in March, I was in the middle of a tour with the String Quartet-in-Residence at Curtis, the Vera Quartet. However, our concerts were canceled, and everything came to a sudden halt.

I felt the universe had sent me an unexpected gift, as I had also just received some terrible news concerning my worsening aortic arches and a diagnosis of kidney cancer. The sudden halt in my professional schedule seemed perfect in its timing. I was able to settle into a monastic existence, to simply practice and attempt to heal.

I see many musicians itching to be concertizing again, and many stepped into new territory, performing on the internet. Many took time to develop new podcasts, and to write new materials for their art. Sadly, many have struggled as they have fallen into desperation without any concert incomes. Altogether the music industry seems to be in peril, and many worry about how music and musicians will survive.

However, I had my own survival to think about. Having been through many difficult experiences in my life, I knew this might be the most difficult I would encounter. My Doctors describe me as a walking time bomb. My condition could be lethal at any moment if my blood pressure gets out of control. So while others wrestle with the fate of the music industry, I’ve needed to face my own fate and mortality.

Playing concerts can mean many things to people. At different times throughout my life, I’ve felt the need to express different aspects of myself. When I was young, I wanted to embody the spirit of romanticism, playing lots of Chopin and Schumann. Then there was a period of time when I wanted to challenge myself by showing off pyrotechnics. I had a brooding period where I turned to the pathos of Rachmaninoff, and then felt the need to return to the purity of Schubert and nobility of Brahms. Throughout this pandemic, I wanted to play Bach. Through Bach’s music I found a kind of spiritual sanctuary.

In considering the program for this concert, I felt again the urge to play music that reflects my current feelings and state of mind. The title of today’s recital, “Years of Pilgrimage” seems to fit exactly what I am experiencing.

Liszt wrote several volumes of “Années de pèlerinage” throughout his life to reflect on thoughts he had during his travels. He links his philosophical thoughts to the scenery which inspired them. “Au Bord d’un Source” describes feelings of rejuvenation while standing next to a clear stream of water, a symbol and source of life and energy. It seems to say, when the stream is so pure, life can be so full of joy.

In the Les jeux d'eaux à la Villa d'Este (The Fountains of the Villa d'Este), the water has a magical and supernatural quality, as Liszt himself wrote in the inscription: "But the water that I shall give him shall become in him a well of water springing up into eternal life,"( from the Gospel of John.)

For me, I have never felt more connected to Liszt than when he looked upon the valley of Obermann and questioned the meaning of existence. At this moment in my life, I often find myself reflecting my experiences of what I see and read into philosophical musings. Perhaps many people come to a time when this is so.

In all this I have felt gratitude for the love stories and sonnets that one can romantically indulge in, and for storms so violent that they threaten to destroy one’s spirit, even the hell-bound journey which brings up questions about the purpose of life…

On this journey, I felt full and alive as a human being. Looking back on this journey, I am grateful for everything, whether happy or sad, to have made an impact, found and imparted meaning to this life.

The unusual time of this pandemic has marked a milestone for me. I have journeyed back home, and as it happened, this is the first time I have spent so much time in my hometown Kaohsiung in over 35 years. It’s particularly nostalgic to play these pieces as some of them were significant in my early musical career. Vallée d’Obermann was the piece I played in my first competition at the junior high school level, in which I won first prize on the national level, which allowed me to be qualified to apply for a special permission to study abroad. This meant my dream to be educated as a musician could be continued in an environment where I could develop fully. In the following year when I was 13, I won the first Asia-Pacific Youth PIano Competition with the Dante Sonata. The competition catapulted me into national attention as I was headlined in several newspapers, and especially since it was held in Kaohsiung, I became a local hero as well. During the same event, I had a fateful meeting with one of the important influences in my life, Mr. Gary Graffman, who then mentored me throughout not only the years when I was studying at Curtis, but throughout my illness and recovery as a pianist. Right before I departed to study in Philadelphia, I played my first solo recital throughout Taiwan, and along with the Dante Sonata, I also performed the three sonnets.

It’s perfect that now, back in Kaohsiung, all these memories have flooded back into my head. I feel so lucky to have been born here, and to have met my first teacher, Chin-Li Lee, who inspired me on the path to become a musician. Prof. Alexander Sung filled me with dreams of becoming an artist. I am grateful for his belief in my talent, when he chose to give a 12 year old such philosophical pieces to play.

Having once again spent some months in Kaohsiung, I can freshly appreciate the source of inspiration it once was for me. I have returned to the source to heal. Having already glimpsed hell’s gate several times, battered and weathered by the storms of life, I know there is a reason life is this way, and it all will be alright.

Meng-Chieh Liu
April, 2021

*劉孟捷衛武營《李斯特巡禮之年》演奏會中，包括李斯特以佩脫拉克三首情詩譜寫的鋼琴琴詩：這三首情詩是從大詩人佩脫拉克一百多首情詩挑出來的，詩本身就很優美，依此激發李斯特的浪漫主義創作靈感，成為琴藝上最困難演奏，但也特別細膩溫柔的琴詩。

這三首分別是：
〈佩脫拉克第47號十四行詩〉〈佩脫拉克第104號十四行詩〉及〈佩脫拉克第123號十四行詩〉。
Franz Liszt（1811-1886）: Sonetto 47 del Petrarca, Sonetto 104 del Petrarca, Sonetto 123 del Petrarca, from Années de pèlerinage, Deuxième année: Italie

李斯特於1846年先出版藝術歌曲《三首佩脫拉克十四行詩》（Tre sonetti del Petrarca），再改成鋼琴獨奏版。

三首佩脫拉克十四行詩
中譯：焦元溥（元溥也是友情贊助，特別準備音樂資料，周日南下，聆賞劉孟捷的樂曲，並且陪同他盯著錄音共三天）

〈第47〉
祝福每天、每月、每年，
所有片刻與鐘點、時間與季節，
在那美麗的原野，

我為一雙眼眸魂縈夢牽。

祝福初遇時的甜，
與愛同在、受苦不停歇，
如弓箭刺穿令我淌血，
傷口永留感動在我心間。

祝福一切我發出的聲音，
當呼喚著我深愛的女郎，
渴望、嘆息、淚濕滿襟。
祝福我寫下的文字遠揚，
歌頌她的芳名，萬古長新。
我心永屬於她，無人能闖。

〈第104〉
我找不到和平，也無意打仗，
我恐懼、我期望，燃燒又冰透。
我向天飛升，卻躺在地上，
我一無所有，卻又擁抱整個宇宙。

我身陷囹圄，監牢又開敞；
我不受囚禁，卻銬著鎖頭。
愛情不讓我死，也不讓我飛翔；
不要我活，也不准我逃離悲愁。

欲看卻無眼，啞口還在發言，
我甘心殞滅，卻仍高聲呼救，
我痛恨自己，但仍愛著他人。

憂傷滋潤我，淚水伴隨笑臉，
生命不足惜，死亡也不煩憂；
我淪落至此，都是妳啊，我的愛人！
〈第123〉

我在塵世見到仙子的美，

她天堂般優雅無與倫比。
想起她讓我悲傷又歡喜，
所見如幻夢迷霧與幽黑。

妳的可愛眼睛使我落淚，
多少次讓太陽也要妒忌。
我還聽到四周發出嘆息，
移動了山嶽停止了河水。

愛情智慧憐憫憂傷財富，
在淚水中形成甜美聲響，
奇妙和諧世上未曾目睹。
天堂追隨著音樂的流淌，
雖然枝上樹葉並未飛舞，
空氣與風息卻充滿芬芳。

5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784

Hey guys!

Finally sharing my birthday vlog and what i got for my birthday from my friends and mom. Was deffo super spoiled and couldn't be more grateful not only for the gifts but for being able to spend my birthday here for the first time in 7 years! Hope you guys enjoy our Ninh Binh highlights, we had such a gorgeous and relaxing time.


Also, since i do get lots of questions about my rings in general, i forgot to mention in the video that my mom got both the necklace and ring custom made at a jewellers, so i can't give you a specific brand name.


Had to add some music to drown out the traffic sounds outside, it kinda helped a little?? …. deffo not filming in this spot again.
Music credit:
Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/
Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100806
Artist: http://incompetech.com/


Items mentioned;
Hermes orange T-shirt: (Not available online)
Hermes pink “Oasis Sandal”: https://bit.ly/3tVs6Px
Hermes multicolour “Pour Sortir Blanket” : https://bit.ly/3cTAUhF
Dior grey “V-Neck Sweater”: https://bit.ly/3f61qam
Dior purple/black “CD Sweater”: https://bit.ly/3cN9k5C
Dior white/blue animal prints “Short Hooded Dress”: (Not available online), here is the same dress in oblique print https://bit.ly/3cN9Dxi
Louis Vuitton blue “Outdoor Backpack”: https://bit.ly/3cPUV8W
Louis Vuitton pink “Key Pouch”: https://bit.ly/2OYFnaV
Louis Vuitton white/blue “LV Patch Sporty Polo Sweater”: https://bit.ly/3147Bn9
Louis Vuitton pink “Twist Mini bag”: https://bit.ly/3f1CH77
Louis Vuitton multicolor “Parachute Parka” jacket: https://bit.ly/3944hwD

リクエストの多かった「映画のセリフを使った英語学習」シリーズ、今回はThe Internの面接のシーンです。英語初中級者もぜひ挑戦してみてください。

以下、スクリプトです（※動画を見る前に読まないでね）
👇
👇
👇
SAMANTHA : And after Northwestern, you went on to...
BEN : I went to work for Dex One.
SAMANTHA : Okay, and they made...
BEN : Phonebooks. I was_in charge of overseeing the printing of the physical phonebook. I did that for over 20 years, and before that I was their VP of sales and advertising.
SAMANTHA : So, do they still make phonebooks? I mean, doesn't everyone just Google numbers?
BEN : I believe they do, but before Google that was how you got...
SAMANTHA : Oh, no, no. Yeah, I get it.

🔽『海外ドラマや映画を字幕なしで見るための12ステップ』（動画レッスン）
https://englishbootcamp.jp/learn_with_movies
中級以上の学習者向けの動画コース（12レッスン）です。Yumiのコンサル付きプラチナコースは限定5名、売り切れ御免ですのでお急ぎを😉

※現在新規生徒募集及び対面コンサルは行っておりません。
　Yumiと直接やりとりができるのは、オンラインサロン（有料コミュニティー）のみとなります。
　👇オンラインサロンの詳細はこちら
https://peraichi.com/landing_pages/view/bootcampcommunity

🔽Yumiの著書（商業出版）

『ネコろんで学べる英語発音の本』（実務教育出版） ✨重版決定！✨
https://amzn.to/2Tn3aCz
『ネイティブ発音が3D映像でわかる！英語の発音トレーニングBOOK』（西東社）
https://amzn.to/2Tfw6eD
※現在重版に向けて準備中です。kindle版はCD・DVDが付いていませんが、音声のみ、西東社のサイトよりダウンロードできます。
https://www.seitosha.co.jp/native_training.html

🔽Yumiの英語発音教材（BASEにて発売中）

『Yumiの脱カタカナ英語マニュアル』（ダウンロード版・ＣＤ版）
https://enbootcamp.thebase.in/

・テキスト１０２ページ（PDF）
・音声９０分（MP3）
・動画４０分（MP4）

発声からリエゾン・リダクションに至るまで段階的に学べる、発音教材です。

■内容紹介、チュートリアルはこちら♪
https://youtu.be/W0dc03MdUns

■ユーザーの声はこちら♪
https://peraichi.com/landing_pages/vi...

🔽IU-Connectのアーサーとコラボしたオンライン発音講座はこちら
https://bit.ly/2uTGzCp

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メインクーン猫レオのひとこと英会話
https://line.me/S/sticker/9394212

スタンプの全フレーズ対訳付はこちら♪
https://englishbootcamp.jp/?p=15401

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✅Yumiの英語サロン（オンラインサロン）
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英語好き、海外好きな人たちがゆるゆると語り合う会員制サロンです。
Yumiに直接質問したり、オンラインお茶会などに参加できます✨

✅公式LINE
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毎週２～３回、英語発音や学習法について発信しています。
お得なクーポンやセミナー・オフ会情報などもありますよ。

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人気動画
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■日本人がネイティブの早口英語を聞き取れないわけ
https://youtu.be/OVTzGU3NDCc
■リスニングを伸ばすためのたった１つの方法
https://youtu.be/cXDAOQB9fL0
■Rの正しい発音－Rは巻き舌じゃありません！
https://youtu.be/jbGPeFFqJMc

#英語 #映画で英語 #マイインターン #アメリカ英語 #英語学習 #リエゾン #リダクション

【2020.10.16　「あなたへ」Digital Release】
https://big-up.style/Aw19PGLkxG

Turn subtitles ON for English!

今回は20年前（20年前!?）に渡米し子供ながらに挫折、奮闘していた頃のお話をしました。英語を話せるようになりたい！と思っている人にとって、ちょっとでも参考になればなと思います…ちなみにこの動画含めチャンネルの動画全てに英語字幕をつけているので、字幕を見ながら動画を再生するのもちょっとした勉強になるかもしれません。

自分の失敗っていつまでも引きずってしまうけど、誰かのミスって数時間後には忘れてるものじゃないですか？あんまりみんな気にしてないし忘れるものですよね。
あの頃嫌な思いもたくさんしたはずなんですけど、いくつかしか思い出せないんですよね。きっとそれ以上に周りに優しくしてもらったからだと思います。親に、友達に、あの頃私を助けてくれたみんなに心から感謝です。
私も最近英語力が流石に衰えてきているので、頑張ります…！
そして16日リリースの「あなたへ」、よろしくお願いします！

I can't believe I'm talking about my experiences from 20 years ago...
It’s hard to get over your own mistakes, while we forget about someone else's mistakes right away. People forget, and don't really care about other people (in a good way).
I want to thank my parents, friends, and everyone who helped me out back then, for turning me into who I am today.
Also, don't forget to listen to my next single "Anatae"! Thank you for watching!

[New Album - OVERTONES]
ダウンロード/ストリーミングはこちら
Available on download & streaming platforms.
https://ffm.to/overtones

[ FOLLOW ME]
Twitter : https://twitter.com/keibambooty
Instagram : https://www.instagram.com/keibamboo/
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[ YAMO (クリエイティブパートナー/Creative Partner）]
小3で英検2級をとってそのまま塩漬けにしている私が解説しますと、小学生が英検1級ってまじすごい！と思います。（僕は問題文の日本語を読む練習をしていた次元ですが）仮に言語の面で理解できても、問題文は政治、ビジネス、医療などの話などを含むので、小学生に理解できるのか？という課題が残りますよね。竹渕慶おそるべし！
(An in-depth explanation from an age-9-grade-2-passing-guy)
Passing the grade 1 English Proficiency Test at elementary school-age is almost frightful. Even if you understood the language, how could you grasp the context of politics and business side in the questions? Another Kei Takebuchi legend, it is.

Twitter : https://twitter.com/YAMO_wbsb
Instagram : https://www.instagram.com/yamo_wabisabi/

[ 機材提供 ]
ヒビノ株式会社　よりスピーカー「JBL 1 Series 104-BTW-Y3」

[ オリジナル楽曲のDL/ストリーミングはこちら | Stream and Download my songs!! ]
あなたへ：https://big-up.style/Aw19PGLkxG
24 HOURS：https://big-up.style/TlXomKU1o4
IN THIS BLANKET : https://linkco.re/y4z3tt5V
TORCH : https://linkco.re/vYHNVsFs
LOVE : https://linkco.re/0Ftr3g1N
　　　
[ グッズ/CD | MY MERCH/CDs ]
24 HoursロンT 発売！
https://muuu.com/users/f613d3ed8e46476e

[ その他オススメのビデオ | Other Recommended Videos ]
24 Hours：https://youtu.be/7mNKegcZvVs
Torch : https://youtu.be/y9ltZL5osBI
In This Blanket : https://youtu.be/s9MXv28fJsY
ASMR : https://youtu.be/rJe4ebh2AFc
「天気の子」Mash Up : https://youtu.be/ZcT2UOmcwIo

[オンラインコミュニティーPATREON]
https://www.patreon.com/KeiTakebuchiYAMO

#英語 #アメリカ #竹渕慶

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ファンレター送り先｜Fan letters
〒107-6228
東京都港区赤坂9-7-1 ミッドタウン・タワー 28階
UUUM株式会社 竹渕慶 宛

Kei Takebuchi（UUUM）
〒107-6228
Midtown Tower 28F, 9-7-1, Akasaka, Minato-ku, Tokyo, Japan